remove trailing whitespace; cosmetic

[lilypond.git] / Documentation / user / music-glossary.tely

diff --git a/Documentation/user/music-glossary.tely b/Documentation/user/music-glossary.tely
index a5f0f6c3eb94978209d58b85b658e2548c5b73b4..8a0e8231a87f456995180a27c974e22b8211474b 100644 (file)
--- a/Documentation/user/music-glossary.tely
+++ b/Documentation/user/music-glossary.tely
@@ -11,7 +11,7 @@
 @end direntry
 
 @ifhtml
 @end direntry
 
 @ifhtml

-This document is also available in 
+This document is also available in

 @uref{source/Documentation/user/music-glossary.pdf,PDF}
 and as @uref{source/Documentation/user/music-glossary.html,one big page}.
 @end ifhtml
 @uref{source/Documentation/user/music-glossary.pdf,PDF}
 and as @uref{source/Documentation/user/music-glossary.html,one big page}.
 @end ifhtml


@@ -40,7 +40,7 @@ Copyright @copyright{} 1999--2006 by the authors
   under the terms of the GNU Free Documentation License, Version 1.1
   or any later version published by the Free Software Foundation,
   without Invariant Sections.
   under the terms of the GNU Free Documentation License, Version 1.1
   or any later version published by the Free Software Foundation,
   without Invariant Sections.

-  
+

 @end titlepage
 
 
 @end titlepage
 
 


@@ -516,7 +516,7 @@ tempo, especially the first and last movements of a @aref{sonata}.
 ES: alteración,
 I: alterazione
 F: altération
 ES: alteración,
 I: alterazione
 F: altération

-D: 
+D:

 NL: verhoging of verlaging,
 DK:
 S:
 NL: verhoging of verlaging,
 DK:
 S:


@@ -1070,7 +1070,7 @@ D: Cent,
 NL: cent,
 DK: cent,
 S: cent,
 NL: cent,
 DK: cent,
 S: cent,

-FI: sentti, puolisävelaskeleen sadasosa tasavireisessä 
+FI: sentti, puolisävelaskeleen sadasosa tasavireisessä

 viritysjärjestelmässä.
 
 Logarithmic unit of measurement.  1@tie{}cent is 1/1200 of an octave (1/100
 viritysjärjestelmässä.
 
 Logarithmic unit of measurement.  1@tie{}cent is 1/1200 of an octave (1/100


@@ -1094,9 +1094,9 @@ DK: akkord,
 S: ackord,
 FI: sointu.
 
 S: ackord,
 FI: sointu.
 

-Three or more tones sounding simultaneously.  In traditional European music 
+Three or more tones sounding simultaneously.  In traditional European music

 the
 the

-base chord is a @emph{triad} consisting of 2@w{ }thirds.  @emph{Major} (major 
+base chord is a @emph{triad} consisting of 2@w{ }thirds.  @emph{Major} (major

 +
 minor @aref{third}) as well as @emph{minor} (minor + major third)
 chords may be extended with more thirds.  Four-tone @emph{seventh chords}
 +
 minor @aref{third}) as well as @emph{minor} (minor + major third)
 chords may be extended with more thirds.  Four-tone @emph{seventh chords}


@@ -1462,7 +1462,7 @@ of the 20th century
   }
 }
 @end lilypond
   }
 }
 @end lilypond

-  
+

 @node D
 @section D
 
 @node D
 @section D
 


@@ -1766,7 +1766,7 @@ DK: springende bevægelse,
 S: hoppande rörelse,
 FI: melodian hyppivä liike.
 
 S: hoppande rörelse,
 FI: melodian hyppivä liike.
 

-Progressing melodically by intervals larger than a major second.  
+Progressing melodically by intervals larger than a major second.

 Opposite of @aref{conjunct movement}.
 
 @lilypond[fragment,ragged-right]
 Opposite of @aref{conjunct movement}.
 
 @lilypond[fragment,ragged-right]


@@ -2633,7 +2633,7 @@ DK: interval,
 S: intervall,
 FI: intervalli, kahden sävelen korkeusero.
 
 S: intervall,
 FI: intervalli, kahden sävelen korkeusero.
 

-Difference in pitch between two notes.  Intervals may be perfect, minor, 
+Difference in pitch between two notes.  Intervals may be perfect, minor,

 major,
 diminished, or augmented.  The augmented fourth and the diminished fifth are
 identical (@aref{enharmonic}) and are called @emph{tritonus}
 major,
 diminished, or augmented.  The augmented fourth and the diminished fifth are
 identical (@aref{enharmonic}) and are called @emph{tritonus}


@@ -2834,7 +2834,7 @@ DK: legato,
 S: legato,
 FI: legato, sitoen.
 
 S: legato,
 FI: legato, sitoen.
 

-To be performed (a) without any perceptible interruption between the notes, 
+To be performed (a) without any perceptible interruption between the notes,

 unlike (b) @emph{leggiero} or @emph{non-legato}, (c) @emph{portato}, and
 (d) @aref{staccato}.
 
 unlike (b) @emph{leggiero} or @emph{non-legato}, (c) @emph{portato}, and
 (d) @aref{staccato}.
 


@@ -3038,7 +3038,7 @@ harmony}, @aref{relative key}.
 @node melisma
 @section melisma
 
 @node melisma
 @section melisma
 

-NL: melisma, 
+NL: melisma,

 FI: melisma, laulettavan tavun sävelkuvio.
 
 A melisma (plural: melismata) is a group of notes or tones sung on one
 FI: melisma, laulettavan tavun sävelkuvio.
 
 A melisma (plural: melismata) is a group of notes or tones sung on one


@@ -3395,7 +3395,7 @@ S: notvärde,
 FI: nuotin aika-arvo.
 
 Note values (durations) are measured as fractions, normally 1/2, of the next
 FI: nuotin aika-arvo.
 
 Note values (durations) are measured as fractions, normally 1/2, of the next

-higher note value.  The longest duration normally used is called 
+higher note value.  The longest duration normally used is called

 @emph{brevis},
 but sometimes (mostly in pre-baroque music) the double length note value
 @emph{longa} is used.
 @emph{brevis},
 but sometimes (mostly in pre-baroque music) the double length note value
 @emph{longa} is used.


@@ -3508,7 +3508,7 @@ the upper note is played first.
 >>
 @end lilypond
 
 >>
 @end lilypond
 

-Other frequently used ornaments are the @emph{turn}, the @emph{mordent}, and 
+Other frequently used ornaments are the @emph{turn}, the @emph{mordent}, and

 the
 @emph{prall} (inverted mordent).
 
 the
 @emph{prall} (inverted mordent).
 


@@ -4465,7 +4465,7 @@ D: syntonisches Komma,
 NL: syntonische komma,
 DK: syntonisk komma,
 S: syntoniskt komma,
 NL: syntonische komma,
 DK: syntonisk komma,
 S: syntoniskt komma,

-FI: syntoninen komma, terssien taajuusero luonnollisessa ja Pytagorisessa 
+FI: syntoninen komma, terssien taajuusero luonnollisessa ja Pytagorisessa

 viritysjärjestelmässä.
 
 Difference between the natural third and the third obtained by Pythagorean
 viritysjärjestelmässä.
 
 Difference between the natural third and the third obtained by Pythagorean


@@ -4879,7 +4879,7 @@ S: stämgaffel,
 FI: viritysavain.
 
 A two-pronged piece of steel used to indicate absolute pitch.  Tuning forks
 FI: viritysavain.
 
 A two-pronged piece of steel used to indicate absolute pitch.  Tuning forks

-give the international pitch for the tone @emph{a} (440 vibrations per 
+give the international pitch for the tone @emph{a} (440 vibrations per

 second).
 
 @node turn
 second).
 
 @node turn


@@ -5197,8 +5197,8 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon.
 @c @multitable @columnfractions .105 .145 .125 .125 .125 .125 .125 .125
 @multitable @columnfractions .11 .14 .14 .11 .1 .1 .1 .1 .1
 
 @c @multitable @columnfractions .105 .145 .125 .125 .125 .125 .125 .125
 @multitable @columnfractions .11 .14 .14 .11 .1 .1 .1 .1 .1
 

-@item @tab @strong{ES} @tab @strong{I} @tab @strong{F} @tab @strong{D} 
-@tab @strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{FI} 
+@item @tab @strong{ES} @tab @strong{I} @tab @strong{F} @tab @strong{D}
+@tab @strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{FI}

 
 @item
 
 
 @item
 


@@ -5206,13 +5206,13 @@ symphony orchestra are flute, oboe, clarinet, saxophone, and bassoon.
 
 @item
 
 
 @item
 

-@item @strong{c-sharp} @tab do diesis  @tab do diesis  @tab ut dièse @tab 
+@item @strong{c-sharp} @tab do diesis  @tab do diesis  @tab ut dièse @tab

 Cis @tab cis @tab
 cis @tab cis @tab cis
 
 @item
 
 Cis @tab cis @tab
 cis @tab cis @tab cis
 
 @item
 

-@item @strong{d-flat} @tab re bemolle  @tab re bemolle  @tab ré bémol @tab 
+@item @strong{d-flat} @tab re bemolle  @tab re bemolle  @tab ré bémol @tab

 Des @tab des @tab
 des @tab des @tab des
 
 Des @tab des @tab
 des @tab des @tab des
 


@@ -5230,12 +5230,12 @@ des @tab des @tab des
 
 @item
 
 
 @item
 

-@item @strong{g} @tab sol  @tab sol  @tab sol @tab G @tab g @tab g @tab g 
+@item @strong{g} @tab sol  @tab sol  @tab sol @tab G @tab g @tab g @tab g

 @tab g
 
 @item
 
 @tab g
 
 @item
 

-@item @strong{a-flat} @tab la bemol  @tab la bemolle  @tab la bémol @tab As 
+@item @strong{a-flat} @tab la bemol  @tab la bemolle  @tab la bémol @tab As

 @tab as @tab as
 @tab as @tab as
 
 @tab as @tab as
 @tab as @tab as
 


@@ -5245,13 +5245,13 @@ des @tab des @tab des
 
 @item
 
 
 @item
 

-@item @strong{a-sharp} @tab la sostenido  @tab la diesis  @tab la dièse @tab 
+@item @strong{a-sharp} @tab la sostenido  @tab la diesis  @tab la dièse @tab

 Ais @tab ais @tab
 ais @tab ais @tab ais
 
 @item
 
 Ais @tab ais @tab
 ais @tab ais @tab ais
 
 @item
 

-@item @strong{b-flat} @tab si bemol  @tab si bemolle  @tab si bémol @tab B 
+@item @strong{b-flat} @tab si bemol  @tab si bemolle  @tab si bémol @tab B

 @tab bes @tab b
 @tab b @tab b
 
 @tab bes @tab b
 @tab b @tab b