2 % TITLE=The engraving bibliography
3 % AUTHOR=Han-Wen Nienhuys
8 author = {Harald Banter},
9 title = {Akkord Lexikon},
10 publisher = {Schott's S\"ohne},
12 isbn = {ISBN 3-7957-2095-8},
13 note = {Comprehensive overview of commonly used
14 chords. Suggests (and uses) a unification for all different kinds
16 address = {Mainz, Germany},
20 author = {Richard Rastall},
22 title = {The Notation of Western Music: an
24 publisher = {J. M. Dent \& Sons London},
26 note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
31 title = {Teach yourself the art of music engraving and processing},
32 publisher = {Hansen House},
34 note = {This is about engraving, i.e. professional typesetting. It contains
35 directions on good typesetting, but the sections on reproduction
36 technicalities, how to use pens and history are interesting.
37 Especially the section on Music Typewriters is amusing HWN},
38 address = {Miami, Florida},
43 author = {Harald Banter},
44 title = {Akkord Lexikon},
45 publisher = {Schott's S\"ohne},
47 isbn = {ISBN 3-7957-2095-8},
48 note = {Comprehensive overview of commonly used
49 chords. Suggests (and uses) a unification for all different kinds
51 address = {Mainz, Germany},
56 note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
58 title = {Modern Rhythmic Notation},
59 author = {Gardner Read},
60 publisher = {Indiana University Press},
65 note = {(Out of print) This is as close to the ``standard'' reference work for music notation issues as one is likely to get. MB},
66 title = {Music Notation: a Manual of Modern Practice},
67 author = {Gardner Read},
68 totalentry = {(2nd edition)},
69 publisher ={Taplinger Publishing},
75 title = {Standard Music Notation Practice},
76 author = {Maxwell Weaner and Walter Boelke},
77 totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
78 publisher = {Music Publisher's Association of the United States Inc},
84 note = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
86 title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
87 author = {Helene Wanske},
88 publisher = {Schott-Verlag},
90 isbn = {ISBN 3-7957-2886-x},
97 title = {Aus der Werkstatt eines Notenstechers},
98 author = {Karl Hader},
99 publisher = {Waldheim--Eberle Verlag},
102 note = {Hader was the chief-engraver of the Waldheim-Eberle music
103 publishers. This beautiful booklet was intended as an introduction
104 for laymen on the art of engraving. It contains a step by step,
105 in-depth explanation of how to cut and stamp music into zinc plates.
106 It also contains some compactly formulated rules on musical
107 orthography. Out of print. }
110 @Book{gamble23:_music_engrav,
111 author = {William Gamble},
112 title = {Music Engraving and printing. Historical and Technical Treatise},
113 publisher = {Sir Isaac Pitman & Sons, ltd.},
115 note = {This pattriotic book was an attempt to promote and help
116 British music engravers. It is somewhat similar to Hader's
117 book\cite{hader48} in scope and style, but Gamble focuses more on
118 technical details (Which French punch cutters are worth buying from,
119 etc.), and does not treat typographical details, such as optical
120 illusions. It is available as reprint from Da Capo Press, New York
126 note = {Pamphlet explaining some fine points in music font design HWN},
128 title = {Standard music notation specifications for computer programming.},
137 author = {Anthony Donato},
138 title ={Preparing Music Manuscript},
139 address ={Englewood Cliffs, NJ},
140 publisher={Prentice-Hall},
146 title = {Notation in New Music; a critical guide to interpretation and realisation},
147 author = {Erdhard Karkoshka},
148 translator={Ruth Koenig},
149 publisher={Praeger Publishers},
151 note ={(Out of print)},
157 title = {The Art of Music Copying},
158 author = {Clinton Roemer},
159 publisher={Roerick music co.},
160 address= {Sherman Oaks (CA)},
162 note ={Out of print. Heussenstamm writes: an instructional manual
163 which specializes in methods used in the commercial field. },
170 title = {Music Notation Primer},
171 author = {Glen Rosecrans},
172 publisher={Passantino},
174 note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
179 title = {Uitgeven van muziek},
181 publisher= {Donemus Amsterdam},
186 author={Vinci, Albert C.},
187 title={Fundamentals of Traditional Music Notation},
188 publisher={Kent State University Press},
193 author={G. Schirmer, Inc.},
194 title={The G. Schirmer Manual of Style and Usage},
196 publisher={The G. Schirmer Publications Department},
203 title = {Music Notation in the Twentieth Century},
204 author = {Kurt Stone},
207 note ={Out of print. Heussenstamm writes: The most important book on notation in recent years. },
210 @Book {Heussenstamm87,
212 title = {The Norton Manual of Music Notation},
213 author = {George Heussenstamm},
216 note={Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
221 @Book{unknown69:_music_notat,
223 title = {Music Notation},
224 publisher = {Crescendo books},
226 note = {Heussenstamm writes: An extremely thorough exploration of musical notation [..]}
231 note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
233 title = {Essential Dictionary of Music Notation},
234 author = {Tom Gerou and Linda Lusk},
235 publisher = {Alfred Publishing},
236 address ={Van Nuys CA},
237 isbn ={ISBN 0-88284-768-6},
242 note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
244 title = {Die Praxis des Notengraphikers},
245 author = {Herbert Chlapik},
246 publisher = {Doblinger},
247 isbn ={ISBN 3-9000 035-96-2},
253 author = {Barksdale, A},
255 title = {The Printed Note: 500 Years of Music Printing and Engraving},
256 address={Toledo, Ohio},
258 note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
259 publisher={The Toledo Museum of Art},
264 author = {Wolf, Johannes},
266 title = {Handbuch der Notationskunde},
268 publisher={Breitkopf & Hartel},
269 note= {Very thorough treatment (in two volumes) of the history musical notation},
273 author = {Rosenthal, Carl A},
275 title = {A Practical Guide to Music Notation},
277 publisher={MCA Music},
278 note={Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
283 author = {Boehm, Laszlo},
285 title={Modern Music Notation},
287 publisher={G. Schirmer, Inc.},
288 note ={Heussenstamm writes: A handy compact reference book in basic notation. }
290 @Book{button20:_system_music_notat,
291 author = {Button, H. Elliot},
292 title = {System in Musical Notation},
293 publisher = {Novello and co.},
298 @Book{johnson46:_how,
299 author = {Johnson, Harold},
300 title = {How to write music manuscript},
301 publisher = {Carl Fischer, Inc.},