Documentation/bibliography/colorado.bib

   1 %
   2 % TITLE=University of Colorado Engraving music bibliography
   3 % AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
   4 %
   5
   6 @Book {jacob47:_music,
   7         author ={Jacob, Archibald},
   8         year=1947,
   9         title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
  10         address ={London},
  11         publisher ={Oxford University Press},
  12         note = {subject: Musical notation},
  13 }
  14
  15 @Book{brandt:_stand_chord_symbol_notat,
  16         author ={Carl Brandt and Clinton Roemer},
  17         title = {Standardized Chord Symbol Notation},
  18         address={Sherman Oaks, CA},
  19         publisher={Roerick Music Co.},
  20         note ={subject: musical notation},
  21 }
  22
  23 @Book{johnson46:_how,
  24         author = {Johnson, Harold M},
  25         year = 1946,
  26         title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
  27         publisher={Carl Fischer, Inc.},
  28         address= {New York},
  29         note = {subject: Musical notation --Handbooks, manuals},
  30 }
  31
  32 @Book{sadie90:_music_print_publis,
  33         title = {Music Printing & Publishing},
  34         author ={Donald W. Krummel \& Stanley Sadie},
  35         year = 1990,
  36         publisher= {Macmillan Press},
  37         note ={subject: musical notation},
  38 }
  39
  40 %series={The Norton/Grove Handbooks in Music.},
  41 % publisher={W.W. Norton},
  42
  43 @Book{foss:_music_print,
  44         author={Foss, Hubert},
  45         title = {Music Printing},
  46         series = {Practical Printing and Binding},
  47         address={London},
  48         publisher={Oldhams Press Ltd., Long Acre},
  49         note ={subject: musical notation},
  50 }
  51
  52 @Book{steele03:_earlies_englis_music_print,
  53         author = {Steele, Robert},
  54         year = 1903,
  55         title = {The Earliest English Music Printing},
  56         address={London},
  57         note= {subject: history of music printing and engraving},
  58 }
  59
  60 @Book{austin:_story_music_print,
  61         author={Austin, Ernest},
  62         title = {The Story of Music Printing},
  63         address={London},
  64         publisher={Lowe and Brydone Printers, Ltd.},
  65         note= {subject: history of music printing and engraving},
  66
  67 }
  68
  69
  70
  71 @Book{?:_pictor_histor_music_print,
  72         author={?},
  73         title = {Pictoral History of Music Printing},
  74         address={Elhardt, Indiana},
  75         publisher={H. and A. Selmer, Inc.},
  76         note= {subject: history of music printing and engraving},
  77
  78 }
  79
  80 @Book{wintermitz55:_music_autog_montev_hindem,
  81         author = {Wintermitz, Emmanuel},
  82         year = 1955,
  83         title = {Musical Autographs from Monteverdi to Hindemith},
  84         address={Princeton},
  85         publisher={Princeton University Press},
  86         note= {subject: history of music printing and engraving},
  87
  88 }
  89
  90
  91 @Book{novello47:_some_accoun_method_music_print,
  92
  93         author = {Novello, A},
  94         year = 1847,
  95         title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
  96         address={London},
  97         note={ subject: history of music printing and engraving},
  98 }
  99
 100 @Book{chrsander18:_sketc_histor_music,
 101         author={Chrsander, F.},
 102         year={18??},
 103         title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
 104         note={ subject: history of music printing and engraving},
 105 }
 106
 107 @Article {squire1897,
 108         author = {Squire, W},
 109         year = 1897,
 110         title = {Notes on Early Music Printing},
 111         journal = {Bibliographica},
 112         volume={iii},
 113         number=99,
 114         note={ subject: history of music printing and engraving},
 115
 116 }
 117
 118 @Article{meyer35:_print_music,
 119         author = {Meyer, K. and O'Meara, J},
 120         year = 1935,
 121         title = {The Printing of Music, 1473-1934},
 122         journal = {The Dolphin},
 123         volume={ ii},
 124         pages={ 171--207},
 125         note={ subject: history of music printing and engraving},
 126
 127 }
 128 %% 4th ver.,
 129 @Article{pattison39:_notes_early_music_print,
 130         author = {Pattison, B},
 131         year = 1939,
 132         title = {Notes on Early Music Printing},
 133         journal = {The Library},
 134         note={subject: history of music printing and engraving},
 135         volume={xix},
 136         pages={389-421},
 137 }
 138
 139 @Book{king64:_four_hundr_years_music_print,
 140         author = {King, H},
 141         year = 1964,
 142         title = {Four Hundred Years of Music Printing},
 143         address={London},
 144         note={ subject: history of music printing and engraving},
 145 }
 146
 147
 148 %(Rev.1961).
 149 @Book{deutsch46:_music_number,
 150         author={Deutsch, O.F.},
 151         year =1946,
 152         title = {Music Publishers' Numbers},
 153         address={London},
 154         note={ subject: history of music printing and engraving},
 155 }
 156
 157 @Book{marco62:_earlies_music_print_contin_europ,
 158         author = {Marco, G.A},
 159         year = 1962,
 160         title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
 161         address={Charlottesville, Virginia},
 162         note={ subject: history of music printing and engraving},
 163 }
 164
 165 @Article{kinkeldey32:_music_and_music_print_incun,
 166         author = {Kinkeldey, O},
 167         year = 1932,
 168         title = {Music And Music Printing in Incunabula},
 169         journal = {Papers of the Bibliographical Society of America},
 170         volume={ xxvi},
 171         pages={89-118},
 172         note={ subject: history of music printing and engraving},
 173 }
 174
 175 @Book{oldman34:_collec_music_first_edition,
 176         author = {Oldman, C.B},
 177         year = 1934,
 178         title = {Collecting Musical First Editions},
 179         address={London},
 180         note={ subject: history of music printing and engraving},
 181 }
 182
 183 @Book{carter34:_new_paths_book_collec,
 184         author={Carter, J},
 185         year=1934,
 186         title = {New Paths in Book Collecting},
 187         address={London},
 188         note={ subject: history of music printing and engraving},
 189 }
 190
 191 @Book{krummel58:_graph_analy_applic_early_americ_engrav_music,
 192         author={Krummel, D.W.},
 193         year=1958,
 194         month=9,
 195         title = {Graphic Analysis in Application to Early American Engraved Music},
 196         journal = {Notes},
 197         volume={xvi},
 198         pages=213,
 199         note={ subject: history of music printing and engraving},
 200 }
 201
 202 @Book{krummel71:_oblon_format_early_music_books,
 203         author = {Krummel, D.W},
 204         year = 1971,
 205         title = {Oblong Format in Early Music Books},
 206         journal = {The Library},
 207         volume={5th ser., xxvi},
 208         pages=312,
 209         note={ subject: history of music printing and engraving},
 210 }
 211
 212 @Book{king73:_anniv_music_print,
 213         author = {King, A.H},
 214         year = 1973,
 215         title = {The 50th Anniversary of Music Printing},
 216 }
 217
 218 @Book{rastall82:_wester,
 219         author={Rastall, Richard},
 220         year=1982,
 221  title = {The notation of Western music : an introduction},
 222         address={New York, N.Y.},
 223         publisher={St. Martin's Press},
 224         note = {Musical notation},
 225
 226
 227 }
 228
 229 @Book{tappolet47:_la_notat_music,
 230         author = {Tappolet, Willy},
 231         year = 1947,
 232         title = {La Notation Musicale},
 233         address={Paris},
 234         note={subject: general notation},
 235         publisher={Neuch\^atel},
 236 }
 237
 238 @Book{williams03:_story_notat,
 239         author = {Williams, C.F. Abdy},
 240         year = 1903,
 241         title = {The Story of Notation},
 242         address={New York},
 243         publisher={Charles Scribner's Sons},
 244         note={subject: general notation},
 245 }
 246
 247 @Book{apel53,
 248         author={Apel, Willi},
 249         year=1953,
 250         title = {The notation of polyphonic music, 900-1600},
 251         address={Cambridge, Mass},
 252         institution={Mediaeval Academy of America},
 253         note = {Musical notation},
 254 }
 255
 256 @Book{berger93:_mensur,
 257         author={Berger, Anna Maria Busse},
 258         year=1993,
 259         title = {Mensuration and proportion signs : origins and evolution},
 260         address={Oxford, England},
 261         publisher={Clarendon Press},
 262         scnd_address={New York},
 263         scnd_publisher={Oxford University Press },
 264         note={subject: early notation},
 265 }
 266
 267 @Book{parrish57,
 268         author={Parrish, Carl},
 269         year=1957,
 270  title = {The notation of medieval music},
 271         address={New York},
 272         publisher={Norton},
 273         note = {Musical notation},
 274
 275
 276 }
 277
 278 @Book{parrish46:_notat_mediev_music,
 279         author = {Parrish, Carl},
 280         year = 1946,
 281         title = {The Notation of Medieval Music},
 282         address={New York},
 283         publisher={Carl Fischer, Inc.},
 284         note={subject: early notation},
 285 }
 286
 287 @Book{patch49:_genes_music,
 288         author = {Patch, Harry},
 289         year = 1949,
 290         title = {Genesis of a Music},
 291         address={Madison},
 292         publisher={University of Wisconsin Press},
 293         note={subject: early notation},
 294 }
 295
 296 @Book{cage69:_notat,
 297         author={Cage, John},
 298         year=1969,
 299   title = {Notations},
 300         address={New York},
 301         publisher={Something Else Press},
 302         note = {Music, Manuscripts, Facsimiles.
 303
 304         Facsimiles of holographs from the Foundation for Contemporary
 305         Performance Arts, with text by 269 composers, but rearranged using
 306         chance operations.,V)} },
 307
 308 @Book{gaburo77:_notat,
 309         author = {Gaburo, Virginia},
 310         year = 1977,
 311         title = {Notation},
 312         address={publisher= {Lingua Press},
 313         publisher={La Jolla, California}},
 314         note = {A Lecture about notation, new ideas about},
 315 }
 316
 317 @Book{risatti75:_new_music_vocab,
 318         author = {Risatti, Howard},
 319         year = 1975,
 320         title = {New Music Vocabulary},
 321         address={Urbana, Illinois},
 322         publisher={University of Illinois Press},
 323         note = {A Guide to Notational Signs for Contemporary Music},
 324 }
 325
 326
 327
 328 @Book{cowell30:_new_music_resour,
 329         author = {Cowell, Henry},
 330         year = 1930,
 331         title = {New Musical Resources},
 332         address={New York},
 333         publisher={Alfred A. Knopf, Inc.},
 334         note={subject: 20th century notation},
 335 }
 336
 337 @Article{cowell27:_our_inadeq_notat,
 338         author = {Cowell, Henry},
 339         year = 1927,
 340         title = {Our Inadequate Notation},
 341         journal = {Modern Music},
 342         volume=4,
 343         number=3,
 344         note={subject: 20th century notation},
 345
 346 }
 347
 348 @Book{bowers92:_music_letter,
 349         author = {Bowers, Roger},
 350         year = 1992,
 351         title = {Music & Letters},
 352         volume=73,
 353         number=3,
 354         month={August},
 355         pages={347(52)},
 356         note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
 357 }
 358
 359 @Book{brainard92:_curren_music,
 360         author = {Brainard, Paul},
 361         year = 1992,
 362         title = {Current Musicology},
 363         number=50,
 364         month={July-Dec},
 365         pages={21(26)},
 366         note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
 367 }
 368
 369 @Book{monelle89:_compar_liter,
 370         author = {Monelle, Raymond},
 371         year = 1989,
 372         title = {Comparative Literature},
 373         volume=41, number=3,
 374         month={Summer},
 375         pages={252(18)},
 376
 377         note={Music notation and the poetic foot},
 378 }
 379
 380 @Book{pinegar93:_curren_music,
 381         author = {Pinegar, Sandra},
 382         year = 1993,
 383         title = {Current Musicology},
 384         number=53,
 385         month={July},
 386         pages={99(10)},
 387         note={The seeds of notation and music paleography.},
 388 }
 389
 390 @Book{smith90:_curren_music,
 391         author = {Smith, Norman E},
 392         year = 1990,
 393         title = {Current Musicology},
 394         number={45-47},
 395         month={Jan-Dec},
 396         pages={283(22)},
 397         note={The notation of fractio modi.},
 398 }
 399
 400 @Book{treitler92:_journ_music,
 401         author = {Treitler, Leo},
 402         year = 1992,
 403         title = {The Journal of Musicology},
 404         volume=10,
 405         number=2,
 406         month={Spring},
 407         pages={131(61)},
 408
 409         note={ The unwritten and written transmission, of medieval chant
 410         and the start-up of musical notation.
 411
 412         Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
 413 }
 414
 415 @Book{west94:_music_letter,
 416         author = {West, M.L},
 417         year = 1994,
 418         title = {Music & Letters},
 419         volume=75,
 420         number=2,
 421         month={May},
 422         pages={161(19)},
 423         note={The Babylonian musical notation and the Hurrian melodic texts.
 424
 425         A new way of deciphering the ancient Babylonian musical notation.
 426 }
 427 }
 428
 429 @Book{brown86:_music_quart,
 430         author = {Brown, Earle},
 431         year = 1986,
 432         title = {Musical Quarterly},
 433         volume=72,
 434         month={Spring},
 435         pages={180(22)},
 436         note={The notation and performance of new music.},
 437 }
 438
 439 @Book{eggleston94:_notes,
 440         author = {Eggleston, Suzanne},
 441         year = 1994,
 442         title = {Notes},
 443         volume=51,
 444         number=2,
 445         month={Dec},
 446         pages={657(7)},
 447         journal={New periodicals},
 448         note={A list of new music periodicals covering the period
 449         Jun.-Dec. 1994. Includes aims, formats and a description of the
 450         contents of each listed periodical. Includes Music Notation News},
 451
 452 }
 453
 454 @Book{fuller89:_journ_music,
 455         author = {Fuller, David},
 456         year = 1989,
 457         title = {The Journal of Musicology},
 458         volume=7,
 459         number=1,
 460         month={Winter},
 461         pages={21(8)},
 462         note={
 463         Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
 464 }},
 465
 466 @Book{jones90:_persp_new_music,
 467
 468         author = {Jones, David Evan},
 469         year = 1990,
 470         title = {Perspectives of New Music},
 471         note={Speech extrapolated. (includes notation)}
 472 }
 473
 474 @Book{lependorf89,
 475         author = {Lependorf, Jeffrey},
 476         year = 1989,
 477         journal={Perspectives of New Music},
 478         volume=27,
 479         title = {?},
 480  number=2,
 481         month={Summer},
 482         pages={232(20)},
 483         note={Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
 484
 485 }
 486
 487 @Book{rastall93:_music_letter,
 488         author = {Rastall, Richard},
 489         year = 1993,
 490         title = {Music & Letters},
 491         volume=74, number=4,
 492         month={November},
 493         pages={639(2)},
 494
 495         note={Equal Temperament Music Notation: The Ailler-Brennink
 496         Chromatic Notation. Results and Conclusions of the Music Notation
 497         Refor by the Chroma Foundation (book reviews).  },
 498 }
 499
 500 @Article {Francois92,
 501         author={Francois, Jean-Charles},
 502         journal = {Perspectives of New Music},
 503         volume={30},
 504         number={1}, month={Winter},
 505         pages={6(15)},
 506         year={1992},
 507
 508         note={subject: Modern music has outgrown notation. While the
 509              computer is used to write down music with accuracy never
 510              before achieved, the range of modern sounds has surpassed
 511              the relevance of the computer...},
 512         title={Writing without representation, and unreadable notation.},
 513 }
 514
 515 @Book{hamel89,
 516         author = {Hamel, Keith A},
 517         year = 1989,
 518         journal = {Perspectives of New Music},
 519         volume=27,
 520         number=1,
 521         month={Winter},
 522         pages={70(14)},
 523         title={A design for music editing and printing software based on notational syntax},
 524 }
 525