@subsubheading Mix music and text
Put fragments of music into texts without cutting and pasting
-pictures. Integrate music into @LaTeX{} or HTML seamlessly, or add
-music to OpenOffice.org with OOoLilyPond. Plugins are also available
-to allow LilyPond code in various blogs and wikis, making online
-collaboration possible.
+pictures. Integrate music into @LaTeX{} and HTML seamlessly, or add
+music to OpenOffice.org or LibreOffice with OOoLilyPond. Plugins are
+also available to allow LilyPond code in various blogs and wikis, making
+online collaboration possible.
@subsubheading Accessibility
Standard output can be modified heavily. Here is an impressive
Schenkerian analysis, created by Kris Schaffer, for an article
-in @uref{http://www.linuxjournal.com/article/8364 , Linux Journal.}.
+in @uref{http://www.linuxjournal.com/article/8364 , Linux Journal}.
The colors have been added for better visibility.
@exampleImage{bach-schenker}
achieve our goal with only a fraction of the individual effort.
@item
-@qq{Gift culture}: the Free Software (or @qq{Open Source})
+@qq{Gift culture}: the Free Software
movement has created many great software projects, such as
@uref{http://kernel.org/, GNU/Linux},
@uref{http://www.getfirefox.com/, Mozilla Firefox}, and
back} to the community.
@item
-Work experience: contributing to open-source projects is a great way to
+Work experience: contributing to free software projects is a great way to
practice programming, documentation writing, documentation translation,
or design. This experience has helped some developers gain job offers
or scholarships.
@itemize
@item
-@emph{Affaire étrangère}, an opera by
-@uref{http://valentin.villenave.net/,Valentin Villenave}
-to a French libretto by
-@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
-Trondheim}, premiered February 1, 2009 at
-@uref{http://www.orchestre-montpellier.com/, L'Opéra National de
-Montpellier}, France.
+Joe Smeets created sheet music for the children's book @emph{Zing Mee}
+(@emph{Sing along}) by Annie M.G. published by Querido -- ISBN
+9789045106205:
+@uref{http://www.queridokinderenjeugdboeken.nl/web/Boek.htm?dbid=18954&typeofpage=134707, www.queridokinderenjeugdboeken.nl}; choir
+rehearsal scores for the Dutch translation of Benjamin Britten's
+@emph{Saint Nicolas} performed by @emph{Muziektheater Hollands Diep} in
+2011.
+@uref{http://www.muziektheaterhollandsdiep.nl/nl/voorstellingen/sint_nicolaas_leeft, www.muziektheaterhollandsdiep.nl}; and is currently
+working on the score and parts for an arrangement of Moussurgsky's
+@emph{Boris Godounov} for wind quartet, piano and percussion. To be
+performed in 2014, again by @emph{Muziektheater Hollands Diep}.
+
+@item
+A critical edition of Tommaso Traetta's @emph{Enea nel Lazio (1760)},
+opera series with libretto by Vittorio Amedeo Cigna-Santi, in four
+parts:
+@uref{http://www.academia.edu/1987651/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_1_4_, Part One}
+@uref{http://www.academia.edu/1994533/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_2_4_, Part Two}
+@uref{http://www.academia.edu/1994558/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_3_4_, Part Three}
+@uref{http://www.academia.edu/1996242/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_4_4_, Part Four}
+Created by
+@uref{http://unito.academia.edu/LucaRossettoCasel, Luca Rossetto Casel}
+for his Ph.D. Thesis.
+
+@item
+Mussorgsky's @emph{Pictures at an exhibition}, re-orchestrated and
+conducted by @uref{http://www.aurelienbello.com/,Aurélien Bello} with
+the @uref{http://www.junge-philharmonie-brandenburg.de/,
+Junge Philharmonie Brandenburg}
+on Oct 10 2011 and again on Apr 15-16 2012.
+
+@item
+@uref{http://www.kierenmacmillan.info/, Kieren MacMillan}, composer and
+musical director. His many, recent works include; @emph{Go Thy Way},
+performed by the @uref{http://www.saltlakechoralartists.org/,
+Salt Lake Choral Artists} in March 2012; The
+@emph{Just Out of Reach Suite} performed
+by the
+@uref{http://www.herald-dispatch.com/news/marshall/x1883873762/Music-duo-Chrysalis-to-perform-at-Marshall-University-on-Jan-19,
+Chrysalis Duo} ; @emph{thrafsmata} performed in July 2011 by the
+@uref{http://www.pnme.org/CurrentSeason/PreviousSeasons.html, Pittsburgh
+New Music Ensemble}.
+
+@item
+@emph{Anonymous Student Compliment or Complaint}, by
+@uref{http://www.mikesolomon.org, Mike Solomon}, winner chosen from among
+172 entries from 22 countries of the
+@uref{http://leftcoastensemble.org, 2011 Left Coast Composition Contest}.
+Other works include, Norman (age 1) for clarinet solo, performed at the
+@uref{http://emu.music.ufl.edu/fems_concerts.html, University of Florida}'s
+Electroacoustic Music Festival (FEMF), October 2010.
+
+@item
+A modern edition of the @emph{Serenata Erminia} by Alessandro Scarlatti,
+edited by Thomas Griffin, Musicologist (Rome, Italy). Performed on 22
+October 2010 in the Galleria of the Palazzo Zevallos Stigliano, Naples,
+Italy. @uref{http://www.ascarlatti2010.net, Alessandro Scarlatti 2010},
+in celebration of the composer's 350th birthday.
@item
-@uref{http://www.mercurybaroque.org/02/02109.aspx, Mercury Baroque}'s
-performance of Lully's @emph{Armide}, May 15-16, 2009, in Houston,
-Texas (engraving by @uref{http://nicolas.sceaux.free.fr/,
-Nicolas Sceaux}).
+@uref{http://www.mercurybaroque.org, Mercury Baroque}'s performance of
+Lully's @emph{Armide}, May 15-16, 2009, in Houston, Texas (engraving by
+@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}).
@item
Instrumental excerpts from Rameau's @emph{Hippolyte et Aricie} at
St. James's Church in Manhattan, May 8, 2009, by Frederick Renz
and his ensemble @uref{http://www.earlymusicny.org/, Early Music
-New York} (engraving by Nicolas Sceaux).
+New York} (engraving by
+@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}).
+
+@item
+@emph{Affaire étrangère}, an opera by
+@uref{http://valentin.villenave.net/,Valentin Villenave}
+to a French libretto by
+@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
+Trondheim}, premiered February 1, 2009 at
+@uref{http://www.orchestre-montpellier.com/, L'Opéra National de
+Montpellier}, France.
@end itemize
@divEnd
@divClass{keep-bullets}
@itemize
+@item
+April 2011
+
+@uref{http://www.linux-magazine.com,Linux Magazine} publishes an
+article titled
+@uref{http://www.linux-magazine.com/w3/issue/126/088-090_projects.pdf,
+Projects on the Move}. It is an introductory article on MuseScore,
+LilyPond and Chordii. Author Carla Schroder states @qq{LilyPond is
+driven from the command line, but don’t let the lack of a GUI scare
+you away; LilyPond is user-friendly and easy to learn}, and provides
+a hands-on example.
+
@item
May 2010
October 2004
The editors of Computer!Totaal, a Dutch computer magazine,
-@uref{http://lilypond.org/web/images/computer-totaal.jpeg,
+@uref{http://lilypond.org/website/pdf/computer-totaal.jpeg,
describe LilyPond} in the October 2004 issue as: @qq{Wonderful
-free (open source) software [..] The sheet music produced by
-LilyPond is exceptionally pretty [..] a very powerful system that
+free (open source) software [@dots{}] The sheet music produced by
+LilyPond is exceptionally pretty [@dots{}] a very powerful system that
can do almost anything.}
@item
Jazz singer Gail Selkirk writes about
@uref{http://www.songbirdofswing.com/editorial_page/lilypond/,
-Diving into LilyPond}. @qq{... you can make lead sheets or full
+Diving into LilyPond}. @qq{@dots{} you can make lead sheets or full
orchestral parts, and the results can be stunning.}
@uref{http://www.computermusic.co.uk/, Computer Music Special},
issue CMS06.
work. I've never seen anything approaching the output that I get
from LilyPond -- I'm totally confident that my music publishing
needs will be fulfilled beyond my expectations using this great
-application. [..] basically untweaked LilyPond output [..] looks
-better than most recent @q{professional} publications I've compared
-it to (q.v., just about any Warner Bros. score, and even many of
-the most recent by @q{the old houses}). [..]}
-
-@qq{Beat that, Finale/Sibelius/Igor/whatever!!!}
+application. [@dots{}] basically untweaked LilyPond output
+[@dots{}] looks better than most recent @q{professional}
+publications I've compared it to (q.v., just about any Warner
+Bros. score, and even many of the most recent by @q{the old
+houses}). [@dots{}]} @qq{Beat that, Finale/Sibelius/Igor/whatever!!!}
@divEnd
@divClass{testimonial-item}
@subsubheading David Bobroff, Bass Trombone, Iceland Symphony Orchestra
-@qq{I think LilyPond is great [..] The more I learn about LilyPond
+@qq{I think LilyPond is great [@dots{}] The more I learn about LilyPond
the more I like it!}
@divEnd
@divClass{testimonial-item}
@subsubheading Vaylor Trucks, Electric guitar player (Yes, @uref{http://www.allmanbrothersband.com/modules.php?op=modload&name=userpage&file=content&page_id=12, related to})
-@qq{I am super impressed with LilyPond [..]}
+@qq{I am super impressed with LilyPond [@dots{}]}
@qq{THIS IS THE BEST PROGRAM EVER!!!}
@qq{I had a kind of hate-passion relationship with it. Passion
because the first score I saw was so amazing! The description of
-LilyPond lies about its beautifulness, it is too modest! [..] as
+LilyPond lies about its beautifulness, it is too modest! [@dots{}] as
LilyPond is getting always better, and as I look closer how things
are done in scheme, I have less and less frustrations. Anyway,
what I mean is: thank you for providing LilyPond, it is really
@imageFloat{text-input-1-annotate,png,center}
@imageFloat{text-input-1-output,png,center}
-Alterations are made with different names: add @code{-is} for
-sharp, and @code{-es} for flat (these are Dutch note names, other
+Alterations are made with different names: add @w{@code{-is}} for
+sharp, and @w{@code{-es}} for flat (these are Dutch note names, other
languages are available). LilyPond figures out where to put
accidentals.
More in-depth information is available in @ref{Manuals}.
+Ben Lemon, a LilyPond user, has created a range of
+@uref{http://benlemon.me/blog/music/lilypond/operation-lilypond/,video tutorials}
+on his blog and which are aimed at new users.
+
@subsubheading Easier editing environments
@node Easier editing
@unnumberedsec Easier editing
+@ignore
+GNU policy forbids us from linking to non-Free software, so don't
+add such links.
+
+In particular, don't link to:
+- the LilyPond bundle for TextMate (a commercial editor for MacOS).
+
+@end ignore
+
+@divClass{column-center-top}
+@subheading Tunefl
+
+@sourceimage{logo-linux,,,}
+@sourceimage{logo-freebsd,,,}
+@sourceimage{logo-macosx,,,}
+@sourceimage{logo-windows,,,}
+
+@uref{http://www.tunefl.com}
+
+With tunefl you can typeset your scores directly online
+without needing to install LilyPond locally. It allows
+trying out all the program's features using a convenient
+web interface.
+
+@divEnd
@divClass{column-center-top}
@subheading LilyPondTool
@sourceimage{logo-linux,,,}
@sourceimage{logo-freebsd,,,}
+@sourceimage{logo-windows,,,}
@uref{http://www.frescobaldi.org}
-Frescobaldi is a dedicated LilyPond music and text editor with a
-built-in PDF previewer, a powerful score wizard and many editing
-features. It is built on top of the KDE4 libraries and runs
-currently on all flavours of Linux and other UNIX-like operating
-systems.
+Frescobaldi is lightweight, yet powerful LilyPond music and text editor
+with a built-in PDF viewer. It is easy to use and will run on all major
+operating systems (GNU/Linux, Mac OS X and Windows).
@divEnd
view, and any syntax errors in your LilyPond tweaks are highlighted in
the text view when printed from there.
-@warning{Denemo officially supports an outdated Lilypond version 2.8.7,
-which lacks many of the features added since then. The Denemo developers
-are actively working to bring it up to our present stable version, 2.12.}
@divEnd
@divClass{column-center-top}
@sourceimage{logo-macosx,,,}
@sourceimage{logo-windows,,,}
+@uref{http://elysium.thsoft.hu}
+
+Elysium is a LilyPond IDE for Eclipse with an integrated, side-by-side
+view for source and score. It includes rapid visual & auditive feedback
+without having to switch contexts, and comes with many wizard-driven
+templates.
+
@uref{http://www.gnu.org/software/emacs/}
Emacs is a text editor with language-sensitive capabilities for
many different computer languages. Emacs is a highly extensible
editor and can be used as an Integrated Development Environment.
There is a @q{lilypond mode} which supplies the language
-definitions for working with LilyPond source files. As well, one of
-our developers has written
-@uref{http://nicolas.sceaux.free.fr/lilypond/lyqi.html,lyqi}, an
-Emacs major mode.
+definitions for working with LilyPond source files. A developer
+has written @uref{https://github.com/nsceaux/lyqi,lyqi}, an Emacs major
+mode.
@uref{http://www.vim.org}
@uref{http://users.dimi.uniud.it/~nicola.vitacolonna/home/content/lilypond-scripts}
@end example
-@sourceimage{logo-macosx,,,}
-There is a LilyPond bundle for TextMate, a commercial editor for MacOS.
-It may be installed by running:
-
-@example
-mkdir -p /Library/Application\ Support/TextMate/Bundles
-cd /Library/Application\ Support/TextMate/Bundles
-git clone http://github.com/textmate/lilypond.tmbundle.git
-
-@end example
-
@divEnd
@divClass{column-center-top}
@subsubheading Score, tab and MIDI editors:
@itemize
+
@item
-@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and
-MIDI sequencer, which also has a score editor for single-staff
-editing.
+@uref{http://www.jezra.net/projects/bwwtolily,bwwtolily} attempts to
+convert a @code{.bww} or @code{.bmw} file to LilyPond. While not all of
+the embellishments may get converted properly (this is especially true
+with piobaireachd), the program will list them.
@item
-@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd},
-a score editor based on the
-@uref{http://www.cairographics.org,Cairo} library, has
-experimental support for exporting to LilyPond.
+@uref{http://www.canorus.org,Canorus}, a score editor, can also export
+to LilyPond, but is still beta-software. Testers are welcome, though.
+
+@item
+@uref{http://enc2ly.sourceforge.net/en/,Enc2ly} is a GNU/Linux program
+which converts an @uref{http://www.gvox.com/,Encore} music score into
+a LilyPond one.
@item
-@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack
-tablature editor and player, includes a score viewer and can
-export to LilyPond.
+@uref{https://github.com/hanwen/go-enc2ly,go-enc2ly} is a Go tool that
+converts @uref{http://www.gvox.com/,Encore} files to LilyPond. It was
+created using Felipe Castro's research and reverse engineering by
+tweaking existing .enc files and loading them using the 4.55 demo
+version.
@item
@uref{http://www.musescore.org,MuseScore}, a score editor, has
incomplete LilyPond export but is being actively developed.
@item
-@uref{http://www.canorus.org,Canorus}, a score editor, can also
-export to LilyPond, but is still beta-software. Testers are
-welcome, though.
+@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd},
+a score editor based on the @uref{http://www.cairographics.org,Cairo}
+library, it has experimental support for exporting to LilyPond.
+
+@item
+@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm,NW2LY}
+is a C# program which converts a NoteWorthy composer song into LilyPond.
+
+@item
+@uref{https://github.com/ciconia/ripple/blob/master/README.markdown,Ripple}
+is a program that helps create scores and parts, including a mode for
+mixing different musical works together in a single score or part.
+
+@item
+@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and MIDI
+sequencer, which also has a score editor for single-staff editing.
@item
-@uref{http://www.volny.cz/smilauer/rumor/rumor.html,Rumor}, a
-realtime monophonic MIDI to LilyPond converter.
+@uref{https://launchpad.net/rumor/,Rumor}, a realtime monophonic
+MIDI-to-LilyPond converter.
@item
-@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm,
-NW2LY} is a C# program which converts a
-@uref{http://www.noteworthysoftware.com/, NoteWorthy} song into
-LilyPond.
+@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack tablature
+editor and player, includes a score viewer and can export to LilyPond.
@end itemize
@item
@uref{http://www.projectabjad.org/,Abjad}, a
-@uref{http://www.python.org/,Python} API for Formalized Score
-Control designed to help composers build up complex pieces of
-LilyPond notation in an iterative and incremental way.
+@uref{http://www.python.org/,Python} API for Formalized Score Control
+designed to help composers build up complex pieces of LilyPond notation
+in an iterative and incremental way.
@item
-@uref{http://common-lisp.net/project/fomus/,FOMUS}, a LISP library
-to generate music notation from computer music software
-environments.
+@uref{http://common-lisp.net/project/fomus/,FOMUS}, (FOrmat MUSic) is a
+music notation tool for computer music composers. It is written in the
+Lisp programming language, and has been tested in a variety of
+interpreters. A C++ port is also available.
@item
-@uref{http://strasheela.sourceforge.net,Strasheela}, an
-environment built on top of the
+@uref{http://strasheela.sourceforge.net/strasheela/doc/index.html,Strasheela},
+an environment built on top of the
@uref{http://www.mozart-oz.org/, Mozart/Oz} constraint programming
language.
@item
@uref{http://lilykde.googlecode.com/,LilyKDE} has been replaced by
-@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as
-LilyKDE3 for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only.
+@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as LilyKDE3
+for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only.
@item
@uref{http://noteedit.berlios.de,NoteEdit}, which imported
-@uref{http://www.musicxml.com/xml.html,MusicXML}, has been forked
+@uref{http://www.makemusic.com/musicxml,MusicXML}, has been forked
into
@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd}
and @uref{http://canorus.org,Canorus}.
@item
@uref{http://lilycomp.sourceforge.net, LilyComp} is a graphical
note entry program, acting much like a number-pad which produces
-lilypond notes.
+LilyPond notes.
@end itemize