@lilypond[quote,verbatim,relative=2]
\new Voice { % explicit single voice
- << {a4 b g2} {d4 g c,2} >>
+ << { a4 b g2 } { d4 g c,2 } >>
}
@end lilypond
@lilypond[quote,verbatim,relative=2]
% single first note
-a << {a4 b g} {d4 g c,} >>
+a << { a4 b g } { d4 g c, } >>
@end lilypond
This can be useful if the simultaneous sections have identical
@lilypond[quote,verbatim,relative=2]
% no single first note
-<< {a4 b g2} {d4 g2 c,4} >>
+<< { a4 b g2 } { d4 g2 c,4 } >>
@end lilypond
Here different rhythms cause no problems.
@knownissues
-When using @code{\mergeDifferentlyHeadedOn} with an upstem eighth
-or a shorter note, and a downstem half note, the eighth note stem
-gets a slightly wrong offset because of the different width of the
-half note head symbol.
-
@ignore
@c TODO investigate! Sometimes it works, sometimes not. --FV
The requirements for successfully merging different note heads that