\repeat volta @var{repeatcount} @var{musicexpr}
@end example
+@noindent
where @var{musicexpr} is a music expression. Alternate endings can be
produced using @code{\alternative}. In order to delimit the alternate
endings, the group of alternatives must be enclosed in a set of
\repeat unfold @var{repeatcount} @var{musicexpr}
@end example
+@noindent
where @var{musicexpr} is a music expression and @var{repeatcount} is
the number of times @var{musicexpr} is repeated.
@code{\repeat percent @var{number} @var{musicexpr}}
@end example
+@noindent
where @var{musicexpr} is a music expression.
@lilypond[verbatim,quote,relative=2]
>>
@end lilypond
+@noindent
Here, voices are instantiated explicitly and are given names. The
@code{\voiceOne} ... @code{\voiceFour} commands set up the voices
so that first and third voices get stems up, second and fourth
>> \oneVoice
@end example
+@noindent
Here, the first expression within a temporary polyphonic passage is
placed into the @code{Voice} context which was in use immediately
before the polyphonic passage, and that same @code{Voice} context
>>
@end lilypond
+@noindent
Here, the @code{\voiceOne} and @code{\voiceTwo} commands are
required to define the settings of each voice.