year = 1986
}
+% byrd
@PhdThesis {byrd85,
year = {1985},
title = {Music Notation by Computer},
school = {Indiana University},
}
+@Article {byrd74,
+ year = {1974},
+ title = {A System for Music Printing by Computer},
+ author = {Donald Byrd},
+ journal = {Computers and the Humanities},
+ volume ={8},
+ pages ={161-72},
+}
+
@Article{byrd94,
author = {Donald Byrd},
title = {Music Notation Software and Intelligence},
note = {Byrd (author of Nightinggale) shows four problematic
fragments of notation, and rants about notation programs that try to
exhibit intelligent behaviour. HWN}
-
}
-@Article{erickson75,
- author = {R. F. Erickson},
+@Article{ericson75,
+ author = {R. F. Ericson},
title = {The DARMS Project: A status report},
journal = {Computing in the humanities},
year = 1975,
volume = 9,
number = 6,
pages = {291--298}
+
+ note = {Gourlay\cite{gourlay86} writes: A discussion of the design
+ and potential uses of the DARMS music-description language.}
}
-c
+
@Article{field-richards93,
author = {H.S. Field-Richards},
title = {Cadenza: A Music Description Language},
note = {A description through examples of a music entry language.
Apparently it has no formal semantics. There is also no
implementation of notation convertor. HWN}
-
}
}
-@Article {byrd74,
- year = {1974},
- title = {A System for Music Printing by Computer},
- author = {Donald Byrd},
- journal = {Computers and the Humanities},
- volume ={8},
- pages ={161-72},
-}
-
-
@Book {smith73,
- note = {If I remember correctly, this was concerned more with an input language than with the typography. SP},
year = {1973},
title = {Editing and Printing Music by Computer},
author = {Leland Smith},
totalentry = {Journal of Music Theory},
volume={17},
pages ={292-309},
+ note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's music-printing system}
}
-
-
-
@InProceedings{montel97,
author = {Dominique Montel},
title = {La gravure de la musique, lisibilit\'e esth\'etique, respect de l'oevre},
editors ={Genevois \& Orlarey}
}
+
+% Gomberg
@PhdThesis {gomber75,
year = {1975},
title = {A Computer-Oriented System for Music Printing},
school = {Washington University},
}
+@Book {gomberg,
+ title = {A Computer-oriented System for Music Printing},
+ author = {David A. Gomberg},
+ journal = CitH,
+ volume={11},
+ month = {march},
+ year = {1977},
+ pages = {63-80},
+ note = {Gourlay \cite{gourlay86} writes: "A discussion of the
+ problems of representing the conventions of musical notation in
+ computer algorithms."}
+
+}
+
+
@Book {CASR,
note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
}
-@Book {gomberg,
- title = {A Computer-oriented System for Music Printing},
- author = {David A. Gomberg},
- journal = CitH,
- volume={11},
- pages = {63-80},
+
+% LIME
+@Article {haken93,
+ note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
+ year = {1993},
+ title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
+ author = {Lippold Haken and Dorothea Blostein},
+ journal = {Computer Music Journal},
+ volume= {17},
+ number={3},
+ pages = {43--58},
+}
+
+@InProceedings{haken95,
+ year = {1995},
+ title = {A New Algorithm for Horizontal Spacing of Printed Music},
+ author = {Lippold Haken and Dorothea Blostein},
+ booktitle = {International Computer Music Conference},
+ address={Banff},
+ month={Sept},
+ pages = {118-119},
+ note = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
}
+@Article {blostein91,
+ note = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
+ year = {1991},
+ title = {Justification of Printed Music},
+ author = {Dorothea Blostein and Lippold Haken},
+ journal = {Communications of the ACM},
+ volume= {J34},
+ number= {3},
+ month= {March},
+ pages = {88-99},
+}
@Article{blostein94,
number = {3},
month = {march},
pages = {289--306},
- note = {A description of various conversions, decisions and issues relating to this interactive editor HWN},
+ note = {A description of various conversions,
+decisions and issues relating to this interactive editor HWN},
}
@InProceedings{bouzaiene98:_une,
organization = {International Computer Music Association}
}
+%
+% MusiCopy
+%
@TechReport {gourlay87-spacing,
note = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it (as of pl 76) HWN},
year = {1987},
@TechReport {gourlay87-formatting,
-
note = {This paper discusses the development of algorithms for the
formatting of musical scores (from abstract). It also appeared at
PROTEXT III, Ireland 1986},
-
year = {1987},
title = {Computer Formatting of Music},
author = {John S. Gourlay and A. Parrish
pages = {388--401},
}
-@Article {haken93,
- note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
- year = {1993},
- title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
- author = {Lippold Haken and Dorothea Blostein},
- journal = {Computer Music Journal},
- volume= {17},
- number={3},
- pages = {43--58},
-}
-
-@InProceedings{haken95,
- year = {1995},
- title = {A New Algorithm for Horizontal Spacing of Printed Music},
- author = {Lippold Haken and Dorothea Blostein},
- booktitle = {International Computer Music Conference},
- address={Banff},
- month={Sept},
- pages = {118-119},
- note = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
-}
-
-@Article {blostein91,
- note = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
- year = {1991},
- title = {Justification of Printed Music},
- author = {Dorothea Blostein and Lippold Haken},
- journal = {Communications of the ACM},
- volume= {J34},
- number= {3},
- month= {March},
- pages = {88-99},
-}
@Article {rader96,
year={1983}
}
+
+
+@Article{Ornstein84,
+ author={Ornstein, Severo M. and John Turner Maxwell III},
+ title={Mockingbird: A Composer's Amanuensis},
+ journal= {Byte},
+ volume= 9,
+ month = {January},
+ year= { 1984},
+ note={A discussion of an interactive and graphical computer system for
+music composition}
+
+}
+
@PhdThesis{mueller90:_inter_bearb_musik,
author = {Giovanni M\"uller},
title = {Interaktive Bearbeitung konventioneller Musiknotation},
though.}
}
+
+%
+% three part study by John Gr/over
@TechReport{grover89-symbols,
author = {John Gr\/over},
title = {A computer-oriented description of Music Notation. Part I. The Symbol Inventory},
projects / lilypond.git / blobdiff