Documentation/de/essay/colorado.bib

   1 %
   2 % TITLE=University of Colorado Engraving music bibliography
   3 % AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
   4 %
   5
   6 @Book {jacob47:_music,
   7         author ={Jacob, Archibald},
   8         year=1947,
   9         title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
  10         address ={London},
  11         publisher ={Oxford University Press},
  12         note = {subject: Musical notation},
  13 }
  14
  15 @Book{brandt:_stand_chord_symbol_notat,
  16         author ={Carl Brandt and Clinton Roemer},
  17         title = {Standardized Chord Symbol Notation},
  18         address={Sherman Oaks, CA},
  19         publisher={Roerick Music Co.},
  20         note ={subject: musical notation},
  21 }
  22
  23 @Book{johnson46:_how,
  24         author = {Johnson, Harold M},
  25         year = 1946,
  26         title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
  27         publisher={Carl Fischer, Inc.},
  28         address= {New York},
  29         note = {subject: Musical notation --Handbooks, manuals},
  30 }
  31
  32 @Book{sadie90:_music_print_publis,
  33         title = {Music Printing & Publishing},
  34         author ={Donald W. Krummel \& Stanley Sadie},
  35         year = 1990,
  36         publisher= {Macmillan Press},
  37         note ={subject: musical notation},
  38 }
  39
  40 @Book{foss:_music_print,
  41         author={Foss, Hubert},
  42         title = {Music Printing},
  43         series = {Practical Printing and Binding},
  44         address={London},
  45         publisher={Oldhams Press Ltd., Long Acre},
  46         note ={subject: musical notation},
  47 }
  48
  49 @Book{steele03:_earlies_englis_music_print,
  50         author = {Steele, Robert},
  51         year = 1903,
  52         title = {The Earliest English Music Printing},
  53         address={London},
  54         note= {subject: history of music printing and engraving},
  55 }
  56
  57 @Book{austin:_story_music_print,
  58         author={Austin, Ernest},
  59         title = {The Story of Music Printing},
  60         address={London},
  61         publisher={Lowe and Brydone Printers, Ltd.},
  62         note= {subject: history of music printing and engraving},
  63
  64 }
  65
  66
  67
  68 @Book{unknown_author:_pictor_histor_music_print,
  69         author={unknown author},
  70         title = {Pictorial History of Music Printing},
  71         address={Elhardt, Indiana},
  72         publisher={H. and A. Selmer, Inc.},
  73         note= {subject: history of music printing and engraving},
  74
  75 }
  76
  77 @Book{wintermitz55:_music_autog_montev_hindem,
  78         author = {Wintermitz, Emmanuel},
  79         year = 1955,
  80         title = {Musical Autographs from Monteverdi to Hindemith},
  81         address={Princeton},
  82         publisher={Princeton University Press},
  83         note= {subject: history of music printing and engraving},
  84
  85 }
  86
  87
  88 @Book{novello47:_some_accoun_method_music_print,
  89
  90         author = {Novello, A},
  91         year = 1847,
  92         title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
  93         address={London},
  94         note={ subject: history of music printing and engraving},
  95 }
  96
  97 @Book{chrsander18:_sketc_histor_music,
  98         author={Chrsander, F.},
  99         year={18??},
 100         title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
 101         note={ subject: history of music printing and engraving},
 102 }
 103
 104 @Article {squire1897,
 105         author = {Squire, W},
 106         year = 1897,
 107         title = {Notes on Early Music Printing},
 108         journal = {Bibliographica},
 109         volume={iii},
 110         number=99,
 111         note={ subject: history of music printing and engraving},
 112
 113 }
 114
 115 @Article{meyer35:_print_music,
 116         author = {Meyer, K. and O'Meara, J},
 117         year = 1935,
 118         title = {The Printing of Music, 1473-1934},
 119         journal = {The Dolphin},
 120         volume={ ii},
 121         pages={ 171--207},
 122         note={ subject: history of music printing and engraving},
 123
 124 }
 125 %% 4th ver.,
 126 @Article{pattison39:_notes_early_music_print,
 127         author = {Pattison, B},
 128         year = 1939,
 129         title = {Notes on Early Music Printing},
 130         journal = {The Library},
 131         note={subject: history of music printing and engraving},
 132         volume={xix},
 133         pages={389-421},
 134 }
 135
 136 @Book{king64:_four_hundr_years_music_print,
 137         author = {King, H},
 138         year = 1964,
 139         title = {Four Hundred Years of Music Printing},
 140         address={London},
 141         note={ subject: history of music printing and engraving},
 142 }
 143
 144
 145 %(Rev.1961).
 146 @Book{deutsch46:_music_number,
 147         author={Deutsch, O.F.},
 148         year =1946,
 149         title = {Music Publishers' Numbers},
 150         address={London},
 151         note={ subject: history of music printing and engraving},
 152 }
 153
 154 @Book{marco62:_earlies_music_print_contin_europ,
 155         author = {Marco, G.A},
 156         year = 1962,
 157         title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
 158         address={Charlottesville, Virginia},
 159         note={ subject: history of music printing and engraving},
 160 }
 161
 162 @Article{kinkeldey32:_music_and_music_print_incun,
 163         author = {Kinkeldey, O},
 164         year = 1932,
 165         title = {Music And Music Printing in Incunabula},
 166         journal = {Papers of the Bibliographical Society of America},
 167         volume={ xxvi},
 168         pages={89-118},
 169         note={ subject: history of music printing and engraving},
 170 }
 171
 172 @Book{oldman34:_collec_music_first_edition,
 173         author = {Oldman, C.B},
 174         year = 1934,
 175         title = {Collecting Musical First Editions},
 176         address={London},
 177         note={ subject: history of music printing and engraving},
 178 }
 179
 180 @Book{carter34:_new_paths_book_collec,
 181         author={Carter, J},
 182         year=1934,
 183         title = {New Paths in Book Collecting},
 184         address={London},
 185         note={ subject: history of music printing and engraving},
 186 }
 187
 188 @Book{krummel58:_graph_analy_applic_early_americ_engrav_music,
 189         author={Krummel, D.W.},
 190         year=1958,
 191         month=9,
 192         title = {Graphic Analysis in Application to Early American Engraved Music},
 193         journal = {Notes},
 194         volume={xvi},
 195         pages=213,
 196         note={ subject: history of music printing and engraving},
 197 }
 198
 199 @Book{krummel71:_oblon_format_early_music_books,
 200         author = {Krummel, D.W},
 201         year = 1971,
 202         title = {Oblong Format in Early Music Books},
 203         journal = {The Library},
 204         volume={5th ser., xxvi},
 205         pages=312,
 206         note={ subject: history of music printing and engraving},
 207 }
 208
 209 @Book{king73:_anniv_music_print,
 210         author = {King, A.H},
 211         year = 1973,
 212         title = {The 50th Anniversary of Music Printing},
 213 }
 214
 215 @Book{rastall82:_wester,
 216         author={Rastall, Richard},
 217         year=1982,
 218  title = {The notation of Western music : an introduction},
 219         address={New York, N.Y.},
 220         publisher={St. Martin's Press},
 221         note = {Musical notation},
 222
 223
 224 }
 225
 226 @Book{tappolet47:_la_notat_music,
 227         author = {Tappolet, Willy},
 228         year = 1947,
 229         title = {La Notation Musicale},
 230         address={Paris},
 231         note={subject: general notation},
 232         publisher={Neuch\^atel},
 233 }
 234
 235 @Book{williams03:_story_notat,
 236         author = {Williams, C.F. Abdy},
 237         year = 1903,
 238         title = {The Story of Notation},
 239         address={New York},
 240         publisher={Charles Scribner's Sons},
 241         note={subject: general notation},
 242 }
 243
 244 @Book{apel53,
 245         author={Apel, Willi},
 246         year=1953,
 247         title = {The notation of polyphonic music, 900-1600},
 248         address={Cambridge, Mass},
 249         institution={Mediaeval Academy of America},
 250         note = {Musical notation},
 251 }
 252
 253 @Book{berger93:_mensur,
 254         author={Berger, Anna Maria Busse},
 255         year=1993,
 256         title = {Mensuration and proportion signs : origins and evolution},
 257         address={Oxford, England},
 258         publisher={Clarendon Press},
 259         scnd_address={New York},
 260         scnd_publisher={Oxford University Press },
 261         note={subject: early notation},
 262 }
 263
 264 @Book{parrish57,
 265         author={Parrish, Carl},
 266         year=1957,
 267  title = {The notation of medieval music},
 268         address={New York},
 269         publisher={Norton},
 270         note = {Musical notation},
 271
 272
 273 }
 274
 275 @Book{parrish46:_notat_mediev_music,
 276         author = {Parrish, Carl},
 277         year = 1946,
 278         title = {The Notation of Medieval Music},
 279         address={New York},
 280         publisher={Carl Fischer, Inc.},
 281         note={subject: early notation},
 282 }
 283
 284 @Book{patch49:_genes_music,
 285         author = {Patch, Harry},
 286         year = 1949,
 287         title = {Genesis of a Music},
 288         address={Madison},
 289         publisher={University of Wisconsin Press},
 290         note={subject: early notation},
 291 }
 292
 293 @Book{cage69:_notat,
 294         author={Cage, John},
 295         year=1969,
 296   title = {Notations},
 297         address={New York},
 298         publisher={Something Else Press},
 299         note = {Music, Manuscripts, Facsimiles.
 300
 301         Facsimiles of holographs from the Foundation for Contemporary
 302         Performance Arts, with text by 269 composers, but rearranged using
 303         chance operations.,V)} },
 304
 305 @Book{gaburo77:_notat,
 306         author = {Gaburo, Virginia},
 307         year = 1977,
 308         title = {Notation},
 309         publisher={Lingua Press},
 310         address={La Jolla, California},
 311         note = {A Lecture about notation, new ideas about},
 312 }
 313
 314 @Book{risatti75:_new_music_vocab,
 315         author = {Risatti, Howard},
 316         year = 1975,
 317         title = {New Music Vocabulary},
 318         address={Urbana, Illinois},
 319         publisher={University of Illinois Press},
 320         note = {A Guide to Notational Signs for Contemporary Music},
 321 }
 322
 323
 324
 325 @Book{cowell30:_new_music_resour,
 326         author = {Cowell, Henry},
 327         year = 1930,
 328         title = {New Musical Resources},
 329         address={New York},
 330         publisher={Alfred A. Knopf, Inc.},
 331         note={subject: 20th century notation},
 332 }
 333
 334 @Article{cowell27:_our_inadeq_notat,
 335         author = {Cowell, Henry},
 336         year = 1927,
 337         title = {Our Inadequate Notation},
 338         journal = {Modern Music},
 339         volume=4,
 340         number=3,
 341         note={subject: 20th century notation},
 342
 343 }
 344
 345 @Book{bowers92:_music_letter,
 346         author = {Bowers, Roger},
 347         year = 1992,
 348         title = {Music & Letters},
 349         volume=73,
 350         number=3,
 351         month={August},
 352         pages={347(52)},
 353         note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
 354 }
 355
 356 @Book{brainard92:_curren_music,
 357         author = {Brainard, Paul},
 358         year = 1992,
 359         title = {Current Musicology},
 360         number=50,
 361         month={July-Dec},
 362         pages={21(26)},
 363         note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
 364 }
 365
 366 @Book{monelle89:_compar_liter,
 367         author = {Monelle, Raymond},
 368         year = 1989,
 369         title = {Comparative Literature},
 370         volume=41, number=3,
 371         month={Summer},
 372         pages={252(18)},
 373
 374         note={Music notation and the poetic foot},
 375 }
 376
 377 @Book{pinegar93:_curren_music,
 378         author = {Pinegar, Sandra},
 379         year = 1993,
 380         title = {Current Musicology},
 381         number=53,
 382         month={July},
 383         pages={99(10)},
 384         note={The seeds of notation and music paleography.},
 385 }
 386
 387 @Book{smith90:_curren_music,
 388         author = {Smith, Norman E},
 389         year = 1990,
 390         title = {Current Musicology},
 391         number={45-47},
 392         month={Jan-Dec},
 393         pages={283(22)},
 394         note={The notation of fractio modi.},
 395 }
 396
 397 @Book{treitler92:_journ_music,
 398         author = {Treitler, Leo},
 399         year = 1992,
 400         title = {The Journal of Musicology},
 401         volume=10,
 402         number=2,
 403         month={Spring},
 404         pages={131(61)},
 405
 406         note={ The unwritten and written transmission, of medieval chant
 407         and the start-up of musical notation.
 408
 409         Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
 410 }
 411
 412 @Book{west94:_music_letter,
 413         author = {West, M.L},
 414         year = 1994,
 415         title = {Music & Letters},
 416         volume=75,
 417         number=2,
 418         month={May},
 419         pages={161(19)},
 420         note={The Babylonian musical notation and the Hurrian melodic texts.
 421
 422         A new way of deciphering the ancient Babylonian musical notation.
 423 }
 424 }
 425
 426 @Book{brown86:_music_quart,
 427         author = {Brown, Earle},
 428         year = 1986,
 429         title = {Musical Quarterly},
 430         volume=72,
 431         month={Spring},
 432         pages={180(22)},
 433         note={The notation and performance of new music.},
 434 }
 435
 436 @Book{eggleston94:_notes,
 437         author = {Eggleston, Suzanne},
 438         year = 1994,
 439         title = {Notes},
 440         volume=51,
 441         number=2,
 442         month={Dec},
 443         pages={657(7)},
 444         journal={New periodicals},
 445         note={A list of new music periodicals covering the period
 446         Jun.-Dec. 1994. Includes aims, formats and a description of the
 447         contents of each listed periodical. Includes Music Notation News},
 448
 449 }
 450
 451 @Book{fuller89:_journ_music,
 452         author = {Fuller, David},
 453         year = 1989,
 454         title = {The Journal of Musicology},
 455         volume=7,
 456         number=1,
 457         month={Winter},
 458         pages={21(8)},
 459         note={
 460         Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
 461 }},
 462
 463 @Book{jones90:_persp_new_music,
 464
 465         author = {Jones, David Evan},
 466         year = 1990,
 467         title = {Perspectives of New Music},
 468         note={Speech extrapolated. (includes notation)}
 469 }
 470
 471 @Book{lependorf89,
 472         author = {Lependorf, Jeffrey},
 473         year = 1989,
 474         journal={Perspectives of New Music},
 475         volume=27,
 476         title = {?},
 477  number=2,
 478         month={Summer},
 479         pages={232(20)},
 480         note={Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
 481
 482 }
 483
 484 @Book{rastall93:_music_letter,
 485         author = {Rastall, Richard},
 486         year = 1993,
 487         title = {Music & Letters},
 488         volume=74, number=4,
 489         month={November},
 490         pages={639(2)},
 491
 492         note={Equal Temperament Music Notation: The Ailler-Brennink
 493         Chromatic Notation. Results and Conclusions of the Music Notation
 494         Refor by the Chroma Foundation (book reviews).  },
 495 }
 496
 497 @Article {Francois92,
 498         author={Francois, Jean-Charles},
 499         journal = {Perspectives of New Music},
 500         volume={30},
 501         number={1}, month={Winter},
 502         pages={6(15)},
 503         year={1992},
 504
 505         note={subject: Modern music has outgrown notation. While the
 506              computer is used to write down music with accuracy never
 507              before achieved, the range of modern sounds has surpassed
 508              the relevance of the computer...},
 509
 510         title={Writing without representation, and unreadable notation.},
 511 }
 512
 513 @Book{hamel89,
 514         author = {Hamel, Keith A},
 515         year = 1989,
 516         journal = {Perspectives of New Music},
 517         volume=27,
 518         number=1,
 519         month={Winter},
 520         pages={70(14)},
 521
 522         title={A design for music editing and printing software based
 523 on notational syntax}, }
 524