2002-11-14 Han-Wen Nienhuys <hanwen@cs.uu.nl>
- * input/regression/*.ly: update syntax to 1.7 + new-chords.
+ * input/*.ly: update syntax to 1.7 + new-chords.
* Documentation/user/*.tely: new chord syntax.
SUBDIRS=test regression tutorial no-notation ascii-art template mutopia
# nereides is tweaked a lot, can't do (read webpage)
-examples= size11 size26
+examples= size13 size26
#examples+=size11 size13 size16 size20 size23 size26
LOCALSTEPMAKE_TEMPLATES=ly mutopia
-\version "1.5.68"
+\version "1.7.6"
-\version "1.5.68"
+\version "1.7.6"
% ASCII Art output
%
% Process as:
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
-\version "1.5.68"
+\version "1.7.6"
% test for ascii-art output
-\version "1.5.68"
+\version "1.7.6"
% ASCII Art output
%
% Process as:
-\version "1.5.68"
+\version "1.7.6"
% ASCII Art output
%
% Process as:
-\version "1.5.68"
+\version "1.7.6"
% ASCII Art output
%
% Process as:
-\version "1.7.3"
+\version "1.7.6"
% ASCII Art output
%
% Process as:
\context Staff=upper \notes\relative c{
\key f \major
\time 3/4
- r8^"Moderato" %\pp
+ r8^"Moderato" %-\pp
<g'-. c-.> <c-. es-.> <g-. c-.> <c-. es-.> <g-. c-.> |
r8 <as-. c-.> <c-. es-.>
}
-\version "1.7.3"
+\version "1.7.6"
% ASCII Art output
% Process as:
\context Staff=upper \notes\relative c{
\key f \major
\time 3/4
- r8^"Moderato" %\pp
+ r8^"Moderato" %-\pp
<g'-. c-.> <c-. es-.> <g-. c-.> <c-. es-.> <g-. c-.> |
r8 <as-. c-.> <c-. es-.>
}
-\version "1.5.68"
+\version "1.7.6"
% ASCII Art output
%
% Process as:
-\version "1.5.68"
+\version "1.7.6"
%% +.ly: Be the first .ly file for lys-to-tely.py.
%% Better to make lys-to-tely.py include "introduction.texi" or
%% other .texi documents too?
the a2 and c2 should be a chord in one voice. Using the commented
version, with a c2 instead of a2, the decrescendo reappears."
}
-\version "1.5.68"
+\version "1.7.6"
\score{
\context Staff <
-\version "1.5.68"
+\version "1.7.6"
% A simple scale in LilyPond
%
% Type:
-\version "1.5.68"
+\version "1.7.6"
% Some beamed and slurred notes of different taste in LilyPond
%
% Type:
-\version "1.5.68"
+\version "1.7.6"
one = \notes\relative c{
c'' d e f
-\version "1.5.68"
+\version "1.7.6"
\header {
filename = "just-friends.ly"
title = "Just Friends"
-\version "1.7.4"
+\version "1.7.6"
\header {
composer = "ARTHUR GRAY"
}
middleDynamics = \context Dynamics=middle \notes{
- s8 s16 s\f s4
+ s8 s16 s-\f s4
s1*2
%4
s2
\outputproperty #(make-type-checker 'dynamic-interface)
#'extra-offset = #'(0 . 4)
- %s1\mf-"a tempo"
-%% s2\mf-"a tempo" s4
- s2\mf-"a tempo" s8
+ %s1-\mf-"a tempo"
+%% s2-\mf-"a tempo" s4
+ s2-\mf-"a tempo" s8
%% s\> \!s8
s16 s32 s64 \> s s8 s \!s8
\outputproperty #(make-type-checker 'dynamic-interface)
#'extra-offset = #'(-1 . 4)
-%% s8\mf s4 s4 s8\> s32 s s \!s
- s8\mf s4 s8 s16 s32 s64 \> s s16 s8 s32 s s s\! s128
+%% s8-\mf s4 s4 s8\> s32 s s \!s
+ s8-\mf s4 s8 s16 s32 s64 \> s s16 s8 s32 s s s\! s128
}
lowerDynamics = \context Dynamics=lower \notes{
-\version "1.5.68"
+\version "1.7.6"
\header {
title = "Title"
subtitle = "Subtitle"
Tested Features:
%}
-\version "1.7.3"
+\version "1.7.6"
\include "nederlands.ly"
\context Voice=ii
\voiceTwo
- r8 <es as> r <des f> | r <es g> r <es as> | r <f as> r <f as> |
- r <es g> r <es g> | r <es as> r <as, des> | r <des f> r <des f> |
- r <as des> r <bes des> | r bes r <as c> | r <g des'> r <bes d> |
- r <a! c> r <a c>
+ r8 <<es as>> r <<des f>> | r <<es g>> r <<es as>> | r <<f as>> r <<f as>> |
+ r <<es g>> r <<es g>> | r <<es as>> r <<as, des>> | r <<des f>> r <<des f>> |
+ r <<as des>> r <<bes des>> | r bes r <<as c>> | r <<g des'>> r <<bes d>> |
+ r <<a! c>> r <<a c>>
% Au movement
- r <as des> r <c e> | r <c f> r <d! f> | r <cis e> r <cis e> |
- r <c! f> r <d f> | r <d f> r <d g> | r <e g> r <e g> | r <e g> r <d g> |
- r <d fis> r <d fis> | r <fis b> r <fis a> | r <e a> r <d g> |
- r <d fis> r <d fis> |
+ r <<as des>> r <<c e>> | r <<c f>> r <<d! f>> | r <<cis e>> r <<cis e>> |
+ r <<c! f>> r <<d f>> | r <<d f>> r <<d g>> | r <<e g>> r <<e g>> | r <<e g>> r <<d g>> |
+ r <<d fis>> r <<d fis>> | r <<fis b>> r <<fis a>> | r <<e a>> r <<d g>> |
+ r <<d fis>> r <<d fis>> |
- r <cis e> r <cis fis> r <cis f> |
+ r <<cis e>> r <<cis fis>> r <<cis f>> |
- r <cis e> r <cis e> | r <b d> r <a d> | r <g b> r <a cis> |
- r <a cis> r <a cis> |
+ r <<cis e>> r <<cis e>> | r <<b d>> r <<a d>> | r <<g b>> r <<a cis>> |
+ r <<a cis>> r <<a cis>> |
\translator Staff=bass\voiceOne
- r <g b> r <fis a> r <fis a> | r <g bes>
+ r <<g b>> r <<fis a>> r <<fis a>> | r <<g bes>>
\translator Staff=treble\voiceTwo
- r <a c> r <a d> |
+ r <<a c>> r <<a d>> |
- r <bes d> r <bes d> | r <g c> r <bes d> | r <c es> r <d g> |
- r <d f> r <es g> | r <e! g> r <d fis> | r <e a> r <fis a> |
- r <es g> r <es g> | r <es g> r <es g> |
+ r <<bes d>> r <<bes d>> | r <<g c>> r <<bes d>> | r <<c es>> r <<d g>> |
+ r <<d f>> r <<es g>> | r <<e! g>> r <<d fis>> | r <<e a>> r <<fis a>> |
+ r <<es g>> r <<es g>> | r <<es g>> r <<es g>> |
% copy from begin: 1-10
- r8 <es as> r <des f> | r <es g> r <es as> | r <f as> r <f as> |
- r <es g> r <es g> | r <es as> r <as, des> | r <des f> r <des f> |
- r <as des> r <bes des> | r bes r <as c> | r <g des'> r <bes d> |
- r <a! c> r <a c>
+ r8 <<es as>> r <<des f>> | r <<es g>> r <<es as>> | r <<f as>> r <<f as>> |
+ r <<es g>> r <<es g>> | r <<es as>> r <<as, des>> | r <<des f>> r <<des f>> |
+ r <<as des>> r <<bes des>> | r bes r <<as c>> | r <<g des'>> r <<bes d>> |
+ r <<a! c>> r <<a c>>
}
lower = \context Staff \notes \relative c{
\context Voice=iii
- <as4 as'> <es es'> | r <as as'> | <des, des'> <f f'> | <c c'> r |
- <as as'> <des des'> | <bes bes'> r | <des des'> <bes bes'> |
- <g g'> <f f'> | <c' c'> <bes bes'> | <f f'> r |
+ <<as as'>>4 <<es es'>> | r <<as as'>> | <<des, des'>> <<f f'>> | <<c c'>> r |
+ <<as as'>> <<des des'>> | <<bes bes'>> r | <<des des'>> <<bes bes'>> |
+ <<g g'>> <<f f'>> | <<c' c'>> <<bes bes'>> | <<f f'>> r |
% Au movement
- <des' des'> <c c'> | <f f'> <d! d'!> | <a a'> r | <f' f'> <d d'> |
- r <f f'> | <e e'> <c c'> | r <g g'> | <d' d'> r | <b b'> <fis fis'> |
- <a a'> <b b'> | <d d'> r |
+ <<des' des'>> <<c c'>> | <<f f'>> <<d! d'!>> | <<a a'>> r | <<f' f'>> <<d d'>> |
+ r <<f f'>> | <<e e'>> <<c c'>> | r <<g g'>> | <<d' d'>> r | <<b b'>> <<fis fis'>> |
+ <<a a'>> <<b b'>> | <<d d'>> r |
- <a a'> <fis fis'> r |
+ <<a a'>> <<fis fis'>> r |
- <a a'> r | <b b'> <d d'> | <e e'> <a, a'> | <fis fis'> r |
+ <<a a'>> r | <<b b'>> <<d d'>> | <<e e'>> <<a, a'>> | <<fis fis'>> r |
- <g g'> <d d'> r | <g g'> <f! f'!> <d' d'> |
+ <<g g'>> <<d d'>> r | <<g g'>> <<f! f'!>> <<d' d'>> |
- <bes bes'> r | <c c'> <bes bes'> | <as as'> <g g'> | <d' d'> <c c'> |
- <e! e'!> <b! b'!> | <a a'> <d d'> | <es es> r | <c c'> r
+ <<bes bes'>> r | <<c c'>> <<bes bes'>> | <<as as'>> <<g g'>> | <<d' d'>> <<c c'>> |
+ <<e! e'!>> <<b! b'!>> | <<a a'>> <<d d'>> | <<es es>> r | <<c c'>> r
% copy from begin: 1-10
- <as'4 as'> <es es'> | r <as as'> | <des, des'> <f f'> | <c c'> r |
- <as as'> <des des'> | <bes bes'> r | <des des'> <bes bes'> |
- <g g'> <f f'> | <c' c'> <bes bes'> | <f f'> r |
+ <<as' as'>>4 <<es es'>> | r <<as as'>> | <<des, des'>> <<f f'>> | <<c c'>> r |
+ <<as as'>> <<des des'>> | <<bes bes'>> r | <<des des'>> <<bes bes'>> |
+ <<g g'>> <<f f'>> | <<c' c'>> <<bes bes'>> | <<f f'>> r |
}
}
}
+%% new-chords-done %%
footer = "Mutopia-2001/04/27-xx"
}
-\version "1.7.5"
+\version "1.7.6"
dynamicUp = \property Voice.DynamicLineSpanner \override #'direction = #1
dynamicRevert = \property Voice.DynamicLineSpanner \revert #'direction
c8. g16 e4. c8 |
\grace { [ a'32( b ] } \times 2/3 { [ )a!8( ) gis] a } c4. a8 |
g!2. |
- \times 2/3 { [ d'8\f( )cis] d } f4. b,8 |
+ \times 2/3 { [ d'8-\f( )cis] d } f4. b,8 |
c!2. |
}
R2. |
\grace { [ a32( b ] } \times 2/3 { [ )a!8( ) gis] a } c4. a8 |
g!2. |
- \times 2/3 { [ d'8\f( )cis] d } f4. b,8 |
+ \times 2/3 { [ d'8-\f( )cis] d } f4. b,8 |
c!2. ~ |
% bug: slur on other staff fools lily into extending melisma
c4 r c |
}
trebleIntro = \notes\relative c{
- r8^"\bf M\\\"a\\ss ig"\pp <g'-. c-.> <c-. es-.> <g-. c-.> <c-. es-.> <g-. c-.> |
- r8 <as-. c-.> <c-. es-.> <as-. c-.> <c-. es-.> <as-. c-.> |
- r8 <as-. c-.> <c-. d-.> <as-. c-.> <c-. d-.> <as-. c-.> |
- r8 <g-. b-.> <b-. d-.> <g-. b-.> <b-. d-.> <g-. b-.> |
+ r8^"\bf M\\\"a\\ss ig"-\pp <<g' c>>-. <<c es>>-. <<g c>>-. <<c es>>-. <<g c>>-. |
+ r8 <<as c>>-. <<c es>>-. <<as c>>-. <<c es>>-. <<as c>>-. |
+ r8 <<as c>>-. <<c d>>-. <<as c>>-. <<c d>>-. <<as c>>-. |
+ r8 <<g b>>-. <<b d>>-. <<g b>>-. <<b d>>-. <<g b>>-. |
}
trebleVerseOne = \notes\relative c{
%5
- r8 <g' c> <c es> <g c> <c es> <g c> |
- r8 <f c'> <c' d> <f, c'> <c' d> <f, c'> |
- r8 <f g b> <g b d> <f g b> <g b d> <f g b> |
- r8 <es g c> <g c es> <es g c> <g c es> <es g c> |
- <g''4.( b,> <)f8 d>
+ r8 <<g' c>> <<c es>> <<g c>> <<c es>> <<g c>> |
+ r8 <<f c'>> <<c' d>> <<f, c'>> <<c' d>> <<f, c'>> |
+ r8 <<f g b>> <<g b d>> <<f g b>> <<g b d>> <<f g b>> |
+ r8 <<es g c>> <<g c es>> <<es g c>> <<g c es>> <<es g c>> |
+ <<g'' b,>>4.-( <<f d>>8-)
\times 2/3 < { [ f( es )d ] } { d c b } > |
%10
- <c2. es> |
- r8 <g, c> <c es> <g c> <c es> <g c> |
- r8 <f c'> <c' d> <f, c'> <c' d> <f, c'> |
- r8 <f as bes> <as bes d> <f as bes> <as bes d> <f as bes> |
+ <<c es>>2. |
+ r8 <<g, c>> <<c es>> <<g c>> <<c es>> <<g c>> |
+ r8 <<f c'>> <<c' d>> <<f, c'>> <<c' d>> <<f, c'>> |
+ r8 <<f as bes>> <<as bes d>> <<f as bes>> <<as bes d>> <<f as bes>> |
r8 < { [ es g es g ] } { g bes g bes } { bes es bes es } >
<{ es'( ) d4.() f8}{ c' | bes4. as8 } >
\times 2/3 < { [ f( es )d ] } { as' g f } > |
%16
- <es2. g> |
- r8 <f, g> <g b> <f g> <g b> <f g> |
- r8 <es g> <g c> <es g> <g c> <es g> |
- r8\pp <es as c> <as c es> <es as c> <as c es> <es as c> |
+ <<es g>>2. |
+ r8 <<f, g>> <<g b>> <<f g>> <<g b>> <<f g>> |
+ r8 <<es g>> <<g c>> <<es g>> <<g c>> <<es g>> |
+ r8-\pp <<es as c>> <<as c es>> <<es as c>> <<as c es>> <<es as c>> |
%20
- r8 <es g bes> <g bes es> <es g bes> <g bes es> <es g bes> |
+ r8 <<es g bes>> <<g bes es>> <<es g bes>> <<g bes es>> <<es g bes>> |
\property Voice.Slur \override #'attachment = #'(stem . stem)
\grace { [ as'32( bes ] } \times 2/3 { [ )as8( g as] } c4.-> ) as8 |
\property Voice.Slur \revert #'attachment
g2. |
- r8 <f, g> <g b> <f g> <g b> <f g> |
- r8 <e g> <g c> <e g> <g c> <e g> |
- r8 <f a c> <a c f> <f a c> <a c f> <f a c> |
- r8 <e g c> <g c e> <e g c> <g c e> <e g c> |
- \times 2/3 < { [ f'8\f( e f] } { f' e f } >
+ r8 <<f, g>> <<g b>> <<f g>> <<g b>> <<f g>> |
+ r8 <<e g>> <<g c>> <<e g>> <<g c>> <<e g>> |
+ r8 <<f a c>> <<a c f>> <<f a c>> <<a c f>> <<f a c>> |
+ r8 <<e g c>> <<g c e>> <<e g c>> <<g c e>> <<e g c>> |
+ \times 2/3 < { [ f'8-\f( e f] } { f' e f } >
< {a4.- > )f8} { a'4. f8 } > |
}
trebleEentje = \notes \relative c' \context Voice {
\stemBoth
- <e2 e'> r4 |
- <f2\mf as!\(> <as8.->( c> <f16 \))as> |
+ <<e e'>>2 r4 |
+ <<f as!>>2-\(-\mf <<as( c>>8.-> <<f as>>16-)-\) |
% urg: slurs with staccati are ugly
- <e4. g> <e8-. g-.(> <e-. g-.> <e-. )g-.> |
- <f4. g> <b,8-. g'-.(> <d-. g-.> <f-. )g-.> |
- <e2 g> <e4\pp g> |
- <f2 a\(> <a8.( c> <f16 \))a> |
- <e4.\( g> <e8-.( g-.> <e-. g-.> <e-. \))g-.> |
- <f4. g> <b,8-. g'-.(> <d-. g-.> <f-. )g-.> |
+ <<e g>>4. <<e g(>>8-. <<e g>>-. <<e g>>-)-. |
+ <<f g>>4. <<b, g'(>>8-. <<d g>>-. <<f g>>-)-. |
+ <<e g>>2 <<e g>>4-\pp |
+ <<f a>>2-\( <<a c>>8.-( <<f a>>16-)-\) |
+ <<e g>>4.-\( <<e( g>>8-. <<e g>>-. <<e g>>-)-\)-. |
+ <<f g>>4. <<b, g'(>>8-. <<d g>>-. <<f g>>-)-. |
%60
- <e2 g> r4 |
+ <<e g>>2 r4 |
}
trebleThrough = \notes \relative c'{
\stemBoth
- <e2. e'> |
+ <<e e'>>2. |
%61
R2. |
- [<g,8.\< g'> <g16 g'> <b8. b'> <\! b16\> b'16> <d8. d'> <d16 d'>] |
+ [<<g, g'>>8.-\< <<g g'>>16 <<b b'>>8. <<b\> b'>>16 -\! <<d d'>>8. <<d d'>>16] |
%% score has double slur on chord.
< { c4( )b } { c'4 b } > \!r |
- <g4. g'> <b8 b'> [<d'8.-> d,-> > c16] |
+ <<g g'>>4. <<b b'>>8 [<<d' d, >>8.-> c16] |
%65
- < { d,2.(\f )a'2} { e2. ~ e2 } { b'2.( )c,2 }> r4 |
+ < { d,2.(-\f )a'2} { e2. ~ e2 } { b'2.( )c,2 }> r4 |
\context Staff <
\context Voice=one {
\voiceOne
}
\context Voice=two {
\voiceTwo
- <d,4 f> <d2 f> |
- <c!4 es> <c2 es> |
+ <<d, f>>4 <<d f>>2 |
+ <<c! es>>4 <<c es>>2 |
}
>
% 4 bars copied from end verse1
- r8 <f, a c> <a c f> <f a c> <a c f> <f a c> |
+ r8 <<f, a c>> <<a c f>> <<f a c>> <<a c f>> <<f a c>> |
%70
- r8 <e g c> <g c e> <e g c> <g c e> <e g c> |
- \times 2/3 < { [ f'8\f( e f] } { f' e f } >
+ r8 <<e g c>> <<g c e>> <<e g c>> <<g c e>> <<e g c>> |
+ \times 2/3 < { [ f'8-\f( e f] } { f' e f } >
< { a4.-> )f8 } { a'4. f8 } > |
- <e2. e'> |
- <es!2. es'! > |
+ <<e e'>>2. |
+ <<es! es'! >>2. |
\property Voice . TextScript \override #'font-shape = #'italic
<d2._"decresc." d'> |
\property Voice . TextScript \revert #'font-shape
%75
- <b2. b'> |
- <c2 c'> <e4\pp g> |
+ <<b b'>>2. |
+ <<c c'>>2 <<e g>>4-\pp |
% four copied from begin eentje
- <f2 as!(> <as8.-> c> <f16 )as> |
- <e4. g> <e8-. g-.(> <e-. g-.> <e-. )g-.> |
- <f4. g> <b,8-. g'-.(> <d-. g-.> <f-. )g-.> |
+ <<f as!>>2-( <<as c>>8.-> <<f as>>16-) |
+ <<e g>>4. <<e g(>>8-. <<e g>>-. <<e g>>-)-. |
+ <<f g>>4. <<b, g'(>>8-. <<d g>>-. <<f g>>-)-. |
%80
\property Voice . TextScript \override #'font-shape = #'italic
<e2._"dim." g> |
\property Voice . TextScript \revert #'font-shape
- <g,2. e' g> |
- <g2.-\fermata e' g> |
+ <<g, e' g>>2. |
+ <<g e' g>>2.-\fermata |
}
bassIntro = \notes\relative c{
\dynamicUp
%1
- <c,2 c'> r4 |
- <as2 as'> r4 |
- <f2 f'> r4 |
- <g2 g'> r4 |
+ <<c, c'>>2 r4 |
+ <<as as'>>2 r4 |
+ <<f f'>>2 r4 |
+ <<g g'>>2 r4 |
}
bassVerseOne = \notes\relative c{
% \clef bass
\dynamicUp
%5
- <c,2 c'> r4 |
- <as2 as'> r4 |
- <g2 g'> r4 |
- <c2 c'> r4 |
- <g8 g'> [<g'' d'> <d' f> <g, d'> <d' f> <g, d'>] |
+ <<c, c'>>2 r4 |
+ <<as as'>>2 r4 |
+ <<g g'>>2 r4 |
+ <<c c'>>2 r4 |
+ <<g g'>>8 [<<g'' d'>> <<d' f>> <<g, d'>> <<d' f>> <<g, d'>>] |
%10
- <c,,8 c'> [<g'' c> <c es> <g c> <c es> <g c>] |
- <c,,2 c'> r4 |
- <as2 as'> r4 |
- <bes2 bes'> r4 |
- <es,2 es'> r4 |
+ <<c,, c'>>8 [<<g'' c>> <<c es>> <<g c>> <<c es>> <<g c>>] |
+ <<c,, c'>>2 r4 |
+ <<as as'>>2 r4 |
+ <<bes bes'>>2 r4 |
+ <<es, es'>>2 r4 |
%15
- bes'8 [<bes' f'> <f' as> <bes, f'> <f' as> <bes, f'>] |
- es,8 [<bes' es> <es g> <bes es> <es g> <bes es>] |
- <g,2 g'> r4 |
- <c2 c'> r4 |
- <as2 as'> r4 |
- <es2 es'> r4 |
- <bes'8 bes'> [<f'' bes> <bes d> <f bes> <bes d> <f bes>] |
- <es,,8 es'> [<es'' g bes> <g bes es> <es g bes> <g bes es> <es g bes>] |
- <g,,2 g'> r4 |
- <c2 c'> r4 |
- <f,2 f'> r4 |
- <c'2 c'> r4 |
- <g8 g'> [<d'' g> <g b> <d g> <g b> <d g>] |
- c,8 [<c' e g> <e g c> <c e g> <e g c> <c e g>] |
+ bes'8 [<<bes' f'>> <<f' as>> <<bes, f'>> <<f' as>> <<bes, f'>>] |
+ es,8 [<<bes' es>> <<es g>> <<bes es>> <<es g>> <<bes es>>] |
+ <<g, g'>>2 r4 |
+ <<c c'>>2 r4 |
+ <<as as'>>2 r4 |
+ <<es es'>>2 r4 |
+ <<bes' bes'>>8 [<<f'' bes>> <<bes d>> <<f bes>> <<bes d>> <<f bes>>] |
+ <<es,, es'>>8 [<<es'' g bes>> <<g bes es>> <<es g bes>> <<g bes es>> <<es g bes>>] |
+ <<g,, g'>>2 r4 |
+ <<c c'>>2 r4 |
+ <<f, f'>>2 r4 |
+ <<c' c'>>2 r4 |
+ <<g g'>>8 [<<d'' g>> <<g b>> <<d g>> <<g b>> <<d g>>] |
+ c,8 [<<c' e g>> <<e g c>> <<c e g>> <<e g c>> <<c e g>>] |
}
bassEentje = \notes\relative c{
\dynamicUp
- <c,8 c'> [<c' f as!> <f as c> <c f as> <f as c> <c f as>] |
- c,8 [<c' e g> <e g c> <c e g> <e g c> <c e g>] |
- <g,8 g'> [<d'' g> <g b> <d g> <g b> <d g>] |
- c,8 [<e' g> <g c> <e g> <g c> <e g>] |
- <c,8 c'> [<c' f a> <f a c> <c f a> <f a c> <c f a>] |
- c,8 [<c' e g> <e g c> <c e g> <e g c> <c e g>] |
- <g,8 g'> [<d'' g> <g b> <d g> <g b> <d g>] |
- c,8 [<e' g> <g c> <e g> <g c> <e g>] |
+ <<c, c'>>8 [<<c' f as!>> <<f as c>> <<c f as>> <<f as c>> <<c f as>>] |
+ c,8 [<<c' e g>> <<e g c>> <<c e g>> <<e g c>> <<c e g>>] |
+ <<g, g'>>8 [<<d'' g>> <<g b>> <<d g>> <<g b>> <<d g>>] |
+ c,8 [<<e' g>> <<g c>> <<e g>> <<g c>> <<e g>>] |
+ <<c, c'>>8 [<<c' f a>> <<f a c>> <<c f a>> <<f a c>> <<c f a>>] |
+ c,8 [<<c' e g>> <<e g c>> <<c e g>> <<e g c>> <<c e g>>] |
+ <<g, g'>>8 [<<d'' g>> <<g b>> <<d g>> <<g b>> <<d g>>] |
+ c,8 [<<e' g>> <<g c>> <<e g>> <<g c>> <<e g>>] |
}
bassThrough = \notes\relative c{
\dynamicUp
%61
- <g,8^"cresc." g'> [<g' b d> <b d f> <g b d> <as!-> b-> d-> > <b d f>] |
- <g,8 g'> [<g' d'> <d' f> <g, d'> <as-> b-> d-> > <b d f>] |
+ <g,8^"cresc." g'> [<<g' b d>> <<b d f>> <<g b d>> <<as! b d >>-> <<b d f>>] |
+ <<g, g'>>8 [<<g' d'>> <<d' f>> <<g, d'>> <<as b d >>-> <<b d f>>] |
% copied
- <g,8 g'> [<g' d'> <d' f> <g, d'> <as-> b-> d-> > <b d f>] |
- <g,8 g'> [<g' d'> <d' f> <g, d'> <gis-> b-> d-> > <b d f>] |
+ <<g, g'>>8 [<<g' d'>> <<d' f>> <<g, d'>> <<as b d >>-> <<b d f>>] |
+ <<g, g'>>8 [<<g' d'>> <<d' f>> <<g, d'>> <<gis b d >>-> <<b d f>>] |
%65
- <gis,8 gis'> [<d''\> e> <e b'> <d e> <e b'> <d\! e>] |
- <a,8 a'> [<c' e> <e a> <c e> <e a> <c e>] |
- <a,8 a'> [<a' d f> <d f a> <a d f> <d f a> <a d f>] |
- <a,8 a'> [<a' c e> <c e a> <a c e> <c e a> <a c e>] |
+ <<gis, gis'>>8 [<<d''\> e>> <<e b'>> <<d e>> <<e b'>> <<de>> -\!] |
+ <<a, a'>>8 [<<c' e>> <<e a>> <<c e>> <<e a>> <<c e>>] |
+ <<a, a'>>8 [<<a' d f>> <<d f a>> <<a d f>> <<d f a>> <<a d f>>] |
+ <<a, a'>>8 [<<a' c e>> <<c e a>> <<a c e>> <<c e a>> <<a c e>>] |
% 4 bars copied from end verse1
- <f,2\p f'> r4 |
+ <<f, f'>>2-\p r4 |
%70
- <c'2 c'> r4 |
- <g8 g'> [<d'' g> <g b> <d g> <g b> <d g>] |
- c,8\> [<c' e g> < \! e g c> <c e g> <e g c> <c e g>] |
+ <<c' c'>>2 r4 |
+ <<g g'>>8 [<<d'' g>> <<g b>> <<d g>> <<g b>> <<d g>>] |
+ c,8\> [<<c' e g>> << e g c>> -\! <<c e g>> <<e g c>> <<c e g>>] |
- <c,8 c'> [<c' es! g> <es g c> <c es g> <es g c> <c es g>] |
- <f,,8 f'> [<d'' f> <f as!> <d f> <f as> <d f>] |
+ <<c, c'>>8 [<<c' es! g>> <<es g c>> <<c es g>> <<es g c>> <<c es g>>] |
+ <<f,, f'>>8 [<<d'' f>> <<f as!>> <<d f>> <<f as>> <<d f>>] |
%75
- <g,,8 g'> [<d'' f> <f g> <d f> <f g> <d f>] |
- c,8 [<c' e> <e g> <c e> <e g> <c e>] |
- c,8 [<c' f> <f as> <c f> <f as> <c f>] |
- c,8 [<c' e> <e g> <c e> <e g> <c e>] |
- g,8 [<g' d'> <d' f> <g, d'> <d' f> <g, d'>] |
+ <<g,, g'>>8 [<<d'' f>> <<f g>> <<d f>> <<f g>> <<d f>>] |
+ c,8 [<<c' e>> <<e g>> <<c e>> <<e g>> <<c e>>] |
+ c,8 [<<c' f>> <<f as>> <<c f>> <<f as>> <<c f>>] |
+ c,8 [<<c' e>> <<e g>> <<c e>> <<e g>> <<c e>>] |
+ g,8 [<<g' d'>> <<d' f>> <<g, d'>> <<d' f>> <<g, d'>>] |
%80
- c,8 [<c' e> <e g> <c e> <e g> <c e>] |
- c,8 [<c' g> <e c> <c g> <e c> <c g>] |
- <c,2._\fermata g' c> |
+ c,8 [<<c' e>> <<e g>> <<c e>> <<e g>> <<c e>>] |
+ c,8 [<<c' g>> <<e c>> <<c g>> <<e c>> <<c g>>] |
+ <<c, g' c>>2._\fermata |
}
global = \notes{
\tempo 4 = 54
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
Header for Petites Preludes.
tagline = \mutopiapublicdomain
footer = "pre-Mutopia-200y/mm/dd-nr"
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
lowstaff = \translator "Staff" = "lower"
r a, c g' r a, c f! |
% ugh arpeggio FIXME: is that so?
- <f4 d b4>
+ <<f d b>>4
r4
\stemBoth
\context Voice=ii { \stemDown d,8 f }
>
\stemBoth |
- <c1 g e>
+ <<c g e>>1
\bar "|."
}
{ \stemUp\tieUp g1 ~ g ~ g ~ g ~ g ~ g ~ g }
\context Voice=ii { \stemDown\tieDown g,1 ~ g ~ g ~ g ~ g ~ g ~ g }
>
- <c,1 c,>
+ <<c, c,>>1
\bar "|."
}
piece = \piece
}
}
+%% new-chords-done %%
piece = "2"
-\version "1.7.3"
+\version "1.7.6"
upper = \context Staff \notes\relative c{
\context Voice=i
\property Voice.TextScript \set #'font-style = #'italic
r8 c' e g e c bes' g |
a c, f a f c c' a |
b g b d b g f' d |
- <e2 c g>
+ <<e c g>>2
r4
- <e c g >
- <d2 c a>
+ <<e c g >>
+ <<d c a>>2
r4
- <d c a>
+ <<d c a>>
< { \stemUp [d8 g, 8 b d] }
\context Voice = ii < \stemDown b g >
>
- <b4 g>
- <e b>
+ <<b g>>4
+ <<e b>>
c2
r4
<
{ \stemUp\tieUp c ~ c8}
% We get a warning: No ties created!
% but they are too!
- \context Voice=ii { \stemDown\tieDown <e,4 a> ~ <e8 a> }
+ \context Voice=ii { \stemDown\tieDown <<e, a>>4 ~ <<e a>>8 }
>
\stemBoth
d, fis a fis d c' a |
b g b d b g f'! d |
e g, c e c g g' e |
fis a, c fis c a a' fis |
- <g2 d b>
+ <<g d b>>2
r4 b,4 |
c8 e g c g e bes' g |
a16 g f e d c b ! a
b g a b c d e f |
g4
- <g,2 c>
- <d4 b'>
- <e1 c'>
+ <<g, c>>2
+ <<d b'>>4
+ <<e c'>>1
\bar "|."
}
}
}
+%% new-chords-done %%
This file was partly generated using m4.
%}
-\version "1.7.5"
+\version "1.7.6"
upper = \notes \transpose c c' {
r16 [g, b, d] [b, g, b, d] [es c a, fis] |
- <g4 d b>
+ <<g d b>>4
\bar "|."
}
piece = \piece
}
}
+%% new-chords-done %%
opus = "BWV 925"
piece = "4"
-\version "1.7.3"
+\version "1.7.6"
%{
g fis g a g b a g |
\stemUp
- fis4 e8 a <fis4 d> <gis e> |
+ fis4 e8 a <<fis d>>4 <<gis e>> |
%5
- <a4 e> <fis d> < g!16 d> fis g a
+ <<a e>>4 <<fis d>> << g! d>>16 fis g a
\stemBoth
g b a g |
\property Voice.TextScript \set #'font-style = #'italic
e4 d ~ d16 d cis b cis4 ~ |
cis8 a d4. d4^> cis8 |
\translator Staff=upper \stemDown\tieDown
- d4 \stemBoth\tieBoth r16 b d b~ <g'4 e b>
+ d4 \stemBoth\tieBoth r16 b d b~ <<g' e b>>4
r16 cis, e cis~ |
- <a'4 fis cis> r16 d, fis d~ <b'4 g d>
+ <<a' fis cis>>4 r16 d, fis d~ <<b' g d>>4
r16 fis a fis~ |
%10
\stemDown
\translator Staff=upper \stemDown\tieDown
d'8. ~ d8 c d4 a8 g |
%15
- fis8 \translator Staff=lower \stemUp c' b4 \stemDown <a
+ fis8 \translator Staff=lower \stemUp c' b4 \stemDown <<a
\translator Staff=upper \stemDown
- a'4.>
+ a'>>4.
\stemDown\tieDown
a'8~ |
a g~ g16 e fis8~ fis16 d8.~ d8. cis!16 |
piece = \piece
}
}
+%% new-chords-done %%
piece = "5"
opus = "BWV 926"
-\version "1.7.3"
+\version "1.7.6"
upper = \context Staff \notes\relative c
\context Voice=i {
f a f d f d b d gis, b a gis |
% arpeggio
- <g'!4. e a,> a8
- < f4 d a > ~
+ <<g'! e a,>>4. a8
+ << f d a >>4 ~
[f8 e]
< { \stemUp
e4.^\prall d8
a fis d g e cis |
% the mordent is on the D !
- <fis2. d-\mordent a>
+ <<fis d a>>2.-\mordent
}
}
}
+%% new-chords-done %%
opus = "BWV 940"
piece = "6"
-\version "1.7.3"
+\version "1.7.6"
\stemUp\tieUp
b2 a |
g a4. gis16 a |
- gis2 < g8 cis,> <f d> e4 |
+ gis2 << g cis,>>8 <<f d>> e4 |
d4. fis16 g r16 bes8. ~ bes4 |
%10
\stemDown
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
% This is the main score file of the Petites Preludes
\include "header.ly"
\include "preludes-4.ly"
\include "preludes-5.ly"
\include "preludes-6.ly"
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
% #(ly:set-point-and-click 'line-column)
< { d'8. e16 f4.-\trill d16 e |
f4. [d8 e f] }
\\
- { <a,4 f> a2 <a4. d,4.> } > |
+ { <<a, f>>4 a2 <<a d,>>4. } > |
%%7
g8 bes16()a c()bes a()g d'8 f, |
< e4.-\trill
- \\ <c,4 g'> >
+ \\ <<c, g'>>4 >
[d8 c bes]
%%9
< { f'8 g16()a a4. g16()f |
g8 a16()bes bes4. c16()d }
\\
- { a,4 <bes4. d4. > r8 bes4 <g2 f'2> }
+ { a,4 <<bes d >>4. r8 bes4 <<g f'>>2 }
> |
\forcedBreak
\forcedBreak
%%16
- < bes4.-\trill d, g, > [a8 g f!] |
+ << bes d, g, >>4.-\trill [a8 g f!] |
e bes a f' g a |
d, as g es' f g |
[cis, bes'] [a g16 f] [e!8 f16 d] |
e8 f16()g g4. a16()bes |
a8 cis16 d d,8 e16 f32 g f8-\trill e16()d } \\
{ bes4 g2 |
- g4 <bes4. cis,> s8 |
- <d8 a f> r r g, a4 } >
+ g4 <<bes cis,>>4. s8 |
+ <<d a f>>8 r r g, a4 } >
|
\stemUp
d4 d,16 a'( b cis d e f )g |
b cis d cis d4. e16()f | }
\\
{ f,4 fis4. s8 |
- <d4 g,> gis4. } >
+ <<d g,>>4 gis4. } >
\voiceOne
d16(cis)d f,
[a,8 e']
%%% Local variables:
%%% LilyPond-indent-level:2
%%% End:
+%% new-chords-done %%
%{
TODO: use autobeaming.
%}
-\version "1.7.3"
+\version "1.7.6"
% #(ly:set-point-and-click 'line-column)
%% 25
[d8 e] f4 ~ [f16 a g f] [e f e d] |
c2 r16 [g32 a b !16 c] [d e f8] ~ |
- [f32 c d e f16 g] [a8. b16] <g2 c 2> |
+ [f32 c d e f16 g] [a8. b16] <<g c >>2 |
}
alt =
\midi { \tempo 4 = 84 }
}
+%% new-chords-done %%
%}
-\version "1.6.0"
+\version "1.7.6"
b, c d b b c r c |
f16 d es c ~ c8 b c4 r8 e |
%%30
- f4 r8 f f es16 d es8 <f as> |
- <b, d> r <b d> r <g2 c> |
+ f4 r8 f f es16 d es8 <<f as>> |
+ <<b, d>> r <<b d>> r <<g c>>2 |
}
g f16 es f8 d as' g r a |
b c f,16 es d c c8 c'16 b c8 g |
%%30
- as c16 b c8 <d b ! as !> g,8 c16 b c8 d |
+ as c16 b c8 <<d b ! as !>> g,8 c16 b c8 d |
f,16 g as4 g16 f e2 |
}
}
}
+%% new-chords-done %%
lastupdated = "1999/Oct/14"
}
-\version "1.7.5"
+\version "1.7.6"
% should do programmable input.
soprane =
r8 [f,16 a,] [c f c a,] [c a, f, a,] [f, d, f, d,] |
r8 [g16 b] [d' f' d' b] [d' b g b] [d f e d] |
- <e1 g c'> \bar "|."
+ <<e g c'>>1 \bar "|."
}
bass =
% EOF
+%% new-chords-done %%
%% 19 is broken --hwn.
%\include "paper19.ly"
-\version "1.7.5"
+\version "1.7.6"
\header {
title = "Romanzen"
\m g,( \u c g c \m f, \u h,^2 g h, \m e, \u c^2 g )c] |
}
\stemUp \slurUp \tieUp \break
- b4^5( <a8 g>~<a g> a g^4 |
+ b4^5( <<a g>>8~<<a g>> a g^4 |
f4^5 e8^5~e )d4^4 |
- as4^4( <g8 f>~<g f> g^5 f^4 |
+ as4^4( <<g f>>8~<<g f>> g^5 f^4 |
es4^5 d8^5~d )c4^4 |
- c^4( es8^5~<es as,_1> d^3 )f |
- e4^4( g8^5~<g ces_4> f^3 )as |
+ c^4( es8^5~<<es as,_1>> d^3 )f |
+ e4^4( g8^5~<<g ces_4>> f^3 )as |
g4^4 b8^5~b a c'^5~ |
c' b^4 ges^5 des^3 b,^5 \d [ges,16^4 f,] |
e,^2^#'(large "ritard...") cis,^1 \u r8 r r4 r16 \d gis,^2^"R.H." |
as' des'^1 c'8^#'(finger "2-3") h~h )c'16 \clef F [e,16(^2 f, g,] |
\break
- [as,^5 )h,,^2] \clef G [<c8 a^3(> <c16 g^2> c'] <c4. es ges c'^5>~
- <)c8 es ges c'> s4 s8 r16 h^2( c' d' |
+ [as,^5 )h,,^2] \clef G [<<c a^3(>>8 <<c g^2>>16 c'] <<c es ges c'^5>>4.~
+ <<c es ges c'>>8-) s4 s8 r16 h^2( c' d' |
es' ges-1 f-2 a-1 c'-2 f'-4 \stemUp \tieUp e'-5 d' c' b-4 a^\prall^#'(finger "2-4-3") g |
- )f f'-5( e'-5 d'-4 c'-3 )f'-5 <f4^4 a^5(> <e8^3 g^5> |
- <a,4 f^4> <g,8 e^3> f16^4 d'^5~[d'8. c'16^4] |
+ )f f'-5( e'-5 d'-4 c'-3 )f'-5 <<f^4 a^5(>>4 <<e^3 g^5>>8 |
+ <<a, f^4>>4 <<g, e^3>>8 f16^4 d'^5~[d'8. c'16^4] |
\break
<)f8^3 \context Voice = another { \m a,16^\pp \u c8 c16] } > \m g, \u c_3 \m b,^#'(finger "2-1") \u c8 c16 \m a, \u c]~ | \stemBoth
c16 c8_4 c c16~c c8_2 c c16~ |
s2. s
\u s4. \grace {f8(} )f4 e8 |
f g16_2 b_1 a_2 gis_1 c_2 h, c cis_1 d_2 b,_1 |
- \tieDown c4.~<f,16 c \< > \tieBoth <f h>~[< \! f8^3 h \> > < \! e b^2>] |
+ \tieDown c4.~<<f, c >>16-\< \tieBoth <<f h>>~[<< f^3 h \> >>8 -\! << e b^2>> -\!] |
\translator Staff=mid
\transpose c' c {
a4^1( g8^1 b4 a8^2 |
- f8..^1 f32^1 g8^2 )a8.. \slurUp <f32 f'^3(> <g8 g'^4> |
- <)a8.. a'^5> <f32 f'^3(> <g8 g'^4> <)a4. a'^5 \> > ~ |
+ f8..^1 f32^1 g8^2 )a8.. \slurUp <<f f'^3(>>32 <<g g'^4>>8 |
+ <<a a'^5>>8..-) <<f f'^3(>>32 <<g g'^4>>8 <<a a'^5 \> >>4.-) ~ |
a~ \! a^\fermata \bar "|."
}
}
g4 a8~a f g | a4 g8~g f e |
d4 g8~g es f | g4 f8~f es d |
c4 r8 f4 as8~ | as g b as4 ces'8~ |
- ces' b des' c'4 \context Voice=another { \stemUp \tieUp <es'8 es>~ |
+ ces' b des' c'4 \context Voice=another { \stemUp \tieUp <<es' es>>8~ |
es' des'4^1~ \stemDown [des'8. c'16] }
}
\transpose c' c, {
g4(-4 a8-3~a f-5 g-4 | a4-3 g8-#'(finger "4-3") ~g f-4 e-5 |
)d4-#'(finger "4-5")( g8-3~g es f-4 | g4-3 f8-4~f es d-4 |
)c4 r8 f4-4( as8-5~ | as g-4 )b-5 as4-5( ces'8-4~ |
- ces' b des'-4 )c'4-5( <es'8-4 es''8> |
+ ces' b des'-4 )c'4-5( <<es'-4 es''>>8 |
\stemDown \tieDown )des'4._5~des'~ |
\property Voice.NoteColumn \override #'horizontal-shift = #-1 des' s
}
s2.*2
s8 r16 h\( c' d' es' as g8-\arpeggio )fis(
)\)ges f16-2( a-1 c'-3 )f'-1 \grace {\stemDown \slurUp [b,( f] \stemUp } )e'-1( d' c' b-1 a-2-\prall g
- )f16-4 f' <c' e'> d'-1 c'-2 h-1 s4.
+ )f16-4 f' <<c' e'>> d'-1 c'-2 h-1 s4.
s2.
f4^1( e8 g4 f8 |
d8..^1 d32-2 e8^1 )f8.. d32^2( e8^1 |
fis^1 d d, d [a d_2] g, d g d_3 [b,_5( g_2] |
) a c_3 f, c [c' f_2] b, f b f_3 d' as |
h, as d' as h, as() f'4.^\fermata-\arpeggio_2 ~
- \d \stemDown f'8. \clef G \stemBoth \tieBoth \transpose c c' {[e16_4( f g] [as des_3] [c8_4 <h, d f d'>]~ |
- <h, d f d'>} \clef F [<c_3( f_1> <b,_4 e^2>] <)a,8._5 eis^1> h,16_4( c d |
+ \d \stemDown f'8. \clef G \stemBoth \tieBoth \transpose c c' {[e16_4( f g] [as des_3] [c8_4 <<h, d f d'>>]~ |
+ <<h, d f d'>>} \clef F [<<c_3( f_1>> <<b,_4 e^2>>] <<a,_5 eis^1>>8.-) h,16_4( c d |
\voiceTwo
es as,_3 g,8 fis,~fis, g,_4-\arpeggio gis,_5~ |
- gis, <a,16 c> r16 r8 r4 cis8( |
+ gis, <<a, c>>16 r16 r8 r4 cis8( |
)d e( f16_4 d_5 )c4._ #'(finger "4-3")~ |
\oneVoice
c16( h,_4 c_3 cis_1 d_2 b,_3 a,_4 as,_1 g,8 ) )c,8 |
}
\midi { \tempo 8=100 }
}
+%% new-chords-done %%
%}
-\version "1.5.68"
+\version "1.7.6"
\include "mozart-hrn3-defs.ly"
\include "mozart-hrn3-allegro.ly"
\include "mozart-hrn3-rondo.ly"
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\include "mozart-hrn3-defs.ly"
allegro =
[a( \< b c \!cis\> ] d4 \! )c
[ais8() b] r8 \cresc b [b()c] r c
[cis ()d] r4 r2
- \endcresc g,1\f ~ g2 ~ [g8 a16 b] [c()d e c]
+ \endcresc g,1-\f ~ g2 ~ [g8 a16 b] [c()d e c]
%% 64
f4-. d-. b-. g-.
R1
- c,2\p e4 g c \cresc e g4. e8 |
+ c,2-\p e4 g c \cresc e g4. e8 |
\endcresc d4.-\f [e16 fis] [g () fis e d] [c() b a g]
< a1(-\trill
[c8-. c-.] r c-. [cis()d] r\cresc d-. |
[dis()e] r e-. [e()f] r f-. |
g4-.-\f\endcresc e-. c-. bes-. |
- g-.\ff e-. c-. r |
+ g-.-\ff e-. c-. r |
a'2 ~ [a8_""_#`(,italic-bf "sempre " (dynamic "f")) b16 c] [d( e d )e]
\times 2/3 { [ c d e] } \times 2/3 { [ f e d] }|
c4 \times 2/3 { r8 [g'()e]} c4 \times 2/3 { r8 [e () c]} |
g4 \times 2/3 { r8 [c8() g] } \times 2/3 { [ e ()g e-. ] } \times 2/3 { [c () e c-.] }|
- g4 r8 g'\f [a b c d]|
+ g4 r8 g'-\f [a b c d]|
< d1(-\trill
{ s2 \grace { [c16 d] } } >
\header { piece = "allegro" opus = "" }
\midi{ \tempo 4=90 }
}
+%% new-chords-done %%
endlonggrace = \property Voice.Stem \revert #'stroke-style
ritenuto = \textscript #'(italic "rit.")
-\version "1.7.3"
+\version "1.7.6"
#(define italic-bf '((font-shape . italic) (font-series . bold)))
linewidth = 189. \mm
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\include "mozart-hrn3-defs.ly"
romanze = \notes \relative c' {
c r e r f r r4
\mark "A"
R1*8
- g4.\mf f8 [e d c bes]
+ g4.-\mf f8 [e d c bes]
% 18
[bes( a d )c] c4 r
R1*2
R1
% 25
[c16 ( d c )d] [e ( f e )f] [g()e c-. c-.] [f()d b-. b-.]
- [c16\p () d c )d] [e ( f e )f] [g()e c-. c-.] [f()d b-. b-.]
+ [c16-\p () d c )d] [e ( f e )f] [g()e c-. c-.] [f()d b-. b-.]
[c8 \< c, c c] [c c c \! c ]
\mark "B"
- c1\f
+ c1-\f
R1*9
- f'4.(\p )d8 b4 r8 g
+ f'4.(-\p )d8 b4 r8 g
g'4.() e8 c4 r8 cis |
% 39
d4(~ [d16 e d )e] [f8 () d f() d]
\midi{ \tempo 4 = 70 }
\paper{}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
% \include "mozart-hrn3-defs.ly"
c4 r8 r4 r8 |
R2.*7
\mark "A"
- c4.\p \grace { e16( } [)d8 c d]
+ c4.-\p \grace { e16( } [)d8 c d]
c4 r8 r4 r8
e4. \grace g16( [)f8 e f]
e4 r8 r4 r8
\mark "F"
\endcresc
- f2.\f ~ |
+ f2.-\f ~ |
f4 r8 r4 r8
r8 [g,\> g] [g g g]
R2.*7
\mark "G"
R2.*4
- c,4.\mf c4 c8
+ c,4.-\mf c4 c8
c4. e4 c8
g'4. g4 g8
g4. g,4 g8
\cresc g'2. bes,2.
a4. [b16 c d e f g]
a4. f4 d8
- [\endcresc c8\f g' e] [c g e]
+ [\endcresc c8-\f g' e] [c g e]
[ c e' c] [g e c]
g4 r8 [g''8 e c]
)c4 r8 r4 r8
R2.*5
- r8 r8^\fermata d8\p [d e f]
+ r8 r8^\fermata d8-\p [d e f]
[g ()e c] [d()e d]
\cresc [c c c] [d e f]
[g()e c] [d()e d]
- \endcresc c4\f r8 r4 r8
+ \endcresc c4-\f r8 r4 r8
R2.*5
- [c8\f c, c] [c c c]
+ [c8-\f c, c] [c c c]
c4 r8 c4 r8
%This is technically incorrect, since we started with an 8th
\midi{ \tempo 4 = 100 }
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
-\version "1.5.68"
+\version "1.7.6"
\header {
-\version "1.7.5"
+\version "1.7.6"
\header{
filename = "denneboom.ly"
enteredby = "jcn"
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "a staff should really die, if no one's referencing it."
-\version "1.5.68"
+\version "1.7.6"
% Test parser error
-\version "1.5.68"
+\version "1.7.6"
% Test parser error
-\version "1.5.68"
+\version "1.7.6"
% Test parser error
-\version "1.5.68"
+\version "1.7.6"
% Test parser error
-\version "1.7.3"
+\version "1.7.6"
% move to regtest once it works?
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="crashes lily"
}
-\version "1.5.68"
+\version "1.7.6"
\header{
filename = "opus-130.ly"
title = "Quartett"
}
dynamics = \notes {
- s8\p\< \!s8.\> \!s16 | s4.\p | s8\< s8. \!s16 | s4.\p |
- s8\p\< \!s8.\> \!s16 | s4.\p | s8\< s8. \!s16 | s4.\p |
+ s8-\p\< \!s8.\> \!s16 | s4.-\p | s8\< s8. \!s16 | s4.-\p |
+ s8-\p\< \!s8.\> \!s16 | s4.-\p | s8\< s8. \!s16 | s4.-\p |
}
global = \notes {
-\version "1.7.5"
+\version "1.7.6"
\header {
filename = "praeludium-fuga-E.ly"
title = "praeludium and fuga in E-major"
-\version "1.5.68"
+\version "1.7.6"
%% +.ly: Be the first .ly file for lys-to-tely.py.
%% Better to make lys-to-tely.py include "introduction.texi" or
%% other .texi documents too?
-\version "1.5.68"
+\version "1.7.6"
\header {
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.5.68"
+\version "1.7.6"
\header{ texidoc="Automatic kneeing. A knee is made when a horizontal
beam fits in a gap between note heads that is larger than a predefined
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc = "Concave beams should be horizontal. informally spoken,
-\version "1.5.68"
+\version "1.7.6"
\header{
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Cross staff (kneed) beams
don't cause extreme slopes"
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
Beams can be typeset over fixed distance aligned staves, beam
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="Beamed stems have standard lengths if possible."
-\version "1.7.5"
+\version "1.7.6"
\header{
texidoc="
Beams should behave reasonably well, even under extreme circumstances.
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "French style beaming. In french beaming, the stems do not go to the outer beams."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc=" Funky kneed beams with beamlets also work. The beamlets
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc = "Knee beaming. (funky)"
}
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.5.68"
+\version "1.7.6"
\header {
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Kneed beams (often happens with cross-staff beams)
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "explicit beams may cross barlines. "
}
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
Beams should always reach the middle staff line. The second beam
-\version "1.5.68"
+\version "1.7.6"
\header
{
texidoc= "Quarter notes may be beamed: the beam is halted momentarily."
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="Beams in unnatural direction, have shortened stems, but do not look too short."
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc = "Hairy case for beam, chord, and automatic knees."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "automatic beaming also works in ternary time sigs."
}
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "beams (simple)"
}
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
Breathing signs, also used for phrasing, do normally not influence
-\version "1.7.5"
+\version "1.7.6"
\header{
texidoc="property chordChanges: only display chord names when
-\version "1.7.5"
+\version "1.7.6"
\header{
texidoc="
Chord names are generated from a list pitches, and are customisable
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.7.4"
+\version "1.7.6"
\header {
texidoc = "Clusters are a device to denote that a complete range of
notes is to be played."
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes
on the right side."
}
-\version "1.5.68"
+\version "1.7.6"
\score{
\context Staff \notes <
-\version "1.7.3"
+\version "1.7.6"
\header {
texidoc =
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc = "Oppositely stemmed chords, meshing into each other,
are resolved."
-\version "1.7.5"
+\version "1.7.6"
\header{
texidoc="
Normal collisions. We have support for polyphony, where the
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.7.5"
+\version "1.7.6"
\header{
filename = "rhythm.ly"
enteredby = "HWN"
-\version "1.5.68"
+\version "1.7.6"
\paper{
indent=0.
% include file for scarlatti-test
-\version "1.5.68"
+\version "1.7.6"
rh=\property Thread.NoteHead \override #'style = #'default
lh=\property Thread.NoteHead \override #'style = #'diamond
-\version "1.7.3"
+\version "1.7.6"
%K000.ly LilyPond 1.2.16
\header {
title="John's Scarlatti quotes"
\clef bass
\key d \major
s4.*38
->>
+> >
}
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
-\version "1.5.68"
+\version "1.7.6"
\include "paper13.ly"
\include "allfontstyle.ly"
-\version "1.5.68"
+\version "1.7.6"
\include "paper16.ly"
\include "allfontstyle.ly"
-\version "1.5.68"
+\version "1.7.6"
\include "paper20.ly"
\include "allfontstyle.ly"
-\version "1.5.68"
+\version "1.7.6"
\include "paper23.ly"
\include "allfontstyle.ly"
-\version "1.5.68"
+\version "1.7.6"
\include "paper26.ly"
\include "allfontstyle.ly"
-\version "1.5.68"
+\version "1.7.6"
\include "sondag-morgen-intro.ly"
\include "sondag-morgen-vers.ly"
\include "sondag-morgen-vers-volta1.ly"
-\version "1.7.5"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
pial = \notes {
\clef "F"
\property Staff.SustainPedal \override #'pedal-type = #'mixed
-\version "1.5.68"
+\version "1.7.6"
lyr = \lyrics {
\context LyricsVoice = va {
Nu er det søn -- dag,
-\version "1.7.5"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
\property PianoStaff.connectArpeggios = ##t
<h1-\arpeggio fis' d' g a d>
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
pial = \notes {
\pial
\context Voice
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
<a2 d fis> r8 d g a |
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
Su = { \su \stemDown }
Sd = { \sd \stemUp }
pial = \notes {
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
<dis'4.-\ff fis a h cisis> <d8 a' d> r8 <dis4 ais' dis> <e8 h' e> |
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
Su = { \su \stemDown }
Sd = { \sd \stemUp }
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
r8 <g,4 a h d e> <a8 h cis e> r8 <d4 a' d> <e8 h' e> |
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
pial = \notes {
\pial
\stemBoth a,,8 a, e, <h,,8 h,> r <d,,4 d,> e,8 |
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
s1*3
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
Su = { \su \stemDown }
Sd = { \sd \stemUp }
pial = \notes {
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
<h1-\arpeggio fis' d' g a d>
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
pial = \notes {
\pial
\clef "F"
-\version "1.5.68"
+\version "1.7.6"
\include "sondag-morgen-intro.ly"
\include "sondag-morgen-vers.ly"
\include "sondag-morgen-vers-volta1.ly"
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
<c e g a> r8 d g a
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
pial = \notes {
\pial
s1*0 \D d1*1/2 \U \D s2 \U |
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
<dis4 fis a h cisis> r8 <d8-\f a' d> r <dis4 ais' dis> <e8 h' e> |
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
pial = \notes {
\pial
h,4 r8 d8 r dis4 e8 |
-\version "1.5.68"
+\version "1.7.6"
\include "deutsch.ly"
marks = \lyrics {
<c2 e g h> <c e g h> |
}
}
-U = \sustainUp
-D = \sustainDown
+U = -\sustainUp
+D = -\sustainDown
pial = \notes {
\pial
\key g \minor
-\version "1.7.5"
+\version "1.7.6"
\include "paper13.ly"
mu = {}
}
-mu = \p
-ac = \f
+mu = -\p
+ac = -\f
su = {}
sd = {}
\include "sondag-morgen-unfolded.ly"
\notes <
\context Staff = lead <
\property Staff.instrument = "drawbar organ"
- \context Voice < \mel s1\ff >
+ \context Voice < \mel s1-\ff >
>
\context Staff = sopsax <
\property Staff.instrument = "soprano sax"
-\version "1.7.5"
+\version "1.7.6"
%{
Converted from star.mup with the aid of mup2ly.py
http://www.arkkra.com/doc/star.html
-\version "1.5.68"
+\version "1.7.6"
\header {
dedication = "dedication"
title = "Title"
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "lead sheet format: chords with melody."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "popsong format: chords, melody and lyrics."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Melody and lyrics."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Only a melody."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc ="Polyphonic piano music"
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc ="
template that puts dynamics on a separate line, so it is neatly
dynamics = \notes {
s2\fff\> s4
- \!s\pp
+ \!s-\pp
}
pedal = \notes {
- s2\sustainDown s2\sustainUp
+ s2-\sustainDown s2-\sustainUp
}
\score {
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc ="Lyrics between two staffs."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc ="Classical song format: one staff with melody and lyrics, and piano accompaniment."
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "simple piano music"
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "
-\version "1.5.68"
+\version "1.7.6"
%% +.ly: Be the first .ly file for lys-to-tely.py.
%% Better to make lys-to-tely.py include "introduction.texi" or
%% other .texi documents too?
\score{
\context Lyrics \lyrics { "." }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="Jazz chord names, but with lower case names for minor chords"
}
\context ChordNames \chords { c1 c:m c:m7 }
>
}
+%% new-chords-done %%
texidoc = "Absolute dynamics have effect in MIDI files."
}
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c''{
%segfault in engraver
-a1\ppp
-a1\pp
-a\p
-a\mp
-a\mf
-a\f
-a\ff
+a1-\ppp
+a1-\pp
+a-\p
+a-\mp
+a-\mf
+a-\f
+a-\ff
a\fff
a\sf
}
\tempo 1 = 60
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
%
% TODO: what's this?
%
}
}
+%% new-chords-done %%
-\version "1.7.3" %% or actually: 1.7.1 ...
+\version "1.7.6" %% or actually: 1.7.1 ...
\header {
texidoc= "Using make-music, you can add various stuff to notes. Here
}
}
+%% new-chords-done %%
-\version "1.7.3" %% or actually: 1.7.1 ...
+\version "1.7.6" %% or actually: 1.7.1 ...
\header {
texidoc= "Using make-music, you can add
various stuff to notes. Here is an example
\apply #(lambda (x) (add-text-script x "6") (display x) x ) \notes { c4-3 }
}
+%% new-chords-done %%
texidoc = "Ambituses indicate pitch ranges for voices."
}
-\version "1.5.68"
+\version "1.7.6"
upper = \notes \relative c {
\clef "treble"
}
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc = "Chord names in american styles, according to one of our users."
}
}
}
}
+%% new-chords-done %%
}
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
title = "ancient font test"
date = "2002"
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="Should use old style."
}
s1
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
%{
Currently (1.1.27.jcn3), the auto-beam engraver will only engrave
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
The auto-beam engraver has presets for common time signatures.
\paper{
}
}
+%% new-chords-done %%
-\version "1.6.4"
+\version "1.7.6"
% bagpipe music.
)d4. \gdcg d4.
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Different types of bar lines demonstrated."
}
\bar "|" c
}
}
+%% new-chords-done %%
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="Second line has bar-numbers on start of every measure."
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "You can move around Bar_engraver and
\remove "Span_bar_engraver"
}
}}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
c'1:16
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc = "Hmm. what's this supposed to test?"
,Beam::shift_region_to_valid
)
- [a'8 <a' g''>]
- [c <c e,>]
- [a'16 <a' g''>]
- [c <c e,>]
- [a'32 <a' g''>]
- [c <c e,>]
+ [a'8 <<a' g''>>]
+ [c <<c e,>>]
+ [a'16 <<a' g''>>]
+ [c <<c e,>>]
+ [a'32 <<a' g''>>]
+ [c <<c e,>>]
}
\paper{
linewidth = 66.0\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="Controlling beam positions."
}
[c e] [e c]
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c''{
% \stemUp
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
%% Local variables:
%% LilyPond-indent-level:2
%% End:
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "
%% End:
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\context PianoStaff <
\context Staff=one \notes\relative c'{
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
filename = "beam-pos.ly"
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
linewidth =-1
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc=""
}
\paper{
linewidth = 0.0
}
-}
\ No newline at end of file
+}%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="Beam-stem attachment test. Helper file for ps/dvips problems."
}
linewidth = -1.0
magnification = 64
}
-}
\ No newline at end of file
+}%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c'{
linewidth=-1.
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c'{
linewidth=-1.
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes \relative c''{
linewidth = 60.0\mm
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
filename = "beams.ly"
composer = "heu"
}
}
+%% new-chords-done %%
-\version "1.7.0"
+\version "1.7.6"
\header {
g4 a
}}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="Blank music paper with clefs"
}
}
}
}
+%% new-chords-done %%
-\version "1.6.1"
+\version "1.7.6"
\header {
texidoc = "overriding the molecule callback can also be used to draw a
c4. c4 \mark "F" c1
}}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\header {
texidoc = "Broken spanners can be adjusted individually, but
}
\paper { linewidth= 5.0 \cm }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
}
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
enteredby = "jcn"
copyright = "PD"
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = " Small caps is available as font-shape caps.
what4 is4 \shapeSC Bud8 -- dha?8 }>
\paper { linewidth = -1.}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
%% FIXME
\key d \major
% \property Staff.autoReminders = #'cautionary
\property Staff.Accidental \override #'font-relative-size = #0
- <dis1 c> cis2 d
+ <<dis c>>1 cis2 d
% \property Staff.Accidental \override #'cautionary-size = #-1
- <dis1 c> cis2 d
+ <<dis c>>1 cis2 d
% \property Staff.Accidental \override #'paren-cautionaries = ##f
- <dis1 c> cis2 d
+ <<dis c>>1 cis2 d
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
filename = "chord-table.ly"
copyright = "public domain"
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
texidoc="property chordChanges: only display chord names when
}
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
enteredby = "jcn"
copyright = "public domain"
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc = "chord/markup test"
}
}
>
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
filename = "chord-table.ly"
copyright = "public domain"
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
title="Chord Taxonomy of LilyPond -- jazz"
}
\context Staff \notes \transpose c c' \scheme
>
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
%{
% used to be quarter notes here. Why? --hwn
scales = \notes \transpose c c' \chords{
- %<c1 e g>
+ %<<c e g>>1
c1:m c:min c:dim c:aug c:sus c:maj
c1:6 c:7 c:9 c:11 c:13
c:m7 c:m.sus c:m7.sus
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
}
\midi { }
}
+%% new-chords-done %%
\break
\time 4/4
} }
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
% The volta texts should read: 1-4 and 5
% Not 1 and 2
% (see 1.2.17)
%
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
% Ugh, we need to override some LaTeX titling stuff
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="Display the number of systems, or the system number of a
}
#(define (display-systemno smob)
- (let* ((this-system (ly:get-system smob))
- (systems (ly:get-broken-into
- (ly:get-original this-system))))
+ (let* ((this-system (ly:ly:get-system smob))
+ (systems (ly:ly:get-broken-into
+ (ly:ly:get-original this-system))))
(display smob)
(display (list-index systems this-system))
(newline)))
#(define (display-system-count smob)
(display (length
- (ly:get-broken-into
- (ly:get-original
- (ly:get-system smob))))))
+ (ly:ly:get-broken-into
+ (ly:ly:get-original
+ (ly:ly:get-system smob))))))
linewidth = 10.0\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c''{
-a1\fff\> \!a\pp
+a1\fff\> \!a-\pp
a\< \!a
\property Voice.crescendoText = "cresc."
\property Voice.crescendoSpanner = #'dashed-line
-a\mf\< a \!a
+a-\mf\< a \!a
a\< \!a
}
\paper{
\tempo 1 = 60
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
fragment = \notes {
\context Voice {
\property Voice.crescendoText = "cresc."
\property Voice.crescendoSpanner = #'dashed-line
- a''2\mf\< a a \!a
+ a''2-\mf\< a a \!a
}
}
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
title="Chord Taxomony of LilyPond -- jazz"
subtitle="Amy's chord tests"
\context Staff \notes \transpose c c' \scheme
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Cue notes should be set in smaller type. Cue clefs are
eis'4 fis'4
}
\paper { linewidth = -1 }
-}
\ No newline at end of file
+}%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "custodes in various styles."
}
\property Staff.Custos \set #'style = #'hufnagel
c'1^"Custos style = \#'hufnagel"
- \break < d'1 a' f''>
+ \break << d' a' f''>>1
\property Staff.Custos \set #'style = #'medicaea
c'1^"Custos style = \#'medicaea"
- \break < d'1 a' f''>
+ \break << d' a' f''>>1
\property Staff.Custos \set #'style = #'vaticana
c'1^"Custos style = \#'vaticana"
- \break < d'1 a' f''>
+ \break << d' a' f''>>1
\property Staff.Custos \set #'style = #'mensural
c'1^"Custos style = \#'mensural"
- \break < d'1 a' f''>
+ \break << d' a' f''>>1
}
\paper {
\translator {
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header { texidoc = "
The direction of a perfectly centred beams can be
controlled through @code{Voice.Beam}'s grob-property
\property Voice.Beam \set #'neutral-direction = #-1
[b b]
}}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
\property Score.defaultBarType = ":|:"
c4 c4 c4 c4 }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
% barline spacing disrupts visual rhythm.
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
% a few 32nds shouldn't stretch spacing enormously.
}
\paper { linewidth = -1.0 }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Staff \notes <
>
\paper { linewidth = 40*\staffspace }
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
#(define (duration-check music)
"Check all rest durations in MUSIC"
\apply #duration-check
<
\notes\relative c'' {
- a b8 c16 <d e4.>
+ a b8 c16 <<d e>>4.
}
\notes\relative c'' {
a b8 c16 d a2 r
}
>
}
+%% new-chords-done %%
c2\< \! c2
}
- }
\ No newline at end of file
+ }%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "By inserting the @TeX{} command \embeddedps, you can
insert postscript directly into the output.
}
\paper { linewidth = 70 * \staffspace }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
#(begin (newline)(display "hello world")(newline))\score{
\notes\relative c'{ c }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
}
}
}
+%% new-chords-done %%
\header {
texidoc = "The full orchestra plays a notes, where groups stop one after another. USe this to tune equalizer settings. "
}
-\version "1.5.68"
+\version "1.7.6"
flauti = \notes \relative c' {
\property Staff.midiInstrument = #"flute"
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\header{
texidoc="Explicit pitches and durations."
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
%{
(Message vers:9)
-To: Adrian Mariano <adrian@cam.cornell.edu>
+To: Adrian Mariano <<adrian@camcornelledu>>.
cc: gnu-music-discuss@gnu.org
Subject: Re: Switching from one staff to two staves
Reply-To: janneke@gnu.org
In-reply-to: Your message of "Tue, 19 Jan 1999 12:27:10 EST."
- <199901191727.MAA29757@avalanche.cam.cornell.edu>
+ <<199901191727.MAA29757@avalanchecamcornelledu>>.
Date: Wed, 20 Jan 1999 09:39:22 +0100
-From: Jan Nieuwenhuizen <jan@beavis-nt>
+From: Jan Nieuwenhuizen <<jan@beavis-nt>>
On Tuesday, 19 January 1999, Adrian Mariano writes:
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
% to see the magic: uncomment size stuff in init/paper20.ly
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc = "Test figured bass.
Figured bass is created by the FiguredBass context which eats
note-requests and rest-requests. You can enter these either using
-standard @code{< >} notation, or using the special @code{\figures @{ @}}
-mode, which allows you to type numbers, like @code{<4 6+>}.
+standard @code{<< >>} notation, or using the special @code{\figures @{ @}}
+mode, which allows you to type numbers, like @code{<<4 6+>>}.
" }
\score { \notes <
\context FiguredBass \transpose c c' {
- <e! g >
- <f8 ais >
+ <<e! g >>
+ <<f ais >>8
\figures {
r8
- <1 3 5>4 <3- 5+ 6!> <5>
+ <<1 3 5>>4 <<3- 5+ 6!>> <<5>>
}
}
\context Voice {
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%
% test file to get a4 paper really filled,
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\grace {[b8^1 c^2]} d4^3
}
\paper {linewidth = -1. }}
+%% new-chords-done %%
"
}
-\version "1.5.68"
+\version "1.7.6"
% followVoice: connect note heads with line when thread switches staff
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="Force hshift to override collisions"
}
\property Voice.NoteColumn \override #'force-hshift = #0.1
\stemUp
\property Voice.NoteColumn \override #'horizontal-shift = #1
- <g' d'>
+ <<g' d'>>
}
\context Voice = VB {
\stemDown
\property Voice.NoteColumn \override #'horizontal-shift = #1
\property Voice.NoteColumn \override #'force-hshift = #-0.1
- <bes f'>
+ <<bes f'>>
}
>
}
}
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
% the Gm7sus4/D chord prints as Gm/4/7/D
% it took me quite a while by experiment to work out how to enter it -- PC
g1:3-.4.7
% another hard way:
- \notes< g'1 bes c d f >
+ \notes<< g' bes c d f >>1
% bit easier:
g1:m.4.7
\context Staff \gmsus
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
\header {
texidoc = "some instruments (notably: cello and double bass) are alternatively written on one and two staves. This is the way to do it:"
}
-\version "1.5.68"
+\version "1.7.6"
voiceOne = \notes \relative c'' {
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Hara kiri staves disappear when empty "
}
+%% new-chords-done %%
}
}
+%% new-chords-done %%
}
\score{ \notes{ c4 } }
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\context Staff <
}
}
+%% new-chords-done %%
%{ TODO: the construct with separet SquashVoice context is a little
gory. FIXME. %}
-\version "1.7.5"
+\version "1.7.6"
improOn = \notes {\translator Voice = impro }
improOff = \notes {\translator SquashVoice = melo }
linewidth = -1
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
Test of how to make an ``incipit'' to indicate scordatora
tuning of a violin part, using the clefStyle property.
\time 2/2
\property Staff.TimeSignature \override #'style = #'old
a4. b8 c4 fis |
-% <b1 fis' b d>
+% <<b fis' b d>>1
\property Staff.TimeSignature \override #'style = #'C
}
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
}
\translator { \GrandStaffContext \consists "Instrument_name_engraver" }
}}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\translator { \StaffContext \consists "Instrument_name_engraver" }
}}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\include "paper16.ly"
\paper{\paperSixteen}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\context PianoStaff <
\context Staff=one \notes\relative c'{
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c'{
[a8 b'' a,, b'']
\paper{
linewidth = 0.0
}
-}
\ No newline at end of file
+}%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c'{
\stemUp [g c' \stemBoth a'' d']
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="
linewidth = 70.0*\staffspace
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
copyright = "localcopyright"
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
<
\context Staff \notes { c () c () c c }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
<
\context Staff \notes { c' () c' () c' c' }
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
filename = "twinkle-pop.ly"
xtitle = "Ah, vous dirais-je, maman "
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
somewhatLong = \lyrics{
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
c'4
}}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
global = \notes {
\score{
\context Staff < \global \one >
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc ="Test font selection and scm text markup"
%%% Local variables:
%%% LilyPond-indent-level:2
%%% End:
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Control the number of rests in a collision with maximum-rest-count."
}
\tempo 1 = 60
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
title = "mensural ligature test"
date = "2002"
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="MIDI and midi2ly test file. Diff between this and midi2ly.py (experimental, 1.5.17) should be minimal"
}
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Staff \notes <
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc ="FIXME"
linelength=-1.0\mm
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\header {
texidoc= "Positions of accidentals may be manually set. This
linewidth = -1
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\context Staff \notes\relative c''{
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
#(define (make-text-checker text)
(lambda (grob) (equal? text (ly:get-grob-property grob 'text))))
}
\paper { linewidth = -1. }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
}
\include "deutsch.ly"
-\version "1.7.5"
+\version "1.7.6"
#(define (transform music)
(let* ((es (ly:get-mus-property music 'elements))
-\version "1.7.5"
+\version "1.7.6"
pat = \notes \transpose c c' \repeat unfold 2 {
< { \context Staff=up {r8 e16 f g e f g } }
enda = \notes { r8 f,16 a, c f c a, \stemUp c \translator Staff = down
a, f, a, f, d, f, d, \translator Staff = up \stemBoth
- r8 g16 h d' f' d' h d' h g h d f e-\prall d <e1 g c'^\fermata> \bar "|."
+ r8 g16 h d' f' d' h d' h g h d f e-\prall d <<e g c'>>1^\fermata \bar "|."
}
endb = \notes {\stemUp \tieUp r16 c,8.~c,4~c,2 r16 h,,8.~h,,4~h,,2 c,1 \bar "|."}
endc = \notes {\stemDown \tieDown c,,2~c,, c,,~c,, c,,1_\fermata }
\tempo 4 = 80
}
}
+%% new-chords-done %%
-\version "1.7.3" %% or actually: 1.7.1 ...
+\version "1.7.6" %% or actually: 1.7.1 ...
\header {
texidoc = "You can create music expressions from Scheme. The
)
\score { \fooMusic }
+%% new-chords-done %%
Tested = "Nested StaffGroups"
}
-\version "1.5.68" % rz1
+\version "1.7.6" % rz1
\score { \notes
<
\paper { linewidth = -1 }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes \relative c'' {
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes { c4 c4 c8 c8 }
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Don't extend stems to cetner line."
}
\paper { }
\midi { }
}
+%% new-chords-done %%
texidoc= "Chord names don't attempt to find inversions and
bass notes." }
-\version "1.5.68"
+\version "1.7.6"
scheme = \notes {
- <c'1 e' g'>
- <e' g' c''>
- <e e' g' c''>
+ <<c' e' g'>>1
+ <<e' g' c''>>
+ <<e e' g' c''>>
}
\score {
>
\paper { linewidth = -1. }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
}
\midi { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\score{
\notes \transpose c c'{
% 1.1.53: @x@ syntax dropped
-% if you want fingering, write chord explicitily eg < c1-1 e-2 g-3 >
+% if you want fingering, write chord explicitily eg << c-1 e-2 g-3 >>1
% @c1@ @c-7@ @c-7^5@-1-3
\chords { c1 c:7 c:7^5 }
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc="Octave duplicate parts of music"
}
>
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
latexpackages="graphicx"
}
\property Staff.instr = "Vla."
\m
>
- \context Staff = vlc <
- %% \property Staff.instrument = "Violoncello"
- \property Staff.instrument = #'(lines "Violoncello" "e" "Contrabasso")
- \property Staff.instr = "Vlc"
+ \context Staff = vlc <<
+ %% \property Staffinstrument = "Violoncello"
+ \property Staffinstrument = #'(lines "Violoncello" "e" "Contrabasso")
+ \property Staffinstr = "Vlc"
\m
- >
+ >>.
\context Staff = cb <
\property Staff.instrument = "Contrabasso"
\property Staff.instr = "C.B."
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes { c1 c1 < {\clef "treble" c1 c1 } \context Staff=stb{ c1 c1}>}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\score{
\context PianoStaff <
}
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc="Template for part-combining orchestral scores"
End = { \skip 1*9 \bar "|." }
flautoI = \notes\relative c'' {
- c4\pp d e f
+ c4-\pp d e f
b,4 d c d
r2 e4 f
\break
}
flautoII = \notes\relative c'' {
- g4\ff b d f
+ g4-\ff b d f
r2 c4 d
a c c d
a4. b8 c4 d
\End
>
-violinoIIStaff = \context Staff = twoViolini <
+violinoIIStaff = \context Staff = twoViolini <<
% MIDI hoort geeneens verschil tussen een
% eerste en tweede viool -)
- \property Staff.midiInstrument = #"violin"
- \property Staff.instrument = #"Violino II"
- \property Staff.instr = #"Vl. II"
+ \property StaffmidiInstrument = #"violin"
+ \property Staffinstrument = #"Violino II"
+ \property Staffinstr = #"Vl II"
\violinoII
\End
->
+>>.
violaI = \notes\transpose c' c, \violinoI
>
violoncello = \notes\relative c {
- c1\ff d e f c d e f c
+ c1-\ff d e f c d e f c
}
contrabasso = \notes\relative c {
- c1\pp
+ c1-\pp
d4 e d e
e1
f4 g f g
}
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\score{
\context PianoStaff <
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{ When entering half music (I.e. for students to complete by hand)
you need the spacing to correspond to the timing - all measures same length, etc.
>
\paper {}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc = "Piano pedal symbols merge stop and start. The strings are configurable.
Text style, bracket style, and a mixture of both are supported. "
\context Staff \notes\relative c'{
c4 d e f g
- \sustainDown b c
- c, [d16 c c c] [e e \sustainUp \sustainDown e e ] f4 \sustainUp
- g\sustainDown b \sustainUp c
+ -\sustainDown b c
+ c, [d16 c c c] [e e -\sustainUp -\sustainDown e e ] f4 -\sustainUp
+ g-\sustainDown b -\sustainUp c
\property Staff.pedalSustainStrings = #'("-" "-P" "P")
\property Staff.SustainPedal \override #'padding = #-2
- c, \sustainDown d e \sustainUp \sustainDown f
- \sustainUp g b c
+ c, -\sustainDown d e -\sustainUp -\sustainDown f
+ -\sustainUp g b c
\property Staff.SustainPedal \override #'pedal-type = #'bracket
- c4 d e \sustainDown b c c, \sustainUp \sustainDown [d8 c] [e8 e \sustainUp \sustainDown] f4 d
- \sustainUp g \sustainDown b b, \sustainUp c'
+ c4 d e -\sustainDown b c c, -\sustainUp -\sustainDown [d8 c] [e8 e -\sustainUp -\sustainDown] f4 d
+ -\sustainUp g -\sustainDown b b, -\sustainUp c'
\property Staff.UnaCordaPedal \override #'pedal-type = #'mixed
\tempo 4 = 60
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
texidoc="Make PhrasingSlur higher, to avoid colission from other slurs"
}
-\version "1.5.72"
+\version "1.7.6"
\score {
\context Staff = melody \notes\relative c''{
\paper {
}
}
+%% new-chords-done %%
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Grob extents may be hard coded using grob
\paper { linewidth = -1.0 }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score { \notes {
c c
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
<
}
>
}
+%% new-chords-done %%
>
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "rests in various styles."
}
}
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\header {
texidoc="
\paper { linewidth = -1. }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = " a way to generate rhythm exercises with lilypond
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
crossRefNumber = "1"
}
\midi {}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
c4
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
Please don't use this Scheme hacking unless you have a good reason.
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "Relative placements of different script types can be controlled
by overriding script-priority."
a4^\prall^#'((music (font-relative-size . -2)) "accidentals-1")
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\blah
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="You can enter notes and articulations separately, and merge
\repeat unfold 2 \staccatos
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\context Staff <
}
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes \relative c''{
linewidth = 60.0\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="sketch output supported features"
}
\slurDown d16( c b )a
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
enteredby = "jcn"
copyright = "public domain"
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c''{
indent=0.0\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
fragment = \notes {
\notes\relative c \fragment
\paper { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc="
The same goes for slurs. They behave decently when broken across
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c''{
linewidth = 60.\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
% test damping
c c c c
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
}
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = ""
}
c~c\break
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes\relative c''{
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
x = {
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
% should look the same
linewidth = 50.0\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
% should look the same
linewidth = 50.0\mm
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\header {
texidoc="You can get ugly slurs, if you want.
}
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header {
texidoc="
\paper { linewidth = -1. }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\context Staff = one <
linewidth = 100.\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
opus = "BWV 937 (prelude)"
composer = "J. S. Bach"
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
title= "Spacing"
subtitle = "proofsheet"
linewidth= 20.0\cm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
nt = \notes { c1 \break c1 c1 }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes {
}
\paper { linewidth = -1. }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score
{
}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
texidoc ="Setting staff space on a staff "
\notes \relative c'' \context GrandStaff <
\context Staff = up { c4 c4 }
\context Staff = down { c4
- [<c8 d f g>
+ [<<c d f g>>8
e]
[f c']
}
StaffSymbol \set #'staff-space = #5.5
}}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="staff symbol property set workaround"
}
>
\paper { }
\midi { }
-}
\ No newline at end of file
+}%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
% test staff margin with partial measure.
\translator { \StaffContext \consists Instrument_name_engraver }
}
}
+%% new-chords-done %%
\outputproperty. Both methods are shown in this example."
}
-\version "1.5.70"
+\version "1.7.6"
\score {
\notes \relative c' < \context StaffContainer = SA{
\property StaffContainer.StaffSymbol \set #'staff-space = #(/ 16 20)
\dynamicUp\stemDown
%\key gis \major
- c8 d [e f g a] b c \ff
+ c8 d [e f g a] b c -\ff
}
-\context Staff = SB { \dynamicDown c,,4 \ff c c c }
+\context Staff = SB { \dynamicDown c,,4 -\ff c c c }
\context Staff = SC {
\context Staff \outputproperty #(make-type-checker 'staff-symbol-interface)
#'staff-space = #0.8
\paper { linewidth = -1. }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc ="mensural note heads."
}
}
}
}
+%% new-chords-done %%
\paper { linewidth = -1.0 }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header { texidoc = "
Conventionally, stems and beams extend to the middle staff line. This
extension can be controlled through @code{Voice.Stem}'s grob-property
\property Voice.Stem \set #'no-stem-extend = ##t
\grace g8 g4 [g8 g]
}}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
\header{
title= "Stems and Beams"
subtitle = "proofsheet"
%%% Local variables:
%%% LilyPond-indent-level:2
%%% End:
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="Test super/sub, raise and overstrike."
}
c^#`(columns (lines "" ";" "") (lines "1" ((bold) "2") "3"))
c^#`(columns (lines "" ";" "") (lines "1" (columns (bold "2")) "3"))
}
-}
\ No newline at end of file
+}%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes \context PianoStaff < \context Staff = SA { s1 }
\context Staff = SB { s1 }>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes \context StaffGroup < \context Staff = SA { s1 }
\context Staff = SB { s1 }>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = ""
}
}
>
}
+%% new-chords-done %%
-\version "1.6.2"
+\version "1.7.6"
%{
>
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
filename = "tchaikovsky.ly"
title = "Extracts from 6th symphony"
\relative c{
\clef "bass"
\key d \major
- <a2\ppp\cr d> <gis\rc\p\decr d'> | <a2\rced d> ~ <a8 d> r8 r4 |
- a2\ppp\cr a2\rc\p\decr | <a2\rced d> ~ <a8 d> r8 r4 |
+ <<a\cr d>>2-\ppp <<gis\rc\decr d'>>-\p | <<a\rced d>>2 ~ <<a d>>8 r8 r4 |
+ a2-\ppp\cr a2\rc-\p\decr | <<a\rced d>>2 ~ <<a d>>8 r8 r4 |
a2\pppp ~ a8 r8 r4 | a2\ppppp ~ a8 r8 r4 | r4 a8_"pizz"
r8 r2^\fermata
}
\relative c{
\clef "bass"
\key c \major
- <e1\sff cis'^\downbow> | <cis\sff a'^\downbow> |
- <d,\ffff\decr g> | ~ <d2 g> ~ <d8\p\rced g>
+ <<e\sff cis'>>1^\downbow | <<cis\sff a'>>^\downbow |
+ <<d,\ffff\decr g>> | ~ <<d g>>2 ~ <<d\rced g>>8-\p
}
\header{
piece="example 2"
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\include "german-chords-init.ly"
% #(set! german-Bb #t)
\paper {}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\header {
texidoc = "ottava spanners."
\property Staff.centralCPosition = #-6
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%
c^#'(Large "ABCD")
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
title="CELLO-THUMBS"
enteredby="Maarten Storm"
\score { \notes \relative c'' {
- [<a8_\thumb a'8-3(> <)b_\thumb b'-3>
- <c_\thumb c'-3(> <)d_\thumb d'-3>]
+ [<<a a'-3(>>8_\thumb <<b b'-3>>-)_\thumb
+ <<c c'-3(>>_\thumb <<d d'-3>>-)_\thumb]
}
\paper{
linewidth = 80.\mm
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\notes \relative c''{
indent=0.
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "setting sparseTies causes only one tie to be
\score {
\context Voice \notes\relative c {
\property Voice.sparseTies = ##t
- c'' <c e g> ~ <c e g>
+ c'' <<c e g>> ~ <<c e g>>
}
\paper {
linewidth=-1.0
}
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header
{
texidoc = "
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
filename = "title.ly"
dedication = "dedication"
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
fooBar = \notes { < c''4 \\ g'4 > }
\score {
\fooBar
}
+%% new-chords-done %%
texidoc = " the transposing property leaves output invariant, but has effect on MIDI."
}
-\version "1.5.68"
+\version "1.7.6"
\score {
\context Voice \notes\relative c {
\paper { }
\midi { }
}
+%% new-chords-done %%
-\version "1.7.5"
+\version "1.7.6"
%{
Hi all,
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\header {
texidoc="show trill line type"
}
\paper { }
}
+%% new-chords-done %%
linewidth = 433.619940\pt
}
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc="Document trills, pralls and turns"
title="Marques des agr\\'ements et leur signification"
>
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
}
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
\score
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "If you specify two different key sigs at one point, a
{ \key cis \major fis4 \key es \major g4 }
>
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%
% We'd want to combine the stems, but have two slurs too...
linewidth=60.\mm
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
texidoc = "The standard function unfold-repeats will recursively unfold
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
%{
Hmm, ik vraag me af of dit al helemaal koel is.
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
}
}
+%% new-chords-done %%
associated context finishes, so using it in \property works.
" }
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes <
\translator{\StaffContext minimumVerticalExtent = #'(-2.0 . 2.0)}
}
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
<
\context Staff = o \notes\relative c,,, {
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\score{
\context Staff <
}
+%% new-chords-done %%
-\version "1.7.3"
+\version "1.7.6"
#(define (voicify-list lst number)
"Make a list of Musics.
}
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header{
}
}
}
+%% new-chords-done %%
% DOCUMENTME!
-\version "1.5.68"
+\version "1.7.6"
}
}
+%% new-chords-done %%
}
-\version "1.5.68"
+\version "1.7.6"
%{
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes\context PianoStaff <
\context Staff = up
\paper { linewidth = -1. }
}
+%% new-chords-done %%
+
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes\context PianoStaff <
\context Staff = up
\paper { linewidth = -1. }
}
+
+%% new-chords-done %%
-\version "1.5.68"
+\version "1.7.6"
\header {
title = "The river is flowing"
-\version "1.5.68"
+\version "1.7.6"
soprano = \notes \relative c'' {
-\version "1.7.3"
+\version "1.7.6"
\header {
title = "Two miniatures"
tagline = "Small is beatiful"
-\version "1.5.68"
+\version "1.7.6"
% lines preceded by a percent sign are comments.
\include "paper16.ly"
-\version "1.7.3"
+\version "1.7.6"
\include "os-music.ly"
\include "paper16.ly"
-\version "1.5.68"
+\version "1.7.6"
% include file for tutorial
\header {
-\version "1.7.3"
+\version "1.7.6"
\include "os-music.ly"
\include "paper13.ly"
-\version "1.7.5"
+\version "1.7.6"
\include "paper16.ly"
}
%% new-chords-done %%
+
-\version "1.5.68"
+\version "1.7.6"
accompMotif = \notes \relative c {
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes {
-\version "1.5.68"
+\version "1.7.6"
\score {
\notes { c'4 e'4 g'4 }
}
-\version "1.7.5"
+\version "1.7.6"
\header{
filename = "twinkle-pop.ly"
xtitle = "Ah, vous dirais-je, maman "
-\version "1.5.68"
+\version "1.7.6"
\header{
filename = "twinkle.ly"
title = "Twinkle Twinkle Little Star"
(Y-offset-callbacks . (,Side_position_interface::aligned_side))
(padding . 0.2)
(direction . -1)
- (meta . ((interfaces . (horizontal-bracket-interface spanner-interface))))
+ (meta . ((interfaces . (horizontal-bracket-interface side-position-interface spanner-interface))))
))
(InstrumentName
. (
(direction . 1)
(padding . 2)
(font-family . number)
- (meta . ((interfaces . (side-position-interface self-alignment-interface font-interface spanner-interface))))
+ (meta . ((interfaces . (side-position-interface self-alignment-interface font-interface spanner-interface text-interface))))
))
projects / lilypond.git / commitdiff