.* TODO
. * use Rhythmic_head::position_i () for all Staff_referenced
-. * sleur.ly. * rerun profile
-. * mmrests
+. * .po -> .pot.
+. * setting indent to 0 with \shape fails
+. * ly2dvi : don't repeat opus if same.
+. * breaks before mmrests are favored.
+. * hara kiri _8 clef.
+. * junk -M ?
+. * mudela-book doco
+. * rerun profile
+. * fix or replace feta-accordion.mf
+. * fix configure with CFLAGS or LDFLAGS, try:
++ CFLAGS=-g LDFLAGS='-Wl,--warn-common' ./configure
++ configure will use them while testing the compiler, but they don't
++ appear in config.make
+
. * Break_req handling is silly (break_forbid () + \break fucks up.)
. * script engraver
-. * HaraKiriStaffContext removes bar lines and doesn't remove
- staff margin text on removed staff lines.
+. * Chords:
+. * Bass/inversion pitch when not part of Chord
+Sometimes a series of changing chords will be blocked out over a static tone
+in the bass, usually this was referred to as a pedal tone (and it's been
+continued to be used, even in contemporary music). Another less frequently
+used practice is putting a non-chordal tone in the bass (that is not acting
+as a pedal tone) in order to create tension or make a more colorful sound.
+There are examples of this in the classsical literature, but its use is much
+more prevalent today. For example, the chord sequence Dm7 - Dm7/G is such a
+sequence, and the Dm7/G defies easy classification. Is it a G7(no 3rd)add
+9/11? Or is it a G7(no 3rd)add2/4? Or perhaps Dm7 add11? It's a heck of a
+lot easier to read to just leave it as Dm7/G!
+. * Diminished does not mean 5-
+When speaking of a chord, dimished can mean one of two things: A diminished
+triad or a dimished seventh chord (which is distinctly different from what's
+known as the 'half-diminished' chord). The triad is a root with a flat
+third and flat fifth, and is notated (at least in America, someone else will
+have to fill me in on other countries) as (using C as the root) Cdim, or Co.
+The diminished seventh has a root with a flat third, flat fifth, and a
+doubly flatted seventh (which is enharmonically equivalent to a sixth, and
+from which comes tons of confusion). It is usually notated as (again, using
+C as the root) Cdim7 or Co7.
+
. * Mondrup:
- I would like the possibility of forcing clef- and key- changes to be
bar line fully drawn across the staves and after that keep to the
ChoirStaff bar line types in the rest of the scores
-- autoBeamMelisma: if I explicitly beam notes in a staff with auto beaming disabled I
-would like to have these beams also to be melismatic.
+- autoBeamMelisma: if I explicitly beam notes in a staff with auto
+beaming disabled I would like to have these beams also to be
+melismatic.
. * make all Feta (including dynamics) available to the user in
textual scripts. Examples: "D.S. al \coda", "\mf espress.".
.* BUGS
. * [c8. c16 c16 c16] in 6/8 timesig.
. * staffside spanner (crescendo!) along with staffswitch.
-. * --- 2, margin notes don't work correctly for the pianostaff (in the
-following example, i expect the "piano" string to be centered
-vertically between the two staves):
-
-\score {
- \notes \context PianoStaff <
- \property PianoStaff.instrument = "Piano"
- \context Staff = treble {
- a b c
- }
- \context Staff = bass {
- \clef bass;
- a, b, c,
- }
- >
- \paper {
- \translator { \StaffContext \consists "Staff_margin_engraver"; }
- \translator { \PianoStaffContext \consists "Staff_margin_engraver"; }
- }
-}
+
. *
> \context Staff <
> {\voiceone''4. r8}
.* STUFF
. * We need feta-din*.mf files for more sizes than 10.
-. *
-- The syntax for chords looks clumsy with two different meanings of
- '-' and different syntax for separating modifiers from the tonic
- and from other modifiers. Why not use for example ':' between
- tonic and modifier and between the different modifiers?
-
- Rests and beams don't work too well together. Example:
[ r8 g''16 des'] [r8 c16 a]
. * deps for ly2dvi
. * TODO: merge atom & molecule; make tree from molecule.
. * Align_element::padding ?
-. * typo checks on property names?
. * use streambufs and iostream
to provide IO handling for TeX stream, mudela stream, data-file.
. * seriously buffer TeX output (do profile of writing .5 mb TeX file.)
-. * strip EXEs before installing
-. * zip target for binary windows dist (JBR)
. * fix partial measures in meaningful way.
. * uniformise recent feta contributions.
. * bigger and fatter 4/4 C
syntax: \repeat "repeatsymbol" 2 {...}, but I'm not sure that
I understand the implementation of repeats well enough.
. * add full cello suites to web site (kom op, Maarten!)
-. * rename 'staff_line_leading' (who is being lead where?) to
-staff_space, interline; (or other meaningful name) and use throughout
-lily
-
-[-> leading are the lead strips between the sticks (lines) of
-typeface. ie. leading is vertical space --hwn]
. * add mudela-book-doc source to webstie.
. * Rethink Time_description
\cadenza , \meter, should all be \properties
axeses.push (as);
}
-. * GNU diff 2.7: diff -rN does not see a new directory with empty file
+
. * patch: don't touch timestamp if all patches fail.
. * MetaPost: should not generate setgray for unfill
. * mfplain.ini not in tetex 0.9
projects / lilypond.git / blobdiff