texidoc = "
This example demonstrates how to do modern transcription of Gregorian
music. Gregorian music has no measure, no stems; it uses only half and
-quarter noteheads, and special marks, indicating rests of different
+quarter note heads, and special marks, indicating rests of different
length.
"
} % begin verbatim
\include "gregorian-init.ly"
- chant = \relative c' {
- \set Score.timing = ##f
- f4 a2 \divisioMinima
- g4 b a2 f2 \divisioMaior
- g4( f) f( g) a2 \finalis
- }
-
- verba = \lyricmode {
- Lo -- rem ip -- sum do -- lor sit a -- met
- }
-
- \score {
- \new Staff <<
- \new Voice = "melody" {
- \chant
- }
- \new Lyrics = "one" \lyricsto melody \verba
- >>
-
- \layout {
- \context {
- \Staff
- \remove "Time_signature_engraver"
- \remove "Bar_engraver"
- \override Stem #'transparent = ##t
- }
- \context {
- \Voice
- \override Stem #'length = #0
- }
- \context {
- \Score
- barAlways = ##t
- }
- }
- }
+chant = \relative c' {
+ \set Score.timing = ##f
+ f4 a2 \divisioMinima
+ g4 b a2 f2 \divisioMaior
+ g4( f) f( g) a2 \finalis
+}
+verba = \lyricmode {
+ Lo -- rem ip -- sum do -- lor sit a -- met
+}
+
+\score {
+ \new Staff <<
+ \new Voice = "melody" \chant
+ \new Lyrics = "one" \lyricsto melody \verba
+ >>
+ \layout {
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ \remove "Bar_engraver"
+ \override Stem #'transparent = ##t
+ }
+ \context {
+ \Voice
+ \override Stem #'length = #0
+ }
+ \context {
+ \Score
+ barAlways = ##t
+ }
+ }
+}
discantusNotes = {
\transpose c' c'' {
- \set Staff.instrumentName = "Discantus "
+ \set Staff.instrumentName = #"Discantus "
% incipit
\clef "neomensural-c1"
altusNotes = {
\transpose c' c'' {
- \set Staff.instrumentName = "Altus "
+ \set Staff.instrumentName = #"Altus "
% incipit
\clef "neomensural-c3"
tenorNotes = {
\transpose c' c' {
- \set Staff.instrumentName = "Tenor "
+ \set Staff.instrumentName = #"Tenor "
% incipit
\clef "neomensural-c4"
bassusNotes = {
\transpose c' c' {
- \set Staff.instrumentName = "Bassus "
+ \set Staff.instrumentName = #"Bassus "
% incipit
\clef "bass"
-transcription-of-ancient-music-with-incipit.ly
+ancient-fonts.ly
chant-or-psalms-notation.ly
adding-a-figured-bass-above-or-below-the-notes.ly
incipit.ly
ancient-notation-template----modern-transcription-of-mensural-music.ly
-ancient-fonts.ly
+transcription-of-ancient-music-with-incipit.ly
ancient-time-signatures.ly
custodes.ly
mensurstriche-layout-bar-lines-between-the-staves.ly
creating-blank-staves.ly
-chant-or-psalms-notation.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
adding-a-figured-bass-above-or-below-the-notes.ly
adding-an-extra-staff-at-a-line-break.ly
adding-an-extra-staff.ly
-mensurstriche-layout-bar-lines-between-the-staves.ly
+chant-or-psalms-notation.ly
changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
+mensurstriche-layout-bar-lines-between-the-staves.ly
engravers-one-by-one.ly
use-square-bracket-at-the-start-of-a-staff-group.ly
-vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
nesting-staves.ly
texidoc = "
Problem: How to know which @code{midiInstrument} would be best for your
-composition?Solution: A LilyPond demo file.
+composition? Solution: A LilyPond demo file.
}
basemelodie = \relative c' {
- c4. \mf g c16 b' c d |
- e d e f g4 g'4 r |
- r1
+ c4. \mf g c16 b' c d
+ e16 d e f g4 g'4 r
+ R1
}
melodie = { \tempo 4 = 150 \basemelodie }
\score {
\new Staff <<
- \new Voice { \melodie
+ \new Voice { \melodie
}
>>
\layout { }
\score {
\new Staff <<
- %\set Staff.instrumentName= "S/A"
+ %\set Staff.instrumentName= #"S/A"
%\set Staff.midiMinimumVolume = #0.2
%\set Staff.midiMaximumVolume = #0.4
%\set Voice.dynamicAbsoluteVolumeFunction = #0.6
\new Voice { r \mf
- \set Staff.midiInstrument = "acoustic grand" \melodie
- \set Staff.midiInstrument = "bright acoustic" \melodie
- \set Staff.midiInstrument = "electric grand" \melodie
- \set Staff.midiInstrument = "honky-tonk" \melodie
- \set Staff.midiInstrument = "electric piano 1" \melodie
- \set Staff.midiInstrument = "electric piano 2" \melodie
- \set Staff.midiInstrument = "harpsichord" \melodie
- \set Staff.midiInstrument = "clav" \melodie
- \set Staff.midiInstrument = "celesta" \melodie
- \set Staff.midiInstrument = "glockenspiel" \melodie
- \set Staff.midiInstrument = "music box" \melodie
- \set Staff.midiInstrument = "vibraphone" \melodie
- \set Staff.midiInstrument = "marimba" \melodie
- \set Staff.midiInstrument = "xylophone" \melodie
- \set Staff.midiInstrument = "tubular bells" \melodie
- \set Staff.midiInstrument = "dulcimer" \melodie
- \set Staff.midiInstrument = "drawbar organ" \melodie
- \set Staff.midiInstrument = "percussive organ" \melodie
- \set Staff.midiInstrument = "rock organ" \melodie
- \set Staff.midiInstrument = "church organ" \melodie
- \set Staff.midiInstrument = "reed organ" \melodie
- \set Staff.midiInstrument = "accordion" \melodie
- \set Staff.midiInstrument = "harmonica" \melodie
- \set Staff.midiInstrument = "concertina" \melodie
- \set Staff.midiInstrument = "acoustic guitar (nylon)" \melodie
- \set Staff.midiInstrument = "acoustic guitar (steel)" \melodie
- \set Staff.midiInstrument = "electric guitar (jazz)" \melodie
- \set Staff.midiInstrument = "electric guitar (clean)" \melodie
- \set Staff.midiInstrument = "electric guitar (muted)" \melodie
- \set Staff.midiInstrument = "overdriven guitar" \melodie
- \set Staff.midiInstrument = "distorted guitar" \melodie
- \set Staff.midiInstrument = "acoustic bass" \melodie
- \set Staff.midiInstrument = "electric bass (finger)" \melodie
- \set Staff.midiInstrument = "electric bass (pick)" \melodie
- \set Staff.midiInstrument = "fretless bass" \melodie
- \set Staff.midiInstrument = "slap bass 1" \melodie
- \set Staff.midiInstrument = "slap bass 2" \melodie
- \set Staff.midiInstrument = "synth bass 1" \melodie
- \set Staff.midiInstrument = "synth bass 2" \melodie
- \set Staff.midiInstrument = "violin" \melodie
- \set Staff.midiInstrument = "viola" \melodie
- \set Staff.midiInstrument = "cello" \melodie
- \set Staff.midiInstrument = "contrabass" \melodie
- \set Staff.midiInstrument = "tremolo strings" \melodie
- \set Staff.midiInstrument = "pizzicato strings" \melodie
- \set Staff.midiInstrument = "orchestral strings" \melodie
- \set Staff.midiInstrument = "timpani" \melodie
- \set Staff.midiInstrument = "string ensemble 1" \melodie
- \set Staff.midiInstrument = "string ensemble 2" \melodie
- \set Staff.midiInstrument = "synthstrings 1" \melodie
- \set Staff.midiInstrument = "synthstrings 2" \melodie
- \set Staff.midiInstrument = "choir aahs" \melodie
- \set Staff.midiInstrument = "voice oohs" \melodie
- \set Staff.midiInstrument = "synth voice" \melodie
- \set Staff.midiInstrument = "orchestra hit" \melodie
- \set Staff.midiInstrument = "trumpet" \melodie
- \set Staff.midiInstrument = "trombone" \melodie
- \set Staff.midiInstrument = "tuba" \melodie
- \set Staff.midiInstrument = "muted trumpet" \melodie
- \set Staff.midiInstrument = "french horn" \melodie
- \set Staff.midiInstrument = "brass section" \melodie
- \set Staff.midiInstrument = "synthbrass 1" \melodie
- \set Staff.midiInstrument = "synthbrass 2" \melodie
- \set Staff.midiInstrument = "soprano sax" \melodie
- \set Staff.midiInstrument = "alto sax" \melodie
- \set Staff.midiInstrument = "tenor sax" \melodie
- \set Staff.midiInstrument = "baritone sax" \melodie
- \set Staff.midiInstrument = "oboe" \melodie
- \set Staff.midiInstrument = "english horn" \melodie
- \set Staff.midiInstrument = "bassoon" \melodie
- \set Staff.midiInstrument = "clarinet" \melodie
- \set Staff.midiInstrument = "piccolo" \melodie
- \set Staff.midiInstrument = "flute" \melodie
- \set Staff.midiInstrument = "recorder" \melodie
- \set Staff.midiInstrument = "pan flute" \melodie
- \set Staff.midiInstrument = "blown bottle" \melodie
- \set Staff.midiInstrument = "shakuhachi" \melodie
- \set Staff.midiInstrument = "whistle" \melodie
- \set Staff.midiInstrument = "ocarina" \melodie
- \set Staff.midiInstrument = "lead 1 (square)" \melodie
- \set Staff.midiInstrument = "lead 2 (sawtooth)" \melodie
- \set Staff.midiInstrument = "lead 3 (calliope)" \melodie
- \set Staff.midiInstrument = "lead 4 (chiff)" \melodie
- \set Staff.midiInstrument = "lead 5 (charang)" \melodie
- \set Staff.midiInstrument = "lead 6 (voice)" \melodie
- \set Staff.midiInstrument = "lead 7 (fifths)" \melodie
- \set Staff.midiInstrument = "lead 8 (bass+lead)" \melodie
- \set Staff.midiInstrument = "pad 1 (new age)" \melodie
- \set Staff.midiInstrument = "pad 2 (warm)" \melodie
- \set Staff.midiInstrument = "pad 3 (polysynth)" \melodie
- \set Staff.midiInstrument = "pad 4 (choir)" \melodie
- \set Staff.midiInstrument = "pad 5 (bowed)" \melodie
- \set Staff.midiInstrument = "pad 6 (metallic)" \melodie
- \set Staff.midiInstrument = "pad 7 (halo)" \melodie
- \set Staff.midiInstrument = "pad 8 (sweep)" \melodie
- \set Staff.midiInstrument = "fx 1 (rain)" \melodie
- \set Staff.midiInstrument = "fx 2 (soundtrack)" \melodie
- \set Staff.midiInstrument = "fx 3 (crystal)" \melodie
- \set Staff.midiInstrument = "fx 4 (atmosphere)" \melodie
- \set Staff.midiInstrument = "fx 5 (brightness)" \melodie
- \set Staff.midiInstrument = "fx 6 (goblins)" \melodie
- \set Staff.midiInstrument = "fx 7 (echoes)" \melodie
- \set Staff.midiInstrument = "fx 8 (sci-fi)" \melodie
- \set Staff.midiInstrument = "sitar" \melodie
- \set Staff.midiInstrument = "banjo" \melodie
- \set Staff.midiInstrument = "shamisen" \melodie
- \set Staff.midiInstrument = "koto" \melodie
- \set Staff.midiInstrument = "kalimba" \melodie
- \set Staff.midiInstrument = "bagpipe" \melodie
- \set Staff.midiInstrument = "fiddle" \melodie
- \set Staff.midiInstrument = "shanai" \melodie
- \set Staff.midiInstrument = "tinkle bell" \melodie
- \set Staff.midiInstrument = "agogo" \melodie
- \set Staff.midiInstrument = "steel drums" \melodie
- \set Staff.midiInstrument = "woodblock" \melodie
- \set Staff.midiInstrument = "taiko drum" \melodie
- \set Staff.midiInstrument = "melodic tom" \melodie
- \set Staff.midiInstrument = "synth drum" \melodie
- \set Staff.midiInstrument = "reverse cymbal" \melodie
- \set Staff.midiInstrument = "guitar fret noise" \melodie
- \set Staff.midiInstrument = "breath noise" \melodie
- \set Staff.midiInstrument = "seashore" \melodie
- \set Staff.midiInstrument = "bird tweet" \melodie
- \set Staff.midiInstrument = "telephone ring" \melodie
- \set Staff.midiInstrument = "helicopter" \melodie
- \set Staff.midiInstrument = "applause" \melodie
- \set Staff.midiInstrument = "gunshot" \melodie
+ \set Staff.midiInstrument = #"acoustic grand" \melodie
+ \set Staff.midiInstrument = #"bright acoustic" \melodie
+ \set Staff.midiInstrument = #"electric grand" \melodie
+ \set Staff.midiInstrument = #"honky-tonk" \melodie
+ \set Staff.midiInstrument = #"electric piano 1" \melodie
+ \set Staff.midiInstrument = #"electric piano 2" \melodie
+ \set Staff.midiInstrument = #"harpsichord" \melodie
+ \set Staff.midiInstrument = #"clav" \melodie
+ \set Staff.midiInstrument = #"celesta" \melodie
+ \set Staff.midiInstrument = #"glockenspiel" \melodie
+ \set Staff.midiInstrument = #"music box" \melodie
+ \set Staff.midiInstrument = #"vibraphone" \melodie
+ \set Staff.midiInstrument = #"marimba" \melodie
+ \set Staff.midiInstrument = #"xylophone" \melodie
+ \set Staff.midiInstrument = #"tubular bells" \melodie
+ \set Staff.midiInstrument = #"dulcimer" \melodie
+ \set Staff.midiInstrument = #"drawbar organ" \melodie
+ \set Staff.midiInstrument = #"percussive organ" \melodie
+ \set Staff.midiInstrument = #"rock organ" \melodie
+ \set Staff.midiInstrument = #"church organ" \melodie
+ \set Staff.midiInstrument = #"reed organ" \melodie
+ \set Staff.midiInstrument = #"accordion" \melodie
+ \set Staff.midiInstrument = #"harmonica" \melodie
+ \set Staff.midiInstrument = #"concertina" \melodie
+ \set Staff.midiInstrument = #"acoustic guitar (nylon)" \melodie
+ \set Staff.midiInstrument = #"acoustic guitar (steel)" \melodie
+ \set Staff.midiInstrument = #"electric guitar (jazz)" \melodie
+ \set Staff.midiInstrument = #"electric guitar (clean)" \melodie
+ \set Staff.midiInstrument = #"electric guitar (muted)" \melodie
+ \set Staff.midiInstrument = #"overdriven guitar" \melodie
+ \set Staff.midiInstrument = #"distorted guitar" \melodie
+ \set Staff.midiInstrument = #"acoustic bass" \melodie
+ \set Staff.midiInstrument = #"electric bass (finger)" \melodie
+ \set Staff.midiInstrument = #"electric bass (pick)" \melodie
+ \set Staff.midiInstrument = #"fretless bass" \melodie
+ \set Staff.midiInstrument = #"slap bass 1" \melodie
+ \set Staff.midiInstrument = #"slap bass 2" \melodie
+ \set Staff.midiInstrument = #"synth bass 1" \melodie
+ \set Staff.midiInstrument = #"synth bass 2" \melodie
+ \set Staff.midiInstrument = #"violin" \melodie
+ \set Staff.midiInstrument = #"viola" \melodie
+ \set Staff.midiInstrument = #"cello" \melodie
+ \set Staff.midiInstrument = #"contrabass" \melodie
+ \set Staff.midiInstrument = #"tremolo strings" \melodie
+ \set Staff.midiInstrument = #"pizzicato strings" \melodie
+ \set Staff.midiInstrument = #"orchestral strings" \melodie
+ \set Staff.midiInstrument = #"timpani" \melodie
+ \set Staff.midiInstrument = #"string ensemble 1" \melodie
+ \set Staff.midiInstrument = #"string ensemble 2" \melodie
+ \set Staff.midiInstrument = #"synthstrings 1" \melodie
+ \set Staff.midiInstrument = #"synthstrings 2" \melodie
+ \set Staff.midiInstrument = #"choir aahs" \melodie
+ \set Staff.midiInstrument = #"voice oohs" \melodie
+ \set Staff.midiInstrument = #"synth voice" \melodie
+ \set Staff.midiInstrument = #"orchestra hit" \melodie
+ \set Staff.midiInstrument = #"trumpet" \melodie
+ \set Staff.midiInstrument = #"trombone" \melodie
+ \set Staff.midiInstrument = #"tuba" \melodie
+ \set Staff.midiInstrument = #"muted trumpet" \melodie
+ \set Staff.midiInstrument = #"french horn" \melodie
+ \set Staff.midiInstrument = #"brass section" \melodie
+ \set Staff.midiInstrument = #"synthbrass 1" \melodie
+ \set Staff.midiInstrument = #"synthbrass 2" \melodie
+ \set Staff.midiInstrument = #"soprano sax" \melodie
+ \set Staff.midiInstrument = #"alto sax" \melodie
+ \set Staff.midiInstrument = #"tenor sax" \melodie
+ \set Staff.midiInstrument = #"baritone sax" \melodie
+ \set Staff.midiInstrument = #"oboe" \melodie
+ \set Staff.midiInstrument = #"english horn" \melodie
+ \set Staff.midiInstrument = #"bassoon" \melodie
+ \set Staff.midiInstrument = #"clarinet" \melodie
+ \set Staff.midiInstrument = #"piccolo" \melodie
+ \set Staff.midiInstrument = #"flute" \melodie
+ \set Staff.midiInstrument = #"recorder" \melodie
+ \set Staff.midiInstrument = #"pan flute" \melodie
+ \set Staff.midiInstrument = #"blown bottle" \melodie
+ \set Staff.midiInstrument = #"shakuhachi" \melodie
+ \set Staff.midiInstrument = #"whistle" \melodie
+ \set Staff.midiInstrument = #"ocarina" \melodie
+ \set Staff.midiInstrument = #"lead 1 (square)" \melodie
+ \set Staff.midiInstrument = #"lead 2 (sawtooth)" \melodie
+ \set Staff.midiInstrument = #"lead 3 (calliope)" \melodie
+ \set Staff.midiInstrument = #"lead 4 (chiff)" \melodie
+ \set Staff.midiInstrument = #"lead 5 (charang)" \melodie
+ \set Staff.midiInstrument = #"lead 6 (voice)" \melodie
+ \set Staff.midiInstrument = #"lead 7 (fifths)" \melodie
+ \set Staff.midiInstrument = #"lead 8 (bass+lead)" \melodie
+ \set Staff.midiInstrument = #"pad 1 (new age)" \melodie
+ \set Staff.midiInstrument = #"pad 2 (warm)" \melodie
+ \set Staff.midiInstrument = #"pad 3 (polysynth)" \melodie
+ \set Staff.midiInstrument = #"pad 4 (choir)" \melodie
+ \set Staff.midiInstrument = #"pad 5 (bowed)" \melodie
+ \set Staff.midiInstrument = #"pad 6 (metallic)" \melodie
+ \set Staff.midiInstrument = #"pad 7 (halo)" \melodie
+ \set Staff.midiInstrument = #"pad 8 (sweep)" \melodie
+ \set Staff.midiInstrument = #"fx 1 (rain)" \melodie
+ \set Staff.midiInstrument = #"fx 2 (soundtrack)" \melodie
+ \set Staff.midiInstrument = #"fx 3 (crystal)" \melodie
+ \set Staff.midiInstrument = #"fx 4 (atmosphere)" \melodie
+ \set Staff.midiInstrument = #"fx 5 (brightness)" \melodie
+ \set Staff.midiInstrument = #"fx 6 (goblins)" \melodie
+ \set Staff.midiInstrument = #"fx 7 (echoes)" \melodie
+ \set Staff.midiInstrument = #"fx 8 (sci-fi)" \melodie
+ \set Staff.midiInstrument = #"sitar" \melodie
+ \set Staff.midiInstrument = #"banjo" \melodie
+ \set Staff.midiInstrument = #"shamisen" \melodie
+ \set Staff.midiInstrument = #"koto" \melodie
+ \set Staff.midiInstrument = #"kalimba" \melodie
+ \set Staff.midiInstrument = #"bagpipe" \melodie
+ \set Staff.midiInstrument = #"fiddle" \melodie
+ \set Staff.midiInstrument = #"shanai" \melodie
+ \set Staff.midiInstrument = #"tinkle bell" \melodie
+ \set Staff.midiInstrument = #"agogo" \melodie
+ \set Staff.midiInstrument = #"steel drums" \melodie
+ \set Staff.midiInstrument = #"woodblock" \melodie
+ \set Staff.midiInstrument = #"taiko drum" \melodie
+ \set Staff.midiInstrument = #"melodic tom" \melodie
+ \set Staff.midiInstrument = #"synth drum" \melodie
+ \set Staff.midiInstrument = #"reverse cymbal" \melodie
+ \set Staff.midiInstrument = #"guitar fret noise" \melodie
+ \set Staff.midiInstrument = #"breath noise" \melodie
+ \set Staff.midiInstrument = #"seashore" \melodie
+ \set Staff.midiInstrument = #"bird tweet" \melodie
+ \set Staff.midiInstrument = #"telephone ring" \melodie
+ \set Staff.midiInstrument = #"helicopter" \melodie
+ \set Staff.midiInstrument = #"applause" \melodie
+ \set Staff.midiInstrument = #"gunshot" \melodie
}
>>
\midi { }
creating-blank-staves.ly
making-some-staff-lines-thicker-than-the-others.ly
applying-note-head-styles-depending-on-the-step-of-the-scale.ly
-changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
embedding-native-postscript-in-a--markup-block.ly
-default-direction-of-stems-on-the-center-line-of-the-staff.ly
-changing-a-single-notes-size-in-a-chord.ly
+changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
grid-lines--emphasizing-rhythms-and-notes-synchronization.ly
+changing-a-single-notes-size-in-a-chord.ly
grid-lines--changing-their-appearance.ly
controlling-the-placement-of-chord-fingerings.ly
allowing-fingerings-to-be-printed-inside-the-staff.ly
blanking-staff-lines-using-the--whiteout-command.ly
+default-direction-of-stems-on-the-center-line-of-the-staff.ly
hiding-the-extender-line-for-text-dynamics.ly
vertically-aligning-dynamics-across-multiple-notes.ly
modifying-default-values-for-articulation-shorthand-notation.ly
-setting-the-minimum-length-of-hairpins.ly
changing-text-and-spanner-styles-for-text-dynamics.ly
controlling-the-vertical-ordering-of-scripts.ly
using-double-slurs-for-legato-chords.ly
-creating-text-spanners.ly
+setting-the-minimum-length-of-hairpins.ly
creating-real-parenthesized-dynamics.ly
center-text-below-hairpin-dynamics.ly
printing-metronome-and-rehearsal-marks-below-the-staff.ly
+creating-text-spanners.ly
broken-crescendo-hairpin.ly
combining-dynamics-with-markup-texts.ly
creating-slurs-across-voices.ly
texidoc = "
This is quite an advanced template, for a jazz ensemble. Note that all
-instruments are notated in \\key c \\major. This refers to the key in
-concert pitch; LilyPond will automatically transpose the key if the
-music is within a \\transpose section.
+instruments are notated in @code{\\key c \\major}. This refers to the
+key in concert pitch; the key will be automatically transposed if the
+music is within a @code{\\transpose} section.
"
doctitle = "Jazz combo template"
} % begin verbatim
\header {
- title = "Song"
- subtitle = "(tune)"
- composer = "Me"
- meter = "moderato"
- piece = "Swing"
- tagline = \markup {
- \column {
- "LilyPond example file by Amelie Zapf,"
- "Berlin 07/07/2003"
- }
- }
- texidoc = "Jazz tune for combo
- (horns, guitar, piano, bass, drums)."
- }
-
- #(set-global-staff-size 16)
- \include "english.ly"
-
- %%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%
-
- sl = {
- \override NoteHead #'style = #'slash
- \override Stem #'transparent = ##t
- }
- nsl = {
- \revert NoteHead #'style
- \revert Stem #'transparent
- }
- crOn = \override NoteHead #'style = #'cross
- crOff = \revert NoteHead #'style
-
- %% insert chord name style stuff here.
-
- jzchords = { }
-
-
- %%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%
-
- global = {
- \time 4/4
- }
-
- Key = { \key c \major }
-
- % ############ Horns ############
-
- % ------ Trumpet ------
- trpt = \transpose c d \relative c'' {
- \Key
- c1 c c
- }
- trpharmony = \transpose c' d {
- \jzchords
- }
- trumpet = {
- \global
- \set Staff.instrumentName = #"Trumpet"
- \clef treble
- <<
- \trpt
- >>
- }
-
- % ------ Alto Saxophone ------
- alto = \transpose c a \relative c' {
- \Key
- c1 c c
- }
- altoharmony = \transpose c' a {
- \jzchords
- }
- altosax = {
- \global
- \set Staff.instrumentName = #"Alto Sax"
- \clef treble
- <<
- \alto
- >>
- }
-
- % ------ Baritone Saxophone ------
- bari = \transpose c a' \relative c {
- \Key
- c1 c \sl d4^"Solo" d d d \nsl
- }
- bariharmony = \transpose c' a \chordmode {
- \jzchords s1 s d2:maj e:m7
- }
- barisax = {
- \global
- \set Staff.instrumentName = #"Bari Sax"
- \clef treble
- <<
- \bari
- >>
- }
-
- % ------ Trombone ------
- tbone = \relative c {
- \Key
- c1 c c
- }
- tboneharmony = \chordmode {
- \jzchords
- }
- trombone = {
- \global
- \set Staff.instrumentName = #"Trombone"
- \clef bass
- <<
- \tbone
- >>
- }
-
- % ############ Rhythm Section #############
-
- % ------ Guitar ------
- gtr = \relative c'' {
- \Key
- c1 \sl b4 b b b \nsl c1
- }
- gtrharmony = \chordmode {
- \jzchords
- s1 c2:min7+ d2:maj9
- }
- guitar = {
- \global
- \set Staff.instrumentName = #"Guitar"
- \clef treble
- <<
- \gtr
- >>
- }
-
- %% ------ Piano ------
- rhUpper = \relative c'' {
- \voiceOne
- \Key
- c1 c c
- }
- rhLower = \relative c' {
- \voiceTwo
- \Key
- e1 e e
- }
-
- lhUpper = \relative c' {
- \voiceOne
- \Key
- g1 g g
- }
- lhLower = \relative c {
- \voiceTwo
- \Key
- c1 c c
- }
-
- PianoRH = {
- \clef treble
- \global
- \set Staff.midiInstrument = "acoustic grand"
- <<
- \new Voice = "one" \rhUpper
- \new Voice = "two" \rhLower
- >>
- }
- PianoLH = {
- \clef bass
- \global
- \set Staff.midiInstrument = "acoustic grand"
- <<
- \new Voice = "one" \lhUpper
- \new Voice = "two" \lhLower
- >>
- }
-
- piano = {
- <<
- \set PianoStaff.instrumentName = #"Piano"
- \new Staff = "upper" \PianoRH
- \new Staff = "lower" \PianoLH
- >>
- }
-
- % ------ Bass Guitar ------
- Bass = \relative c {
- \Key
- c1 c c
- }
- bass = {
- \global
- \set Staff.instrumentName = #"Bass"
- \clef bass
- <<
- \Bass
- >>
- }
-
- % ------ Drums ------
- up = \drummode {
- hh4 <hh sn>4 hh <hh sn> hh <hh sn>4
- hh4 <hh sn>4
- hh4 <hh sn>4
- hh4 <hh sn>4
- }
-
- down = \drummode {
- bd4 s bd s bd s bd s bd s bd s
- }
-
- drumContents = {
- \global
- <<
- \set DrumStaff.instrumentName = #"Drums"
- \new DrumVoice { \voiceOne \up }
- \new DrumVoice { \voiceTwo \down }
- >>
- }
-
- %%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%
-
- \score {
- <<
- \new StaffGroup = "horns" <<
- \new Staff = "trumpet" \trumpet
- \new Staff = "altosax" \altosax
- \new ChordNames = "barichords" \bariharmony
- \new Staff = "barisax" \barisax
- \new Staff = "trombone" \trombone
- >>
-
- \new StaffGroup = "rhythm" <<
- \new ChordNames = "chords" \gtrharmony
- \new Staff = "guitar" \guitar
- \new PianoStaff = "piano" \piano
- \new Staff = "bass" \bass
- \new DrumStaff { \drumContents }
- >>
- >>
-
- \layout {
- \context { \RemoveEmptyStaffContext }
- \context {
- \Score
- \override BarNumber #'padding = #3
- \override RehearsalMark #'padding = #2
- skipBars = ##t
- }
- }
-
- \midi { }
- }
+ title = "Song"
+ subtitle = "(tune)"
+ composer = "Me"
+ meter = "moderato"
+ piece = "Swing"
+ tagline = \markup {
+ \column {
+ "LilyPond example file by Amelie Zapf,"
+ "Berlin 07/07/2003"
+ }
+ }
+}
+%#(set-global-staff-size 16)
+\include "english.ly"
+
+%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%
+
+sl = {
+ \override NoteHead #'style = #'slash
+ \override Stem #'transparent = ##t
+}
+nsl = {
+ \revert NoteHead #'style
+ \revert Stem #'transparent
+}
+crOn = \override NoteHead #'style = #'cross
+crOff = \revert NoteHead #'style
+
+%% insert chord name style stuff here.
+
+jazzChords = { }
+
+%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%
+
+global = { \time 4/4 }
+
+Key = { \key c \major }
+
+% ############ Horns ############
+
+% ------ Trumpet ------
+trpt = \transpose c d \relative c'' {
+ \Key
+ c1 | c | c |
+}
+trpHarmony = \transpose c' d {
+ \jazzChords
+}
+trumpet = {
+ \global
+ \set Staff.instrumentName = #"Trumpet"
+ \clef treble
+ <<
+ \trpt
+ >>
+}
+
+% ------ Alto Saxophone ------
+alto = \transpose c a \relative c' {
+ \Key
+ c1 | c | c |
+}
+altoHarmony = \transpose c' a {
+ \jazzChords
+}
+altoSax = {
+ \global
+ \set Staff.instrumentName = #"Alto Sax"
+ \clef treble
+ <<
+ \alto
+ >>
+}
+
+% ------ Baritone Saxophone ------
+bari = \transpose c a' \relative c {
+ \Key
+ c1
+ c1
+ \sl
+ d4^"Solo" d d d
+ \nsl
+}
+bariHarmony = \transpose c' a \chordmode {
+ \jazzChords s1 s d2:maj e:m7
+}
+bariSax = {
+ \global
+ \set Staff.instrumentName = #"Bari Sax"
+ \clef treble
+ <<
+ \bari
+ >>
+}
+
+% ------ Trombone ------
+tbone = \relative c {
+ \Key
+ c1 | c | c
+}
+tboneHarmony = \chordmode {
+ \jazzChords
+}
+trombone = {
+ \global
+ \set Staff.instrumentName = #"Trombone"
+ \clef bass
+ <<
+ \tbone
+ >>
+}
+
+% ############ Rhythm Section #############
+
+% ------ Guitar ------
+gtr = \relative c'' {
+ \Key
+ c1
+ \sl
+ b4 b b b
+ \nsl
+ c1
+}
+gtrHarmony = \chordmode {
+ \jazzChords
+ s1 c2:min7+ d2:maj9
+}
+guitar = {
+ \global
+ \set Staff.instrumentName = #"Guitar"
+ \clef treble
+ <<
+ \gtr
+ >>
+}
+
+%% ------ Piano ------
+rhUpper = \relative c'' {
+ \voiceOne
+ \Key
+ c1 | c | c
+}
+rhLower = \relative c' {
+ \voiceTwo
+ \Key
+ e1 | e | e
+}
+
+lhUpper = \relative c' {
+ \voiceOne
+ \Key
+ g1 | g | g
+}
+lhLower = \relative c {
+ \voiceTwo
+ \Key
+ c1 | c | c
+}
+
+PianoRH = {
+ \clef treble
+ \global
+ \set Staff.midiInstrument = #"acoustic grand"
+ <<
+ \new Voice = "one" \rhUpper
+ \new Voice = "two" \rhLower
+ >>
+}
+PianoLH = {
+ \clef bass
+ \global
+ \set Staff.midiInstrument = "acoustic grand"
+ <<
+ \new Voice = "one" \lhUpper
+ \new Voice = "two" \lhLower
+ >>
+}
+
+piano = {
+ <<
+ \set PianoStaff.instrumentName = #"Piano"
+ \new Staff = "upper" \PianoRH
+ \new Staff = "lower" \PianoLH
+ >>
+}
+
+% ------ Bass Guitar ------
+Bass = \relative c {
+ \Key
+ c1 | c | c
+}
+bass = {
+ \global
+ \set Staff.instrumentName = #"Bass"
+ \clef bass
+ <<
+ \Bass
+ >>
+}
+
+% ------ Drums ------
+up = \drummode {
+ \voiceOne
+ hh4 <hh sn> hh <hh sn>
+ hh4 <hh sn> hh <hh sn>
+ hh4 <hh sn> hh <hh sn>
+}
+down = \drummode {
+ \voiceTwo
+ bd4 s bd s
+ bd4 s bd s
+ bd4 s bd s
+}
+
+drumContents = {
+ \global
+ <<
+ \set DrumStaff.instrumentName = #"Drums"
+ \new DrumVoice \up
+ \new DrumVoice \down
+ >>
+}
+
+%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%
+
+\score {
+ <<
+ \new StaffGroup = "horns" <<
+ \new Staff = "trumpet" \trumpet
+ \new Staff = "altosax" \altoSax
+ \new ChordNames = "barichords" \bariHarmony
+ \new Staff = "barisax" \bariSax
+ \new Staff = "trombone" \trombone
+ >>
+
+ \new StaffGroup = "rhythm" <<
+ \new ChordNames = "chords" \gtrHarmony
+ \new Staff = "guitar" \guitar
+ \new PianoStaff = "piano" \piano
+ \new Staff = "bass" \bass
+ \new DrumStaff \drumContents
+ >>
+ >>
+
+ \layout {
+ \context { \RemoveEmptyStaffContext }
+ \context {
+ \Score
+ \override BarNumber #'padding = #3
+ \override RehearsalMark #'padding = #2
+ skipBars = ##t
+ }
+ }
+
+ \midi { }
+}
+indicating-cross-staff-chords-with-arpeggio-bracket.ly
clusters.ly
creating-slurs-across-voices.ly
-jazz-combo-template.ly
+piano-template-with-centered-lyrics.ly
vocal-ensemble-template-with-automatic-piano-reduction.ly
piano-template-simple.ly
piano-template-with-centered-dynamics.ly
controlling-the-placement-of-chord-fingerings.ly
piano-template-with-melody-and-lyrics.ly
-piano-template-with-centered-lyrics.ly
+jazz-combo-template.ly
demo-midiinstruments.ly
\key c \major
\time 4/4
- a b c d
-
+ a4 b c d
}
lower = \relative c {
\key c \major
\time 4/4
- a2 c
-
+ a2 c
}
\score {
\new PianoStaff <<
- \set PianoStaff.instrumentName = "Piano "
+ \set PianoStaff.instrumentName = #"Piano "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\key c \major
\time 4/4
- a4 b c d
-
+ a4 b c d
}
lower = \relative c {
\key c \major
\time 4/4
- a2 c
-
+ a2 c
}
text = \lyricmode {
\key c \major
\time 4/4
- a b c d
-
+ a b c d
}
text = \lyricmode {
\key c \major
\time 4/4
- a b c d
-
+ a4 b c d
}
lower = \relative c {
\key c \major
\time 4/4
- a2 c
-
+ a2 c
}
\score {
<<
\new Voice = "mel" { \autoBeamOff \melody }
- \new Lyrics \lyricsto mel \text
-
+ \new Lyrics \lyricsto mel \text
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
manually-controlling-beam-positions.ly
adding-drum-parts.ly
rest-styles.ly
-skips-in-lyric-mode-2.ly
chant-or-psalms-notation.ly
-controlling-tuplet-bracket-visibility.ly
heavily-customized-polymetric-time-signatures.ly
+controlling-tuplet-bracket-visibility.ly
+skips-in-lyric-mode-2.ly
positioning-multi--measure-rests.ly
using-ties-with-arpeggios.ly
forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
lsrtags = "template"
texidoc = "
-A template to write score for a diatonic accordion.
+A template to write a score for a diatonic accordion.
-- There is a horizontal staff indicating if the accordion must be
+- There is a horizontal staff indicating if the accordion must be
pushed (thick line) or pulled (thin line)
-- There is a small rhytmic staff with lyrics that describes the bass
-buttons to press. The bar-lines are made of gridlines ( Gridlines,
-not a really satisfying solution, but the best I found)
+- There is a small rhythmic staff with lyrics that describes the bass
+buttons to press. The bar lines are made from gridlines
- The tabulator staff for diatonic accordions shows the geographic
-position of the buttons and not (as for every other instrument) the
-pitch of the tones. The keys on the melody-side of the accordion are
-placed in three columns and about 12 rows. In the tabulator staff
-notation the - most outer column is described with notes between
-lines - most inner column is described with notes between lines with
-a cross as accidental - middle column is described with notes on a
-line, whereby the row in the middle is represented on the middle
-line in the staff.
-
-
-
-Some words to transpose piano note to the diatonic accordion.
------------------------------------------------------------- 1. Every
-diatonic accordion is built for some keys only. For example for the
-key of C-major and F-major. So it is important to transpose a piano
-melody to match one of these keys. Transpose the source code, not
-only the output because you need this code later on to translate it
-once more to the tabulator staff. This can be done with the command
-'displayLilyMusic'.
-
-2. You have to alternate the push and pull-direction of the accordion
-regularely. If the player has a too long part to pull the accordion
-gets broken. At the other hand some harmonies are only available in
-one direction (push or pull) Considering this decide which parts of
-the melody are the push-parts and whic the pull-parts.
-
-3. For each pull- / or push-part translate the piano notes to the
-according tabulatur representation.
+position of the buttons and not (as for every other instrument) the
+pitch of the notes; the keys on the melody-side of the accordion are
+placed in three columns and about 12 rows
+
+
+In the tabulator staff notation the outermost column is described with
+notes between lines, the innermost column is described with notes
+between lines and a cross as accidental, and the middle column is
+described with notes on a line, whereby the row in the middle is
+represented on the middle line in the staff.
+
+
+Some words to transpose piano notes to the diatonic accordion:
+
+
+1. Every diatonic accordion is built for some keys only (for example,
+for the keys of C major and F major), so it is important to transpose a
+piano melody to match one of these keys. Transpose the source code, not
+only the output because this code is required later on to translate it
+once more to the tabulator staff. This can be done with the command
+@code{displayLilyMusic}.
+
+
+2. You have to alternate the push- and pull-direction of the accordion
+regularly. If the player has a too long part to pull the accordion gets
+broken. On the other hand, some harmonies are only available in one
+direction. Considering this, decide which parts of the melody are the
+push-parts and which the pull-parts.
+
+
+3. For each pull- or push-part translate the piano notes to the
+according tabulature representation.
+
This snippet comes with a useful optional macro for the jEdit text
-editor.
+editor.
"
doctitle = "Score for diatonic accordion"
lsrtags = "vocal-music, chords, template"
texidoc = "
-This template allows you to prepare a song with melody, words, and
+This template allows the preparation of a song with melody, words, and
chords.
"
\time 4/4
a4 b c d
-
}
text = \lyricmode {
doctitle = "Single staff template with notes and chords"
} % begin verbatim
melody = \relative c' {
- \clef treble
- \key c \major
- \time 4/4
-
- f4 e8[ c] d4 g |
- a2 ~ a2 |
- }
-
- harmonies = \chordmode {
- c4:m f:min7 g:maj c:aug d2:dim b:sus
- }
-
- \score {
- <<
- \new ChordNames {
- \set chordChanges = ##t
- \harmonies
- }
- \new Staff \melody
- >>
-
- \layout{ }
- \midi { }
- }
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ f4 e8[ c] d4 g
+ a2 ~ a
+}
+harmonies = \chordmode {
+ c4:m f:min7 g:maj c:aug
+ d2:dim b:sus
+}
+
+\score {
+ <<
+ \new ChordNames {
+ \set chordChanges = ##t
+ \harmonies
+ }
+ \new Staff \melody
+ >>
+ \layout{ }
+ \midi { }
+}
texidoc = "
This small template demonstrates a simple melody with lyrics. Cut and
paste, add notes, then words for the lyrics. This example turns off
-automatic beaming, which is common for vocal parts. If you want to use
-automatic beaming, you'll have to change or comment out the relevant
-line.
+automatic beaming, which is common for vocal parts. To use automatic
+beaming, change or comment out the relevant line.
"
doctitle = "Single staff template with notes and lyrics"
} % begin verbatim
melody = \relative c' {
- \clef treble
- \key c \major
- \time 4/4
-
- a4 b c d
- }
-
- text = \lyricmode {
- Aaa Bee Cee Dee
- }
-
- \score{
- <<
- \new Voice = "one" {
- \autoBeamOff
- \melody
- }
- \new Lyrics \lyricsto "one" \text
- >>
- \layout { }
- \midi { }
- }
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a4 b c d
+}
+text = \lyricmode {
+ Aaa Bee Cee Dee
+}
+
+\score{
+ <<
+ \new Voice = "one" {
+ \autoBeamOff
+ \melody
+ }
+ \new Lyrics \lyricsto "one" \text
+ >>
+ \layout { }
+ \midi { }
+}
doctitle = "Single staff template with only notes"
} % begin verbatim
melody = \relative c' {
- \clef treble
- \key c \major
- \time 4/4
-
- a4 b c d
- }
-
- \score {
- \new Staff \melody
- \layout { }
- \midi {}
- }
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a4 b c d
+}
+\score {
+ \new Staff \melody
+ \layout { }
+ \midi { }
+}
changing-the-number-of-lines-in-a-staff.ly
incipit.ly
display-bracket-with-only-one-staff-in-a-system.ly
-adding-an-extra-staff.ly
+time-signature-in-parentheses.ly
printing-metronome-and-rehearsal-marks-below-the-staff.ly
tweaking-clef-properties.ly
quoting-another-voice.ly
adding-ambitus-per-voice.ly
making-some-staff-lines-thicker-than-the-others.ly
adding-an-extra-staff-at-a-line-break.ly
-time-signature-in-parentheses.ly
+adding-an-extra-staff.ly
changing-the-staff-size.ly
use-square-bracket-at-the-start-of-a-staff-group.ly
quoting-another-voice-with-transposition.ly
texidoc = "
This template demonstrates a simple string quartet. It also uses a
-\\global section for time and key signatures
+@code{\\global} section for time and key signatures
"
doctitle = "String quartet template (simple)"
} % begin verbatim
global= {
- \time 4/4
- \key c \major
- }
-
- violinOne = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 1 "
-
- c2 d e1
-
- \bar "|." }}
- violinTwo = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 2 "
-
- g2 f e1
-
- \bar "|." }}
- viola = \new Voice { \relative c' {
- \set Staff.instrumentName = "Viola "
- \clef alto
-
- e2 d c1
-
- \bar "|." }}
- cello = \new Voice { \relative c' {
- \set Staff.instrumentName = "Cello "
- \clef bass
-
- c2 b a1
-
- \bar "|."}}
-
- \score {
- \new StaffGroup <<
- \new Staff << \global \violinOne >>
- \new Staff << \global \violinTwo >>
- \new Staff << \global \viola >>
- \new Staff << \global \cello >>
- >>
- \layout { }
- \midi { }
- }
+ \time 4/4
+ \key c \major
+}
+violinOne = \new Voice \relative c'' {
+ \set Staff.instrumentName = #"Violin 1 "
+
+ c2 d
+ e1
+
+ \bar "|."
+}
+
+violinTwo = \new Voice \relative c'' {
+ \set Staff.instrumentName = #"Violin 2 "
+
+ g2 f
+ e1
+
+ \bar "|."
+}
+
+viola = \new Voice \relative c' {
+ \set Staff.instrumentName = #"Viola "
+ \clef alto
+
+ e2 d
+ c1
+
+ \bar "|."
+}
+
+cello = \new Voice \relative c' {
+ \set Staff.instrumentName = #"Cello "
+ \clef bass
+
+ c2 b
+ a1
+
+ \bar "|."
+}
+
+\score {
+ \new StaffGroup <<
+ \new Staff << \global \violinOne >>
+ \new Staff << \global \violinTwo >>
+ \new Staff << \global \viola >>
+ \new Staff << \global \cello >>
+ >>
+ \layout { }
+ \midi { }
+}
texidoc = "
The \"String quartet template\" snippet produces a nice string quartet,
but what if you needed to print parts? This new template demonstrates
-how to use the \\tag feature to easily split a piece into individual
-parts.
+how to use the @code{\\tag} feature to easily split a piece into
+individual parts.
You need to split this template into separate files; the filenames are
-contained in comments at the beginning of each file. piece.ly contains
-all the music definitions. The other files – score.ly, vn1.ly, vn2.ly,
-vla.ly, and vlc.ly – produce the appropiate part.
+contained in comments at the beginning of each file. @code{piece.ly}
+contains all the music definitions. The other files – @code{score.ly},
+@code{vn1.ly}, @code{vn2.ly}, @code{vla.ly}, and @code{vlc.ly} –
+produce the appropriate part.
Do not forget to remove specified comments when using separate files!
}
Violinone = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 1 "
+ \set Staff.instrumentName = #"Violin 1 "
c2 d e1
\bar "|." }} %*********************************
Violintwo = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 2 "
+ \set Staff.instrumentName = #"Violin 2 "
g2 f e1
\bar "|." }} %*********************************
Viola = \new Voice { \relative c' {
- \set Staff.instrumentName = "Viola "
+ \set Staff.instrumentName = #"Viola "
\clef alto
e2 d c1
\bar "|." }} %*********************************
Cello = \new Voice { \relative c' {
- \set Staff.instrumentName = "Cello "
+ \set Staff.instrumentName = #"Cello "
\clef bass
c2 b a1
vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
single-staff-template-with-notes-and-lyrics.ly
single-staff-template-with-only-notes.ly
-jazz-combo-template.ly
-score-for-diatonic-accordion.ly
+piano-template-with-centered-lyrics.ly
+vocal-ensemble-template-with-automatic-piano-reduction.ly
piano-template-simple.ly
ancient-notation-template----modern-transcription-of-mensural-music.ly
ancient-notation-template----modern-transcription-of-gregorian-music.ly
-single-staff-template-with-notes-and-chords.ly
-string-quartet-template-simple.ly
-single-staff-template-with-notes,-lyrics,-and-chords.ly
+vocal-ensemble-template.ly
piano-template-with-melody-and-lyrics.ly
string-quartet-template-with-separate-parts.ly
-vocal-ensemble-template.ly
+single-staff-template-with-notes,-lyrics,-and-chords.ly
+string-quartet-template-simple.ly
+single-staff-template-with-notes-and-chords.ly
piano-template-with-centered-dynamics.ly
-piano-template-with-centered-lyrics.ly
-vocal-ensemble-template-with-automatic-piano-reduction.ly
+jazz-combo-template.ly
+score-for-diatonic-accordion.ly
creating-real-parenthesized-dynamics.ly
center-text-below-hairpin-dynamics.ly
demonstrating-all-headers.ly
-combining-two-parts-on-the-same-staff.ly
how-to-put-ties-between-syllables-in-lyrics.ly
+combining-two-parts-on-the-same-staff.ly
combining-dynamics-with-markup-texts.ly
aligning-marks-with-various-notation-objects.ly
-ottava-text.ly
+piano-template-with-centered-lyrics.ly
creating-simultaneous-rehearsal-marks.ly
three-sided-box.ly
utf-8.ly
-piano-template-with-centered-lyrics.ly
+ottava-text.ly
aligning-lyrics.ly
display-bracket-with-only-one-staff-in-a-system.ly
-rhythmic-slashes.ly
+time-signature-in-parentheses.ly
changing-the-default-text-font-family.ly
drawing-boxes-around-grobs.ly
manually-controlling-beam-positions.ly
creating-text-spanners.ly
caesura-railtracks-with-fermata.ly
changing-form-of-multi--measure-rests.ly
-time-signature-in-parentheses.ly
+rhythmic-slashes.ly
changing-a-single-notes-size-in-a-chord.ly
creating-simultaneous-rehearsal-marks.ly
nesting-staves.ly
string-quartet-template-with-separate-parts.ly
-string-quartet-template-simple.ly
changing--flageolet-mark-size.ly
creating-slurs-across-voices.ly
+string-quartet-template-simple.ly
demo-midiinstruments.ly
lsrtags = "vocal-music, tweaks-and-overrides, spacing"
texidoc = "
-This snippet shows of to use the @code{alignBelowContext} and
-@code{alignAboveContext} properties, which may be needed for text
-elements (e.g. lyrics) positioning, but also for musical contents such
-as ossias.
+This snippet demonstrates the use of the @code{alignBelowContext} and
+@code{alignAboveContext} properties to control the positioning of
+lyrics and ossias.
"
doctitle = "Vertically aligning ossias and lyrics"
\relative <<
\new Staff = "1" { c4 c s2 }
- \new Staff = "2" { c4 c s2 }
- \new Staff = "3" { c4 c s2 }
+ \new Staff = "2" { c4 c s2 }
+ \new Staff = "3" { c4 c s2 }
{ \skip 2
<<
\lyrics {
doctitle = "Vertically centered dynamics and textscripts"
} % begin verbatim
music = \relative c'' {
- c2\p^\markup { "gorgeous" } c\f^\markup { "fantastic" }
+ c2\p^\markup { gorgeous } c\f^\markup { fantastic }
c4\p c\f\> c c\!\p
}
This template adds an automatic piano reduction to the standard SATB
vocal score demonstrated in \"Vocal ensemble template\". This
demonstrates one of the strengths of LilyPond – you can use a music
-definition more than once. If you make any changes to the vocal notes
-(say, tenorMusic), then the changes will also apply to the piano
+definition more than once. If any changes are made to the vocal notes
+(say, @code{tenorMusic}), then the changes will also apply to the piano
reduction.
"
texidoc = "
Here is a standard four-part SATB vocal score. With larger ensembles,
-it's often useful to include a section which is included in all parts.
-For example, the time signature and key signatures are almost always
-the same for all parts. Like in the \"Hymn\" template, the four voices
-are regrouped on only two staves.
+it is often useful to include a section which is included in all parts.
+For example, the time signature and key signature are almost always the
+same for all parts. Like in the \"Hymn\" template, the four voices are
+regrouped on only two staves.
"
doctitle = "Vocal ensemble template"
} % begin verbatim
global = {
- \key c \major
- \time 4/4
- }
-
- sopMusic = \relative c'' {
- c4 c c8[( b)] c4
- }
- sopWords = \lyricmode {
- hi hi hi hi
- }
-
- altoMusic = \relative c' {
- e4 f d e
- }
- altoWords =\lyricmode {
- ha ha ha ha
- }
-
- tenorMusic = \relative c' {
- g4 a f g
- }
- tenorWords = \lyricmode {
- hu hu hu hu
- }
-
- bassMusic = \relative c {
- c4 c g c
- }
- bassWords = \lyricmode {
- ho ho ho ho
- }
-
- \score {
- \new ChoirStaff <<
- \new Lyrics = sopranos { s1 }
- \new Staff = women <<
- \new Voice =
- "sopranos" { \voiceOne << \global \sopMusic >> }
- \new Voice =
- "altos" { \voiceTwo << \global \altoMusic >> }
- >>
- \new Lyrics = "altos" { s1 }
- \new Lyrics = "tenors" { s1 }
- \new Staff = men <<
- \clef bass
- \new Voice =
- "tenors" { \voiceOne <<\global \tenorMusic >> }
- \new Voice =
- "basses" { \voiceTwo <<\global \bassMusic >> }
- >>
- \new Lyrics = basses { s1 }
-
- \context Lyrics = sopranos \lyricsto sopranos \sopWords
- \context Lyrics = altos \lyricsto altos \altoWords
- \context Lyrics = tenors \lyricsto tenors \tenorWords
- \context Lyrics = basses \lyricsto basses \bassWords
- >>
-
- \layout {
- \context {
- % a little smaller so lyrics
- % can be closer to the staff
- \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
- }
- }
- }
+ \key c \major
+ \time 4/4
+}
+sopMusic = \relative c'' {
+ c4 c c8[( b)] c4
+}
+sopWords = \lyricmode {
+ hi hi hi hi
+}
+
+altoMusic = \relative c' {
+ e4 f d e
+}
+altoWords = \lyricmode {
+ ha ha ha ha
+}
+
+tenorMusic = \relative c' {
+ g4 a f g
+}
+tenorWords = \lyricmode {
+ hu hu hu hu
+}
+
+bassMusic = \relative c {
+ c4 c g c
+}
+bassWords = \lyricmode {
+ ho ho ho ho
+}
+
+\score {
+ \new ChoirStaff <<
+ \new Lyrics = sopranos { s1 }
+ \new Staff = women <<
+ \new Voice = "sopranos" {
+ \voiceOne
+ << \global \sopMusic >>
+ }
+ \new Voice = "altos" {
+ \voiceTwo
+ << \global \altoMusic >>
+ }
+ >>
+ \new Lyrics = "altos" { s1 }
+ \new Lyrics = "tenors" { s1 }
+ \new Staff = men <<
+ \clef bass
+ \new Voice = "tenors" {
+ \voiceOne
+ << \global \tenorMusic >>
+ }
+ \new Voice = "basses" {
+ \voiceTwo << \global \bassMusic >>
+ }
+ >>
+ \new Lyrics = basses { s1 }
+ \context Lyrics = sopranos \lyricsto sopranos \sopWords
+ \context Lyrics = altos \lyricsto altos \altoWords
+ \context Lyrics = tenors \lyricsto tenors \tenorWords
+ \context Lyrics = basses \lyricsto basses \bassWords
+ >>
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+}
-chant-or-psalms-notation.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
single-staff-template-with-notes-and-lyrics.ly
adding-ambitus-per-voice.ly
skips-in-lyric-mode-2.ly
ambitus-with-multiple-voices.ly
how-to-put-ties-between-syllables-in-lyrics.ly
vertically-aligning-ossias-and-lyrics.ly
-vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
single-staff-template-with-notes,-lyrics,-and-chords.ly
formatting-lyrics-syllables.ly
piano-template-with-melody-and-lyrics.ly
-aligning-lyrics.ly
+demo-midiinstruments.ly
+chant-or-psalms-notation.ly
vocal-ensemble-template.ly
adjusting-lyrics-vertical-spacing.ly
-demo-midiinstruments.ly
+aligning-lyrics.ly
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
\version "2.11.46"
-\layout { ragged-right= ##t }
\header {
lsrtags = "repeats,staff-notation,fretted-strings"
texidoc = "By adding the @code{Volta_engraver} to the relevant
one in a score."
doctitle = "Volta multi-staff"
} % begin verbatim
+
voltaMusic = \relative c'' {
\repeat volta 2
- c1
- \alternative {
- d e
- }
-}
+ c1
+ \alternative {
+ d1
+ e
+ }
+}
<<
\new StaffGroup <<
projects / lilypond.git / commitdiff