From: Graham Percival Date: Mon, 12 May 2008 21:46:47 +0000 (-0700) Subject: Added more todo items. X-Git-Tag: release/2.11.46-1~16^2~23 X-Git-Url: https://git.donarmstrong.com/lilypond.git?a=commitdiff_plain;h=6fba99da1c78442de9aa5a60007de43d6e89d232;p=lilypond.git Added more todo items. --- diff --git a/Documentation/user/unfretted-strings.itely b/Documentation/user/unfretted-strings.itely index 2c4c58851e..e33cbd5c74 100644 --- a/Documentation/user/unfretted-strings.itely +++ b/Documentation/user/unfretted-strings.itely @@ -64,6 +64,7 @@ are entered by marking the harmonic pitch with @code{\harmonic}. @node Plucked instruments @subsection Plucked instruments + @menu * Harp:: @end menu @@ -73,22 +74,18 @@ are entered by marking the harmonic pitch with @code{\harmonic}. TBC -@c has nothing to do with harps, AFAIK. -@ignore -Sacred Harp notation uses four shaped note heads. In the major, -the tonic is a triangle and then proceeding up the scale you -have circle, square, triangle, circle, square, diamond. In the -minor, the shapes should be assigned to keep the same interval -relationships, e.g. you assign them for the relative major. (This -means that the scale in the minor gives the tonic a square.) - -@c TODO add example of \sacredHarpHeads, or a ref? +Some possibilities: +- glissandi +- tremolo (for bisbigliando) +- natural harmonics +- directional arpeggio and non-arpeggio +- workaroung for keeping both staves visible in an orchestral + score, +http://lists.gnu.org/archive/html/lilypond-user/2007-08/msg00386.html +and http://lsr.dsi.unimi.it/LSR/Item?u=1&id=312 +An LSR snippet could be used to demonstrate the main items; in the +case of glissandi, it would be desirable to have a demonstration +of different styles. -@knownissues - -The \sacredHarpHeads command gives the wrong shapes when the key -is minor. A work-around is to switch the key to the relative -major to obtain the right shapes. -@end ignore