X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;ds=sidebyside;f=Documentation%2Fnotation%2Fvocal.itely;h=fe6f26e880686c263088371a1af44babd1184fcb;hb=d36171e34d236d890f5dc511b895037188c6c7cb;hp=013fabfd9b17b804d5a3be7d6b058c28f2bfb0ef;hpb=c054eb280fd9953596eb164f67b0f9d5555c5a32;p=lilypond.git diff --git a/Documentation/notation/vocal.itely b/Documentation/notation/vocal.itely index 013fabfd9b..fe6f26e880 100644 --- a/Documentation/notation/vocal.itely +++ b/Documentation/notation/vocal.itely @@ -7,7 +7,7 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.19.2" +@c \version "2.19.21" @node Vocal music @section Vocal music @@ -156,7 +156,7 @@ into the input file, providing it is saved with UTF-8 encoding. For more information, see @ref{Special characters}. @lilypond[quote,verbatim] -\relative c'' { d8 c16 a bes8 f ees' d c4 } +\relative { d''8 c16 a bes8 f ees' d c4 } \addlyrics { „Schad’ um das schö -- ne grü -- ne Band, } @end lilypond @@ -165,7 +165,7 @@ with a backslash character and the whole syllable has to be enclosed between additional quotes. For example, @lilypond[quote,verbatim] -\relative c' { \time 3/4 e4 e4. e8 d4 e d c2. } +\relative { \time 3/4 e'4 e4. e8 d4 e d c2. } \addlyrics { "\"I" am so lone -- "ly,\"" said she } @end lilypond @@ -289,9 +289,9 @@ and entered with @code{\lyricmode}. @lilypond[quote,ragged-right,verbatim] << - \new Voice = "one" \relative c'' { + \new Voice = "one" \relative { \time 2/4 - c4 b8. a16 g4. f8 e4 d c2 + c''4 b8. a16 g4. f8 e4 d c2 } % uses previous explicit duration of 2; @@ -432,7 +432,7 @@ Here is an example, @lilypond[verbatim,quote] { \time 3/4 - \relative c' { c2 e4 g2. } + \relative { c'2 e4 g2. } \addlyrics { play the game } } @end lilypond @@ -444,7 +444,7 @@ More stanzas can be added by adding more @lilypond[ragged-right,verbatim,quote] { \time 3/4 - \relative c' { c2 e4 g2. } + \relative { c'2 e4 g2. } \addlyrics { play the game } \addlyrics { speel het spel } \addlyrics { joue le jeu } @@ -534,8 +534,8 @@ Here are two examples: @lilypond[quote,verbatim,ragged-right] << \new Staff { - \relative c'' { - c2 c2 + \relative { + c''2 c2 d1 } } @@ -545,8 +545,8 @@ Here are two examples: } } \new Staff { - \relative c' { - c8 c c c c c c c + \relative { + c'8 c c c c c c c c8 c c c c c c c } } @@ -884,8 +884,8 @@ Variables containing lyrics can be created, but the lyrics must be entered in lyric mode: @lilypond[quote,verbatim] -musicOne = \relative c'' { - c4 b8. a16 g4. f8 e4 d c2 +musicOne = \relative { + c''4 b8. a16 g4. f8 e4 d c2 } verseOne = \lyricmode { Joy to the world, the Lord is come. @@ -914,8 +914,8 @@ voices referenced by @code{\lyricsto} have always been defined earlier. For example: @lilypond[quote,verbatim] -sopranoMusic = \relative c'' { c4 c c c } -contraltoMusic = \relative c'' { a4 a a a } +sopranoMusic = \relative { c''4 c c c } +contraltoMusic = \relative { a'4 a a a } sopranoWords = \lyricmode { Sop -- ra -- no words } contraltoWords = \lyricmode { Con -- tral -- to words } @@ -973,7 +973,7 @@ context: << \new Staff { \new Voice = "melody" { - \relative c'' { c4 c c c } + \relative { c''4 c c c } } } \new Lyrics { @@ -995,7 +995,7 @@ specify the position of the lyrics: << \new Staff = "staff" { \new Voice = "melody" { - \relative c'' { c4 c c c } + \relative { c''4 c c c } } } \new Lyrics \with { alignAboveContext = "staff" } { @@ -1022,7 +1022,7 @@ follows: } \new Staff { \new Voice = "melody" { - \relative c'' { c4 c c c } + \relative { c''4 c c c } } } \context Lyrics = "lyrics" { @@ -1043,7 +1043,7 @@ is an example of the second method: \new ChoirStaff << \new Staff { \new Voice = "sopranos" { - \relative c'' { c4 c c c } + \relative { c''4 c c c } } } \new Lyrics = "sopranos" @@ -1053,7 +1053,7 @@ is an example of the second method: } \new Staff { \new Voice = "contraltos" { - \relative c'' { a4 a a a } + \relative { a'4 a a a } } } \context Lyrics = "sopranos" { @@ -1114,8 +1114,8 @@ To make this change for all lyrics in the score, set the property in the @lilypond[verbatim,quote,ragged-right] \score { - \relative c' { - c c c c + \relative { + c' c c c c c c c } \addlyrics { @@ -1179,8 +1179,8 @@ unchanged. << \new Staff { \new Voice = "melody" { - \relative c'' { - a4 a a a + \relative { + a'4 a a a \repeat volta 2 { b4 b b b } } } @@ -1204,8 +1204,8 @@ unfolded. << \new Staff { \new Voice = "melody" { - \relative c'' { - a4 a a a + \relative { + a'4 a a a \repeat volta 2 { b4 b b b } } } @@ -1229,8 +1229,8 @@ simply enter all the words: << \new Staff { \new Voice = "melody" { - \relative c'' { - a4 a a a + \relative { + a'4 a a a \repeat unfold 2 { b4 b b b } } } @@ -1255,8 +1255,8 @@ correctly nested in parallel sections: << \new Staff { \new Voice = "melody" { - \relative c'' { - a4 a a a + \relative { + a'4 a a a \repeat volta 2 { b4 b b b } } } @@ -1282,8 +1282,8 @@ More verses may be added in a similar way: << \new Staff { \new Voice = "singleVoice" { - \relative c'' { - a4 a a a + \relative { + a'4 a a a \repeat volta 3 { b4 b b b } c4 c c c } @@ -1322,8 +1322,8 @@ To position them correctly use @code{alignBelowContext}: << \new Staff { \new Voice = "melody" { - \relative c'' { - a4 a a a + \relative { + a'4 a a a \repeat volta 3 { b4 b b b } c4 c c c } @@ -1347,8 +1347,8 @@ To position them correctly use @code{alignBelowContext}: The end sec -- tion. } \new Voice = "harmony" { - \relative c' { - f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2 + \relative { + f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2 } } >> @@ -1374,8 +1374,8 @@ same structure can be used for both the lyrics and music. \new Staff { \time 2/4 \new Voice = "melody" { - \relative c'' { - a4 a a a + \relative { + a'4 a a a \repeat volta 2 { b4 b } \alternative { { b b } { b c } } } @@ -1903,8 +1903,8 @@ changed: @lilypond[verbatim,ragged-right,quote] << - \new Voice = melody \relative c' { - f4 \appoggiatura a32 b4 + \new Voice = melody \relative { + f'4 \appoggiatura a32 b4 \grace { f16 a16 } b2 \afterGrace b2 { f16[ a16] } \appoggiatura a32 b4 @@ -2031,8 +2031,8 @@ different ways to force linebreaks when using @code{\markup}. @lilypond[ragged-right,verbatim,quote] -melody = \relative c' { -e d c d | e e e e | +melody = \relative { +e' d c d | e e e e | d d e d | c1 | } @@ -2073,8 +2073,8 @@ introduces each verse. The following example shows how to produce such output in LilyPond. @lilypond[ragged-right,quote,verbatim] -melody = \relative c' { - c4 c c c | d d d d +melody = \relative { + c'4 c c c | d d d d } text = \lyricmode { @@ -2367,12 +2367,12 @@ above their respective staves, as shown here: \new ChoirStaff << \new Staff { \new Voice { - \relative c'' { g4\f g g g } + \relative { g'4\f g g g } } } \new Staff { \new Voice { - \relative c' { d4 d d\p d } + \relative { d'4 d d\p d } } } >> @@ -2544,9 +2544,9 @@ staff is dedicated to that character alone: \new Staff { \set Staff.vocalName = \markup \smallCaps Kaspar \set Staff.shortVocalName = \markup \smallCaps Kas. - \relative c' { + \relative { \clef "G_8" - c4 c c c + c'4 c c c \break c4 c c c } @@ -2555,7 +2555,7 @@ staff is dedicated to that character alone: \set Staff.vocalName = \markup \smallCaps Melchior \set Staff.shortVocalName = \markup \smallCaps Mel \clef "bass" - \relative c' { + \relative { a4 a a a a4 a a a } @@ -2641,19 +2641,19 @@ close to the start of the cue notes. The following example shows how this is done. @lilypond[quote,verbatim] -flute = \relative c'' { - s4 s4 e g +flute = \relative { + s4 s4 e'' g } \addQuote "flute" { \flute } -pianoRH = \relative c'' { - c4. g8 +pianoRH = \relative { + c''4. g8 % position name of cue-ing instrument just before the cue notes, % and above the staff <>^\markup { \right-align { \tiny "Flute" } } \cueDuring "flute" #UP { g4 bes4 } } -pianoLH = \relative c { c4 e, } +pianoLH = \relative { c4 e, } \score { \new PianoStaff << @@ -2689,7 +2689,7 @@ pianoRH = \relative c'' { \cueDuring "clarinet" #DOWN { c4. g8 } g4 bes4 } -pianoLH = \relative c { c4 e, } +pianoLH = \relative { c4 e, } \score { << @@ -2900,15 +2900,15 @@ all staves remove the bar line engraver completely: \score { \new StaffGroup << \new Staff { - \relative c'' { - a4 b c2 | + \relative { + a'4 b c2 | a4 b c2 | a4 b c2 | } } \new Staff { - \relative c'' { - a4 b c2 | + \relative { + a'4 b c2 | a4 b c2 | a4 b c2 | } @@ -2930,15 +2930,15 @@ Bar lines can also be removed on a staff-by-staff basis: \new ChoirStaff << \new Staff \with { \remove "Bar_engraver" } { - \relative c'' { - a4 b c2 | + \relative { + a'4 b c2 | a4 b c2 | a4 b c2 | } } \new Staff { - \relative c'' { - a4 b c2 | + \relative { + a'4 b c2 | a4 b c2 | a4 b c2 | } @@ -3008,8 +3008,8 @@ finalis = { } \score { - \relative c'' { - g2 a4 g + \relative { + g'2 a4 g \divisioMinima g2 a4 g \divisioMaior @@ -3032,8 +3032,8 @@ Chants usually omit the time signature and often omit the clef too. @lilypond[verbatim,quote] \score { \new Staff { - \relative c'' { - a4 b c2 | + \relative { + a'4 b c2 | a4 b c2 | a4 b c2 | } @@ -3058,22 +3058,22 @@ in each half always contains a single chord of whole notes. This is the @qq{reciting note}. Chants are usually centered on the page. @lilypond[verbatim,quote] -SopranoMusic = \relative g' { - g1 | c2 b | a1 | \bar "||" +SopranoMusic = \relative { + g'1 | c2 b | a1 | \bar "||" a1 | d2 c | c b | c1 | \bar "||" } -AltoMusic = \relative c' { - e1 | g2 g | f1 | +AltoMusic = \relative { + e'1 | g2 g | f1 | f1 | f2 e | d d | e1 | } -TenorMusic = \relative a { - c1 | c2 c | c1 | +TenorMusic = \relative { + c'1 | c2 c | c1 | d1 | g,2 g | g g | g1 | } -BassMusic = \relative c { +BassMusic = \relative { c1 | e2 e | f1 | d1 | b2 c | g' g | c,1 | }