2 % TITLE=The engraving bibliography
3 % AUTHOR=Han-Wen Nienhuys
8 author = {Harald Banter},
9 title = {Akkord Lexikon},
10 publisher = {Schott's S\"ohne},
12 isbn = {ISBN 3-7957-2095-8},
13 note = {Comprehensive overview of commonly used
14 chords. Suggests (and uses) a unification for all different kinds
16 address = {Mainz, Germany},
20 author = {Richard Rastall},
22 title = {The Notation of Western Music: an
24 publisher = {J. M. Dent \& Sons London},
26 note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
31 title = {Teach yourself the art of music engraving and processing},
32 publisher = {Hansen House},
34 note = {This is about engraving, i.e. professional typesetting. It contains
35 directions on good typesetting, but the sections on reproduction
36 technicalities, how to use pens and history are interesting.
37 Especially the section on Music Typewriters is amusing HWN},
38 address = {Miami, Florida},
44 note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
46 title = {Modern Rhythmic Notation},
47 author = {Gardner Read},
48 publisher = {Indiana University Press},
54 note = {This is as close to the ``standard''
55 reference work for music notation issues as one is likely to get.
56 [Available at amazon]},
58 title = {Music Notation: a Manual of Modern Practice},
59 author = {Gardner Read},
60 totalentry = {(2nd edition)},
61 publisher ={Taplinger Publishing},
67 title = {Standard Music Notation Practice},
68 author = {Maxwell Weaner and Walter Boelke},
69 totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
70 publisher = {Music Publisher's Association of the United States Inc},
77 note = {I. A very thorough overview of engraving practices of various
78 craftsmen. It includes detailed specs of characters, dimensions
79 etc. II. a thorough overview of a anonymous (by now antiquated)
80 automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
81 electronic data processing HWN. Available at amazon.de},
84 title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
85 author = {Helene Wanske},
86 publisher = {Schott-Verlag},
88 isbn = {ISBN 3-7957-2886-x},
92 note = {A comprehensive overview of music theory;
93 the (Dutch) authority on general music theory},
95 title = {Algemene muziekleer},
96 author = {Theo Willemze},
97 publisher = {Aula, Het Spectrum},
99 isbn = {ISBN 90-274-1817-9},
105 title = {Aus der Werkstatt eines Notenstechers},
106 author = {Karl Hader},
107 publisher = {Waldheim--Eberle Verlag},
110 note = {Hader was the chief-engraver of the Waldheim-Eberle music
111 publishers. This beautiful booklet was intended as an introduction
112 for laymen on the art of engraving. It contains a step by step,
113 in-depth explanation of how to cut and stamp music into zinc plates.
114 It also contains a few compactly formulated rules on musical
115 orthography. Out of print. }
118 @Book{gamble23:_music_engrav,
119 author = {William Gamble},
120 title = {Music Engraving and printing. Historical and Technical Treatise},
121 publisher = {Sir Isaac Pitman & Sons, ltd.},
123 note = {This pattriotic book was an attempt to promote and help
124 British music engravers. It is somewhat similar to Hader's
125 book\cite{hader48} in scope and style, but Gamble focuses more on
126 technical details (Which French punch cutters are worth buying from,
127 etc.), and does not treat typographical details, such as optical
128 illusions. It is available as reprint from Da Capo Press, New York
134 note = {Pamphlet explaining a few fine points in music font design HWN},
136 title = {Standard music notation specifications for computer programming.},
145 author = {Anthony Donato},
146 title ={Preparing Music Manuscript},
147 address ={Englewood Cliffs, NJ},
148 publisher={Prentice-Hall},
154 title = {Notation in New Music; a critical guide to interpretation and realisation},
155 author = {Erdhard Karkoshka},
156 translator={Ruth Koenig},
157 publisher={Praeger Publishers},
159 note ={(Out of print)},
165 title = {The Art of Music Copying},
166 author = {Clinton Roemer},
167 publisher={Roerick music co.},
168 address= {Sherman Oaks (CA)},
170 note ={Out of print. Heussenstamm writes: an instructional manual
171 which specializes in methods used in the commercial field. },
178 title = {Music Notation Primer},
179 author = {Glen Rosecrans},
180 publisher={Passantino},
182 note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
187 title = {Uitgeven van muziek},
189 publisher= {Donemus Amsterdam},
194 author={Vinci, Albert C.},
195 title={Fundamentals of Traditional Music Notation},
196 publisher={Kent State University Press},
201 author={G. Schirmer, Inc.},
202 title={The G. Schirmer Manual of Style and Usage},
204 publisher={The G. Schirmer Publications Department},
211 title = {Music Notation in the Twentieth Century},
212 author = {Kurt Stone},
215 note ={Out of print. Heussenstamm writes: The most important book on notation in recent years. },
218 @Book {Heussenstamm87,
220 title = {The Norton Manual of Music Notation},
221 author = {George Heussenstamm},
224 note={Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
229 note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
231 title = {Essential Dictionary of Music Notation},
232 author = {Tom Gerou and Linda Lusk},
233 publisher = {Alfred Publishing},
234 address ={Van Nuys CA},
235 isbn ={ISBN 0-88284-768-6},
240 note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
242 title = {Die Praxis des Notengraphikers},
243 author = {Herbert Chlapik},
244 publisher = {Doblinger},
245 isbn ={ISBN 3-9000 035-96-2},
251 author = {Barksdale, A},
253 title = {The Printed Note: 500 Years of Music Printing and Engraving},
254 address={Toledo, Ohio},
256 note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
257 publisher={The Toledo Museum of Art},
262 author = {Wolf, Johannes},
264 title = {Handbuch der Notationskunde},
266 publisher={Breitkopf & Hartel},
267 note= {Very thorough treatment (in two volumes) of the history of music notation},
271 author = {Rosenthal, Carl A},
273 title = {A Practical Guide to Music Notation},
275 publisher={MCA Music},
276 note={Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
281 author = {Boehm, Laszlo},
283 title={Modern Music Notation},
285 publisher={G. Schirmer, Inc.},
286 note ={Heussenstamm writes: A handy compact reference book in basic notation. }
288 @Book{button20:_system_music_notat,
289 author = {Button, H. Elliot},
290 title = {System in Musical Notation},
291 publisher = {Novello and co.},
296 @Book{johnson46:_how,
297 author = {Johnson, Harold},
298 title = {How to write music manuscript},
299 publisher = {Carl Fischer, Inc.},
306 @Book{tyboni94:_noter_handb_i_tradit_noter,
307 author = {B\"oje Tyboni},
308 title = {Noter Handbok I Traditionell Notering},
309 publisher = {Gehrmans Musikf\"orlag},
311 address = {Stockholm},
312 note = {Swedish book on music notation.}