ex# := (dynamic_design_size / 2.4)* pt#; descender# := 0.5 ex#; ascender# := 0.72 ex#; staffspace# := 1.75 / 2.0 * ex#; %% !! synchronize with feta-params.mf linethickness# := 0.3 pt# + 0.04 staffspace#; stafflinethickness# := stafflinethickness#; horizontal_space# := .66 ex#; font_x_height ex#; font_normal_space horizontal_space#; define_pixels (staffspace, linethickness, stafflinethickness, ex, descender, ascender); %% % % TODO: blot diameter should be fixed, not scalable. % % save serif_thick; serif_thick# = 1.1 linethickness#; define_blacker_pixels (serif_thick); med_thick = round (1.5 linethickness); bottom_blot = 1.3 serif_thick; code := 32; fet_beginchar("Space", "space") set_char_box(0, horizontal_space#, 0, ex#); fet_endchar; % % Couldn't find many z examples. This one is losely inspired % by a sfz from Mueller etuden fuer Horn (Edition Hofmeister.) % code := 121; fet_beginchar ("dynamic z", "z"); set_char_box (0, .98 ex#, 0, 0.9 ex#); save thin_thick, top_narrow, over_shoot; save bot_thick; thin_thick = serif_thick; top_narrow = thin_thick; top_overshoot = .8 serif_thick; top_thick = .3 h ; bot_thick = .2 ex; bot_overshoot = serif_thick; x0 = + top_narrow; y0 = .9 [y1r, y1l]; y1l = .72 h; x1r = .34 ex; x2 = .66 ex; y2 = y1r - top_overshoot; y3 = h - .7 thin_thick; x3 = w - .6 top_narrow - .5 thin_thick; y4 = .5 thin_thick; x4 = .5 thin_thick; x5l =.25 ex; y5l = .4 bot_overshoot; y6l = -bot_overshoot; x6 = w - 3 top_narrow; x7 = w; y7 = .82 [y8r, y6r]; x8r = w - .35 top_narrow; x9 = w; y8r = .45 h; penpos1(top_thick, 80); penpos3 (thin_thick, angle(z3-z4) + 90); penpos4(thin_thick, angle (z3-z4) + 90); penpos5(bot_thick, 70); penpos6(3/2 bot_thick, 70); penpos8 (thin_thick, 20); penlabels(range 0 thru 9); save p,q,r; path p,q,r; p := z0{down} .. z1l{dir(10)} .. simple_serif (z3l, z3r, 90) .. z2{left} .. z1r{left} .. tension 1.2 .. cycle; q := z3l -- z3r -- z4r -- z4l -- cycle; r := simple_serif (z4r, z4l, 90) .. z5l{right} .. z6l{right} .. z7{up} .. simple_serif (z8r, z8l, 90) .. z6r{left} .. z5r{left} .. cycle; pickup pencircle scaled 1; % draw p ; draw q ; draw r ; fill p; fill q; fill r; fet_endchar; % forte f, grabbed from Ed Breitkopf Mozart horn concerto 3. % % NOTES: % % * the bulbs are open. % % * blotting around the serif % % % % TODO: insert blots around the serif % % % slant_angle = 20; code := 101; fet_beginchar("dynamic f", "f"); set_char_box (0, 1.1 ex#, descender#, ex# + ascender#); save left_angle, right_angle; save serif_length, serif_excentricity; save f_thick; save bulb_thick, bulb_diam, fill_up; save p; path p; bulb_diam = 7.5 / 40 ex; bulb_thick = 8.5/40 ex; fill_up = 1.5 serif_thick; save slant; left_angle = slant_angle - 6; right_angle = slant_angle - 3; f_thick = 7/16 ex; serif_length = 0.96 ex; serif_excentricity = 0.01 ex; % z1 is the "base point" z1 = (0.2 ex, - serif_thick); y2 = y1 + ex; z2l = z1 + whatever*dir (90 - left_angle); penpos2 (f_thick, 0); y3l = y1 + ex + ascender; x3l = x1 + 1 ex; penpos3 (med_thick, -90); penpos4 (bulb_thick, -20); z3r = whatever [z4r,z4l]; x4l - x3l = 1/10 ex; penpos5(bulb_thick, -45); x5r = 0.1 [x4l, x4r]; y5l = y4l - bulb_diam; z6 = z2r + whatever* dir (90 - right_angle); y6 = y1 + 3/8 ex; x7 = x1 - 1/4 ex; y7r = y1 -descender; penpos7(med_thick, -90); penpos8 (bulb_thick, 160); x8l = x7l - 1/10 ex; z7l = whatever [z8r,z8l]; penpos9 (bulb_thick, 135); x9r = 0.1 [x8l, x8r]; y9l = y8l + bulb_diam; labels(1,6,9); penlabels(2, 3,4,5, 7, 8,9); p := z1 --- z2l .. tension 1.1 .. z3l{right} .. z4r{down} .. z5r{left} .. z5l{up} .. tension 0.8 .. z4l{up} .. z3r{left} .. tension 1.1 .. z2r --- z6 .. tension 1.25 .. z7r{left} .. z8r{up} .. z9r{right} .. z9l{down} .. tension 0.8 .. z8l{down} .. z7l{right} .. cycle; pickup pencircle scaled 1; fill p; % draw p; % % todo round for pixels... % pickup pencircle scaled round (1.4 serif_thick); (rt x13) - (lft x14) = serif_length; y13 = y14; y14 = y2; 0.5 [x13, x14] = x2 + serif_excentricity; draw z13 .. z14; penlabels(16); labels(13,14,15); fet_endchar; % % Notes: % % - The S is trapezoidal (i.e. narrower at the top) % % - The white space is differently shaped at the top (the bulb's inner % curve is filled up.) % % - less heavy than the f and p signs. % code := 114; fet_beginchar("dynamic s", "s"); set_char_box (0, 17/24 ex#, 0, 1 ex#); save left_angle, right_angle; save s_thick, s_thin; save base_point; save bulb_diam, bulb_len; save over_shoot; over_shoot = 0; % .2 serif_thick; pair base_point; bulb_diam = 11/70 ex; bulb_len = 1.0 bulb_diam; left_angle = slant_angle - 2; right_angle = slant_angle -11; s_thick = 16/70 ex; s_thin = serif_thick; base_point = (0,0); penpos1 (bulb_diam, -45); z1 = 0.35 [z2l,z2r] + bulb_len * dir(45); penpos2 (bulb_diam, -25); y2l = 0.845 [y7r, y3r]; z2l = base_point + whatever * dir (90-left_angle); penpos3 (s_thin, 100); x3l = 1/2 w ; y3l = ypart base_point - over_shoot ; penpos4 (s_thick, 25); ypart z4l = ypart z1r; z4r = base_point + (w,0) + whatever *dir(90-right_angle); penpos5 (s_thick, 40); z5 = z3l + whatever * dir (90-right_angle); y5 = ypart (0.48 [z7r, z3r]); penpos6 (s_thick, 25); z6l = base_point + whatever *dir(90-left_angle); y6r = y9l; penpos7 (.9 s_thin, 110); z7l = 0.45 [z6r, z8l] + whatever * dir (90-left_angle); y7r = h + over_shoot; penpos8 (.9 bulb_diam, -25); z8 = .6 [z4l,z4r] + whatever *dir(90-right_angle); y8r = ypart (0.23 [z7r, z3r]); penpos9 (.9 bulb_diam, -45); z9 = .4 [z8r,z8l] + .9 bulb_len * dir (-135); penlabels(1,2,3,4,5,6,7,8,9); labels(12); save p; path p; p := z2l{down} .. z3l{right} .. z4r{up} .. z5r .. z6r{up} .. z7l{right} %.. z8l{down} ..z9l{down} .. z9r{right} .. z7r{left} .. z6l{down} .. z5l .. z4l{down} .. z3r{left} .. z2r{up} .. z1r{up} .. z1l{left} .. cycle; pickup pencircle scaled 1; fill p; fet_endchar; % % piano p, grabbed from Ed Breitkopf Mozart horn concerto 3. % % Notes: % % * there is no dishing in the serif (but we do it anyway) % % * The cheek is a little fatter than the stem % % * The slant is extreme: 20 degrees % % * the twiddle (what'sitcalled) is a slightly darker than the serif % % * The hole in the cheek has a straight right side. % % * Corners are filled up. % % save slant; slant := ypart (dir(slant_angle)); currenttransform := currenttransform slanted slant; code := 111; fet_beginchar("dynamic p", "p") % % TODO w really is 13/12 ex % but should do kerning set_char_box (0, 15/12 ex#, descender#, 1.0 ex#); save twiddle_thick, stem_thick, cheek_thick; save updir, fill_up; save serif, dishing_angle, p, q; save cheek_medium, left_serif_protude, right_serif_protude; save lower_overshoot; pair updir; path serif,q,p; save my_slant_angle; my_slant_angle = 0; updir := dir (90 - my_slant_angle ); twiddle_thick = med_thick; cheek_medium = 1/6 ex; dishing_angle = 5; fill_up := 1.5 serif_thick; straigh_len = 0.5 ex; lower_overshoot := .3 serif_thick; stem_thick = 2/6 ex; cheek_thick = 13/32 ex; cheek_width = 0.72 ex; left_serif_protude = 18/60 ex; right_serif_protude= 15/60 ex; penpos1 (twiddle_thick, -slant - 5); penpos2 (cheek_medium, 90 - slant ); penpos3 (cheek_medium, 90 - slant); x4r - x4l = cheek_thick; penpos4 (whatever, 0); penpos5 (whatever, -38); penpos6 (stem_thick, 0); penpos17 (straigh_len, 90 -slant); whatever [z17l, z17r] = z4l; y17 = 7/16 ex; x6l = 0; y6l = - descender + serif_thick/2; z1l = z6l - whatever *dir (90 - my_slant_angle + 20 ); y1r = 0.5 ex; y2r = ex; z7 = whatever * updir + z6l; y7 = 43/60 ex; z2l = whatever *updir + 0.3 [z7, z1r]; y8 = ypart (0.9 [z7, z2l]); z8 = 2/3 [z6l, z6r] + whatever * updir; y3r = ex; z3l = 0.58 [(stem_thick, -descender), (stem_thick + cheek_width - cheek_thick, -descender)] + whatever * updir; y4r = .38 ex; z4r = whatever*updir + (stem_thick+ cheek_width, -descender); z5l = whatever*updir + z3l; y5r = -lower_overshoot; y5l = y5r + cheek_medium * ypart dir(55); z9 = z6r + whatever*updir; y9 = .2 [y5l, y5r]; p := z2r{right} .. {dir( -60)}z8 & z8{dir 35} .. z3r{right} .. z4r{-updir} .. tension 1.1 .. z5r{left} .. z9 & z9 -- z6r -- z6l -- z7{updir} .. z2l{left} .. tension 1.2 .. % z1r & z1r -- z1l & z1l simple_serif (z1r, z1l, -90) .. cycle; save blot_t, corner_t; blot_t := 0.13; corner_t := xpart (p intersectiontimes z9); z19 = point corner_t - 2 blot_t of p; z20 = point corner_t + blot_t of p; labels(19,20); save blot_path; path blot_path; pickup pencircle scaled 1; fill z19{up} .. {right}z20{updir} .. z19{-(direction corner_t - 2 blot_t of p)} .. cycle; pickup pencircle scaled 1; fill p; y12 = 0.5 ex; z12 = z6r + whatever*updir; save inner_tension; inner_tension = 1.4; q := z17l .. tension 1.5 .. z17r .. z3l{left}.. tension 1.05 .. z12{-updir} .. tension 1.05 .. z5l{right} .. cycle; unfill q; penlabels (1, 2, 3, 4, 5, 6, 17); pickup pencircle scaled serif_thick; lft x11 = -left_serif_protude; rt x10 = stem_thick+ right_serif_protude; bot y10 = bot y11 = -descender; serif := simple_serif (z10, z11, dishing_angle); draw serif; labels(7,8, 9, 10, 11,12); z13 = point 0.05 of serif; z14 = point 0.85 of serif; z15 = z6l + updir * fill_up +( serif_thick/2, 0); z16 = z6r + updir * 1.2fill_up- +( serif_thick/2, 0); labels(13,14, 15, 16); % pickup pencircle scaled 1; draw z13{direction 0.05 of serif} .. z16{updir}; draw z14{-(direction 0.85 of serif)} .. z15{updir}; fet_endchar; % % NOTES: % % * right stem is fatter and more straight than the left 2 two stems. % % * The twiddle at the left is similar to the p twiddle % % * The bottoms of the stems are blotted. % % % % This is cut & paste programming. Somehow 3 i shapes in two chars (p and m) % Doesn't seem worth the trouble of writing a macro. % code := 108; fet_beginchar("dynamic m", "m"); set_char_box (0, 1.5 ex#, 0, 1.0 ex#); % should share code with p for twiddle. save i_thick, i_angle, i_twiddle_thick, i_twiddle_start_angle, i_twiddle_start_y, i_left_space; save p; save idir, center, right_ending; save overshoot; pair center, idir, right_ending; path p; overshoot = .25 serif_thick; i_thick := 21 / 80 ex; i_angle := 0; idir := dir(90- i_angle); i_left_space = 16/80 ex; i_twiddle_thick = 1.2 serif_thick; i_twiddle_start_y = 8/16 ex; i_twiddle_start_angle = 0; center =(0,0); penpos1 (i_twiddle_thick, -i_twiddle_start_angle); y1 = i_twiddle_start_y; z1r = center - (i_left_space,0) + whatever * idir; y3 = 0.5 bottom_blot + ypart center; penpos3(i_thick, 0); z3l = center + whatever * idir; y4 = ypart center; penpos4 (i_thick - bottom_blot, 0); z4 - z3 = whatever * idir; y2l = 1 ex + overshoot; z2l = .08 [z3l, z3r] + whatever * idir; z2r = 5/8 [z1r, z3l] + whatever * idir; y2r = y5l + 1/9 ex; z2 = 1/2 [z2l, z2r] ; penpos5(i_thick, 0); z5 = z4 + whatever * idir; y5 = 55 / 80 ex; p := simple_serif (z1l, z1r, 90) .. tension 1.2 .. z2r{right} .. z5l --- z3l .. z4l --- z4r .. z3r --- z5r .. tension 1.2 .. z2l{left} .. cycle; fill p; right_ending := z5r; penlabels (1, 2, 3 , 4,5); %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% clearxy; i_angle := -3.2; idir := dir(90 - i_angle); i_left_space := 14/80 ex; z1r = right_ending; z5l = right_ending + (i_left_space,0); penpos1(serif_thick, - i_twiddle_start_angle); y3 = .5 bottom_blot + ypart center; penpos3(i_thick, 0); z3l = z5l + whatever * idir; y4 = ypart center; penpos4(i_thick - bottom_blot, 0); z4 - z3 = whatever * idir; y2l = 1 ex+ overshoot; z2l = .08 [z3l, z3r] + whatever * idir; z2r = 5/8 [z1r, z3l] + whatever * idir; y2r = y5l + 1/9 ex; z2 = 1/2 [z2l, z2r] ; penpos5(i_thick, 0); p := simple_serif (z1l, z1r, 90) .. tension 1.05 .. z2r{right} .. z5l --- z3l .. z4l --- z4r .. z3r --- z5r .. tension 1.2 .. z2l{left} .. cycle; fill p; right_ending := z5r; penlabels (1, 2, 3 , 4,5); clearxy; %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% i_thick := 23 / 80 ex; i_angle := -6; i_left_space := 14/80 ex; idir := dir(90- i_angle); z1r = right_ending; z5l = right_ending + (i_left_space,0); penpos5 (whatever, 10); penpos3 (whatever, 20); y7 = 0; penpos7(i_thick ,0); penpos1(serif_thick, - i_twiddle_start_angle); z3l = z7l + whatever * idir; z3r = z7r + whatever * idir; z5l = z7l + whatever * idir; z5r = z7r + whatever * idir; save end_twiddle_angle; end_twiddle_angle := 35; penpos6(serif_thick, - end_twiddle_angle); y6l = 23/80 ex + ypart center; z6l = 1.6 [z3l, z3r] + whatever * idir; y3l = 1/8 ex + ypart center; y2l = 1 ex+ overshoot; z2l = .08 [z3l, z3r] + whatever * idir; z2r = 5/8 [z1r, z3l] + whatever * idir; y2r = y5l + 1/9 ex; z2 = 1/2 [z2l, z2r] ; z8 = z7 - (0, 1 overshoot); p := simple_serif (z1l, z1r, 90) .. tension 1.05 .. z2r{right} .. z5l --- z3l .. z8{right} .. simple_serif(z6r, z6l, 90) .. tension 0.85 .. z3r --- z5r .. tension 1.2 .. z2l{left} .. cycle; % pickup pencircle scaled 1; % draw p; fill p; right_ending := z5r; penlabels (1, 2, 3 , 4,5,6,7, 8); clearxy; fet_endchar; code := 113; currenttransform := identity slanted ypart(dir(15)); fet_beginchar("dynamic r", "r"); set_char_box (0, .75 ex#, 0, 1ex#); save base_point, stem_thick, bulb_diam; save twiddle_thick, attach_len, overshoot, taille; stem_thick =.26 ex; bulb_diam = .30 ex; twiddle_thick= 1.1 serif_thick; overshoot = .5 serif_thick; taille = -0.3 serif_thick; pair base_point; base_point = (0,0); x1l = 0; y1l = .5 bottom_blot; penpos10(stem_thick - bottom_blot, 0); y10 = 0; x10 = x1; penpos1 (stem_thick, 0); y2l - y1l = 36/47 ex; x2l = x1l; penpos2 (stem_thick, 0); y3 = .77 ex; x3r = x2l - .2 ex; penpos3(twiddle_thick, -20); x9 = 0.15 [x1r, x1l] ; y9 = y4l - .12 ex ; x4l = -0.1 [x1l, x1r]; y4l = ex + overshoot; x4r = 0.62 [x3r, x2l]; y4r = 0.5 [y4l, y2l]; penpos5(whatever, -74); y5l - y5r = bulb_diam; y5l = ex + overshoot; x5 = x2r + attach_len; attach_len + bulb_diam/2 + stem_thick = w; z6 = z5; penpos6 (bulb_diam, 0); % z7 = z6l + taille* dir(180); save alpha; alpha := 35; z7 = z6 + .4 * bulb_diam * dir (-90 -alpha); z8 = 9/10 [z1r, z2r]; save p; path p; p := z1r .. z10r --- z10l .. z1l --- z2l .. z4r{left} .. tension 1.2 .. {down}simple_serif(z3r, z3l,-90){up} .. tension 0.95 .. z4l .. z9 & z9{curl 0} .. z5l .. z6r{dir(-80)} .. z5r{left} .. z7 .. z6l .. tension 1.2 .. z8 --- cycle; pickup pencircle scaled 1; draw p; fill p; penlabels (1,2,3, 4,5,6,7,8, 9, 10); fet_endchar ; %%% KERNING ligtable "m" : "p" kern 0.2 ex#, "f" kern -0.1 ex#; ligtable "f" : "f" kern -0.13 ex#; ligtable "r" : "f" kern 0.1 ex#; %% notes from old dyn code. % "f" obviously has a _lot_ bigger slant than "p" (see Wanske p.239) % however; perhaps we need two f symbols: % - a super-slanted one used in "f" "mf" "sfz" "sf", and % - a more normal-slanted in "ff" "fff" "fp" "fp" (see Wanske p.241) % % looking at professionally typeset music reveals that typesetters % are somewhat unsure about slanting in "mf", "fp", "sfz" % "f" and "p" (in any combination) are a lot (factor two) fatter than % "s", "m", and "z". sometimes the "m" and "z" are a bit fatter than % "s". % Chester, Breitkopf suggest smaller sizes of these other chars, % using the x-height as reference point.