@c -*- coding: utf-8; mode: texinfo; -*- @ignore Translation of GIT committish: FILL-IN-HEAD-COMMITTISH When revising a translation, copy the HEAD committish of the version that you are working on. See TRANSLATION for details. @end ignore @node implementing-notation @unnumberedsec Music notation Common music notation encompasses some 500 years of music. Its applications range from monophonic melodies to monstruous counterpoint for large orchestras. How can we get a grip on such a many-headed beast? Our solution is to make a strict distinction between notation, @emph{what} symbols to use, and engraving, @emph{where} to put them. For tackling notation, we have broken up the problem into digestible (and programmable) chunks: every type of symbol is handled by a separate plugin. All plugins cooperate through the LilyPond architecture. They are completely modular and independent, so each can be developed and improved separately. @itemize @item The most basic plug-in creates Note-heads: @divClass{float-center} @sourceimage{engraver-noteheads,,,.png} @divEnd This plug-in creates graphical objects from musical events. People that put graphics to musical ideas are called copyists or engravers, so by analogy, this plug-in is called @code{Note_head_engraver}. @item The @code{Staff_symbol_engraver} generates the object representing the staff lines. @divClass{float-center} @sourceimage{engraver-staff,,,.png} @divEnd @item The @code{Clef_engraver} tells @code{Note_head_engraver} how high each head should be placed. @divClass{float-center} @sourceimage{engraver-clef,,,.png} @divEnd @item For the flags and stems we add a @code{Stem_engraver}: @divClass{float-center} @sourceimage{engraver-stem,,,.png} @divEnd This engraver is notified of any note head coming along. Every time one (or more, for a chord) note head is seen, a stem object is created, and attached to the note head. @item Beams, slurs, accents are handled by separate engravers. Like the @code{Stem_engraver}, they create objects and connect them to stems, note heads, etc.: @divClass{float-center} @sourceimage{engraver-slur,,,.png} @divEnd @item Accidentals, bar lines, time signature, and key signature each have a separate engraver. @divClass{float-center} @sourceimage{engraver-acc,,,.png} @divEnd The @code{Accidental_engraver} is the most complex plug-in: it has to look at the key signature, note pitches, ties, and bar lines to decide when to print accidentals. @end itemize @c @unnumberedsec Polyphonic notation @heading Polyphonic notation The system shown in the last section works well for monophonic music, but what about polyphony? In polyphonic notation, many voices can share a staff: @divClass{float-center} @sourceimage{engraver-final,,,.png} @divEnd In this situation, the accidentals and staff are shared, but the stems, slurs, beams, etc. are private to each voice. Hence, engravers should be grouped. The engravers for note head, stems, slurs, etc. go into a group called "Voice context," while the engravers for key, accidental, bar, etc. go into a group called "Staff context." In the case of polyphony, a single Staff context contains more than one Voice context. Similarly, more Staff contexts can be put into a single Score context: @divClass{float-center} @sourceimage{engraver-score,,,.png} @divEnd @divClass{float-right} Next: @ref{engraving,The art of stamping}: how @emph{did} they make hand-made music? @divEnd