@c -*- coding: latin-1; mode: texinfo; -*- @node Example templates @chapter Example templates This section of the manual contains templates with the LilyPond score already set up for you. Just add notes, run LilyPond, and enjoy beautiful printed scores! @c bad node name for ancient notation to avoid confict @menu * Single staff:: * Piano templates:: * String quartet:: * Vocal ensembles:: * Ancient notation templates:: * Jazz combo:: * Other templates:: * Lilypond-book templates:: @end menu @node Single staff @section Single staff @subsection Notes only The first example gives you a staff with notes, suitable for a solo instrument or a melodic fragment. Cut and paste this into a file, add notes, and you're finished! @lilypond[quote,verbatim,raggedright] \version "2.6.0" melody = \relative c' { \clef treble \key c \major \time 4/4 a4 b c d } \score { \new Staff \melody \layout { } \midi { \tempo 4=60 } } @end lilypond @subsection Notes and lyrics The next example demonstrates a simple melody with lyrics. Cut and paste, add notes, then words for the lyrics. This example turns off automatic beaming, which is common for vocal parts. If you want to use automatic beaming, you'll have to change or comment out the relevant line. @lilypond[quote,verbatim,raggedright] \version "2.6.0" melody = \relative c' { \clef treble \key c \major \time 4/4 a4 b c d } text = \lyricmode { Aaa Bee Cee Dee } \score{ << \context Voice = one { \autoBeamOff \melody } \lyricsto "one" \new Lyrics \text >> \layout { } \midi { \tempo 4=60 } } @end lilypond @subsection Notes and chords Want to prepare a lead sheet with a melody and chords? Look no further! @lilypond[quote,verbatim,raggedright] \version "2.6.0" melody = \relative c' { \clef treble \key c \major \time 4/4 f4 e8[ c] d4 g | a2 ~ a2 | } harmonies = \chordmode { c4:m f:min7 g:maj c:aug d2:dim b:sus } \score { << \context ChordNames { \set chordChanges = ##t \harmonies } \context Staff = one \melody >> \layout{ } \midi { \tempo 4=60} } @end lilypond @subsection Notes, lyrics, and chords. This template allows you to prepare a song with melody, words, and chords. @lilypond[quote,verbatim,raggedright] \version "2.6.0" melody = \relative c' { \clef treble \key c \major \time 4/4 a b c d } text = \lyricmode { Aaa Bee Cee Dee } harmonies = \chordmode { a2 c2 } \score { << \context ChordNames { \set chordChanges = ##t \harmonies } \context Voice = one { \autoBeamOff \melody } \lyricsto "one" \new Lyrics \text >> \layout { } \midi { \tempo 4=60 } } @end lilypond @node Piano templates @section Piano templates @subsection Solo piano Here is a simple piano staff. @lilypond[quote,verbatim,raggedright] \version "2.6.0" upper = \relative c'' { \clef treble \key c \major \time 4/4 a b c d } lower = \relative c { \clef bass \key c \major \time 4/4 a2 c } \score { \context PianoStaff << \set PianoStaff.instrument = "Piano " \context Staff = upper \upper \context Staff = lower \lower >> \layout { } \midi { \tempo 4=60 } } @end lilypond @subsection Piano and melody with lyrics Here is a typical song format: one staff with the melody and lyrics, with piano accompaniment underneath. @lilypond[quote,verbatim,raggedright] \version "2.6.0" melody = \relative c'' { \clef treble \key c \major \time 4/4 a b c d } text = \lyricmode { Aaa Bee Cee Dee } upper = \relative c'' { \clef treble \key c \major \time 4/4 a b c d } lower = \relative c { \clef bass \key c \major \time 4/4 a2 c } \score { << \context Voice = mel { \autoBeamOff \melody } \lyricsto mel \new Lyrics \text \context PianoStaff << \context Staff = upper \upper \context Staff = lower \lower >> >> \layout { \context { \RemoveEmptyStaffContext } } \midi { \tempo 4=60 } } @end lilypond @subsection Piano centered lyrics Instead of having a full staff for the melody and lyrics, you can place the lyrics between the piano staff (and omit the separate melody staff). @lilypond[quote,verbatim,raggedright] \version "2.6.0" upper = \relative c'' { \clef treble \key c \major \time 4/4 a b c d } lower = \relative c { \clef bass \key c \major \time 4/4 a2 c } text = \lyricmode { Aaa Bee Cee Dee } \score { \context GrandStaff << \context Staff = upper { \context Voice = singer \upper } \lyricsto "singer" \new Lyrics \text \context Staff = lower << \clef bass \lower >> >> \layout { \context { \GrandStaff \accepts "Lyrics" } \context { \Lyrics \consists "Bar_engraver" } } \midi { \tempo 4=60 } } @end lilypond @subsection Piano centered dynamics Many piano scores have the dynamics centered between the two staffs. This requires a bit of tweaking to implement, but since the template is right here, you don't have to do the tweaking yourself. @lilypond[quote,verbatim,raggedright] \version "2.6.0" upper = \relative c'' { \clef treble \key c \major \time 4/4 a b c d } lower = \relative c { \clef bass \key c \major \time 4/4 a2 c } dynamics = { s2\fff\> s4 s\!\pp } pedal = { s2\sustainDown s2\sustainUp } \score { \context PianoStaff << \context Staff=upper \upper \context Dynamics=dynamics \dynamics \context Staff=lower << \clef bass \lower >> \context Dynamics=pedal \pedal >> \layout { \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" minimumVerticalExtent = #'(-1 . 1) pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #7 } } } \score { \context PianoStaff << \context Staff=upper << \upper \dynamics >> \context Staff=lower << \lower \dynamics >> \context Dynamics=pedal \pedal >> \midi { \context { \type "Performer_group_performer" \name Dynamics \consists "Piano_pedal_performer" } \context { \PianoStaff \accepts Dynamics } } } @end lilypond @node String quartet @section String quartet @subsection String quartet This template demonstrates a string quartet. It also uses a @code{\global} section for time and key signatures. @lilypond[quote,verbatim,raggedright] \version "2.6.0" global= { \time 4/4 \key c \major } violinOne = \new Voice { \relative c''{ \set Staff.instrument = "Violin 1 " c2 d e1 \bar "|." }} violinTwo = \new Voice { \relative c''{ \set Staff.instrument = "Violin 2 " g2 f e1 \bar "|." }} viola = \new Voice { \relative c' { \set Staff.instrument = "Viola " \clef alto e2 d c1 \bar "|." }} cello = \new Voice { \relative c' { \set Staff.instrument = "Cello " \clef bass c2 b a1 \bar "|."}} \score { \new StaffGroup << \new Staff << \global \violinOne >> \new Staff << \global \violinTwo >> \new Staff << \global \viola >> \new Staff << \global \cello >> >> \layout { } \midi { \tempo 4=60} } @end lilypond @subsection String quartet parts The previous example produces a nice string quartet, but what if you needed to print parts? This template demonstrates how to use the @code{\tag} feature to easily split a piece into individual parts. You need to split this template into separate files; the filenames are contained in comments at the beginning of each file. @code{piece.ly} contains all the music definitions. The other files -- @code{score.ly}, @code{vn1.ly}, @code{vn2.ly}, @code{vla.ly}, and @code{vlc.ly} -- produce the appropiate part. @verbatim %%%%% piece.ly \version "2.6.0" global= { \time 4/4 \key c \major } Violinone = \new Voice { \relative c''{ \set Staff.instrument = "Violin 1 " c2 d e1 \bar "|." }} %********************************* Violintwo = \new Voice { \relative c''{ \set Staff.instrument = "Violin 2 " g2 f e1 \bar "|." }} %********************************* Viola = \new Voice { \relative c' { \set Staff.instrument = "Viola " \clef alto e2 d c1 \bar "|." }} %********************************* Cello = \new Voice { \relative c' { \set Staff.instrument = "Cello " \clef bass c2 b a1 \bar "|."}} %********************************** music = { << \tag #'(score vn1) \new Staff { << \global \Violinone >> } \tag #'(score vn2) \new Staff { << \global \Violintwo>> } \tag #'(score vla) \new Staff { << \global \Viola>> } \tag #'(score vlc) \new Staff { << \global \Cello>> } >> } %%%%% score.ly \version "2.6.0" \include "piece.ly" #(set-global-staff-size 14) \score { \new StaffGroup \keepWithTag #'score \music \layout { } \midi { \tempo 4 = 60 } } %%%%% vn1.ly \version "2.6.0" \include "piece.ly" \score { \keepWithTag #'vn1 \music \layout { } } %%%%% vn2.ly \version "2.6.0" \include "piece.ly" \score { \keepWithTag #'vn2 \music \layout { } } %%%%% vla.ly \version "2.6.0" \include "piece.ly" \score { \keepWithTag #'vla \music \layout { } } %%%%% vlc.ly \version "2.6.0" \include "piece.ly" \score { \keepWithTag #'vlc \music \layout { } } @end verbatim @node Vocal ensembles @section Vocal ensembles @subsection SATB vocal score Here is a standard four-part SATB vocal score. With larger ensembles, it's often useful to include a section which is included in all parts. For example, the time signature and key signatures are almost always the same for all parts. @lilypond[quote,verbatim,raggedright] \version "2.6.0" global = { \key c \major \time 4/4 } sopMusic = \relative c'' { c4 c c8[( b)] c4 } sopWords = \lyricmode { hi hi hi hi } altoMusic = \relative c' { e4 f d e } altoWords =\lyricmode { ha ha ha ha } tenorMusic = \relative c' { g4 a f g } tenorWords = \lyricmode { hu hu hu hu } bassMusic = \relative c { c4 c g c } bassWords = \lyricmode { ho ho ho ho } \score { \context ChoirStaff << \context Lyrics = sopranos { s1 } \context Staff = women << \context Voice = sopranos { \voiceOne << \global \sopMusic >> } \context Voice = altos { \voiceTwo << \global \altoMusic >> } >> \context Lyrics = altos { s1 } \context Lyrics = tenors { s1 } \context Staff = men << \clef bass \context Voice = tenors { \voiceOne <<\global \tenorMusic >> } \context Voice = basses { \voiceTwo <<\global \bassMusic >> } >> \context Lyrics = basses { s1 } \context Lyrics = sopranos \lyricsto sopranos \sopWords \context Lyrics = altos \lyricsto altos \altoWords \context Lyrics = tenors \lyricsto tenors \tenorWords \context Lyrics = basses \lyricsto basses \bassWords >> \layout { \context { % a little smaller so lyrics % can be closer to the staff \Staff minimumVerticalExtent = #'(-3 . 3) } } } @end lilypond @subsection SATB vocal score and automatic piano reduction This template adds an automatic piano reduction to the SATB vocal score. This demonstrates one of the strengths of LilyPond -- you can use a music definition more than once. If you make any changes to the vocal notes (say, tenorMusic), then the changes will also apply to the piano reduction. @lilypond[quote,verbatim,raggedright] \version "2.6.0" global = { \key c \major \time 4/4 } sopMusic = \relative c'' { c4 c c8[( b)] c4 } sopWords = \lyricmode { hi hi hi hi } altoMusic = \relative c' { e4 f d e } altoWords =\lyricmode { ha ha ha ha } tenorMusic = \relative c' { g4 a f g } tenorWords = \lyricmode { hu hu hu hu } bassMusic = \relative c { c4 c g c } bassWords = \lyricmode { ho ho ho ho } \layout { \context { % a little smaller so lyrics % can be closer to the staff \Staff minimumVerticalExtent = #'(-3 . 3) } } << \context ChoirStaff << \context Lyrics = sopranos { s1 } \context Staff = women << \context Voice = sopranos { \voiceOne << \global \sopMusic >> } \context Voice = altos { \voiceTwo << \global \altoMusic >> } >> \context Lyrics = altos { s1 } \context Lyrics = tenors { s1 } \context Staff = men << \clef bass \context Voice = tenors { \voiceOne <<\global \tenorMusic >> } \context Voice = basses { \voiceTwo <<\global \bassMusic >> } >> \context Lyrics = basses { s1 } \context Lyrics = sopranos \lyricsto sopranos \sopWords \context Lyrics = altos \lyricsto altos \altoWords \context Lyrics = tenors \lyricsto tenors \tenorWords \context Lyrics = basses \lyricsto basses \bassWords >> \new PianoStaff << \new Staff << \set Staff.printPartCombineTexts = ##f \partcombine << \global \sopMusic >> << \global \altoMusic >> >> \new Staff << \clef bass \set Staff.printPartCombineTexts = ##f \partcombine << \global \tenorMusic >> << \global \bassMusic >> >> >> >> @end lilypond @c bad node name to avoid node name confict @node Ancient notation templates @section Ancient notation templates @subsection Transcription of mensural music When transcribing mensural music, an incipit at the beginning of the piece is useful to indicate the original key and tempo. While today musicians are used to bar lines in order to faster recognize rhythmic patterns, bar lines where not yet invented during the period of mensural music; in fact, the meter often changed after every few notes. As a compromise, bar lines are often printed between the staves rather than on the staves. @lilypond[quote,verbatim,linewidth=11.0\cm] \version "2.6.0" global = { \set Score.skipBars = ##t % incipit \once \override Score.SystemStartBracket #'transparent = ##t \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing \key f \major \time 2/2 \once \override Staff.TimeSignature #'style = #'neomensural \override Voice.NoteHead #'style = #'neomensural \override Voice.Rest #'style = #'neomensural \set Staff.printKeyCancellation = ##f \cadenzaOn % turn off bar lines \skip 1*10 \once \override Staff.BarLine #'transparent = ##f \bar "||" \skip 1*1 % need this extra \skip such that clef change comes % after bar line \bar "" % main \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect? \cadenzaOff % turn bar lines on again \once \override Staff.Clef #'full-size-change = ##t \set Staff.forceClef = ##t \key g \major \time 4/4 \override Voice.NoteHead #'style = #'default \override Voice.Rest #'style = #'default % FIXME: setting printKeyCancellation back to #t must not % occur in the first bar after the incipit. Dto. for forceClef. % Therefore, we need an extra \skip. \skip 1*1 \set Staff.printKeyCancellation = ##t \set Staff.forceClef = ##f \skip 1*7 % the actual music % let finis bar go through all staves \override Staff.BarLine #'transparent = ##f % finis bar \bar "|." } discantusNotes = { \transpose c' c'' { \set Staff.instrument = "Discantus " % incipit \clef "neomensural-c1" c'1. s2 % two bars \skip 1*8 % eight bars \skip 1*1 % one bar % main \clef "treble" d'2. d'4 | b e' d'2 | c'4 e'4.( d'8 c' b | a4) b a2 | b4.( c'8 d'4) c'4 | \once \override NoteHead #'transparent = ##t c'1 | b\breve | } } discantusLyrics = \lyricmode { % incipit IV- % main Ju -- bi -- | la -- te De -- | o, om -- nis ter -- | ra, __ om- | "..." | -us. | } altusNotes = { \transpose c' c'' { \set Staff.instrument = "Altus " % incipit \clef "neomensural-c3" r1 % one bar f1. s2 % two bars \skip 1*7 % seven bars \skip 1*1 % one bar % main \clef "treble" r2 g2. e4 fis g | % two bars a2 g4 e | fis g4.( fis16 e fis4) | g1 | \once \override NoteHead #'transparent = ##t g1 | g\breve | } } altusLyrics = \lyricmode { % incipit IV- % main Ju -- bi -- la -- te | % two bars De -- o, om -- | nis ter -- ra, | "..." | -us. | } tenorNotes = { \transpose c' c' { \set Staff.instrument = "Tenor " % incipit \clef "neomensural-c4" r\longa % four bars r\breve % two bars r1 % one bar c'1. s2 % two bars \skip 1*1 % one bar \skip 1*1 % one bar % main \clef "treble_8" R1 | R1 | R1 | r2 d'2. d'4 b e' | % two bars \once \override NoteHead #'transparent = ##t e'1 | d'\breve | } } tenorLyrics = \lyricmode { % incipit IV- % main Ju -- bi -- la -- te | % two bars "..." | -us. | } bassusNotes = { \transpose c' c' { \set Staff.instrument = "Bassus " % incipit \clef "bass" r\maxima % eight bars f1. s2 % two bars \skip 1*1 % one bar % main \clef "bass" R1 | R1 | R1 | R1 | g2. e4 | \once \override NoteHead #'transparent = ##t e1 | g\breve | } } bassusLyrics = \lyricmode { % incipit IV- % main Ju -- bi- | "..." | -us. | } \score { \context StaffGroup = choirStaff << \context Voice = discantusNotes << \global \discantusNotes >> \context Lyrics = discantusLyrics \lyricsto discantusNotes { \discantusLyrics } \context Voice = altusNotes << \global \altusNotes >> \context Lyrics = altusLyrics \lyricsto altusNotes { \altusLyrics } \context Voice = tenorNotes << \global \tenorNotes >> \context Lyrics = tenorLyrics \lyricsto tenorNotes { \tenorLyrics } \context Voice = bassusNotes << \global \bassusNotes >> \context Lyrics = bassusLyrics \lyricsto bassusNotes { \bassusLyrics } >> \layout { \context { \Score \override BarLine #'transparent = ##t \remove "System_start_delimiter_engraver" } \context { \Voice \override Slur #'transparent = ##t } } } @end lilypond @node Jazz combo @section Jazz combo This is a much more complicated template, for a jazz ensemble. Note that all instruments are notated in @code{\key c \major}. This refers to the key in concert pitch; LilyPond will automatically transpose the key if the music is within a @code{\transpose} section. @c TODO must clean up this jazz combo example @c - transpositions stated in names (ie "trumpet in Bb" or whatever) @c - one global section, instead of "global" (time) and "key" @c - does it need those wierd macros? sl, nsl, etc. @c - maybe ask Amelie Zapf to clean it up, or whether I should just @c make whatever changes I feel like. @c FIXME: produces a warning ; key change merge. @c The `linewidth' argument is for the \header. @lilypond[quote,verbatim,raggedright,linewidth] \version "2.6.0" \header { title = "Song" subtitle = "(tune)" composer = "Me" meter = "moderato" piece = "Swing" tagline = "LilyPond example file by Amelie Zapf, Berlin 07/07/2003" texidoc = "Jazz tune for combo (horns, guitar, piano, bass, drums)." } #(set-global-staff-size 16) \include "english.ly" %%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%% sl = { \override NoteHead #'style = #'slash \override Stem #'transparent = ##t } nsl = { \revert NoteHead #'style \revert Stem #'transparent } cr = \override NoteHead #'style = #'cross ncr = \revert NoteHead #'style %% insert chord name style stuff here. jzchords = { } %%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%% global = { \time 4/4 } Key = { \key c \major } % ############ Horns ############ % ------ Trumpet ------ trpt = \transpose c d \relative c'' { \Key c1 c c } trpharmony = \transpose c' d { \jzchords } trumpet = { \global \set Staff.instrument = #"Trumpet" \clef treble \context Staff << \trpt >> } % ------ Alto Saxophone ------ alto = \transpose c a \relative c' { \Key c1 c c } altoharmony = \transpose c' a { \jzchords } altosax = { \global \set Staff.instrument = #"Alto Sax" \clef treble \context Staff << \alto >> } % ------ Baritone Saxophone ------ bari = \transpose c a' \relative c { \Key c1 c \sl d4^"Solo" d d d \nsl } bariharmony = \transpose c' a \chordmode { \jzchords s1 s d2:maj e:m7 } barisax = { \global \set Staff.instrument = #"Bari Sax" \clef treble \context Staff << \bari >> } % ------ Trombone ------ tbone = \relative c { \Key c1 c c } tboneharmony = \chordmode { \jzchords } trombone = { \global \set Staff.instrument = #"Trombone" \clef bass \context Staff << \tbone >> } % ############ Rhythm Section ############# % ------ Guitar ------ gtr = \relative c'' { \Key c1 \sl b4 b b b \nsl c1 } gtrharmony = \chordmode { \jzchords s1 c2:min7+ d2:maj9 } guitar = { \global \set Staff.instrument = #"Guitar" \clef treble \context Staff << \gtr >> } %% ------ Piano ------ rhUpper = \relative c'' { \voiceOne \Key c1 c c } rhLower = \relative c' { \voiceTwo \Key e1 e e } lhUpper = \relative c' { \voiceOne \Key g1 g g } lhLower = \relative c { \voiceTwo \Key c1 c c } PianoRH = { \clef treble \global \set Staff.midiInstrument = "acoustic grand" \context Staff << \context Voice = one \rhUpper \context Voice = two \rhLower >> } PianoLH = { \clef bass \global \set Staff.midiInstrument = "acoustic grand" \context Staff << \context Voice = one \lhUpper \context Voice = two \lhLower >> } piano = { \context PianoStaff << \set PianoStaff.instrument = #"Piano" \context Staff = upper \PianoRH \context Staff = lower \PianoLH >> } % ------ Bass Guitar ------ Bass = \relative c { \Key c1 c c } bass = { \global \set Staff.instrument = #"Bass" \clef bass \context Staff << \Bass >> } % ------ Drums ------ up = \drummode { hh4 4 hh hh 4 hh4 4 hh4 4 hh4 4 } down = \drummode { bd4 s bd s bd s bd s bd s bd s } drumContents = { \global << \set DrumStaff.instrument = #"Drums" \new DrumVoice { \voiceOne \up } \new DrumVoice { \voiceTwo \down } >> } %%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%% \score { << \context StaffGroup = horns << \context Staff = trumpet \trumpet \context Staff = altosax \altosax \context ChordNames = barichords \bariharmony \context Staff = barisax \barisax \context Staff = trombone \trombone >> \context StaffGroup = rhythm << \context ChordNames = chords \gtrharmony \context Staff = guitar \guitar \context PianoStaff = piano \piano \context Staff = bass \bass \new DrumStaff { \drumContents } >> >> \layout { \context { \RemoveEmptyStaffContext } \context { \Score \override BarNumber #'padding = #3 \override RehearsalMark #'padding = #2 skipBars = ##t } } \midi { \tempo 4 = 75 } } @end lilypond @node Other templates @section Other templates @subsection All headers This template displays all available headers. Some of them are only used in the Mutopia project; they don't affect the printed output at all. They are used if you want the piece to be listed with different information in the Mutopia database than you wish to have printed on the music. For example, Mutopia lists the composer of the famous D major violin concerto as TchaikovskyPI, whereas perhaps you wish to print "Petr Tchaikowski" on your music. @ The `linewidth' is for \header. @lilypond[quote,verbatim,raggedright,linewidth] \version "2.6.0" \header { dedication = "dedication" title = "Title" subtitle = "Subtitle" subsubtitle = "Subsubtitle" composer = "Composer (xxxx-yyyy)" opus = "Opus 0" piece = "Piece I" meter = "meter" instrument = "Instrument" arranger = "Arranger" poet = "Poet" texttranslator = "Translator" copyright = "public domain" % These are headers used by the Mutopia Project % http://www.mutopiaproject.org/ mutopiatitle = "" mutopiacomposer = "" mutopiapoet = "" mutopiainstrument = "" date = "composer's dates" source = "urtext " maintainer = "your name here" maintainerEmail = "your email here" maintainerWeb = "your home page" lastupdated = "2004/Aug/26" } \score { { c'4 } \header { piece = "piece1" opus = "opus1" } } \score { { c'4 } \header { piece = "piece2" opus = "opus2" } } @end lilypond @subsection Gregorian template This example demonstrates how to do modern transcriptions of Gregorian music. Gregorian music has no measure, no stems; it uses only half and quarter notes, and two types of barlines, a short one indicating a rest, and a second one indicating a breath mark. @lilypond[quote,verbatim,raggedright] barOne = { \once \override Staff.BarLine #'bar-size = #2 \bar "|" } barTwo = { \once \override Staff.BarLine #'extra-offset = #'(0 . 2) \once \override Staff.BarLine #'bar-size = #2 \bar "|" } chant = \relative c' { \set Score.timing = ##f \override Staff.Stem #'transparent = ##t f4 a2 \barTwo g4 a2 f2 \barOne g4( f) f( g) a2 } \score { \chant \layout{ } \midi { \tempo 4=60 } } @end lilypond @node Lilypond-book templates @section Lilypond-book templates These templates are for use with @code{lilypond-book}. If you're not familiar with this program, please refer to @ref{LilyPond-book}. @subsection LaTeX You can include LilyPond fragments in a LaTeX document. @example \documentclass[]@{article@} \usepackage@{graphics@} \begin@{document@} Normal LaTeX text. \begin@{lilypond@} \relative c'' @{ a4 b c d @} \end@{lilypond@} More LaTeX text. \begin@{lilypond@} \relative c'' @{ d4 c b a @} \end@{lilypond@} \end@{document@} @end example @subsection Texinfo You can include LilyPond fragments in Texinfo; in fact, this entire manual is written in Texinfo. @example \input texinfo @@node Top Texinfo text @@lilypond[verbatim,fragment,raggedright] a4 b c d @@end lilypond More Texinfo text @@lilypond[verbatim,fragment,raggedright] d4 c b a @@end lilypond @@bye @end example