@funindex \chordmode
@funindex \relative
-@refbugs
+@knownissues
The relative conversion will not affect @code{\transpose},
@code{\chordmode} or @code{\relative} sections in its argument.
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{preventing-extra-naturals-from-being-automatically-added.ly}
Snippets: @lsrdir{Pitches,Pitches}.
-@refbugs
+@knownissues
There are no generally accepted standards for denoting
quarter-tone accidentals, so LilyPond's symbol does not conform to
see @ref{Instrument transpositions}.
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{transposing-pitches-with-minimum-accidentals-smart-transpose.ly}
@funindex \chordmode
@funindex \relative
-@refbugs
+@knownissues
The relative conversion will not affect @code{\transpose},
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{clefs-commonly-tweaked-properties.ly}
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly}
2@tie{}(for 15ma), and -2 (for 15ma bassa) as arguments.
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{ottava-text.ly}
@end lilypond
@item piano
-@funindex piano accidentals
+@cindex piano accidentals
@cindex piano accidentals
@cindex accidentals, piano
@cindex piano accidental style
@end lilypond
@end table
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{dodecaphonic-style-accidentals-for-each-note-including-naturals.ly}
@cindex accidentals in chords
@cindex chords, accidentals in
-@refbugs
+@knownissues
Simultaneous notes are considered to be entered in sequential
mode. This means that in a chord the accidentals are typeset as
@subsubsection Ambitus
@cindex ambitus
-@cindex ambit
@cindex range of pitches
@cindex pitch range
-The term @notation{ambitus} or @notation{ambit} denotes a range of
+The term @notation{ambitus} (pl. ambitus) denotes a range of
pitches for a given voice in a part of music. It may also denote
the pitch range that a musical instrument is capable of playing.
-Ambits are printed on vocal parts so that performers can easily
+Ambitus are printed on vocal parts so that performers can easily
determine if it matches their capabilities.
-Ambits are denoted at the beginning of a piece near the initial
+Ambitus are denoted at the beginning of a piece near the initial
clef. The range is graphically specified by two note heads that
represent the lowest and highest pitches. Accidentals are only
printed if they are not part of the key signature.
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{adding-ambiti-per-voice.ly}
@internalsref{Staff}, @internalsref{Voice}.
-@refbugs
+@knownissues
There is no collision handling in the case of multiple per-voice
ambitus.
@node Note heads
@subsection Note heads
+This section suggests ways of altering note heads.
+
@menu
* Special note heads::
* Easy notation note heads::
in a large font size. To print with a larger font, see @ref{Setting the
staff size}.
-@refcommands
+@predefined
@funindex \easyHeadsOn
@funindex \easyHeadsOff
Shapes are typeset according to the step in the scale, where
the base of the scale is determined by the @code{\key} command.
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{applying-noteheads-styles-depending-on-the-step-of-the-scale.ly}
+@noindent
+To see all note head styles, see @ref{Note head styles}.
@seealso
Snippets: @lsrdir{Pitches,Pitches}.
+Notation Reference: @ref{Note head styles}.
+
@node Improvisation
@subsubsection Improvisation
@end lilypond
-@refcommands
+@predefined
@funindex \improvisationOn
@funindex \improvisationOff