Website: added Academia items

Added citations of LilyPond use in published works

diff --git a/Documentation/web/community.itexi b/Documentation/web/community.itexi
index 614b424a28bf2a943b32df5db3b5ce09e29d3e52..961fc777fd9c4c1e447972e5f849427527d0b4a9 100644 (file)
--- a/Documentation/web/community.itexi
+++ b/Documentation/web/community.itexi
@@ -784,9 +784,6 @@ on Musical Informatics (XIV CIM 2003), Firenze, Italy, May 2003.
 
 @subheading What people did with LilyPond
 
-@help{Yeah, this doesn't look bad at all... there's 20-50 papers
-out there that cite lilypond; somebody should find at least 3 or 4
-of them, so that it doesn't look so graham-specific.}
 
 @divClass{keep-bullets}
 @itemize
@@ -797,6 +794,25 @@ Graham Percival, Tosten Anders, and George Tzanetakis,
 with Constraint Satisfaction Programming}, International Computer
 Music Conference 2008.
 
+@item
+A. Passos, M. Silva, P. Kroger, and G. Cidra,
+@emph{Functional Harmonic Analysis and Computational Musicology
+in Rameau}, Proceedings of the 12th Brazilian Symposium on Compute
+Music, 2009, pp. 207-210.
+
+@item
+Alberto Simões, Anália Lourenço and José João Almeida,
+@emph{Using Text Mining Techniques for Classical Music Scores Analysis},
+New Trends in Artificial Intelligence, 2007 J. Neves et al ed.
+
+@item
+
+Kevin C. Baird 2005.
+@emph{Real-time generation of music notation via audience interaction using
+python and GNU lilypond}. Proceedings of the 2005 Conference on New interfaces
+For Musical Expression (Vancouver, Canada, May 26 - 28, 2005).
+New Interfaces For Musical Expression. National University of Singapore, Singapore, 240-241.
+
 @end itemize
 
 @divEnd