@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-

@ignore
    Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79

    When revising a translation, copy the HEAD committish of the
    version that you are working on.  See TRANSLATION for details.
@end ignore

@c \version "2.12.0"

@node Notation manual tables
@appendix Notation manual tables

@c Please do not delete the following @ignore block.
@ignore
Note for editors and translators: In the following menu, two entries
are needed to link to a pair of automatically generated sections.
Please keep them and, if using emacs, do not run
texinfo-all-menus-update without manually restoring them back. These
menu entries are:

* Text markup commands::
* Text markup list commands::

and they should go just after
* Note head styles::

and just before
* List of articulations::
@end ignore

@menu
* Chord name chart::
* Common chord modifiers::
* Predefined fretboard diagrams::
* MIDI instruments::
* List of colors::
* The Feta font::
* Note head styles::
* Text markup commands::
* Text markup list commands::
* List of articulations::
* Percussion notes::
* All context properties::
* Layout properties::
* Identifiers::
* Scheme functions::
@end menu



@node Chord name chart
@appendixsec Chord name chart

Las siguientes tablas muestran dos sistemas estándar para imprimir los nombres de los acordes,
junto a las notas que representan.

@lilypondfile{chord-names-jazz.ly}

@node Common chord modifiers
@appendixsec Common chord modifiers

La tabla siguiente presenta los modificadores de acorde que se pueden
usar en el modo de acordes @code{\chordmode} para generar las
estructuras de acordes estándar.

@multitable @columnfractions .2 .3 .2 .2

@item
@b{Tipo de acorde}
@tab
@b{Intervalos}
@tab
@b{Modificador(es)}
@tab
@b{Ejemplo}


@item
Mayor
@tab
Tercera mayor y quinta justa
@tab
@code{5} o nada
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:5
}
@end lilypond

@item
Menor
@tab
Tercera menor y quinta justa
@tab
@code{m} o @code{m5}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:m
}
@end lilypond

@item
Aumentado
@tab
Tercera mayor y quinta aumentada
@tab
@code{aug}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:aug
}
@end lilypond

@item
Disminuido
@tab
Tercera menor y quinta disminuida
@tab
@code{dim}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:dim
}
@end lilypond

@item
Séptima dominante
@tab
Tríada mayor con séptima menor
@tab
@code{7}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:7
}
@end lilypond

@item
Séptima mayor
@tab
Tríada mayor y séptima mayor
@tab
@code{maj7} ó @code{maj}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:maj7
}
@end lilypond

@item
Séptima menor
@tab
Tríada menor y séptima menor
@tab
@code{m7}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:m7
}
@end lilypond

@item
Séptima disminuida
@tab
Tríada disminuida y séptima disminuida
@tab
@code{dim7}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:dim7
}
@end lilypond

@item
Aumentado con séptima
@tab
Tríada aumentada y séptima menor
@tab
@code{aug7}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:aug7
}
@end lilypond

@item
Séptima semi-disminuido
@tab
Tríada disminuida y séptima menor
@tab
@code{m7.5-}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:dim5m7
}
@end lilypond

@item
Menor con séptima mayor
@tab
Tríada menor con séptima mayor
@tab
@code{maj7.5-}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:maj7.5-
}
@end lilypond

@item
Mayor con sexta
@tab
Tríada mayor y sexta
@tab
@code{6}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:6
}
@end lilypond

@item
Menor con sexta
@tab
Tríada menor y sexta
@tab
@code{m6}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:m6
}
@end lilypond

@item
Novena dominante
@tab
Séptima dominante con novena mayor
@tab
@code{9}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:9
}
@end lilypond

@item
Mayor con novena
@tab
Séptima mayor y novena mayor
@tab
@code{maj9}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:maj9
}
@end lilypond

@item
Menor con novena
@tab
Séptima menor y novena mayor
@tab
@code{m9}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:m9
}
@end lilypond

@item
Oncena dominante
@tab
Novena dominante con oncena justa
@tab
@code{11}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:11
}
@end lilypond

@item
Oncena mayor
@tab
Novena mayor y oncena justa
@tab
@code{maj11}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:maj11
}
@end lilypond

@item
Menor con oncena
@tab
Novena menor y oncena justa
@tab
@code{m11}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:m11
}
@end lilypond

@item
Trecena dominante
@tab
Novena dominante y trecena mayor
@tab
@code{13}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:13
}
@end lilypond

@item
Trecena dominante
@tab
Oncena dominante y trecena mayor
@tab
@code{13.11}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:13.11
}
@end lilypond

@item
Mayor con trecena
@tab
Oncena mayor y trecena mayor
@tab
@code{maj13.11}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:maj13.11
}
@end lilypond

@item
Menor con trecena
@tab
Oncena menor y trecena mayor
@tab
@code{m13.11}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:m13.11
}
@end lilypond

@item
Segunda suspendida
@tab
Segunda mayor y quinta justa
@tab
@code{sus2}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:sus2
}
@end lilypond

@item
Cuarta suspendida
@tab
Cuarta justa y quinta justa
@tab
@code{sus4}
@tab
@lilypond[line-width=3\cm,noragged-right, notime]
\chordmode {
  c1:sus4
}
@end lilypond


@end multitable

@node Predefined fretboard diagrams
@appendixsec Predefined fretboard diagrams

El cuadro siguiente presenta los diagramas de traste predefinidos.

@lilypondfile{display-predefined-fretboards.ly}


@node MIDI instruments
@appendixsec MIDI instruments

A continuación figura una lista con los nombres que se pueden utilizar para la
propiedad @code{midiInstrument} (instrumento MIDI).

@example
acoustic grand            contrabass           lead 7 (fifths)
bright acoustic           tremolo strings      lead 8 (bass+lead)
electric grand            pizzicato strings    pad 1 (new age)
honky-tonk                orchestral harp      pad 2 (warm)
electric piano 1          timpani              pad 3 (polysynth)
electric piano 2          string ensemble 1    pad 4 (choir)
harpsichord               string ensemble 2    pad 5 (bowed)
clav                      synthstrings 1       pad 6 (metallic)
celesta                   synthstrings 2       pad 7 (halo)
glockenspiel              choir aahs           pad 8 (sweep)
music box                 voice oohs           fx 1 (rain)
vibraphone                synth voice          fx 2 (soundtrack)
marimba                   orchestra hit        fx 3 (crystal)
xylophone                 trumpet              fx 4 (atmosphere)
tubular bells             trombone             fx 5 (brightness)
dulcimer                  tuba                 fx 6 (goblins)
drawbar organ             muted trumpet        fx 7 (echoes)
percussive organ          french horn          fx 8 (sci-fi)
rock organ                brass section        sitar
church organ              synthbrass 1         banjo
reed organ                synthbrass 2         shamisen
accordion                 soprano sax          koto
harmonica                 alto sax             kalimba
concertina                tenor sax            bagpipe
acoustic guitar (nylon)   baritone sax         fiddle
acoustic guitar (steel)   oboe                 shanai
electric guitar (jazz)    english horn         tinkle bell
electric guitar (clean)   bassoon              agogo
electric guitar (muted)   clarinet             steel drums
overdriven guitar         piccolo              woodblock
distorted guitar          flute                taiko drum
guitar harmonics          recorder             melodic tom
acoustic bass             pan flute            synth drum
electric bass (finger)    blown bottle         reverse cymbal
electric bass (pick)      shakuhachi           guitar fret noise
fretless bass             whistle              breath noise
slap bass 1               ocarina              seashore
slap bass 2               lead 1 (square)      bird tweet
synth bass 1              lead 2 (sawtooth)    telephone ring
synth bass 2              lead 3 (calliope)    helicopter
violin                    lead 4 (chiff)       applause
viola                     lead 5 (charang)     gunshot
cello                     lead 6 (voice)
@end example


@node List of colors
@appendixsec List of colors

@subsubheading Normal colors

La sintaxis para el uso de colores se encuentra detallada en @ref{Coloring objects}.

@cindex lista de colores
@cindex colores, lista de

@verbatim
black       white          red         green
blue        cyan           magenta     yellow
grey        darkred        darkgreen   darkblue
darkcyan    darkmagenta    darkyellow
@end verbatim


@subsubheading X color names

Los nombres de los colores de X admiten algunas variantes:

Un nombre que se escribe como una palabra única con mayúsculas
intercaladas (p.ej. @q{LightSlateBlue}) se puede escribir también como
palabras separadas por espacios y sin mayúsculas (p.ej. @q{light slate
blue}).

La palabra @q{grey} siempre se puede escribir como @q{gray} (p.ej. @q{DarkSlateGray}).

Algunos nombres admiten un sufijo numérico (p.ej. @q{LightSalmon4}).


@subsubheading Color Names without a numerical suffix:

@verbatim
snow		GhostWhite	WhiteSmoke	gainsboro	FloralWhite
OldLace		linen		AntiqueWhite	PapayaWhip	BlanchedAlmond
bisque		PeachPuff	NavajoWhite	moccasin	cornsilk
ivory		LemonChiffon	seashell	honeydew	MintCream
azure		AliceBlue	lavender	LavenderBlush	MistyRose
white		black		DarkSlateGrey	DimGrey		SlateGrey
LightSlateGrey	grey		LightGrey	MidnightBlue	navy
NavyBlue	CornflowerBlue	DarkSlateBlue	SlateBlue	MediumSlateBlue
LightSlateBlue	MediumBlue	RoyalBlue	blue		DodgerBlue
DeepSkyBlue	SkyBlue		LightSkyBlue	SteelBlue	LightSteelBlue
LightBlue	PowderBlue	PaleTurquoise	DarkTurquoise	MediumTurquoise
turquoise	cyan		LightCyan	CadetBlue	MediumAquamarine
aquamarine	DarkGreen	DarkOliveGreen	DarkSeaGreen	SeaGreen
MediumSeaGreen	LightSeaGreen	PaleGreen	SpringGreen	LawnGreen
green		chartreuse	MediumSpringGreen	GreenYellow	LimeGreen
YellowGreen	ForestGreen	OliveDrab	DarkKhaki	khaki
PaleGoldenrod	LightGoldenrodYellow	LightYellow	yellow	gold
LightGoldenrod	goldenrod	DarkGoldenrod	RosyBrown	IndianRed
SaddleBrown	sienna		peru		burlywood	beige
wheat		SandyBrown	tan		chocolate	firebrick
brown		DarkSalmon	salmon		LightSalmon	orange
DarkOrange	coral		LightCoral	tomato		OrangeRed
red		HotPink		DeepPink	pink		LightPink
PaleVioletRed	maroon		MediumVioletRed	VioletRed	magenta
violet		plum		orchid		MediumOrchid	DarkOrchid
DarkViolet	BlueViolet	purple		MediumPurple	thistle
DarkGrey	DarkBlue	DarkCyan	DarkMagenta	DarkRed
LightGreen
@end verbatim


@subsubheading Color names with a numerical suffix

En los nombres siguientes, el sufijo N puede ser un número del 1 al 4:

@verbatim
snowN		seashellN	AntiqueWhiteN	bisqueN		PeachPuffN
NavajoWhiteN	LemonChiffonN	cornsilkN	ivoryN		honeydewN
LavenderBlushN	MistyRoseN	azureN		SlateBlueN	RoyalBlueN
blueN		DodgerBlueN	SteelBlueN	DeepSkyBlueN	SkyBlueN
LightSkyBlueN	LightSteelBlueN	LightBlueN	LightCyanN	PaleTurquoiseN
CadetBlueN	turquoiseN	cyanN		aquamarineN	DarkSeaGreenN
SeaGreenN	PaleGreenN	SpringGreenN	greenN		chartreuseN
OliveDrabN	DarkOliveGreenN	khakiN		LightGoldenrodN	LightYellowN
yellowN		goldN		goldenrodN	DarkGoldenrodN	RosyBrownN
IndianRedN	siennaN		burlywoodN	wheatN		tanN
chocolateN	firebrickN	brownN		salmonN		LightSalmonN
orangeN		DarkOrangeN	coralN		tomatoN		OrangeRedN
redN		DeepPinkN	HotPinkN	pinkN		LightPinkN
PaleVioletRedN	maroonN		VioletRedN	magentaN	orchidN
plumN		MediumOrchidN	DarkOrchidN	purpleN		MediumPurpleN
thistleN
@end verbatim


@subsubheading Grey Scale

Se puede obtener una escala de grises utilizando:

@example
greyN
@end example

@noindent
donde N es un número entre 0 y 100.


@node The Feta font
@appendixsec The Feta font

@cindex Feta, tipografía
@cindex tipografía Feta

Los símbolos siguientes están disponibles en la tipografía Emmentaler
y es posible acceder a ellos directamente utilizando elementos de
marcado textual como @code{g^\markup @{ \musicglyph #"scripts.segno"
@}}, véase @ref{Formatting text}.

@menu
* Clef glyphs::
* Time Signature glyphs::
* Number glyphs::
* Accidental glyphs::
* Default Notehead glyphs::
* Special Notehead glyphs::
* Shape-note Notehead glyphs::
* Rest glyphs::
* Flag glyphs::
* Dot glyphs::
* Dynamic glyphs::
* Script glyphs::
* Arrowhead glyphs::
* Bracket-tip glyphs::
* Pedal glyphs::
* Accordion glyphs::
* Vaticana glyphs::
* Medicaea glyphs::
* Hufnagel glyphs::
* Mensural glyphs::
* Neomensural glyphs::
* Petrucci glyphs::
* Solesmes glyphs::
@end menu


@node Clef glyphs
@unnumberedsubsec Clef glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #clefs
@end lilypond


@node Time Signature glyphs
@unnumberedsubsec Time Signature glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #timesig
@end lilypond


@node Number glyphs
@unnumberedsubsec Number glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #numbers
@end lilypond


@node Accidental glyphs
@unnumberedsubsec Accidental glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #accidentals
@end lilypond


@node Default Notehead glyphs
@unnumberedsubsec Default Notehead glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #default-noteheads
@end lilypond


@node Special Notehead glyphs
@unnumberedsubsec Special Notehead glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #special-noteheads
@end lilypond


@node Shape-note Notehead glyphs
@unnumberedsubsec Shape-note Notehead glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #shape-note-noteheads
@end lilypond


@node Rest glyphs
@unnumberedsubsec Rest glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #rests
@end lilypond


@node Flag glyphs
@unnumberedsubsec Flag glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #flags
@end lilypond


@node Dot glyphs
@unnumberedsubsec Dot glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #dots
@end lilypond


@node Dynamic glyphs
@unnumberedsubsec Dynamic glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #dynamics
@end lilypond


@node Script glyphs
@unnumberedsubsec Script glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #scripts
@end lilypond


@node Arrowhead glyphs
@unnumberedsubsec Arrowhead glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #arrowheads
@end lilypond


@node Bracket-tip glyphs
@unnumberedsubsec Bracket-tip glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #brackettips
@end lilypond


@node Pedal glyphs
@unnumberedsubsec Pedal glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #pedal
@end lilypond


@node Accordion glyphs
@unnumberedsubsec Accordion glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #accordion
@end lilypond


@node Vaticana glyphs
@unnumberedsubsec Vaticana glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #vaticana
@end lilypond


@node Medicaea glyphs
@unnumberedsubsec Medicaea glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #medicaea
@end lilypond


@node Hufnagel glyphs
@unnumberedsubsec Hufnagel glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #hufnagel
@end lilypond


@node Mensural glyphs
@unnumberedsubsec Mensural glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #mensural
@end lilypond


@node Neomensural glyphs
@unnumberedsubsec Neomensural glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #neomensural
@end lilypond


@node Petrucci glyphs
@unnumberedsubsec Petrucci glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #petrucci
@end lilypond


@node Solesmes glyphs
@unnumberedsubsec Solesmes glyphs

@lilypond[quote]
\include "font-table.ly"
\markuplines \override-lines #'(word-space . 4)
             \doc-chars #solesmes
@end lilypond


@node Note head styles
@appendixsec Note head styles

@cindex nota, estilos de cabeza
Se pueden usar los siguientes estilos para las cabezas de las notas.

@lilypondfile[noindent]{note-head-style.ly}

@include markup-commands.tely

@include markup-list-commands.tely

@node List of articulations
@appendixsec List of articulations

@cindex accent
@cindex acento
@cindex apagado
@cindex arco abajo
@cindex arco arriba
@cindex calderón
@cindex coda
@cindex downbow
@cindex espressivo
@cindex fermata
@cindex flageolet
@cindex foot marks
@cindex grupeto circular
@cindex grupeto circular invertido
@cindex marcato
@cindex mordent
@cindex open
@cindex organ pedal marks
@cindex pedal, indicaciones de
@cindex portato
@cindex prall
@cindex prallmordent
@cindex prallprall
@cindex reverseturn
@cindex segno
@cindex semitrino
@cindex semitrino descendente
@cindex staccatissimo
@cindex staccato
@cindex stopped
@cindex tenuto
@cindex thumb marking
@cindex trill
@cindex trino
@cindex turn
@cindex upbow
@cindex varcoda
@cindex órgano, indicaciones de pedal de


@lilypondfile[quote,texidoc]{script-chart.ly}


@node Percussion notes
@appendixsec Percussion notes

@lilypondfile[quote]{percussion-chart.ly}


@node All context properties
@appendixsec All context properties

@include context-properties.tely


@node Layout properties
@appendixsec Layout properties

@include layout-properties.tely


@node Identifiers
@appendixsec Identifiers

@include identifiers.tely


@node Scheme functions
@appendixsec Scheme functions

@include scheme-functions.tely