X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;ds=sidebyside;f=Documentation%2Fuser%2Fnotation-appendices.itely;h=8c6bc0618f57d1c58302b3ad18da9fff9670ba59;hb=dc8e9c050a98c809e66b10d9ae1d3df9d3b0190f;hp=0158773c578ae7f6a500a044a5113369f033edd0;hpb=b90a4cf94efb4d0069113b50fda0e51cc6676e6b;p=lilypond.git

diff --git a/Documentation/user/notation-appendices.itely b/Documentation/user/notation-appendices.itely
index 0158773c57..8c6bc0618f 100644
--- a/Documentation/user/notation-appendices.itely
+++ b/Documentation/user/notation-appendices.itely
@@ -7,21 +7,41 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.11.51"
+@c \version "2.11.61"
 
 @node Notation manual tables
 @appendix Notation manual tables
 
+@c Please do not delete the following @ignore block.
+@ignore
+Note for editors and translators: In the following menu, two entries
+are needed to link to a pair of automatically generated sections.
+Please keep them and, if using emacs, do not run
+texinfo-all-menus-update without manually restoring them back. These
+menu entries are:
+
+* Text markup commands::
+* Text markup list commands::
+
+and they should go just after
+* Note head styles::
+
+and just before
+* List of articulations::
+@end ignore
+
 @menu
 * Chord name chart::            
-* Common chord modifiers::
+* Common chord modifiers::      
+* Predefined fretboard diagrams::  
 * MIDI instruments::            
 * List of colors::              
 * The Feta font::               
 * Note head styles::            
 * Text markup commands::        
-* Text markup list commands::   
+* Text markup list commands::
 * List of articulations::       
+* Percussion notes::            
 * All context properties::      
 * Layout properties::           
 * Identifiers::                 
@@ -63,7 +83,7 @@ Major third, perfect fifth
 @tab
 @code{5} or nothing
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:5
 }
@@ -76,7 +96,7 @@ Minor third, perfect fifth
 @tab
 @code{m} or @code{m5}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m
 }
@@ -89,7 +109,7 @@ Major third, augmented fifth
 @tab
 @code{aug}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:aug
 }
@@ -102,7 +122,7 @@ Minor third, diminished fifth
 @tab
 @code{dim}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:dim
 }
@@ -115,7 +135,7 @@ Major triad, minor seventh
 @tab
 @code{7}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:7
 }
@@ -128,7 +148,7 @@ Major triad, major seventh
 @tab
 @code{maj7} or @code{maj}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj7
 }
@@ -141,7 +161,7 @@ Minor triad, minor seventh
 @tab
 @code{m7}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m7
 }
@@ -154,7 +174,7 @@ Diminished triad, diminished seventh
 @tab
 @code{dim7}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:dim7
 }
@@ -167,7 +187,7 @@ Augmented triad, minor seventh
 @tab
 @code{aug7}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:aug7
 }
@@ -180,7 +200,7 @@ Diminished triad, minor seventh
 @tab
 @code{dim5m7}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:dim5m7
 }
@@ -193,7 +213,7 @@ Minor triad, major seventh
 @tab
 @code{7m5}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:7m5
 }
@@ -206,7 +226,7 @@ Major triad, sixth
 @tab
 @code{6}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:6
 }
@@ -219,7 +239,7 @@ Minor triad, sixth
 @tab
 @code{m6}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m6
 }
@@ -232,7 +252,7 @@ Dominant seventh, major ninth
 @tab
 @code{9}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:9
 }
@@ -245,7 +265,7 @@ TODO
 @tab
 @code{maj9}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj9
 }
@@ -258,7 +278,7 @@ TODO
 @tab
 @code{m9}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m9
 }
@@ -271,7 +291,7 @@ Dominant ninth, perfect eleventh
 @tab
 @code{11}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:11
 }
@@ -284,7 +304,7 @@ TODO
 @tab
 @code{maj11}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj11
 }
@@ -297,7 +317,7 @@ TODO
 @tab
 @code{m11}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m11
 }
@@ -310,7 +330,7 @@ Dominant eleventh, major thirteenth
 @tab
 @code{13.11}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:13.11
 }
@@ -323,7 +343,7 @@ TODO
 @tab
 @code{maj13.11}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:maj13.11
 }
@@ -336,7 +356,7 @@ TODO
 @tab
 @code{m13.11}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:m13.11
 }
@@ -349,7 +369,7 @@ TODO
 @tab
 @code{sus2}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:sus2
 }
@@ -362,7 +382,7 @@ TODO
 @tab
 @code{sus4}
 @tab
-@lilypond[line-width=3\cm,noragged-right]
+@lilypond[line-width=3\cm,noragged-right, notime]
 \chordmode {
   c1:sus4
 }
@@ -371,6 +391,13 @@ TODO
 
 @end multitable
 
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+The chart below shows the predefined fretboard diagrams.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
 @node MIDI instruments
 @appendixsec MIDI instruments
 
@@ -585,8 +612,13 @@ The following styles may be used for note heads.
 
 Here is a chart showing all scripts available,
 
-@lilypondfile[ragged-right,quote]{script-chart.ly}
+@lilypondfile[quote]{script-chart.ly}
+
+
+@node Percussion notes
+@appendixsec Percussion notes
 
+@lilypondfile[quote]{percussion-chart.ly}
 
 
 @node All context properties