1 % Do not edit this file; it is automatically
2 % generated from Documentation/snippets/new
3 % This file is in the public domain.
4 %% Note: this file works from version 2.13.47
8 %% Translation of GIT committish: fa19277d20f8ab0397c560eb0e7b814bd804ecec
10 He aquí una partitura vocal estándar para cuatro voces SATB. Con
11 grupos mayores, suele ser útil incluir una sección que aparezca en
12 todas las partes. Por ejemplo, el compás y la armadura casi siempre
13 son los mismos para todas. Como en la plantilla @qq{Himno}, las cuatro
14 voces se reagrupan en sólo dos pentagramas.
17 doctitlees = "Plantilla de conjunto vocal"
20 %% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
22 これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
23 もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
24 便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
25 歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
27 %% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
29 Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
30 Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
31 die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
32 sind fast immer gleich in allen Stimmen.
35 doctitlede = "Vorlage für Vokalensemble"
38 %% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
40 Ce fichier constitue un canevas standard de partition pour chœur à
41 quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
42 de recourrir à une section spécifique incluse dans chacune des parties,
43 tout particulièrement pour gérer la métrique et la tonalité qui,
44 la plupart du temps, sont communes à tous les pupitres. Comme il est
45 d'usage pour les hymnes, les quatre voix sont réparties sur deux
49 doctitlefr = "Ensemble vocal (simple)"
51 lsrtags = "vocal-music, template"
54 Here is a standard four-part SATB vocal score. With larger ensembles,
55 it is often useful to include a section which is included in all parts.
56 For example, the time signature and key signature are almost always the
57 same for all parts. Like in the @qq{Hymn} template, the four voices are
58 regrouped on only two staves.
60 doctitle = "Vocal ensemble template"
65 top-system-spacing #'basic-distance = #10
66 score-system-spacing #'basic-distance = #20
67 system-system-spacing #'basic-distance = #20
68 last-bottom-spacing #'basic-distance = #10
76 sopMusic = \relative c'' {
79 sopWords = \lyricmode {
83 altoMusic = \relative c' {
86 altoWords = \lyricmode {
90 tenorMusic = \relative c' {
93 tenorWords = \lyricmode {
97 bassMusic = \relative c {
100 bassWords = \lyricmode {
106 \new Lyrics = "sopranos" \with {
107 % this is needed for lyrics above a staff
108 \override VerticalAxisGroup #'staff-affinity = #DOWN
110 \new Staff = "women" <<
111 \new Voice = "sopranos" {
113 << \global \sopMusic >>
115 \new Voice = "altos" {
117 << \global \altoMusic >>
120 \new Lyrics = "altos"
121 \new Lyrics = "tenors" \with {
122 % this is needed for lyrics above a staff
123 \override VerticalAxisGroup #'staff-affinity = #DOWN
125 \new Staff = "men" <<
127 \new Voice = "tenors" {
129 << \global \tenorMusic >>
131 \new Voice = "basses" {
132 \voiceTwo << \global \bassMusic >>
135 \new Lyrics = "basses"
136 \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
137 \context Lyrics = "altos" \lyricsto "altos" \altoWords
138 \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
139 \context Lyrics = "basses" \lyricsto "basses" \bassWords