1 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
2 %% This file is in the public domain.
6 lsrtags = "ancient-notation, template"
9 Al transcribir música mensural, es útil un «incipit» al compienzo
10 de la pieza para indicar la tonalidad y el tempo
11 originales. Aunque los músicos actuales están acostumbrados a las
12 barras de compás para reconocer con más facilidad los patrones
13 rítmicos, durante el período de la música mensural aún no se
14 habíen inventado las líneas divisorias; de hecho, la medida solía
15 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
16 divisorias se imprimen entre los pentagramas en vez de hacerlo
20 doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
23 Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
24 Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
25 Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
26 heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
27 zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
28 Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
29 ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
30 zwischen den Systemen geschrieben.
34 Lorsque l'on transcrit de la musique mensurale, il est d'usage
35 d'indiquer en début de partition, par un « incipit », les tonalité
36 et tempo originaux. De nos jours, les musiciens ont l'habitude de
37 voir des barres de mesure qui les aide à appréhender la structure
38 rythmique. Ces barres n'existaient pas du temps où ces œuvres ont
39 été écrites ; en fait, la métrique évoluait au fil de la pièce. Un
40 compromis consiste à imprimer des barres de mesure entre les portées
41 plutôt que sur la portée elle-même.
44 doctitle = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
47 When transcribing mensural music, an incipit at the beginning of the
48 piece is useful to indicate the original key and tempo. While today
49 musicians are used to bar lines in order to faster recognize rhythmic
50 patterns, bar lines were not yet invented during the period of mensural
51 music; in fact, the meter often changed after every few notes. As a
52 compromise, bar lines are often printed between the staves rather than
56 doctitle = "Ancient notation template -- modern transcription of mensural music"
60 \set Score.skipBars = ##t
63 \once \override Score.SystemStartBracket #'transparent = ##t
64 \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
67 \once \override Staff.TimeSignature #'style = #'neomensural
68 \override Voice.NoteHead #'style = #'neomensural
69 \override Voice.Rest #'style = #'neomensural
70 \set Staff.printKeyCancellation = ##f
71 \cadenzaOn % turn off bar lines
73 \once \override Staff.BarLine #'transparent = ##f
75 \skip 1*1 % need this extra \skip such that clef change comes
80 \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
81 \cadenzaOff % turn bar lines on again
82 \once \override Staff.Clef #'full-size-change = ##t
83 \set Staff.forceClef = ##t
86 \override Voice.NoteHead #'style = #'default
87 \override Voice.Rest #'style = #'default
89 % FIXME: setting printKeyCancellation back to #t must not
90 % occur in the first bar after the incipit. Dto. for forceClef.
91 % Therefore, we need an extra \skip.
93 \set Staff.printKeyCancellation = ##t
94 \set Staff.forceClef = ##f
96 \skip 1*7 % the actual music
98 % let finis bar go through all staves
99 \override Staff.BarLine #'transparent = ##f
107 \set Staff.instrumentName = #"Discantus "
110 \clef "neomensural-c1"
112 \skip 1*8 % eight bars
122 \once \override NoteHead #'transparent = ##t c'1 |
127 discantusLyrics = \lyricmode {
143 \set Staff.instrumentName = #"Altus "
146 \clef "neomensural-c3"
149 \skip 1*7 % seven bars
154 r2 g2. e4 fis g | % two bars
156 fis g4.( fis16 e fis4) |
158 \once \override NoteHead #'transparent = ##t g1 |
163 altusLyrics = \lyricmode {
168 Ju -- bi -- la -- te | % two bars
177 \set Staff.instrumentName = #"Tenor "
180 \clef "neomensural-c4"
193 r2 d'2. d'4 b e' | % two bars
194 \once \override NoteHead #'transparent = ##t e'1 |
199 tenorLyrics = \lyricmode {
204 Ju -- bi -- la -- te | % two bars
211 \set Staff.instrumentName = #"Bassus "
215 r\maxima % eight bars
226 \once \override NoteHead #'transparent = ##t e1 |
231 bassusLyrics = \lyricmode {
242 \new StaffGroup = choirStaff <<
244 "discantusNotes" << \global \discantusNotes >>
246 "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
248 "altusNotes" << \global \altusNotes >>
250 "altusLyrics" \lyricsto altusNotes { \altusLyrics }
252 "tenorNotes" << \global \tenorNotes >>
254 "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
256 "bassusNotes" << \global \bassusNotes >>
258 "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
265 \override BarLine #'transparent = ##t
267 % incipit should not start with a start delimiter
268 \remove "System_start_delimiter_engraver"
274 \override Slur #'transparent = ##t
276 % Comment in the below "\remove" command to allow line
277 % breaking also at those barlines where a note overlaps
278 % into the next bar. The command is commented out in this
279 % short example score, but especially for large scores, you
280 % will typically yield better line breaking and thus improve
281 % overall spacing if you comment in the following command.
282 %\remove "Forbid_line_break_engraver"