1 %% DO NOT EDIT this file manually; it is automatically
2 %% generated from LSR http://lsr.dsi.unimi.it
3 %% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
4 %% and then run scripts/auxiliar/makelsr.py
6 %% This file is in the public domain.
10 lsrtags = "ancient-notation, template"
12 %% Translation of GIT committish: 615cbf212fdaf0b220b3330da417d0c3602494f2
14 Al transcribir música mensural, es útil un «incipit» al compienzo
15 de la pieza para indicar la tonalidad y el tempo
16 originales. Aunque los músicos actuales están acostumbrados a las
17 barras de compás para reconocer con más facilidad los patrones
18 rítmicos, durante el período de la música mensural aún no se
19 habíen inventado las líneas divisorias; de hecho, la medida solía
20 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
21 divisorias se imprimen entre los pentagramas en vez de hacerlo
25 doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
28 %% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
30 Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
31 Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
32 Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
33 heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
34 zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
35 Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
36 ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
37 zwischen den Systemen geschrieben.
40 doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
43 %% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
45 Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
46 d'indiquer la tonalité et le tempo d'origine. Si les musiciens sont de
47 nos jours habitués aux barres de mesures qui présentent la structure
48 rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
49 pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
50 changer au fil des notes. Un compromis consiste à imprimer des barres
51 entre les portées plutôt que sur chacune d'elles.
54 doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
57 When transcribing mensural music, an incipit at the beginning of the
58 piece is useful to indicate the original key and tempo. While today
59 musicians are used to bar lines in order to faster recognize rhythmic
60 patterns, bar lines were not yet invented during the period of mensural
61 music; in fact, the meter often changed after every few notes. As a
62 compromise, bar lines are often printed between the staves rather than
66 doctitle = "Ancient notation template -- modern transcription of mensural music"
70 \set Score.skipBars = ##t
73 \once \override Score.SystemStartBracket #'transparent = ##t
74 \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
77 \once \override Staff.TimeSignature #'style = #'neomensural
78 \override Voice.NoteHead #'style = #'neomensural
79 \override Voice.Rest #'style = #'neomensural
80 \set Staff.printKeyCancellation = ##f
81 \cadenzaOn % turn off bar lines
83 \once \override Staff.BarLine #'transparent = ##f
85 \skip 1*1 % need this extra \skip such that clef change comes
90 \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
91 \cadenzaOff % turn bar lines on again
92 \once \override Staff.Clef #'full-size-change = ##t
93 \set Staff.forceClef = ##t
96 \override Voice.NoteHead #'style = #'default
97 \override Voice.Rest #'style = #'default
99 % FIXME: setting printKeyCancellation back to #t must not
100 % occur in the first bar after the incipit. Dto. for forceClef.
101 % Therefore, we need an extra \skip.
103 \set Staff.printKeyCancellation = ##t
104 \set Staff.forceClef = ##f
106 \skip 1*7 % the actual music
108 % let finis bar go through all staves
109 \override Staff.BarLine #'transparent = ##f
117 \set Staff.instrumentName = #"Discantus "
120 \clef "neomensural-c1"
122 \skip 1*8 % eight bars
132 \once \override NoteHead #'transparent = ##t c'1 |
137 discantusLyrics = \lyricmode {
153 \set Staff.instrumentName = #"Altus "
156 \clef "neomensural-c3"
159 \skip 1*7 % seven bars
164 r2 g2. e4 fis g | % two bars
166 fis g4.( fis16 e fis4) |
168 \once \override NoteHead #'transparent = ##t g1 |
173 altusLyrics = \lyricmode {
178 Ju -- bi -- la -- te | % two bars
187 \set Staff.instrumentName = #"Tenor "
190 \clef "neomensural-c4"
203 r2 d'2. d'4 b e' | % two bars
204 \once \override NoteHead #'transparent = ##t e'1 |
209 tenorLyrics = \lyricmode {
214 Ju -- bi -- la -- te | % two bars
221 \set Staff.instrumentName = #"Bassus "
225 r\maxima % eight bars
236 \once \override NoteHead #'transparent = ##t e1 |
241 bassusLyrics = \lyricmode {
252 \new StaffGroup = choirStaff <<
254 "discantusNotes" << \global \discantusNotes >>
256 "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
258 "altusNotes" << \global \altusNotes >>
260 "altusLyrics" \lyricsto altusNotes { \altusLyrics }
262 "tenorNotes" << \global \tenorNotes >>
264 "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
266 "bassusNotes" << \global \bassusNotes >>
268 "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
275 \override BarLine #'transparent = ##t
277 % incipit should not start with a start delimiter
278 \remove "System_start_delimiter_engraver"
284 \override Slur #'transparent = ##t
286 % Comment in the below "\remove" command to allow line
287 % breaking also at those barlines where a note overlaps
288 % into the next bar. The command is commented out in this
289 % short example score, but especially for large scores, you
290 % will typically yield better line breaking and thus improve
291 % overall spacing if you comment in the following command.
292 %\remove "Forbid_line_break_engraver"