X-Git-Url: https://git.donarmstrong.com/?a=blobdiff_plain;ds=sidebyside;f=Documentation%2Fes%2Fuser%2Fnotation-appendices.itely;h=e1e1ca2c7259896a1d929d49a6003dc79fd41e20;hb=d31248d7770fb5770c2caacfb3547984bf8dcdc3;hp=058490f592ce87df199266087e8823597ab336b3;hpb=37ca1f80bf5401accd17056938f4f7b2c147ddb2;p=lilypond.git

diff --git a/Documentation/es/user/notation-appendices.itely b/Documentation/es/user/notation-appendices.itely
index 058490f592..e1e1ca2c72 100644
--- a/Documentation/es/user/notation-appendices.itely
+++ b/Documentation/es/user/notation-appendices.itely
@@ -1,30 +1,51 @@
-@c -*- coding: utf-8; mode: texinfo; -*-
+@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @c This file is part of lilypond.tely
 @ignore
-    Translation of GIT committish: da006143c0f2d621c51a0f1892ee25d4257b1eb3
+    Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.11.38"
+@c \version "2.12.0"
 
 @node Notation manual tables
 @appendix Notation manual tables
 
+@c Please do not delete the following @ignore block.
+@ignore
+Note for editors and translators: In the following menu, two entries
+are needed to link to a pair of automatically generated sections.
+Please keep them and, if using emacs, do not run
+texinfo-all-menus-update without manually restoring them back. These
+menu entries are:
+
+* Text markup commands::
+* Text markup list commands::
+
+and they should go just after
+* Note head styles::
+
+and just before
+* List of articulations::
+@end ignore
+
 @menu
-* Chord name chart::            
-* MIDI instruments::            
-* List of colors::              
-* The Feta font::               
-* Note head styles::            
-* Text markup commands::  
-* Text markup list commands::  
-* List of articulations::       
-* All context properties::      
-* Layout properties::           
-* Identifiers::                 
-* Scheme functions::            
+* Chord name chart::
+* Common chord modifiers::
+* Predefined fretboard diagrams::
+* MIDI instruments::
+* List of colors::
+* The Feta font::
+* Note head styles::
+* Text markup commands::
+* Text markup list commands::
+* List of articulations::
+* Percussion notes::
+* All context properties::
+* Layout properties::
+* Identifiers::
+* Scheme functions::
 @end menu
 
 
@@ -37,6 +58,361 @@ junto a las notas que representan.
 
 @lilypondfile{chord-names-jazz.ly}
 
+@node Common chord modifiers
+@appendixsec Common chord modifiers
+
+La tabla siguiente presenta los modificadores de acorde que se pueden
+usar en el modo de acordes @code{\chordmode} para generar las
+estructuras de acordes estándar.
+
+@multitable @columnfractions .2 .3 .2 .2
+
+@item
+@b{Tipo de acorde}
+@tab
+@b{Intervalos}
+@tab
+@b{Modificador(es)}
+@tab
+@b{Ejemplo}
+
+
+@item
+Mayor
+@tab
+Tercera mayor y quinta justa
+@tab
+@code{5} o nada
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:5
+}
+@end lilypond
+
+@item
+Menor
+@tab
+Tercera menor y quinta justa
+@tab
+@code{m} o @code{m5}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m
+}
+@end lilypond
+
+@item
+Aumentado
+@tab
+Tercera mayor y quinta aumentada
+@tab
+@code{aug}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:aug
+}
+@end lilypond
+
+@item
+Disminuido
+@tab
+Tercera menor y quinta disminuida
+@tab
+@code{dim}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:dim
+}
+@end lilypond
+
+@item
+Séptima dominante
+@tab
+Tríada mayor con séptima menor
+@tab
+@code{7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:7
+}
+@end lilypond
+
+@item
+Séptima mayor
+@tab
+Tríada mayor y séptima mayor
+@tab
+@code{maj7} ó @code{maj}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj7
+}
+@end lilypond
+
+@item
+Séptima menor
+@tab
+Tríada menor y séptima menor
+@tab
+@code{m7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m7
+}
+@end lilypond
+
+@item
+Séptima disminuida
+@tab
+Tríada disminuida y séptima disminuida
+@tab
+@code{dim7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:dim7
+}
+@end lilypond
+
+@item
+Aumentado con séptima
+@tab
+Tríada aumentada y séptima menor
+@tab
+@code{aug7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:aug7
+}
+@end lilypond
+
+@item
+Séptima semi-disminuido
+@tab
+Tríada disminuida y séptima menor
+@tab
+@code{m7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:dim5m7
+}
+@end lilypond
+
+@item
+Menor con séptima mayor
+@tab
+Tríada menor con séptima mayor
+@tab
+@code{maj7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj7.5-
+}
+@end lilypond
+
+@item
+Mayor con sexta
+@tab
+Tríada mayor y sexta
+@tab
+@code{6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:6
+}
+@end lilypond
+
+@item
+Menor con sexta
+@tab
+Tríada menor y sexta
+@tab
+@code{m6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m6
+}
+@end lilypond
+
+@item
+Novena dominante
+@tab
+Séptima dominante con novena mayor
+@tab
+@code{9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:9
+}
+@end lilypond
+
+@item
+Mayor con novena
+@tab
+Séptima mayor y novena mayor
+@tab
+@code{maj9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj9
+}
+@end lilypond
+
+@item
+Menor con novena
+@tab
+Séptima menor y novena mayor
+@tab
+@code{m9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m9
+}
+@end lilypond
+
+@item
+Oncena dominante
+@tab
+Novena dominante con oncena justa
+@tab
+@code{11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:11
+}
+@end lilypond
+
+@item
+Oncena mayor
+@tab
+Novena mayor y oncena justa
+@tab
+@code{maj11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj11
+}
+@end lilypond
+
+@item
+Menor con oncena
+@tab
+Novena menor y oncena justa
+@tab
+@code{m11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m11
+}
+@end lilypond
+
+@item
+Trecena dominante
+@tab
+Novena dominante y trecena mayor
+@tab
+@code{13}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:13
+}
+@end lilypond
+
+@item
+Trecena dominante
+@tab
+Oncena dominante y trecena mayor
+@tab
+@code{13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:13.11
+}
+@end lilypond
+
+@item
+Mayor con trecena
+@tab
+Oncena mayor y trecena mayor
+@tab
+@code{maj13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:maj13.11
+}
+@end lilypond
+
+@item
+Menor con trecena
+@tab
+Oncena menor y trecena mayor
+@tab
+@code{m13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:m13.11
+}
+@end lilypond
+
+@item
+Segunda suspendida
+@tab
+Segunda mayor y quinta justa
+@tab
+@code{sus2}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:sus2
+}
+@end lilypond
+
+@item
+Cuarta suspendida
+@tab
+Cuarta justa y quinta justa
+@tab
+@code{sus4}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+  c1:sus4
+}
+@end lilypond
+
+
+@end multitable
+
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+El cuadro siguiente presenta los diagramas de traste predefinidos.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
+
 @node MIDI instruments
 @appendixsec MIDI instruments
 
@@ -47,7 +423,7 @@ propiedad @code{midiInstrument} (instrumento MIDI).
 acoustic grand            contrabass           lead 7 (fifths)
 bright acoustic           tremolo strings      lead 8 (bass+lead)
 electric grand            pizzicato strings    pad 1 (new age)
-honky-tonk                orchestral strings   pad 2 (warm)
+honky-tonk                orchestral harp      pad 2 (warm)
 electric piano 1          timpani              pad 3 (polysynth)
 electric piano 2          string ensemble 1    pad 4 (choir)
 harpsichord               string ensemble 2    pad 5 (bowed)
@@ -112,9 +488,10 @@ darkcyan    darkmagenta    darkyellow
 
 Los nombres de los colores de X admiten algunas variantes:
 
-Un nombre que se escribe como una palabra única con mayúsculas intercaladas
-(p.ej. @q{LightSlateBlue}) se puede escribir también como palabras separadas por espacios
-y sin mayúsculas (p.ej. @q{light slate blue}).
+Un nombre que se escribe como una palabra única con mayúsculas
+intercaladas (p.ej. @q{LightSlateBlue}) se puede escribir también como
+palabras separadas por espacios y sin mayúsculas (p.ej. @q{light slate
+blue}).
 
 La palabra @q{grey} siempre se puede escribir como @q{gray} (p.ej. @q{DarkSlateGray}).
 
@@ -197,11 +574,266 @@ donde N es un número entre 0 y 100.
 @cindex Feta, tipografía
 @cindex tipografía Feta
 
-Los símbolos siguientes están disponibles en la tipografía Emmentaler y es posible acceder a ellos
-directamente utilizando elementos de marcado textual como @code{g^\markup @{
-\musicglyph #"scripts.segno" @}}, véase @ref{Formatting text}.
+Los símbolos siguientes están disponibles en la tipografía Emmentaler
+y es posible acceder a ellos directamente utilizando elementos de
+marcado textual como @code{g^\markup @{ \musicglyph #"scripts.segno"
+@}}, véase @ref{Formatting text}.
+
+@menu
+* Clef glyphs::
+* Time Signature glyphs::
+* Number glyphs::
+* Accidental glyphs::
+* Default Notehead glyphs::
+* Special Notehead glyphs::
+* Shape-note Notehead glyphs::
+* Rest glyphs::
+* Flag glyphs::
+* Dot glyphs::
+* Dynamic glyphs::
+* Script glyphs::
+* Arrowhead glyphs::
+* Bracket-tip glyphs::
+* Pedal glyphs::
+* Accordion glyphs::
+* Vaticana glyphs::
+* Medicaea glyphs::
+* Hufnagel glyphs::
+* Mensural glyphs::
+* Neomensural glyphs::
+* Petrucci glyphs::
+* Solesmes glyphs::
+@end menu
+
+
+@node Clef glyphs
+@unnumberedsubsec Clef glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #clefs
+@end lilypond
+
+
+@node Time Signature glyphs
+@unnumberedsubsec Time Signature glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #timesig
+@end lilypond
+
+
+@node Number glyphs
+@unnumberedsubsec Number glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #numbers
+@end lilypond
+
+
+@node Accidental glyphs
+@unnumberedsubsec Accidental glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #accidentals
+@end lilypond
+
+
+@node Default Notehead glyphs
+@unnumberedsubsec Default Notehead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #default-noteheads
+@end lilypond
+
+
+@node Special Notehead glyphs
+@unnumberedsubsec Special Notehead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #special-noteheads
+@end lilypond
+
+
+@node Shape-note Notehead glyphs
+@unnumberedsubsec Shape-note Notehead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #shape-note-noteheads
+@end lilypond
+
+
+@node Rest glyphs
+@unnumberedsubsec Rest glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #rests
+@end lilypond
+
+
+@node Flag glyphs
+@unnumberedsubsec Flag glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #flags
+@end lilypond
+
+
+@node Dot glyphs
+@unnumberedsubsec Dot glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #dots
+@end lilypond
+
+
+@node Dynamic glyphs
+@unnumberedsubsec Dynamic glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #dynamics
+@end lilypond
 
-@lilypondfile[noindent]{font-table.ly}
+
+@node Script glyphs
+@unnumberedsubsec Script glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #scripts
+@end lilypond
+
+
+@node Arrowhead glyphs
+@unnumberedsubsec Arrowhead glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #arrowheads
+@end lilypond
+
+
+@node Bracket-tip glyphs
+@unnumberedsubsec Bracket-tip glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #brackettips
+@end lilypond
+
+
+@node Pedal glyphs
+@unnumberedsubsec Pedal glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #pedal
+@end lilypond
+
+
+@node Accordion glyphs
+@unnumberedsubsec Accordion glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #accordion
+@end lilypond
+
+
+@node Vaticana glyphs
+@unnumberedsubsec Vaticana glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #vaticana
+@end lilypond
+
+
+@node Medicaea glyphs
+@unnumberedsubsec Medicaea glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #medicaea
+@end lilypond
+
+
+@node Hufnagel glyphs
+@unnumberedsubsec Hufnagel glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #hufnagel
+@end lilypond
+
+
+@node Mensural glyphs
+@unnumberedsubsec Mensural glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #mensural
+@end lilypond
+
+
+@node Neomensural glyphs
+@unnumberedsubsec Neomensural glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #neomensural
+@end lilypond
+
+
+@node Petrucci glyphs
+@unnumberedsubsec Petrucci glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #petrucci
+@end lilypond
+
+
+@node Solesmes glyphs
+@unnumberedsubsec Solesmes glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+             \doc-chars #solesmes
+@end lilypond
 
 
 @node Note head styles
@@ -212,17 +844,8 @@ Se pueden usar los siguientes estilos para las cabezas de las notas.
 
 @lilypondfile[noindent]{note-head-style.ly}
 
-
-@ignore
-Todas las instrucciones siguientes se pueden usar dentro de @code{\markup @{ @}}.
-@end ignore
-
 @include markup-commands.tely
 
-@ignore
-Todas las instrucciones siguientes se pueden utilizar con @code{\markuplines}.
-@end ignore
-
 @include markup-list-commands.tely
 
 @node List of articulations
@@ -267,11 +890,14 @@ Todas las instrucciones siguientes se pueden utilizar con @code{\markuplines}.
 @cindex varcoda
 @cindex órgano, indicaciones de pedal de
 
-He aquí un cuadro que muestra todas las articulaciones disponibles:
 
-@lilypondfile[ragged-right,quote]{script-chart.ly}
+@lilypondfile[quote,texidoc]{script-chart.ly}
 
 
+@node Percussion notes
+@appendixsec Percussion notes
+
+@lilypondfile[quote]{percussion-chart.ly}
 
 
 @node All context properties
@@ -296,4 +922,3 @@ He aquí un cuadro que muestra todas las articulaciones disponibles:
 @appendixsec Scheme functions
 
 @include scheme-functions.tely
-