X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;ds=sidebyside;f=Documentation%2Fweb%2Fintroduction.itexi;h=43f4e4fc3c3bc79f4d372f23b2d024e019ad5b42;hb=e2d7136f142d0b9238ebb38a6f0811df0d84b7db;hp=7088f9e31a355165453cccc5ca11b569550f0b26;hpb=ac1f5ee6bc66e39e4fec27434ebb7c7300bab71e;p=lilypond.git diff --git a/Documentation/web/introduction.itexi b/Documentation/web/introduction.itexi index 7088f9e31a..43f4e4fc3c 100644 --- a/Documentation/web/introduction.itexi +++ b/Documentation/web/introduction.itexi @@ -142,10 +142,10 @@ simply save a file for later reference. @subsubheading Mix music and text Put fragments of music into texts without cutting and pasting -pictures. Integrate music into @LaTeX{} or HTML seamlessly, or add -music to OpenOffice.org with OOoLilyPond. Plugins are also available -to allow LilyPond code in various blogs and wikis, making online -collaboration possible. +pictures. Integrate music into @LaTeX{} and HTML seamlessly, or add +music to OpenOffice.org or LibreOffice with OOoLilyPond. Plugins are +also available to allow LilyPond code in various blogs and wikis, making +online collaboration possible. @subsubheading Accessibility @@ -497,6 +497,31 @@ Some highlights: @divClass{keep-bullets} @itemize +@item +Joe Smeets created sheet music for the children's book @emph{Zing Mee} +(@emph{Sing along}) by Annie M.G. published by Querido -- ISBN +9789045106205: +@uref{http://www.queridokinderenjeugdboeken.nl/web/Boek.htm?dbid=18954&typeofpage=134707, www.queridokinderenjeugdboeken.nl}; choir +rehearsal scores for the Dutch translation of Benjamin Britten's +@emph{Saint Nicolas} performed by @emph{Muziektheater Hollands Diep} in +2011. +@uref{http://www.muziektheaterhollandsdiep.nl/nl/voorstellingen/sint_nicolaas_leeft, www.muziektheaterhollandsdiep.nl}; and is currently +working on the score and parts for an arrangement of Moussurgsky's +@emph{Boris Godounov} for wind quartet, piano and percussion. To be +performed in 2014, again by @emph{Muziektheater Hollands Diep}. + +@item +A critical edition of Tommaso Traetta's @emph{Enea nel Lazio (1760)}, +opera series with libretto by Vittorio Amedeo Cigna-Santi, in four +parts: +@uref{http://www.academia.edu/1987651/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_1_4_, Part One} +@uref{http://www.academia.edu/1994533/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_2_4_, Part Two} +@uref{http://www.academia.edu/1994558/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_3_4_, Part Three} +@uref{http://www.academia.edu/1996242/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_4_4_, Part Four} +Created by +@uref{http://unito.academia.edu/LucaRossettoCasel, Luca Rossetto Casel} +for his Ph.D. Thesis. + @item Mussorgsky's @emph{Pictures at an exhibition}, re-orchestrated and conducted by @uref{http://www.aurelienbello.com/,Aurélien Bello} with @@ -516,12 +541,11 @@ Chrysalis Duo} ; @emph{thrafsmata} performed in July 2011 by the @uref{http://www.pnme.org/CurrentSeason/PreviousSeasons.html, Pittsburgh New Music Ensemble}. - @item @emph{Anonymous Student Compliment or Complaint}, by @uref{http://www.mikesolomon.org, Mike Solomon}, winner chosen from among 172 entries from 22 countries of the -@uref{http://leftcoastensemble.org/contest, 2011 Left Coast Composition Contest}. +@uref{http://leftcoastensemble.org, 2011 Left Coast Composition Contest}. Other works include, Norman (age 1) for clarinet solo, performed at the @uref{http://emu.music.ufl.edu/fems_concerts.html, University of Florida}'s Electroacoustic Music Festival (FEMF), October 2010. @@ -534,16 +558,16 @@ Italy. @uref{http://www.ascarlatti2010.net, Alessandro Scarlatti 2010}, in celebration of the composer's 350th birthday. @item -@uref{http://www.mercurybaroque.org/02/02109.aspx, Mercury Baroque}'s -performance of Lully's @emph{Armide}, May 15-16, 2009, in Houston, -Texas (engraving by @uref{http://nicolas.sceaux.free.fr/, -Nicolas Sceaux}). +@uref{http://www.mercurybaroque.org, Mercury Baroque}'s performance of +Lully's @emph{Armide}, May 15-16, 2009, in Houston, Texas (engraving by +@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}). @item Instrumental excerpts from Rameau's @emph{Hippolyte et Aricie} at St. James's Church in Manhattan, May 8, 2009, by Frederick Renz and his ensemble @uref{http://www.earlymusicny.org/, Early Music -New York} (engraving by Nicolas Sceaux). +New York} (engraving by +@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}). @item @emph{Affaire étrangère}, an opera by @@ -717,8 +741,8 @@ October 2004 The editors of Computer!Totaal, a Dutch computer magazine, @uref{http://lilypond.org/website/pdf/computer-totaal.jpeg, describe LilyPond} in the October 2004 issue as: @qq{Wonderful -free (open source) software [..] The sheet music produced by -LilyPond is exceptionally pretty [..] a very powerful system that +free (open source) software [@dots{}] The sheet music produced by +LilyPond is exceptionally pretty [@dots{}] a very powerful system that can do almost anything.} @item @@ -745,7 +769,7 @@ February 2004 Jazz singer Gail Selkirk writes about @uref{http://www.songbirdofswing.com/editorial_page/lilypond/, -Diving into LilyPond}. @qq{... you can make lead sheets or full +Diving into LilyPond}. @qq{@dots{} you can make lead sheets or full orchestral parts, and the results can be stunning.} @uref{http://www.computermusic.co.uk/, Computer Music Special}, issue CMS06. @@ -801,12 +825,11 @@ the raw, untouched output.} work. I've never seen anything approaching the output that I get from LilyPond -- I'm totally confident that my music publishing needs will be fulfilled beyond my expectations using this great -application. [..] basically untweaked LilyPond output [..] looks -better than most recent @q{professional} publications I've compared -it to (q.v., just about any Warner Bros. score, and even many of -the most recent by @q{the old houses}). [..]} - -@qq{Beat that, Finale/Sibelius/Igor/whatever!!!} +application. [@dots{}] basically untweaked LilyPond output +[@dots{}] looks better than most recent @q{professional} +publications I've compared it to (q.v., just about any Warner +Bros. score, and even many of the most recent by @q{the old +houses}). [@dots{}]} @qq{Beat that, Finale/Sibelius/Igor/whatever!!!} @divEnd @@ -843,7 +866,7 @@ time. I'm convinced that no commercial product can come close.} @divClass{testimonial-item} @subsubheading David Bobroff, Bass Trombone, Iceland Symphony Orchestra -@qq{I think LilyPond is great [..] The more I learn about LilyPond +@qq{I think LilyPond is great [@dots{}] The more I learn about LilyPond the more I like it!} @divEnd @@ -851,7 +874,7 @@ the more I like it!} @divClass{testimonial-item} @subsubheading Vaylor Trucks, Electric guitar player (Yes, @uref{http://www.allmanbrothersband.com/modules.php?op=modload&name=userpage&file=content&page_id=12, related to}) -@qq{I am super impressed with LilyPond [..]} +@qq{I am super impressed with LilyPond [@dots{}]} @qq{THIS IS THE BEST PROGRAM EVER!!!} @@ -864,7 +887,7 @@ the more I like it!} @qq{I had a kind of hate-passion relationship with it. Passion because the first score I saw was so amazing! The description of -LilyPond lies about its beautifulness, it is too modest! [..] as +LilyPond lies about its beautifulness, it is too modest! [@dots{}] as LilyPond is getting always better, and as I look closer how things are done in scheme, I have less and less frustrations. Anyway, what I mean is: thank you for providing LilyPond, it is really @@ -1013,6 +1036,10 @@ correctly, when in fact it is working precisely as designed. More in-depth information is available in @ref{Manuals}. +Ben Lemon, a LilyPond user, has created a range of +@uref{http://benlemon.me/blog/music/lilypond/operation-lilypond/,video tutorials} +on his blog and which are aimed at new users. + @subsubheading Easier editing environments @@ -1043,6 +1070,31 @@ convinced? Read about @ref{Easier editing}. @node Easier editing @unnumberedsec Easier editing +@ignore +GNU policy forbids us from linking to non-Free software, so don't +add such links. + +In particular, don't link to: +- the LilyPond bundle for TextMate (a commercial editor for MacOS). + +@end ignore + +@divClass{column-center-top} +@subheading Tunefl + +@sourceimage{logo-linux,,,} +@sourceimage{logo-freebsd,,,} +@sourceimage{logo-macosx,,,} +@sourceimage{logo-windows,,,} + +@uref{http://www.tunefl.com} + +With tunefl you can typeset your scores directly online +without needing to install LilyPond locally. It allows +trying out all the program's features using a convenient +web interface. + +@divEnd @divClass{column-center-top} @subheading LilyPondTool @@ -1074,12 +1126,13 @@ viewer with advanced point-and-click support. @sourceimage{logo-linux,,,} @sourceimage{logo-freebsd,,,} +@sourceimage{logo-windows,,,} @uref{http://www.frescobaldi.org} Frescobaldi is lightweight, yet powerful LilyPond music and text editor with a built-in PDF viewer. It is easy to use and will run on all major -operating systems (Linux, Mac OS X and Windows). +operating systems (GNU/Linux, Mac OS X and Windows). @divEnd @@ -1114,16 +1167,22 @@ the text view when printed from there. @sourceimage{logo-macosx,,,} @sourceimage{logo-windows,,,} +@uref{http://elysium.thsoft.hu} + +Elysium is a LilyPond IDE for Eclipse with an integrated, side-by-side +view for source and score. It includes rapid visual & auditive feedback +without having to switch contexts, and comes with many wizard-driven +templates. + @uref{http://www.gnu.org/software/emacs/} Emacs is a text editor with language-sensitive capabilities for many different computer languages. Emacs is a highly extensible editor and can be used as an Integrated Development Environment. There is a @q{lilypond mode} which supplies the language -definitions for working with LilyPond source files. As well, one of -our developers has written -@uref{http://nicolas.sceaux.free.fr/lilypond/lyqi.html,lyqi}, an -Emacs major mode. +definitions for working with LilyPond source files. A developer +has written @uref{https://github.com/nsceaux/lyqi,lyqi}, an Emacs major +mode. @uref{http://www.vim.org} @@ -1148,17 +1207,6 @@ using the extensions available at: @uref{http://users.dimi.uniud.it/~nicola.vitacolonna/home/content/lilypond-scripts} @end example -@sourceimage{logo-macosx,,,} -There is a LilyPond bundle for TextMate, a commercial editor for MacOS. -It may be installed by running: - -@example -mkdir -p /Library/Application\ Support/TextMate/Bundles -cd /Library/Application\ Support/TextMate/Bundles -git clone http://github.com/textmate/lilypond.tmbundle.git - -@end example - @divEnd @divClass{column-center-top} @@ -1170,39 +1218,52 @@ git clone http://github.com/textmate/lilypond.tmbundle.git @itemize @item -@uref{http://www.canorus.org,Canorus}, a score editor, can also -export to LilyPond, but is still beta-software. Testers are -welcome, though. +@uref{http://www.jezra.net/projects/bwwtolily,bwwtolily} attempts to +convert a @code{.bww} or @code{.bmw} file to LilyPond. While not all of +the embellishments may get converted properly (this is especially true +with piobaireachd), the program will list them. + +@item +@uref{http://www.canorus.org,Canorus}, a score editor, can also export +to LilyPond, but is still beta-software. Testers are welcome, though. @item -@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml, -NtEd}, a score editor based on the -@uref{http://www.cairographics.org,Cairo} library, has experimental -support for exporting to LilyPond. +@uref{http://enc2ly.sourceforge.net/en/,Enc2ly} is a GNU/Linux program +which converts an @uref{http://www.gvox.com/,Encore} music score into +a LilyPond one. + +@item +@uref{https://github.com/hanwen/go-enc2ly,go-enc2ly} is a Go tool that +converts @uref{http://www.gvox.com/,Encore} files to LilyPond. It was +created using Felipe Castro's research and reverse engineering by +tweaking existing .enc files and loading them using the 4.55 demo +version. @item @uref{http://www.musescore.org,MuseScore}, a score editor, has incomplete LilyPond export but is being actively developed. @item -@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm, -NW2LY} is a C# program which converts a -@uref{http://www.noteworthysoftware.com/,NoteWorthy} song into -LilyPond. +@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd}, +a score editor based on the @uref{http://www.cairographics.org,Cairo} +library, it has experimental support for exporting to LilyPond. + +@item +@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm,NW2LY} +is a C# program which converts a NoteWorthy composer song into LilyPond. @item -@uref{https://github.com/ciconia/ripple/blob/master/README.markdown, -Ripple} is a program that helps create scores and parts, including a -mode for mixing different musical works together in a single score or -part. +@uref{https://github.com/ciconia/ripple/blob/master/README.markdown,Ripple} +is a program that helps create scores and parts, including a mode for +mixing different musical works together in a single score or part. @item @uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and MIDI sequencer, which also has a score editor for single-staff editing. @item -@uref{http://www.volny.cz/smilauer/rumor/rumor.html,Rumor}, a -realtime monophonic MIDI to LilyPond converter. +@uref{https://launchpad.net/rumor/,Rumor}, a realtime monophonic +MIDI-to-LilyPond converter. @item @uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack tablature @@ -1216,18 +1277,19 @@ editor and player, includes a score viewer and can export to LilyPond. @item @uref{http://www.projectabjad.org/,Abjad}, a -@uref{http://www.python.org/,Python} API for Formalized Score -Control designed to help composers build up complex pieces of -LilyPond notation in an iterative and incremental way. +@uref{http://www.python.org/,Python} API for Formalized Score Control +designed to help composers build up complex pieces of LilyPond notation +in an iterative and incremental way. @item -@uref{http://common-lisp.net/project/fomus/,FOMUS}, a LISP library -to generate music notation from computer music software -environments. +@uref{http://common-lisp.net/project/fomus/,FOMUS}, (FOrmat MUSic) is a +music notation tool for computer music composers. It is written in the +Lisp programming language, and has been tested in a variety of +interpreters. A C++ port is also available. @item -@uref{http://strasheela.sourceforge.net,Strasheela}, an -environment built on top of the +@uref{http://strasheela.sourceforge.net/strasheela/doc/index.html,Strasheela}, +an environment built on top of the @uref{http://www.mozart-oz.org/, Mozart/Oz} constraint programming language. @@ -1242,12 +1304,12 @@ language. @item @uref{http://lilykde.googlecode.com/,LilyKDE} has been replaced by -@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as -LilyKDE3 for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only. +@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as LilyKDE3 +for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only. @item @uref{http://noteedit.berlios.de,NoteEdit}, which imported -@uref{http://www.musicxml.com/xml.html,MusicXML}, has been forked +@uref{http://www.makemusic.com/musicxml,MusicXML}, has been forked into @uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd} and @uref{http://canorus.org,Canorus}. @@ -1256,7 +1318,7 @@ and @uref{http://canorus.org,Canorus}. @item @uref{http://lilycomp.sourceforge.net, LilyComp} is a graphical note entry program, acting much like a number-pad which produces -lilypond notes. +LilyPond notes. @end itemize