1 #(ly:set-option 'old-relative)
4 \include "mozart-hrn3-defs.ly"
6 romanze = \notes \relative c' {
9 \set Score.skipBars = ##t
11 c'4.( _\markup { \dynamic "p" \italic { "" con molto espressione } }
13 bes8[( c d bes] g4) r8 g
14 a r bes r c r d[( bes)]
18 bes8[ (c d bes)] g4 r8 c,
19 c8[( e g bes)] a[( c f d)]
31 c16[ ( d c d)] e[ ( f e f)] g[( e) c-. c-.] f[( d) b-. b-.]
32 c16[\p ( d c d)] e[ ( f e f)] g[( e) c-. c-.] f[( d) b-. b-.]
33 c8[ \< c, c c] c[ c c c\!]
40 d4(~ d16[ e d e)] f8[ ( d) f( d)]
45 c[ ( e) g g] g[( f e d)]
48 <<<<<<< mozart-hrn3-romanze.ly
49 \override Stem #'stroke-style = #"grace"
51 \override Stem #'stroke-style = #"grace"
53 \longgrace e16 \endlonggrace
54 \revert Stem #'stroke-style }
56 d8.[ c16) \< ] c8[ c-.( c-. c)-.]\!
59 %% this is a trick to get the sfp-s to align.
60 <<<<<<< mozart-hrn3-romanze.ly
61 \override Hairpin #'transparent = ##t
63 \override Hairpin #'transparent = ##t
69 \revert Hairpin #'transparent
73 c8[ \< e( g f] e[ d\!\> c bes]
78 bes8[ (c d bes)] g4 r8 c,
79 c8[( e g bes)] a[( c f d)]
83 c8[( e g bes)] a[( c f d)]
87 c8[( e g bes)] a[( c f d)]
93 % Finish with F if played separately
94 c8-.( r c,-. r c4) r4|
102 \notes { \transpose c' bes \romanze }
103 \header { piece = "romanze" opus = "" }
104 \midi{ \tempo 4 = 70 }