@cindex acciaccatura
@funindex \grace
-@funindex grace
+@funindex \slashedGrace
+@funindex \acciaccatura
+@funindex \appoggiatura
-Grace notes are ornaments that are written out. Grace notes
-are printed in a smaller font and take up no logical time
-in a measure.
+Grace notes are musical ornaments, printed in a smaller font, that take
+up no additional logical time in a measure.
@lilypond[quote,relative=2,verbatim]
-c4 \grace c16 c4
-\grace { c16[ d16] } c2
+c4 \grace b16 a4(
+\grace { b16[ c16] } a2)
@end lilypond
-LilyPond also supports two special types of grace notes, the
+There are three other types of grace notes possible; the
@emph{acciaccatura} -- an unmeasured grace note indicated by a slurred
-small note with a slashed stem -- and the @emph{appoggiatura}, which
-takes a fixed fraction of the main note and appears in small print
-without a slash.
+note with a slashed stem -- and the @emph{appoggiatura}, which takes a
+fixed fraction of the main note it is attached to and prints without the
+slash. It is also possible to write a grace note with a slashed stem,
+like the @emph{acciaccatura} but without the slur, so as to place it
+between notes that are slurred themselves, using the
+@code{\slashedGrace} function.
@lilypond[quote,relative=2,verbatim]
-\grace c8 b4
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e4
+\acciaccatura { g16[ f] } e2
+\slashedGrace a,8 g4
+\slashedGrace b16 a4(
+\slashedGrace b8 a2)
@end lilypond
-The placement of grace notes is synchronized between different
-staves. In the following example, there are two sixteenth grace
-notes for every eighth grace note
+The placement of grace notes is synchronized between different staves.
+In the following example, there are two sixteenth grace notes for every
+eighth grace note
@lilypond[quote,relative=2,verbatim]
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