From 6730fc1c28b9d46dfa6f157b66306351ddaf85bb Mon Sep 17 00:00:00 2001 From: Trevor Daniels Date: Mon, 21 Apr 2008 19:41:38 +0100 Subject: [PATCH] GDP: NR 2 Reorganisation: Ancient comments --- Documentation/user/ancient.itely | 14 ++++++++++++++ 1 file changed, 14 insertions(+) diff --git a/Documentation/user/ancient.itely b/Documentation/user/ancient.itely index cc8de79d4b..bda9e15e12 100644 --- a/Documentation/user/ancient.itely +++ b/Documentation/user/ancient.itely @@ -2035,6 +2035,8 @@ TBC @c TODO Add text @c clefs, mensuration signs etc from lsr and -user +@c use snippet Transcription-of-ancient-music-with-incipit + TBC @@ -2107,4 +2109,16 @@ the @internalsref{AccidentalSuggestion} object. @c TODO Add text @c try Till Rettig +@c Add example of white noteheads: +@c In the french baroque some composers used white noteheads in slow pieces, +@c mainly in 3/2-time. A quarter looks there like a eighth with a white +@c notehead. (Franz-Rudolf Kuhnen) + +@c TODO Add example of this: +@c I was referring to e.g. notated a8. a16, which should, if I +@c remember correctly, be interpreted more like a8.. a32 (in the french +@c style). The editor might want to show that rythmic figure above the +@c staff as an hint to performers. (Karl Hammer) + + TBC \ No newline at end of file -- 2.39.2