# NR 1
dirs.extend(['pitches', 'rhythms', 'expressive',
'repeats', 'simultaneous', 'staff', 'editorial', 'text'])
+# NR 2
+dirs.extend(['vocal', 'chords', 'piano',
+'percussion', 'guitar', 'strings', 'bagpipes', 'ancient'])
+
#
# NR 1
SUBDIRS = pitches rhythms expressive repeats simultaneous staff editorial text
+# NR 2
+SUBDIRS += vocal chords piano percussion guitar strings bagpipes ancient
-SUBDIRS += real-music
+SUBDIRS += other
### FIXME: temporary template for creating other dirs.
### will be removed once everything else is stable.
SUBDIRS += null
-# old stuffs
-SUBDIRS += ancient chords connecting contemporary education expressive
-SUBDIRS += guitar parts repeats spacing staff text vocal scheme other
-SUBDIRS += engravers nonmusic instrument
-
STEPMAKE_TEMPLATES=documentation texinfo tex
LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
EXTRA_DIST_FILES=README
include $(depth)/make/stepmake.make
-
TITLE=LilyPond Examples
%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
+\version "2.10.0"
\header{
texidoc = "
+
depth = ../../../
STEPMAKE_TEMPLATES=documentation texinfo tex
LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
EXTRA_DIST_FILES=
include $(depth)/make/stepmake.make
-TITLE=Advanced snippets
+TITLE=Sample snippets from LSR
+
# -*-python-*-
Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+collate (title = 'Sample snippets from LSR')
+
%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
+\version "2.10.12"
\header { texidoc = "
When writing a figured bass, here's a way to specify if you want your
#-1).
As you can see here, this property can be changed as many times as you
-wish. Use \once \override if you dont want the tweak to apply to the
+wish. Use \\once \\override if you dont want the tweak to apply to the
whole score.
" }
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Accidentals are available in different ancient styles, which all are
-collected here.
-
-
-" }
-
-\relative c'' {
- \time 5/4
- \override Staff.Accidental #'glyph-name-alist = #standard-alteration-glyph-name-alist
- cisis^\markup { \typewriter default } cis c ces ceses
- \override Staff.Accidental #'glyph-name-alist = #alteration-hufnagel-glyph-name-alist
- cisis^\markup { \typewriter hufnagel } cis c ces ceses
- \override Staff.Accidental #'glyph-name-alist = #alteration-medicaea-glyph-name-alist
- cisis^\markup { \typewriter medicaea } cis c ces ceses
- \override Staff.Accidental #'glyph-name-alist = #alteration-vaticana-glyph-name-alist
- cisis^\markup { \typewriter vaticana } cis c ces ceses
- \override Staff.Accidental #'glyph-name-alist = #alteration-mensural-glyph-name-alist
- cisis^\markup { \typewriter mensural } cis c ces ceses
-}
-
%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
+\version "2.10.12"
\header { texidoc = "
Here are shown many (all?) of the symbols that are included in
\override Staff.StaffSymbol #'line-count = #4
\transpose c c {
- \override Staff.KeySignature #'glyph-name-alist = #alteration-vaticana-glyph-name-alist
- \override Staff.Accidental #'glyph-name-alist = #alteration-vaticana-glyph-name-alist
+ \override Staff.KeySignature #'style = #'vaticana
+ \override Staff.Accidental #'style = #'vaticana
\override NoteHead #'style = #'vaticana.punctum
\key es \major
\clef "vaticana-fa2"
\override NoteHead #'style = #'vaticana.cephalicus
es f
- \override Staff.KeySignature #'glyph-name-alist = #alteration-medicaea-glyph-name-alist
- \override Staff.Accidental #'glyph-name-alist = #alteration-medicaea-glyph-name-alist
+ \override Staff.KeySignature #'style = #'medicaea
+ \override Staff.Accidental #'style = #'medicaea
\override Staff.Custos #'style = #'medicaea
\override NoteHead #'style = #'medicaea.punctum
\clef "medicaea-fa2"
\override NoteHead #'style = #'medicaea.rvirga
e! des! ces!
- \override Staff.KeySignature #'glyph-name-alist = #alteration-hufnagel-glyph-name-alist
- \override Staff.Accidental #'glyph-name-alist = #alteration-hufnagel-glyph-name-alist
+ \override Staff.KeySignature #'style = #'hufnagel
+ \override Staff.Accidental #'style = #'hufnagel
\override Staff.Custos #'style = #'hufnagel
\override NoteHead #'style = #'hufnagel.punctum
\clef "hufnagel-fa2"
\accepts MensuralVoice
\consists Custos_engraver
\override TimeSignature #'style = #'mensural
- \override KeySignature #'glyph-name-alist = #alteration-mensural-glyph-name-alist
- \override Accidental #'glyph-name-alist = #alteration-mensural-glyph-name-alist
+ \override KeySignature #'style = #'mensural
+ \override Accidental #'style = #'mensural
\override Custos #'style = #'mensural
\override Custos #'neutral-position = #3
\override Custos #'neutral-direction = #-1
\remove Time_signature_engraver
\override StaffSymbol #'thickness = #2.0
\override StaffSymbol #'line-count = #4
- \override KeySignature #'glyph-name-alist = #alteration-vaticana-glyph-name-alist
- \override Accidental #'glyph-name-alist = #alteration-vaticana-glyph-name-alist
+ \override KeySignature #'style = #'vaticana
+ \override Accidental #'style = #'vaticana
\override Custos #'style = #'vaticana
\override Custos #'neutral-position = #4
\override Custos #'neutral-direction = #-1
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Custodes may be engraved in various styles.
-" }
-
-\layout {
- \context {
- \Staff
- \consists Custos_engraver
- }
- ragged-right = ##t
-}
-
-{
- \override Staff.Custos #'neutral-position = #4
-
- \override Staff.Custos #'style = #'hufnagel
- c'1^"hufnagel"
- \break < d' a' f''>1
-
- \override Staff.Custos #'style = #'medicaea
- c'1^"medicaea"
- \break < d' a' f''>1
-
- \override Staff.Custos #'style = #'vaticana
- c'1^"vaticana"
- \break < d' a' f''>1
-
- \override Staff.Custos #'style = #'mensural
- c'1^"mensural"
- \break < d' a' f''>1
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This snippet shows LilyPond's \"limited support\" (says the
-Documentation) for figured bass... well, maybe not so limited after
-all; moreover, though there are numerous BassFigure objects you can
-always use text markups instead to get precisely what you need.
-
-You can find all of these examples in the manual; read the \"Figured
-bass\" section to learn how to add a figured bass with simple but
-powerful notation.
-" }
-
-{
- <<
- \new Voice { \clef bass dis4 c d ais g fis e a r gis d b, f,! e c c c1}
- \figures {
- < 6 >4 < 7\+ >8 < 6+ [_!] >
- < 6 >4 <6 5 [3+] >
- < _ >4 < 6 5/>4
- <4- 6+ 7!> <5++> <3--> <7/> r <6\+ 5/>
- < [4 6] 8 [_! 12] > < 5 \markup { \number 6 \super (1) } >
- \set useBassFigureExtenders = ##t
- <4 6> <3 6> <3 7>
- }
- >>
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Here is demonstrated a preliminary support of Gregorian Scripts:
-
-ictus, circulus, semicirculus, accentus, episem.
-" }
-
-\include "gregorian-init.ly"
-
-\score {
- \context VaticanaVoice {
- \override Script #'padding = #-0.5
- {
- a\ictus
- a\circulus
- a\semicirculus
- a\accentus
- \[ a \episemInitium \pes b \flexa a \episemFinis \]
- }
- }
- \layout {
- line-width = 70.0
- width = 60.0
- indent = 0.0
- ragged-right = ##t
- }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-In mensural ligatures, notes with ancient durations are printed in a
-tight manner.
-" }
-
-% Note that the horizontal alignment of the fermatas is related to the
-% graphical width of the ligatures rather than the musical moment in time.
-% This is intended behaviour.
-
-voice = \transpose c c' {
- \set Score.timing = ##f
- \set Score.defaultBarType = "empty"
- g\longa c\breve a\breve f\breve d'\longa^\fermata
- \bar "|"
- \[
- g\longa c\breve a\breve f\breve d'\longa^\fermata
- \]
- \bar "|"
- e1 f1 a\breve g\longa^\fermata
- \bar "|"
- \[
- e1 f1 a\breve g\longa^\fermata
- \]
- \bar "|"
- e1 f1 a\breve g\longa^\fermata
- \bar "||"
-}
-
-\paper {
- line-thickness = \staff-space / 5.0
-}
-\score {
- \context ChoirStaff <<
- \new MensuralStaff <<
- \context MensuralVoice <<
- \voice
- >>
- >>
- \new Staff <<
- \context Voice <<
- \voice
- >>
- >>
- >>
- \layout {
- \context {
- \Voice
- \name MensuralVoice
- \alias Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- \override NoteHead #'style = #'mensural
- }
- \context {
- \Staff
- \name MensuralStaff
- \alias Staff
- \accepts MensuralVoice
- \consists Custos_engraver
- \override TimeSignature #'style = #'mensural
- \override KeySignature #'glyph-name-alist = #alteration-mensural-glyph-name-alist
- \override Accidental #'glyph-name-alist = #alteration-mensural-glyph-name-alist
- \override Custos #'style = #'mensural
- \override Custos #'neutral-position = #3
- \override Custos #'neutral-direction = #-1
- clefGlyph = #"clefs.petrucci-g"
- clefPosition = #-2
- clefOctavation = #-0
- }
- \context {
- \RemoveEmptyStaffContext
- \accepts MensuralVoice
- }
- \context {
- \Score
- \accepts MensuralStaff
- }
- }
-}
-
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Mensural notes may also have note heads.
-" }
-
-\score {
- {
- \relative c'' {
- \override NoteHead #'style = #'mensural
- c\maxima*1/8
- c\longa*1/4 c\breve*1/2 c1 c2 c4 c8
- }
- }
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Vaticana ligature uses four staff lines, special clef, and calligraphic
-notes.
-" }
-
-\include "gregorian-init.ly"
-
-cantus = \context VaticanaVoice = "cantus" {
- \clef "vaticana-fa2"
- \[ f\melisma \quilisma g \auctum \descendens a\melismaEnd \]
- \[ \virga a\melisma g \pes a \inclinatum f \inclinatum d
- c \pes d \quilisma e \pes f \virga g
- a \flexa f \pes g \inclinatum f \inclinatum e\melismaEnd \]
- \[ d\melisma \quilisma e f \flexa e \pes f\melismaEnd \]
- \[ e\melisma \flexa d\melismaEnd \]
-}
-
-verba = \context Lyrics = "verba" \lyricmode {
- Al- le- lu- ia.
-}
-
-\paper {
- % linethickness = \staffspace / 7.0
-}
-
-\score {
- <<
- \cantus
- \lyricsto "cantus" \verba
- >>
- \layout {
- linewidth = 137.0 \mm
- width = 137.0 \mm
- indent = 0.0
- raggedright = ##t
- packed = ##t
- \context {
- \Score
- \remove Bar_number_engraver
- timing = ##f
- barAlways = ##t
- }
- }
-}
-
%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
+\version "2.10.0"
\header{
texidoc = "
STEPMAKE_TEMPLATES=documentation texinfo tex
LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
EXTRA_DIST_FILES=
include $(depth)/make/stepmake.make
-TITLE=Advanced snippets
+TITLE=Sample snippets from LSR
+
# -*-python-*-
Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+collate (title = 'Sample snippets from LSR')
+
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Individual noteheads in a chord can be modified with the @code{\tweak}
-command inside a chord, by altering the @code{'font-size} property.
-
-
-Inside the chord (within the brackets @code{< >}), before the note to
-be altered, place the @code{\tweak} command, followed by
-@code{#'font-size} and define the proper size like @code{#-2} (a tiny
-notehead).
-
-
-The code for the chord example shown: @code{}
-" }
-
-\header{
- title = "Modify an individual notehead's size in a chord"
-}
-
-Notes = \relative {
- <\tweak #'font-size #+2 c e g c \tweak #'font-size #-2 e>1^\markup{A tiny e}_\markup{A big c}
-}
-
-\score{
- \Notes
-}
%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
+\version "2.10.12"
\header { texidoc = "
The property @code{chordNameExceptions} can used to store a list of
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The layout of the major 7 can be tuned with @code{majorSevenSymbol}
-" }
-
-\chords {
- c:7+
- \set majorSevenSymbol = \markup { "j7" }
- c:7+
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Chord names are generated from a list pitches. The functions which
-construct these names can be customised. Here are shown Jazz chords,
-following Ignatzek (pp. 17-18, 1995) and an alternative Jazz chord
-notation.
-
-
-Chords following Banter (1987) can also be printed from this snippet,
-but are turned off for brevity.
-
-
-
-" }
-
-chs = \transpose c' c'
-{
- <c e g>1
- <c es g>% m = minor triad
- <c e gis>
- <c es ges> \break
- <c e g bes>
- <c es g bes>
- <c e g b> % triangle = maj
- <c es ges beses>
- <c es ges b> \break
- <c e gis bes>
- <c es g b>
- <c e gis b>
- <c es ges bes>\break
- <c e g a> % 6 = major triad with added sixth
- <c es g a> % m6 = minor triad with added sixth
- <c e g bes d'>
- <c es g bes d'> \break
- <c es g bes d' f' a' >
- <c es g bes d' f' >
- <c es ges bes d' >
- <c e g bes des' > \break
- <c e g bes dis'>
- <c e g bes d' f'>
- <c e g bes d' fis'>
- <c e g bes d' f' a'>\break
- <c e g bes d' fis' as'>
- <c e gis bes dis'>
- <c e g bes dis' fis'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes d' fis'>
- <c e g b d'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes des' f' a'>
- <c e g b d'>
- <c e g b d' f' a'>\break
- <c e g b d' fis'>
- <c e g bes des' f ' a'>
- <c f g>
- <c f g bes>\break
- <c f g bes d'>
- <c e g d'> % add9
- <c es g f'>
-}
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% alternate Jazz notation
-
-efullmusicJazzAlt =
-{
- <c e gis>1-\markup { "+" }
- <c e g b>-\markup { \normal-size-super
- % \override #'(font-family . math) "N" }
- \override #'(font-family . math) "M" }
- %%c:3.5.7 = \markup { \override #'(font-family . math) "M" }
- %%c:3.5.7 = \markup { \normal-size-super "maj7" }
-
- <c es ges>-\markup { \super "o" } % should be $\circ$ ?
- <c es ges bes>-\markup { \super \combine "o" "/" }
- <c es ges beses>-\markup { \super "o7" }
-}
-
-efullJazzAlt = #(sequential-music-to-chord-exceptions efullmusicJazzAlt #f)
-
-epartialmusicJazzAlt = {
- <c d>1-\markup { \normal-size-super "2" }
- <c es>-\markup { "m" }
- <c f>-\markup { \normal-size-super "sus4" }
- <c g>-\markup { \normal-size-super "5" }
-
- %% TODO, partial exceptions
- <c es f>-\markup { "m" }-\markup { \normal-size-super "sus4" }
- <c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" }
-}
-
-epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f)
-
-jazzAltProperties = \sequential {
- \set majorSevenSymbol = #whiteTriangleMarkup
- \set chordNameSeparator = #(make-simple-markup "/")
- \set chordNameExceptionsFull = #efullJazzAlt
- \set chordNameExceptionsPartial = #epartialJazzAlt
- \set chordNameFunction = #jazz-chord-names
-}
-
-banterProperties = \sequential {
- \set chordNameFunction = #banter-chord-names
-}
-
-\score{
- <<
- \new ChordNames {
- \set ChordNames.instrumentName = #"Ignatzek (default)"
- \set ChordNames.shortInstrumentName = #"Def"
- \chs
- }
-
- \new ChordNames {
- \jazzAltProperties
- \set ChordNames.instrumentName = #"Alternative"
- \set ChordNames.shortInstrumentName = #"Alt"
- \chs
- }
-
-%{
-
- %% This is the Banter (1987) style. It gives exceedingly
- %% verbose (wide) names, making the output file take up to 4 pages.
- %% (FIXME: how big is is now?)
- %% Turned off by default.
-
- %% FIXME: use smaller font for Banter (or remove some esoteric
- %% chords).
-
- \new ChordNames {
- \banterProperties
- \set ChordNames.instrumentName = #"Banter"
- \set ChordNames.shortInstrumentName = #"Ban"
- \chs
- }
-%}
-
- \new Staff \transpose c c' { \chs }
- >>
- \layout {
- indent = 3.\cm
- \context {
- \ChordNames
- \consists Instrument_name_engraver
- }
- }
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-A way to insert a \markup @{ . . . @}string in \chords @{ . . . @}.
-" }
-
-% Note what happens if \hspace #-2 is deleted or set to +n.
-% If "tacet" instead of "Tacet" a little bit of "C" peeks around the \whiteout.
-CMString = { <c e g>-\markup { \whiteout { \hspace #-2 "Tacet" } } }
-CMStringX = #(append (sequential-music-to-chord-exceptions CMString #t)
- ignatzekExceptions)
-<< { \chords { c1
- \set chordNameExceptions = #CMStringX c
- \unset chordNameExceptions c }
- } { \relative c'' { c c c } } >>
-
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Volta brackets can be placed over chord names. Just set the
-voltaOnThisStaff property to \"true\" for the ChordNames context and to
-\"false\" for the topmost ordinary Staff context.
-" }
-
-\score { <<
- \new ChordNames \with {
- voltaOnThisStaff = ##t
- } \chordmode {
- c1 c
- }
- \new Staff \with {
- voltaOnThisStaff = ##f
- }
- {
- \repeat volta 2 { c'1 } \alternative { c' }
- }
->> }
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-You can alter the number of stems in a beam. In this example, two sets
-of four 32nds are joined, as if they were 8th notes.
-
-
-
-" }
-
-\relative {
- #(override-auto-beam-setting '(end * * * *) 1 4)
- f32 g a b b a g f
-
- f32 g a
- \set stemRightBeamCount = #1 b
- \set stemLeftBeamCount = #1 b
- a g f
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The eighth notes may be seemingly attached to different
- beams, and the corresponding notes connected by ties.
- Such a situation may occur, for example, in the cello suites.
-" }
-
-wipeNote = {
- \once \override NoteHead #'transparent = ##t
- \once \override Stem #'transparent = ##t
-}
-\layout { raggedright = ##t }
-
-
-\relative c''<< {
- c8[~
- \wipeNote
- c8
- c8~
- \wipeNote
- c
- c]~
- \wipeNote
- c\noBeam
-}\\
- { s8 c8 [ s c s c] }
-
-
->>
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Lilypond can subdivide beams automatically. Set the property
-subdivideBeams, and beams are subdivided at beat positions (as
-specified in beat length)
-" }
-
-\relative{ b'32^"default"[ a g f c' b a g f e d' c b a g f ]
- \set subdivideBeams = ##t
- b32^"subdivision enabled"[ a g f c' b a g f e d' c b a g f ]
- \set Score.beatLength = #(ly:make-moment 1 8)
- b32^"beatLength 1 8"[ a g f c' b a g f e d' c b a g f ]
- \set Score.beatLength = #(ly:make-moment 1 16)
- b32^"beatLength 1 16"[ a g f c' b a g f e d' c b a g f ]
- }
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-By default, beams can't be printed across line breaks. Here's a way to
-force the line break, by setting the @code{#'breakable} property. See
-also in the manual the \"Line Breaking\" and \"Manual beams\" sections.
-" }
-
-\layout { ragged-right= ##t }
-
-\relative c'' {
- \override Score.Beam #'breakable = ##t
- \time 3/16 c16-[ d e \break f-]
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Beam positions may be controlled manually, by overriding the
-@code{positions} setting of the @code{Beam} grob.
-
-
-
-" }
-
-\score {
- \context Voice \relative c {
- %% from upper staffline (position 4) to centre (position 0)
- \override Beam #'positions = #'(2 . 0)
- c'8[ c]
-
- %% from center to one above centre (position 2)
- \override Beam #'positions = #'(0 . 1)
- c[ c]
- }
-
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-By setting the @code{#'beaming} property, it is possible to override
-beaming rules. You may preferably want to use @code{\once} when doing
-so, as this property cannot be shared between objects.
-" }
-
-\layout{
- ragged-right = ##t
-}
-
-\relative c'' {
- c32[ c
- \once \override Stem
- #'beaming = #(cons (list 1 2) (list 0 2 4))
- c
- \once \override Stem
- #'beaming = #(cons (list 0 2 4) (list 0 1 4))
- c c c]
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If you need to modify the automatic beaming behaviour (see \"Setting
-automatic beam behavior\") in the \layout bloc, here is a simple way to
-do it.
-
-
-" }
-
-\layout {
- \context {
- \DrumStaff
- % set the beam division after 1/4 and after 3/4 (after 2/4 is default)
- autoBeamSettings = #(cons (cons '(end * * * *) (ly:make-moment 1 4))
-
- (cons (cons '(end * * * *) (ly:make-moment 3 4))
- default-auto-beam-settings)
- )
- }
- }
-
- up = \drummode {hh8 hh hh hh hh hh hh hh} %%No manual beaming indication, as you can see
-
-
- down = \drummode {
- \override Beam #'positions = #'(-5 . -5)
- bd8. bd16 sn16 bd8 bd16 r8 bd8 sn16 bd8.
- }
-
- \new DrumStaff {
-
- <<
- \new DrumVoice { \voiceOne \up }
-
- \new DrumVoice { \voiceTwo \down }
->>
-
- }
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Groups of beamed notes can be made by setting the subdivideBeams
-property. However, if you have \"\time\"-statements inside your score,
-you'll need to set the beatLength again after each \time-statement
-(that has a denominator that is not 8).
-
-This happens because the \"\time\"-statements reset the
-beatLength-value to the denominator of the time signature. So, if
-you have many meter-changes, you can use the following function named
-\"\timenb #X #Y\" instead of \"\time X/Y\".
-" }
-
-% timenb sets TIMEesignature and measure length, but Not Beatlength
-timenb = #(define-music-function (parser location x y ) (integer? integer?) #{
- \set Staff.timeSignatureFraction = #(cons $x $y)
- \set Score.measureLength = #(ly:make-moment $x $y)
-#})
-
-\new Staff {
- \relative c''
- {
- \set Score.beatLength = #(ly:make-moment 1 8)
- \set subdivideBeams = ##t
-
- \timenb #3 #8 c16.[ c32 c16. c32 c16. c32] |
- \timenb #5 #8 d8[ d] d16.[ d32 d16. d32 d8] |
- \timenb #3 #4 e8[ e16. e32] e16.[ e32 e16. e32] e16.[ f32 f8] |
- \timenb #2 #4
- g16.[ g32 g16. g32] g16.[ g32 g16. g32] |
-
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Laissez vibrer ties should avoid dots and staff lines, similar to
-normal ties. They have fixed size. Their formatting can be tuned with
-@code{tie-configuration}
-" }
-
-\paper {
- ragged-right = ##t
-}
-
-\relative {
- <c e g>\laissezVibrer r4
- <c f g>\laissezVibrer r
- <c d f g>\laissezVibrer r
- <c d f g>4.\laissezVibrer r
-
- <c d e f>4\laissezVibrer r
- \override LaissezVibrerTieColumn #'tie-configuration
- = #'((-7 . -1)
- (-5 . -1)
- (-3 . 1)
- (-1 . 1))
- <c d e f>4\laissezVibrer r
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The auto-beamer, which can be overridden, will only engrave beams that
-end before encountering of
-
-
-* a rest,
-
-* another, manually entered beam, or
-
-* a bar line.
-
-
-
-The @code{autoBeaming} can also be turned off.
-
-
-
-" }
-
-\score{
- \relative c''{
- #(override-auto-beam-setting '(end * * * *) 1 2)
- \time 2/4
- % one beam per measure
- c8 c c c
- c16 c c c c c c c
- % from here on consider ending beam every 1/4 note
- #(override-auto-beam-setting '(end * * * *) 1 4)
-
- c8 c c c
- % manually override autobeam with weird beaming
- c8 c[ c] c
- c8 c c r
- c8 c c4
- r8 c c c
- % no autobeaming
- \set autoBeaming = ##f
- c8 c c c
- }
-
-}
-
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Short tremolos (involving eighth notes or shorter durations) can be
-obtained; in such a case only one beam is connected to the stems.
-" }
-
-\layout { ragged-right = ##t }
-
-\context Staff \relative c' {
- \repeat "tremolo" 2 { c32 e32 }
- \stemDown
- \repeat "tremolo" 2 { c32 e32 }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Clusters are a device to denote that a complete range of notes is to be
-played.
-" }
-
-\layout {
- ragged-right = ##t
-}
-
-fragment = \relative c' {
- c4 f4 <e d'>4
- <g a>8 <e a> a4 c2 <d b>4 e4
- c4
-}
-
-<<
- \new Staff \fragment
- \new Staff \makeClusters \fragment
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-LilyPond gives you the ability to assign different colors to any grob
-in your score, such as NoteHeads, Alterations, Beams and so on, by
-simply overriding the #'color property and choosing your color (over
-200 colors are available, see the \"List of Colors\" Appendix in the
-Manual).
-" }
-
-\relative {
- \override Accidental #'color = #darkgreen
- \override Beam #'color = #cyan
- \override NoteHead #'color = #darkyellow
- c4
- \override NoteHead #'color = #red
- f
- \override NoteHead #'color = #darkmagenta
- g
- \override NoteHead #'color = #darkblue
- b
- \override NoteHead #'color = #green
- \override Stem #'color = #blue
- e8 es d dis e4 r
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Odd 20th century time signatures (such as \"5/8\") can often be played
-as compound time signatures (e.g. \"3/8 + 2/8\"), which combine two or
-more inequal metrics. LilyPond can make such musics quite easy to read
-and play, by explicitly printing the compound time signatures and
-adapting the automatic beaming behaviour. (You can even add graphic
-measure groping indications, the appropriate snippet in this database.)
-
-" }
-
-#(define (compound-time one two num)
- (markup #:override '(baseline-skip . 0) #:number
- (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num))))))
-
-
-\relative {
- %% compound time signature hack
- \time 5/8
- \override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #(compound-time "2" "3" "8" )
- #(override-auto-beam-setting '(end 1 8 5 8) 1 4)
- c8 d e fis gis | c fis, gis e d | c8 d e4 gis8
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-To make double-glissandi, i.e. to connect chords with glissando lines,
-you have to create another voice, then attach a glissando to it.
-" }
-
-{\clef bass
-<< { % New voice ( = \voiceOne) without stems or beams
-
- \override Stem #'stencil = ##f
- \override Beam #'stencil = ##f
-
- % Attach glissando to noteheads
- e8 \glissando fis
-
- } \\ { % Original voice with chords rearranged so that glissando is attached to a & b
- <e a,> \glissando <fis b,>
-} >>}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Feathered beams can be obtained by setting the @code{#'grow-direction}
-property; you may also want to use @code{\featherDurations} to adjust
-note durations. (See also in the manual : \"Feathered beams\")
-" }
-
-\score{
-\relative c''
-<<
-\new Staff {
-% Turn on feathered beams:
-\override Beam #'grow-direction = #LEFT
-
-% Illustration of feathered beams and the \featherDurations
-% function.
-
-
-% Example of a beamed sequence:
-bes32\p\>[ ges d' bes, c' ges a ges \!]
-
-% When the factor is 4/4=1, you get the same as without \featherDurations
-\featherDurations #(ly:make-moment 4 4)
-{ bes32\p\>[ ges d' bes, c' ges a ges \!] }
-
-% When the factor is >1, you get a ritardando-like placement of the
-% notes (and sound in the MIDI output).
-\featherDurations #(ly:make-moment 6 4)
-{ bes32\p\>[ ges d' bes, c' ges a ges \!] }
-
-% When the factor is <1, you get accelerando, i.e. you should
-% really only use if when \override Beam #'grow-direction = #RIGHT
-\featherDurations #(ly:make-moment 3 4)
-{ bes32\p\>[ ges d' bes, c' ges a ges \!] }
-
-% Revert back to ordinary beams:
-\revert Beam #'grow-direction
-bes32\p\>[ ges d' bes, c' ges a ges \!]
-
-% Get a single feathered beam, using \once \override:
-\once \override Beam #'grow-direction = #LEFT
-bes32\p\>[ ges d' bes, c' ges a ges \!]
-bes32\p\>[ ges d' bes, c' ges a ges \!]
-
-% The \featherDurations function just adjusts the durations
-% of the notes and can be used without % feathered beams:
-\featherDurations #(ly:make-moment 6 4)
-{ bes32\p\>[ ges d' bes, c' ges a ges \!] }
-
-}
-
-% Reference rhythm to compare to:
-\new Staff \repeat unfold 64 { c32 }
- >>
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Sometimes a glissando is written out in smaller notes. This example
-shows how to do this.
-" }
-
-\relative c' {
- \clef treble
- \key c \major
- \time 3/8
-
- fis16.[-> a64 g]
-
- % Make tuplet markings invisible
- \once \override TupletBracket #'number-visibility = ##f
- \once \override TupletBracket #'bracket-visibility = ##f
-
- % Prepare for small notes
- \override NoteHead #'font-size = #-4
- \override Accidental #'font-size = #-4
-
- % Force stem direction down
- \stemDown
-
- % Tuplet with small notes
- \times 3/42 { fis8[( g gis a bes b c cis d dis e f fis g gis a bes! b c cis d] }
-
- % Restore normal note size
- \revert NoteHead #'font-size
- \revert Accidental #'font-size
-
- es32.[) fis,,64]
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-In 20th century music, time signatures tend to change frequently and to
-be more complex. Therefore, printing graphic indications (such as
-brackets and triangles) above the top staff has become quite useful, if
-not essential, to conductors or even players. LilyPond is able to do
-that easily with its integrated Measure_grouping_engraver.
-
-Beware: you can no longer use the \time command; use instead the
-#(set-time-signature x x '(x x)) function, which is quite more
-powerful, especially for compound time signatures such as 5/8.
-" }
-
-\new Staff \with {
- \consists "Measure_grouping_engraver"
- }
-
-\relative c' {
- #(set-time-signature 2 4 '(2 2))
- c8 a'4 a8~
- #(set-time-signature 5 8 '(3 2))
- a8 bes4 r8 bes8->
- #(set-time-signature 2 4 '(2 2))
- c,8 g'4 g8~
- #(set-time-signature 5 8 '(3 2))
- g8 a4 g a4.->
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-You can get any key signature you want by manually setting the
-Staff.keySignature property.
-" }
-
-\relative c'
-\new Staff {
- \set Staff.keySignature = #`(((1 . 2) . ,SHARP) ((0 . 3) . ,FLAT))
- f8 a c e
- \set Staff.keySignature = #`(((1 . 2) . ,FLAT) ((0 . 4) . ,DOUBLE-SHARP))
- e a, g a
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-In XXth century music, where time signatures tend to change a lot, it
-is sometimes recommended to put the time signatures on top of the score
-(or above each StaffGroup in case of an orchestral score). This can be
-achieved by creating a dummy staff which only contains the
-Time-signature-engraver). In this specific example, a separate
-identifier is used to define every time signature change, which allows
-not to bother entering them again when typing the actual music (careful
-though: it makes getting lost easier!).
-
-Notice the overriding of the X-offset property: a specific trick to
-make the time signatures aligned with the barlines, thanks to Han-Wen.
-" }
-
-\layout{
- \context {
- \type "Engraver_group"
- \consists "Time_signature_engraver"
- \consists "Axis_group_engraver"
- \name "TimeSig"
- \override TimeSignature #'font-size = #3
- \override TimeSignature #'break-align-symbol = ##f
- \override TimeSignature #'X-offset
- = #ly:self-alignment-interface::x-aligned-on-self
- \override TimeSignature #'self-alignment-X = #0
- }
- \context {
- \Score \accepts TimeSig
- }
-
- \context { \Staff
- \remove "Time_signature_engraver"
- }
-}
-
-timeSignatures = { \time 2/4 s2 \time 3/4 s2. \time 4/4 s1 }
-\score {
-
-<< \new TimeSig \timeSignatures
- \new Staff \relative { c'2 c2. c1 }
- \new Staff { a2 a2. a1}
- >>
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Though the set-time-signature thing was not the most essential here, it
-has been included to show the beat of this piece (which is a template
-of a real balkan song!).
-" }
-
-#(define (compound-time one two three four five six seven eight nine ten num)
- (markup #:override '(baseline-skip . 0) #:number
- (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num)) #:vcenter "+" (#:column (three num)) #:vcenter "+" (#:column (four num)) #:vcenter "+" (#:column (five num)) #:vcenter "+" (#:column (six num)) #:vcenter "+" (#:column (seven num)) #:vcenter "+" (#:column (eight num)) #:vcenter "+" (#:column (nine num)) #:vcenter "+" (#:column (ten num))))))
-
-
-melody =
-{ \relative c'' {
- \set Staff.instrumentName = "Bb Sop."
- \key g \major \time 25/8
- \override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #(compound-time "3" "2" "2" "3" "2" "2" "2" "3" "2" "2" "8" )
- c8[ c c] d4 c8[ c] b[ c b] a4 g fis8[ e d c] b'[ c d] e4-^ fis8[ g] | \break
- c,4. d4 c4 d4. c4 d c2 d4. e4-^ d4 |
- c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break
- c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 |
- c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break }
-}
-drum = {
- \new DrumStaff \drummode
- {
- \bar "|:" bd4. ^\markup { "Drums" } sn4 bd \bar ":" sn4. bd4 sn \bar ":"
- bd sn bd4. sn4 bd \bar ":|"
- }
-}
-
-{
- \melody
- \drum
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-For pedagogical purposes, you may want to make one staff line thicker
-(e.g. the middle line, to emphasize the line of the G clef). This can
-be achieved by adding extra lines very close to the line you want to
-make thicker, using the #'line-positions property in the StaffSymbol
-context.
-" }
-
-\score {
- \new Staff{
- \override Staff.StaffSymbol #'line-positions =#'(-4 -2 -0.2 0 0.2 2 4 )
- d'4 e' f' g'
- }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-As children do not always have hands large enough, say, to plays
-octavas when studying piano, or anything else, it can be useful to add
-parentheses around a low note for example. In this snippet, the
-\"parenthesized\" note is made a bit smaller using the \tweak command
-on the #'font-size property.
-" }
-
-{ \clef bass
-< f \parenthesize \tweak #'font-size #-1 f, >2
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Regular vertical lines can be drawn between staves to show notes
-synchronization; however, in case of monophonic music, you may want to
-make the second stave invisible, and make the lines shorter like in
-this snippet.
-" }
-
-%% sets of grid
-\layout {
- \context {
- \Staff
- \consists "Grid_point_engraver"
- gridInterval = #(ly:make-moment 1 8)
-%% lines length
- \override GridPoint #'Y-extent = #'(6 . 0)
- }
- \context {
- \StaffGroup
- \remove "System_start_delimiter_engraver"
- }
-}
-
-\layout {
- ragged-right = ##t
-}
-\new Score
-\with {
- \consists "Grid_line_span_engraver"
-%% centers grid lines horizontally below noteheads
- \override NoteColumn #'X-offset = #-0.5
-}
-
-\new ChoirStaff <<
- \new Staff
- {
- \time 12/8
- \stemUp
- \relative {
- c'4. d8 e8 f g4 f8 e8.[ d16 c8] }
- }
- \new Staff
- {
-%% making sure the lines will be placed outside the Staff
- \override Score.GridLine #'extra-offset = #'( 0.0 . -4.0 )
-
-%% hides staff and notes so that only the grid lines are visible
- \override NoteHead #'transparent = ##t
- \override NoteHead #'no-ledgers = ##t
- \override Stem #'transparent = ##t
- \override Beam #'transparent = ##t
- \override Staff.BarLine #'transparent = ##t
- \override Staff.StaffSymbol #'line-count = #0
- \override Staff.TimeSignature #'transparent = ##t
- \override Staff.Clef #'transparent = ##t
-
-% you have to put 'dummy' notes here to force regular grid spacing...
- \once \override Score.GridLine #'thickness = #4.0
- c8 c8 c8
- \once \override Score.GridLine #'thickness = #3.0
- c8 c8 c8
- \once \override Score.GridLine #'thickness = #4.0
- c8 c8 c8
- \once \override Score.GridLine #'thickness = #3.0
- c8 c8 c8
- }
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If you want to print some white text on black background, here's the
-trick:
-" }
-
-{
- g1^\markup { \combine \filled-box #'(-.3 . 6.8) #'(-.3 . 1.8) #0 \with-color #white White}
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The notation problem, creating a certain symbol, is handled by plugins.
-Each plugin is called an Engraver. In this example, engravers are
-switched on one by one, in the following order:
-
-- note heads
-
-
-- staff symbol,
-
-
-- clef,
-
-
-- stem,
-
-
-- beams, slurs, accents,
-
-
-- accidentals, bar lines, time signature, and key signature.
-
-
-
-Engravers are grouped. For example, note heads, slurs, beams etc. form
-a Voice context. Engravers for key, accidental, bar, etc. form a Staff
-context.
-
-
-You may only see the first example in this document; please download
-this snippet and run it from your own computer.
-" }
-
-%% sample music
-topVoice = \relative c' {
- \key d\major
- es8([ g] a[ fis])
- b4
- b16[-. b-. b-. cis-.]
- d4->
-}
-
-botVoice = \relative c' {
- \key d\major
- c8[( f] b[ a)]
- es4
- es16[-. es-. es-. fis-.]
- b4->
-}
-
-hoom = \relative c {
- \key d \major
- \clef bass
- g8-. r
- r4
- fis8-.
- r8
- r4
- b'4->
-}
-
-pah = \relative c' {
- r8 b-.
- r4
- r8 g8-.
- r16 g-. r8
- \clef treble
- fis'4->
-}
-
-%
-% setup for Request->Element conversion. Guru-only
-%
-
-MyStaff =\context {
- \type "Engraver_group"
- \name Staff
-
- \description "Handles clefs, bar lines, keys, accidentals. It can contain
-@code{Voice} contexts."
-
-
- \consists "Output_property_engraver"
-
- \consists "Font_size_engraver"
-
- \consists "Volta_engraver"
- \consists "Separating_line_group_engraver"
- \consists "Dot_column_engraver"
-
- \consists "Ottava_spanner_engraver"
- \consists "Rest_collision_engraver"
- \consists "Piano_pedal_engraver"
- \consists "Piano_pedal_align_engraver"
- \consists "Instrument_name_engraver"
- \consists "Grob_pq_engraver"
- \consists "Forbid_line_break_engraver"
- \consists "Axis_group_engraver"
-
- \consists "Pitch_squash_engraver"
-
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-6 . 6)
- extraVerticalExtent = ##f
- verticalExtent = ##f
- localKeySignature = #'()
-
- % explicitly set instrument, so we don't get
- % weird effects when doing instrument names for
- % piano staves
-
- instrumentName = #'()
- shortInstrumentName = #'()
-
- \accepts "Voice"
-}
-
-
-MyVoice = \context {
- \type "Engraver_group"
- \name Voice
-
- \description "
- Corresponds to a voice on a staff. This context handles the
- conversion of dynamic signs, stems, beams, super- and subscripts,
- slurs, ties, and rests.
-
- You have to instantiate this explicitly if you want to have
- multiple voices on the same staff."
-
- localKeySignature = #'()
- \consists "Font_size_engraver"
-
- % must come before all
- \consists "Output_property_engraver"
- \consists "Arpeggio_engraver"
- \consists "Multi_measure_rest_engraver"
- \consists "Text_spanner_engraver"
- \consists "Grob_pq_engraver"
- \consists "Note_head_line_engraver"
- \consists "Glissando_engraver"
- \consists "Ligature_bracket_engraver"
- \consists "Breathing_sign_engraver"
- % \consists "Rest_engraver"
- \consists "Grace_beam_engraver"
- \consists "New_fingering_engraver"
- \consists "Chord_tremolo_engraver"
- \consists "Percent_repeat_engraver"
- \consists "Slash_repeat_engraver"
-
-%{
- Must come before text_engraver, but after note_column engraver.
-
-%}
- \consists "Text_engraver"
- \consists "Dynamic_engraver"
- \consists "Fingering_engraver"
-
- \consists "Script_column_engraver"
- \consists "Rhythmic_column_engraver"
- \consists "Cluster_spanner_engraver"
- \consists "Tie_engraver"
- \consists "Tie_engraver"
- \consists "Tuplet_engraver"
- \consists "Note_heads_engraver"
- \consists "Rest_engraver"
-
- \consists "Skip_event_swallow_translator"
-}
-
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-
-MyStaff = \context {
- \MyStaff
- \consists "Staff_symbol_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyStaff = \context {
- \MyStaff
- \consists "Clef_engraver"
- \remove "Pitch_squash_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyVoice = \context {
- \MyVoice
- \consists "Stem_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyVoice = \context {
- \MyVoice
- \consists "Beam_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyVoice= \context {
- \MyVoice
- \consists "Phrasing_slur_engraver"
- \consists "Slur_engraver"
- \consists "Script_engraver"
-}
-
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyStaff = \context {
- \MyStaff
- \consists "Bar_engraver"
- \consists "Time_signature_engraver"
-}
-
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
-MyStaff = \context {
- \MyStaff
- \consists "Accidental_engraver"
- \consists "Key_engraver"
-}
-\score {
- \topVoice
- \layout {
- \context { \MyStaff }
- \context { \MyVoice }
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Engravers can be removed one by one. Here, the time signature and bar
-lines have been removed.
-
-
-" }
-
-\score {
- \relative c'' {
- a b c d
- d c b a
- }
- \layout {
- raggedright = ##t
- \context {
- \Staff
- whichBar = #""
- \remove "Time_signature_engraver"
- }
- }
-}
-
-
-
%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
+\version "2.10.0"
\header{
texidoc = "
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-A hammer in tablature can be faked with slurs.
-" }
-
-\score{
-\context TabStaff
- <<
- \relative c''{
- c(d)
- d(d)
- d(c)
- }
- >>
-}
-
-%%some weird letters are displayed in the Staff; can't reproduce it at home... --vv
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This snippets shows many possibilities for obtaining and tweaking fret
-diagrams.
-" }
-
-\paper {
-
- %% stretch to prevent diagrams from colliding.
- line-width = 18.0 \cm
-}
-
-
-<<
- \chords {s2 c c c d}
-
- \new Voice =mel {
-
- %% A chord for ukelele
- a'2 ^\markup
- \override #'(string-count . 4) {
- \override #'(dot-color . white) {
- \fret-diagram #"4-2-2;3-1-1;2-o;1-o;"}}
-
- %% C major for guitar, barred on third fret
- c' ^\markup
- \override #'(number-type . roman-lower) { % lower-case roman numeral fret label
- \override #'(size . 1.1) { % 110% of default size
- \override #'(finger-code . below-string) { % string labels below strings
- \override #'(barre-type . straight) { % straight barre
- \fret-diagram-verbose #'((mute 6) (place-fret 5 3 1) (place-fret 4 5 2) (place-fret 3 5 3) (place-fret 2 5 4) (place-fret 1 3 1) (barre 5 1 3)) }}}}
- %% C major for guitar, barred on third fret
- c' ^\markup
- \override #'(number-type . arabic) { % lower-case roman numeral fret label
- \override #'(dot-color . white) { % white dots
- \override #'(finger-code . in-dot) { % string labels in dots
- \override #'(barre-type . curved) { % straight barre
- \fret-diagram-verbose #'((mute 6) (place-fret 5 3 1) (place-fret 4 5 2) (place-fret 3 5 3) (place-fret 2 5 4) (place-fret 1 3 1) (barre 5 1 3)) }}}}
- %% C major for guitar, barred on third fret
- c' ^\markup
- \override #'(number-type . roman-upper) { % upper-case roman numeral fret label
- \override #'(label-dir . -1) { % label fret at left side of diagram
- \override #'(finger-code . in-dot) { % string labels in dots
- \override #'(barre-type . curved) { % curved barre
- \fret-diagram-verbose #'((mute 6) (place-fret 5 3 1) (place-fret 4 5 2) (place-fret 3 5 3) (place-fret 2 5 4) (place-fret 1 3 1) (barre 5 1 3)) }}}}
-
- %% simple D chord
-
- d' ^\markup
- \override #'(finger-code . below-string) {
- \override #'(dot-radius . 0.35) {
- \override #'(dot-position . 0.5) {
- \override #'(fret-count . 5) {
- \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;" }}}}
-
- }
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-String numbers can be added to chords. They use the same positioning
-mechanism as finger instructions.
-" }
-
-\paper {
- ragged-right = ##t
-}
-
-\relative {
- <c\1 e\2 g\3>
- c4
- \set fingeringOrientations = #'(down left up)
- \set stringNumberOrientations = #'(down right up)
- <c\1 e\2 g\3>
- <c-1\1 e-2\2 g-3\3>
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-LilyPond makes drums input quite easy, with powerful pre-configured
-tools such as the \drummode function and the DrumStaff context: drums
-are placed to their own staff positions (with a special clef symbol)
-and have note heads according to the drum. You can easily attach an
-extra symbol to the drum, and restrict the number of lines.
-" }
-
-drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh \repeat "unfold" 5 {hhc8 hho hhc8 hh16 hh} hhc4 r4 r2 }
-drl = \drummode {\repeat "unfold" 3 {bd4 sn8 bd bd4 << bd ss >> } bd8 tommh tommh bd toml toml bd tomfh16 tomfh }
-timb = \drummode { \repeat "unfold" 2 {timh4 ssh timl8 ssh r timh r4 ssh8 timl r4 cb8 cb} }
-
-\score {
- \repeat "volta" 2 {
- <<
- \new DrumStaff \with {
- drumStyleTable = #timbales-style
- \override StaffSymbol #'line-count = #2
- \override BarLine #'bar-size = #2
- } <<
- \set Staff.instrumentName = "timbales"
- \timb
- >>
- \new DrumStaff <<
- \set Staff.instrumentName = "drums"
- \new DrumVoice {\stemUp \drh }
- \new DrumVoice {\stemDown \drl }
- >>
- >>
- }
- \layout {}
-
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 120 4)
- }
- }
-
-
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-A template to write score for a diatonic accordion.
-
-- There is a horizontal staff indicating if the accordion  must be
-pushed (thick line) or pulled (thin line)
-
-- There is a small rhytmic staff with lyrics that describes the bass
-buttons to press. Â The bar-lines are made of gridlines ( Gridlines,
-not a really satisfying solution, but the best I found)
-
-- The tabulator staff for diatonic accordions shows the geographic
-position of the buttons  and not (as for every other instrument) the
-pitch of the tones. Â The keys on the melody-side of the accordion are
-placed in three columns and about 12 rows. Â In the tabulator staff
-notation the  - most outer column is described with notes between
-lines  - most inner column is described with notes between lines with
-a cross as accidental  - middle column is described with notes on a
-line, whereby the row in the middle is represented    on the middle
-line in the staff.
-
-
-
-Some words to transpose piano note to the diatonic accordion.
------------------------------------------------------------- 1. Every
-diatonic accordion is built for some keys only. For example   for the
-key of C-major and F-major. Â Â So it is important to transpose a piano
-melody to match one of these keys. Â Â Transpose the source code, not
-only the output because   you need this code later on to translate it
-once more to the tabulator staff. Â Â This can be done with the command
-'displayLilyMusic'.
-
-2. You have to alternate the push and pull-direction of the accordion
-regularely. Â Â If the player has a too long part to pull the accordion
-gets broken. Â Â At the other hand some harmonies are only available in
-one direction (push or pull) Â Â Considering this decide which parts of
-the melody are the push-parts and whic the pull-parts.
-
-3. For each pull- / or push-part translate the piano notes to the
-according tabulatur representation.
-
-This snippet comes with a useful optional macro for the jEdit text
-editor.
-" }
-
-% Created on Sat Aug 17 2007 by ak
-
-verse= \lyricmode { Wie gross bist du! Wie gross bist du! }
-
-harmonies = \new ChordNames \chordmode {
- \germanChords \set chordChanges = ##t
- bes8 bes8 bes8 es2 f bes1
-}
-
-NoStem = \override Stem #'transparent = ##t
-NoNoteHead= \override NoteHead #'transparent = ##t
-ZeroBeam = \override Beam #'positions = #'(0 . 0)
-
-staffTabLine = \new Staff \with { \remove "Time_signature_engraver" \remove "Clef_engraver" } {
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
-% Shows one horizontal line. The vertical line (simulating a bar-line) is simulated with a gridline
- \set Staff.midiInstrument="choir aahs"
- \key c \major
- \relative c''
- {
- % disable the following line to see the the noteheads while writing the song
- \NoNoteHead
- \override NoteHead #'no-ledgers = ##t
-
- % The beam between 8th-notes is used to draw the push-line
- %How to fast write the push-lines:
- % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
- % 2. uncomment the line \NoNoteHead
- % 3. compile
- % 4. Mark the positions on which push/pull changes.
- % In the score-picture click on the position the push- or pull-part starts
- % (on the noteHead, the cursor will change to a hand-icon).
- % The cursor in the source code will jump just at this position.
- % a) If a push-part starts there, replace the 'c' by an 'e['
- % b) If a pull-part starts there, replace the 'c' by an 's'
- % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
- % 6. For the pull-parts overwrite the 'c' with 's'
- % 7. For every push-part replace the last 'c' with 'e]'
- % 8. Switch into 'insert-mode' again
- % 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
- % 10. re-enable the line \NoNoteHead
- \autoBeamOff
- \ZeroBeam
- s8 s s | e[ c c c c c c e] | s s s s s
- }
-}
-
-%{
-notePush= { e f fis g a c' c' d' ees' e' f' fis' g' a' bes' c'' c'' d'' ees'' e'' f'' fis'' g'' a'' c''' c''' ees''' e''' f''' g''' a''' }
-tabPush= { g f e b a d' c' bisis disis' f' e' aisis' a' g' fisis' b' c'' eisis'' cisis'' e'' d'' gisis'' g'' f'' a'' b'' bisis'' d''' c''' f''' e''' }
-
-notePull= { g aes bes b c' cis' d' ees' e' f' fis' g' aes' a' bes' b' c'' cis'' d'' ees'' e'' f'' g'' aes'' a'' bes'' b'' c''' cis''' d''' e''' }
-tabPull= { g e f b a disis' d' bisis c' f' fisis' e' aisis' a' g' c'' b' cisis'' e'' eisis'' d'' g'' f'' gisis'' b'' a'' d''' f''' bisis'' c''' e''' }
-%}
-
-% Accordion melody in tabulator score
-% 1. Place a copy of the piano melody below
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
-% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
-% Tips:
-% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-
-AccordionTabTwoCBesDur= {
- % pull 1
- %<f' bes'>8 <f' a'>8 <d' bes'>8 |
-<g'' a''>8 <g'' b''>8 <e'' a''>8 |
- % push 2
- %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
-<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
- % pull 3
-% <f' bes'>2 r8 }
- <g'' a''>2 r8 }
-
- AccordionTab= { \dynamicUp
-% 1. Place a copy of the piano melody above
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
-% change the second line using the transformation paper
-% Tips:
-% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-% -
-\AccordionTabTwoCBesDur
- }
-
-
-
- \layout {
- \context {
- \Staff
- \consists "Grid_point_engraver"
-
- gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
-
- % The following line has to be adjusted O-F-T-E-N.
- \override GridPoint #'Y-extent = #'(-2 . -21)
- }
- \context {
- \ChoirStaff
- \remove "System_start_delimiter_engraver"
- }
-}
-
-staffVoice = \new Staff=astaffvoice {
- \time 4/4
- \set Staff.instrumentName="Voice"
- \set Staff.midiInstrument="voice oohs"
- \key bes \major
- \partial 8*3
- \clef treble
- {
- \context Voice = "melodyVoi"
- { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
- \bar "|."
- }
-}
-
-staffAccordionMel = \new Staff \with { \remove "Clef_engraver" } {
- #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
- %do not remember them for the rest of the measure.
- \time 4/4
- \set Staff.instrumentName="Accordion"
- \set Staff.midiInstrument="voice oohs"
- \key c \major
- \clef treble
- { \AccordionTab \bar "|." }
-}
-
- AltOn = #(define-music-function (parser location mag) (number?)
- #{ \override Stem #'length = #$(* 7.0 mag)
- \override NoteHead #'font-size =
- #$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
-
- AltOff = {
- \revert Stem #'length
- \revert NoteHead #'font-size
- }
-
-BassRhytm = {s4 s8 | c2 c2 | c2 s8 }
-LyricBassRhythmI= \lyricmode { c b | c }
-
-staffBassRhytm = \new Staff=staffbass \with { \remove "Clef_engraver" } {
- % This is not a RhythmicStaff because it must be possible to append lyrics.
-
- \override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
- % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
- % Search for 'grid' in this page to find all related functions
- \time 4/4
- {
- \context Voice = "VoiceBassRhytm"
- \stemDown \AltOn #0.6
- \relative c''
- {
- \BassRhytm
- }
- \AltOff
- \bar "|."
- }
-}
-
-\new Score
-\with {
- \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
-}
-\new ChoirStaff
- <<
- \harmonies
- \staffVoice
- \context Lyrics = "lmelodyVoi" \with {alignBelowContext=astaffvoice} { \lyricsto "melodyVoi" \verse }
- \staffAccordionMel
- \staffTabLine
- \staffBassRhytm
- \context Lyrics = "lBassRhytmAboveI" \with {alignAboveContext=staffbass} \lyricsto VoiceBassRhytm \LyricBassRhythmI
- >>
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% APPENDIX %
-% macro 'macro_conv2diaton_push.bsh' for jedit editor %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-%{
-// original saved in 'Handorg_Adria_Diaton_III.xls'
-// Save this buffer, to the other recorded macros in the jedit editor
-// and the macro should appear in the
-// Macros menu.
-
-// /ak 17.8.07 This macro from converts lilypond piano notation into
-// lilypond tabulator notation for the push-part (at the bottom the pull-part) of a diatonic accordion
-// It replaces the piano notes of the line where the cursor is by the accordion notation
-
-
-
-// Known issues: 1) A note at the end of line is not replaced
-
-textArea.goToEndOfWhiteSpace(false);
-textArea.goToStartOfWhiteSpace(true);
-
-
-String firstName, lastName;
-
-int ReplaceTextInSelection(String sfind, String sreplace)
-{
-//MsgConcat = new StringBuffer(512);
-//MsgConcat.append("Ha");
-
-//Macros.message(view, "On that line replace \"" + sfind + "\" by \"" + sreplace+ "\"");
-SearchAndReplace.setSearchString(sfind.toString());
-SearchAndReplace.setReplaceString(sreplace.toString());
-SearchAndReplace.setBeanShellReplace(false);
-SearchAndReplace.setIgnoreCase(true);
-SearchAndReplace.replace(view);
-SearchAndReplace.setRegexp(true);
-return 1;
-}
-
-
-String smainfind;
-String smainrepl;
-
-
-// Push-part tmp
-smainfind="(\\s|^|<|\\{)(c,)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e,)([^\'^is^es])"; smainrepl="$1tmpg$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g,)([^\'^is^es])"; smainrepl="$1tmpb$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a,)([^\'^is^es])"; smainrepl="$1tmpa$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e)([^\'^is^es])"; smainrepl="$1tmpf\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f)([^\'^is^es])"; smainrepl="$1tmpe\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g)([^\'^is^es])"; smainrepl="$1tmpa\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b)([^\'^is^es])"; smainrepl="$1tmpr$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\')([^\'^is^es])"; smainrepl="$1tmpb\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\')([^\'^is^es])"; smainrepl="$1tmpe\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\')([^\'^is^es])"; smainrepl="$1tmpd\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\')([^\'^is^es])"; smainrepl="$1tmpg\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(as\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\')([^\'^is^es])"; smainrepl="$1tmpf\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\'\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\'\')([^\'^is^es])"; smainrepl="$1tmpc\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\'\')([^\'^is^es])"; smainrepl="$1tmpe\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-
-smainfind="(\\s|^|<|\\{)(tmp)()"; smainrepl="$1$3"; ReplaceTextInSelection( smainfind, smainrepl );
-*/
-
-/*
-// Pull-part tmp
-smainfind="(\\s|^|<|\\{)(c,)([^\'^is^es])"; smainrepl="$1tmpa-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d,)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e,)([^\'^is^es])"; smainrepl="$1tmpc\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f,)([^\'^is^es])"; smainrepl="$1tmpf\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g,)([^\'^is^es])"; smainrepl="$1tmpg$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b,)([^\'^is^es])"; smainrepl="$1tmpb$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c)([^\'^is^es])"; smainrepl="$1tmpa$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d)([^\'^is^es])"; smainrepl="$1tmpd\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e)([^\'^is^es])"; smainrepl="$1tmpc\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f)([^\'^is^es])"; smainrepl="$1tmpf\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g)([^\'^is^es])"; smainrepl="$1tmpe\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a)([^\'^is^es])"; smainrepl="$1tmpa\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b)([^\'^is^es])"; smainrepl="$1tmpc\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\')([^\'^is^es])"; smainrepl="$1tmpb\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\')([^\'^is^es])"; smainrepl="$1tmpe\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\')([^\'^is^es])"; smainrepl="$1tmpd\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\')([^\'^is^es])"; smainrepl="$1tmpg\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\')([^\'^is^es])"; smainrepl="$1tmpf\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\')([^\'^is^es])"; smainrepl="$1tmpb\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\'\')([^\'^is^es])"; smainrepl="$1tmpc\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\'\')([^\'^is^es])"; smainrepl="$1tmpe\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\'\')([^\'^is^es])"; smainrepl="$1tmpg\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\'\')([^\'^is^es])"; smainrepl="$1tmpb\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\'\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-
-smainfind="(\\s|^|<|\\{)(tmp)()"; smainrepl="$1$3"; ReplaceTextInSelection( smainfind, smainrepl );
-*/
-
-
-%}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Instrument names are generally printed at the left side of the staves.
-To align the names of several different intruments, you can put them in
-a \markup block and use one of the following possibilites:
-
-
-*
- Right-aligned instrument names: this is LilyPond's default behavior
-
-*
- Center-aligned instrument names: with the \hcenter-in #n syntax, you
- can place the instrument names inside a padded box (n being the width
- of the box)
-
-*
- Left-aligned instrument names: you have to print the names on top of an
- empty box, using the \combine command
- with a \hspace #n object.
-
-
-" }
-
-\paper{
- indent = #0
- left-margin = #30
- line-width = #160
-}
-
-\new StaffGroup \relative
-<<
- \new Staff {
- \set Staff.instrumentName = "blabla"
- c1^"default" c1 \break
- \set Staff.instrumentName = \markup { \hcenter-in #10 "blabla" }
- c1^"centered" c1 \break
- \set Staff.instrumentName = \markup {\combine \hspace #8 "blabla" }
- c1^"left-aligned" c1
-
- }
- \new Staff {
- \set Staff.instrumentName = "blo"
- c1 c1 \break
- \set Staff.instrumentName = \markup { \hcenter-in #10 "blo" }
- c1 c1 \break
- \set Staff.instrumentName = \markup {\combine \hspace #8 "blo" }
- c1 c1
- }
-
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-A demonstration of all headers.
-" }
-
-\header {
-copyright = "copyright"
-title = "title"
-subtitle = "subtitle"
-composer = "composer"
-arranger = "arranger"
-instrument = "instrument"
-metre = "metre"
-opus = "opus"
-piece = "piece"
-poet = "poet"
-texidoc = "All header fields with special meanings."
- copyright = "public domain"
- enteredby = "jcn"
- source = "urtext"
-
-}
-
-
-\score {
- \relative c'' { c1 c1 c1 c1 }
-}
-
-\score {
- \relative c'' { c1 c1 c1 c1 }
-
- \header {
-
- title = "localtitle"
- subtitle = "localsubtitle"
- composer = "localcomposer"
- arranger = "localarranger"
- instrument = "localinstrument"
- metre = "localmetre"
- opus = "localopus"
- piece = "localpiece"
- poet = "localpoet"
- copyright = "localcopyright"
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\header {
- texidoc = "Clipping snippets from a finished score
-
-Notes:
-
-@itemize @bullet
-@item If system starts and ends are included, they include extents of the System grob, eg. instrument names.
-@item Grace notes at the end point of the region are not included
-@item Regions can span multiple systems. In this case, multiple EPS files are generated.
-@end itemize
-
-This file needs to be run separately with @code{-dclip-systems}; the
-collated-files.html of the regression test does not adequately show
-the results.
-
-The result will be files named
-@file{@var{base}-from-@var{start}-to-@var{end}[-@var{count}].eps}.
-"
-
-}
-
-\version "2.11.23"
-
-#(ly:set-option 'clip-systems)
-
-#(set! output-count 1)
-
-origScore = \score{
- \relative {
- \set Staff.instrumentName = #"bla"
- c1
- d
- \grace c16
- e1
- \key d\major
-
- f
- \break \clef bass
- g,
- fis
- }
-}
-
-\book {
- \score {
- \origScore
- \layout {
-
- %% each clip-region is a (START . END) pair
- %% where both are rhythmic-locations.
-
- %% (make-rhythmic-locations BAR-NUMBER NUM DEN)
- %% means NUM/DEN whole-notes into bar numbered BAR-NUMBER
-
- clip-regions
- = #(list
- (cons
- (make-rhythmic-location 2 0 1)
- (make-rhythmic-location 4 0 1))
-
- (cons
- (make-rhythmic-location 0 0 1)
- (make-rhythmic-location 4 0 1))
-
- (cons
- (make-rhythmic-location 0 0 1)
- (make-rhythmic-location 6 0 1))
- )
- }
- }
-}
-
-#(set! output-count 0)
-#(ly:set-option 'clip-systems #f)
-
-\book {
- \score { \origScore }
- \markup { \bold \fontsize #6 clips }
- \score {
- \lyrics {
- \markup { from-2.0.1-to-4.0.1-clip.eps }
- \markup { \epsfile #X #30.0 #(format #f "~a-1-from-2.0.1-to-4.0.1-clip.eps" (ly:parser-output-name parser)) }
- }
- }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If you have multiple pieces (e.g. Kyrie, Gloria, Credo, etc. in masses)
-in a large work, you can use multiple \score parts and use the piece
-header field to supply a title for each of the pieces. However, the
-font is very small. You can either directly put the markup into the
-piece=... header field, or better re-define the scoreTitleMarkup
-function in the \paper section.
-" }
-
-\header {
- title = "Formatting of piece headers"
-}
-\paper {
- scoreTitleMarkup = \markup { \column {
- \on-the-fly #print-all-headers { \bookTitleMarkup \hspace #1 }
- \fill-line {
- \fontsize #3 \bold \fromproperty #'header:piece
- \fromproperty #'header:opus
- }
- }}
-}
-
-\markup { \fill-line {
-\justify-string #"If you have multiple pieces in a large work, you can use multiple score parts and use the piece header field to supply a title for each of the pieces. However, the font is very small. You can either directly put the markup into the piece=... header field, or better re-define the scoreTitleMarkup function in the paper section."} }
-
-\score {
- \context Staff << { c'1 | R1 } >>
- \header{ piece="Piece 1" }
-}
-
-\score {
- \context Staff << { c'1 | R1 } >>
- \header{ piece="Piece 2" }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-By default, only the piece and opus fields from the \header@{...@}
-block are typeset above each separate score, if you have multiple
-\score@{...@} blocks in your input file.
-
-As is mentioned in the manual, you can change this by setting the paper
-variable printallheaders, so that the full title is printed over each
-score. The corresponding \header@{...@} block should then be included
-within the corresponding \score@{...@} block, otherwise you will get
-an additional title (the title for the full book) above the first
-individual score title. This example shows how to get rid of the extra
-book level title. Note that a top level \header@{...@} block is useful
-if some titling information is the same for all scores and you do not
-want to repeat the information several times in the input file.
-
-
-" }
-
-\header{
- composer = "The One and Only"
-}
-
-
-
-\score{
-{c' d' e' f'}
-\header{
- title = "First piece"
-}
-}
-
-\score{
-{c' d' e' f'}
-\header{
- title = "Second piece"
-}
-}
-
-\paper{
- printallheaders=##t
- bookTitleMarkup = ##f
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.26"
-
-\header {
- texidoc = "A table of contents is included using
-@code{\\markuplines \\table-of-contents}. The toc items are added with
-the @code{\\tocItem} command."
-}
-
-#(set-default-paper-size "a6")
-
-\book {
- \markuplines \table-of-contents
- \pageBreak
-
- \tocItem \markup "The first score"
- \score {
- {
- c'1 \pageBreak
- \mark "A" \tocItem \markup "Mark A"
- d'
- }
- }
- \pageBreak
- \tocItem \markup "The second score"
- \score {
- { e' }
- \header { piece = "Second score" }
- }
-}
\ No newline at end of file
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If there is only one staff in one of the staff types ChoirStaff,
-InnerChoirStaff, InnerStaffGroup and StaffGroup, the bracket won't be
-displayed as standard behaviour. This can be changed with:
-
-
-@code{\override [staffcontext].SystemStartBracket #'collapse-height =
-#1}
-
-
-This applies to all staff contexts with
-@code{systemStartDelimiter}-property set to @code{'SystemStartBracket}.
-
-
-For staff contexts with @code{'SystemStartBrace}, such as
-@code{PianoStaff}, this tweaking can be used as well.
-" }
-
-\score {
- \new StaffGroup <<
- % Must be one lower than your actual amount off staff lines
- \override StaffGroup.SystemStartBracket #'collapse-height = #4
- \new Staff {
- c'4 d' e' f'
- }
- >>
- }
- {
- \new PianoStaff <<
- \override PianoStaff.SystemStartBrace #'collapse-height = #4
- \new Staff {
- c'4 d' e' f'
- }
- >>
- }
- \layout {
- ragged-right = ##t
- indent = 0\cm
- }
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-In an orchestral score, you may find it useful to hide multi-bar rests
-using @code{\RemoveEmptyStaffContext} to produce a \"Frenched\" score,
-but this can prove problematic when you want to make such bars visible.
-
-
-For example, imagine you are using a @code{PianoStaff} for a harp part.
-When there is music in one stave, you will want both staves to be
-visible. Of course, adding hidden notes to the invisible staff will
-make the stave visible, but this is a rather ugly kludge.
-
-
-A more elegant solution is to use the property
-@code{keepAliveInterfaces}. This determines which items of musical
-output are interesting enough to keep a bar visible when
-@code{remove-empty} is set. By default, it looks like this:
-
-
-@code{keepAliveInterfaces = #'(
- rhythmic-grob-interface
- lyric-interface
- stanza-number-interface
- percent-repeat-interface)}
-
-
-If you insert @code{multi-measure-rest-interface} into this list,
-multi-bar rests count as interesting items. You can then create macros
-to switch this behaviour on and off as required:
-
-
-@code{showMultiRests = @{ \set Staff.keepAliveInterfaces = #'(
- rhythmic-grob-interface
- multi-measure-rest-interface
- lyric-interface
- stanza-number-interface
- percent-repeat-interface) @}}
-
-
-@code{hideMultiRests = \unset Staff.keepAliveInterfaces}
-
-
-For this to work successfully, you must place these macros carefully,
-otherwise they tend to interfere with the visibility of other hidden
-staves.
-" }
-
-showMultiRests = { \set Staff.keepAliveInterfaces = #'(
- rhythmic-grob-interface
- multi-measure-rest-interface
- lyric-interface
- stanza-number-interface
- percent-repeat-interface)
-}
-hideMultiRests = \unset Staff.keepAliveInterfaces
-one = { \repeat unfold 4 { a1 b c' d' \break }
- R1 \showMultiRests R R \hideMultiRests R \break %Macro positioning is critical - overrides are inside each system,
- R1*4 \break %i.e. after first rest and before last
- R
-}
-two = { \override MultiMeasureRest #'color = #red
- R1*4
- R1 \showMultiRests R R \hideMultiRests R
- R1*4
- R
- R1 \showMultiRests R R R
- R R R \hideMultiRests R
- R1*4
-}
-three = { \override MultiMeasureRest #'color = #blue
- R1*4
- R
- R1 \showMultiRests R R \hideMultiRests R
- R1*4
- R1 \showMultiRests R R \hideMultiRests R
- R1*4
- R1 \showMultiRests R R R
-}
-\score {
- \new StaffGroup <<
- \context Staff = one \one
- \context Staff = two \two
- \context Staff = three \three
- >>
- \layout {
- \context { \RemoveEmptyStaffContext }
- }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If you have a choir score, or an orchestral score, where some voices
-are quiet for a long time, you might want to hide staves containing
-nothing (or only multi-measure rests). By default, lilypond will show
-all staves, even if they only contain rests. To change this into what
-is sometimes called a \"French Score\" style, simply add the
-\RemoveEmptyStaffContext variable, in a \context block, to your \layout.
-
-The first system would still show all staves for all voices. To force
-this setting to also apply to the first system of a score, set
-#'remove-first of VerticalAxisGroup to ##t.
-
-If only one staff is displayed, the choir or the StaffGroup bracket
-would also be hidden, so you will probably need to set
-#'collapse-height of SystemStartBracket to #1 (or anything smaller than
-5, which is the usual number of lines in a staff, see also snippet
-\"Display bracket with only one stave in the system\").
-
-If you have some voices where you still want to display all (even
-empty) staves, you need to set the remove-empty property of the
-VerticalAxisGroup to true for that one staff only. You can do this in
-the \with section of the staff (in this example, the alto staff will
-never erase empty lines, while the soprano staff will).
-" }
-
-sop = \relative c'' {
- R1*2 |\break
- c4 c c c | R1 |\break
- R1*2 | \break
- R1*2 |\break
- c4 c c c | R1 \bar"|."
-}
-
-alt = \relative c'' {
- g4 g g g | R1 | \break |
- R1*2 | \break
- R1*2 | \break
- g4 g g g | R1 | \break |
- g4 g g g | R1 \bar"|."
-}
-
-\layout {
- \context {
- % add the RemoveEmptyStaffContext that erases rest-only staves
- \RemoveEmptyStaffContext
- }
- \context {
- \Score
- % Remove all-rest staves also in the first system
- \override VerticalAxisGroup #'remove-first = ##t
- }
- \context {
- \ChoirStaff
- % If only one non-empty staff in a system exists, still print the backet
- \override SystemStartBracket #'collapse-height = #1
- }
-}
-
-\score{
- \context ChoirStaff <<
- \context Staff=soprano <<
- \sop
- \set Staff.shortInstrumentName = "S"
- >>
- % never remove empty staves from the alto staff:
- \context Staff=alto \with { \override VerticalAxisGroup #'remove-empty = ##f }
- <<
- \alt
- \set Staff.shortInstrumentName = "A"
- >>
- >>
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\header
-{
-
- texidoc = "Quotations take into account the transposition of both
-source and target. In this example, all instruments play sounding
-central C, the target is a instrument in F. The target part may be
-@code{\\transpose}d. In this case, all the pitches (including the
-quoted ones) will transposed as well. "
-
-}
-
-\version "2.11.23"
-
-\layout { ragged-right = ##t }
-
-
-\addQuote clarinet {
- \transposition bes
- d'16 d'16 d'8
- d'16 d'16 d'8
- d'16 d'16 d'8
- d'16 d'16 d'8
-}
-
-\addQuote sax {
- \transposition es'
- a8 a a a a a a a
-}
-
-quoteTest = {
- \transposition f % french horn
-
- g'4
- << \quoteDuring #"clarinet" { \skip 4 } s4^"clar" >>
- << \quoteDuring #"sax" { \skip 4 } s4^"sax" >>
-}
-
-
-<< \quoteTest
- \new Staff
- << \transpose c' d' \quoteTest
- s4_"up 1 tone"
- >>
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\header
-{
-
- texidoc = "With @code{\\quote}, fragments of previously entered
-music may be quoted. @code{quotedEventTypes} will determines what
-things are quoted. In this example, a 16th rests is not quoted, since
-@code{rest-event} is not in @code{quotedEventTypes}."
-
-}
-\version "2.11.23"
-\layout {
- ragged-right = ##t
-}
-
-
-quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
-
-\addQuote quoteMe \quoteMe
-original = \relative c'' { c8 d s2 es8 gis8 }
-
-<<
- \new Staff {
- \set Staff.instrumentName = "quoteMe"
- \quoteMe
- }
- \new Staff {
- \set Staff.instrumentName = "orig"
- \original
- }
- \new Staff \relative c'' <<
- \set Staff.instrumentName = "orig+quote"
- \set Staff.quotedEventTypes = #'(note-event articulation-event)
- \original
- \new Voice {
- s4
- \set fontSize = #-4
- \override Stem #'length-fraction = #(magstep -4)
- \quoteDuring #"quoteMe" { \skip 2. }
- }
- >>
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Marks can be printed as numbers.
-
-
-By setting @code{markFormatter} we may choose a different style of mark
-printing. Also, marks can be specified manually, with a markup
-argument.
-" }
-
-\paper {
- ragged-right = ##t
-}
-
-\relative c''{
- \set Score.markFormatter = #format-mark-numbers
- c1 | \mark \markup { \musicglyph #"scripts.coda" }
- c1 | \mark \default
- c1 | \mark \default
- \set Score.markFormatter
- = #(lambda (mark context)
- (make-box-markup (format-mark-numbers mark context)))
- c1 | \mark \default
- \set Score.markFormatter
- = #(lambda (mark context)
- (make-circle-markup (format-mark-numbers mark context)))
- c1 | \mark \default
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The @code{\tag} command marks music expressions with a name. These
-tagged expressions can be filtered out later. This mechanism can be
-used to make different versions of the same music. In this example, the
-top stave displays the music expression with all tags included. The
-bottom two staves are filtered: the part has cue notes and fingerings,
-but the score has not.
-" }
-
-\layout {
- ragged-right= ##t
-}
-
-common =
-\relative c'' {
- c1
- \relative c' <<
- \tag #'part <<
- R1 \\
- {
- \set fontSize = #-1
- c4_"cue" f2 g4 }
- >>
- \tag #'score R1
- >>
- c1-\tag #'part ^4
-}
-
-
-\simultaneous {
- \new Staff {
- \set Staff.instrumentName = #"both"
- \common
- }
- \new Staff {
- \set Staff.instrumentName = #"part"
- \keepWithTag #'part \common
- }
- \new Staff {
- \set Staff.instrumentName = #"score"
- \keepWithTag #'score \common
- }
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This is a Scheme function which prints a tempo mark such as
- Fast (♩= 222)
-" }
-
-tempoMark =
- #(define-music-function (parser location prependText notevalue appendText) (string? string? string?)
- #{
- \mark \markup
- { \line { $prependText " (" \fontsize #-2 \general-align #Y #DOWN \note #$notevalue #1 $appendText ) } }
- #})
-
-theMusic =
-{
- \once \override Score.RehearsalMark #'self-alignment-X = #-1
- \time 4/4 \tempoMark "Fast" "4" "= 220-222" s1
-}
-
-\score
-{
- \theMusic
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-In an orchestral score (Beethoven's Coriolan overture), there are
-different instrument groups, and some of the instruments may be
-transposed. Instruments are indicated either with a long or short name.
-
-
-" }
-
-\header {
- title = "Ouvertûre"
- subtitle = "Zu Heinrich Joseph v. Collins Trauerspiel"
- subsubtitle = \markup { \large \bold "Coriolan" }
- opus = "Op. 62"
- piece = \markup { \large Allegro con brio }
- composer = "Ludwig van Beethoven (1770-1827)"
-}
-
-#(set-global-staff-size 16)
-
-raisedFlat = \markup { \raise #0.4 \smaller \smaller \flat }
-
-flauti = \relative c' {
- \set Staff.instrumentName = #"2 Flauti "
- \set Staff.shortInstrumentName = #"Fl. "
- \time 4/4
- c1
- \break c
-% \break c
-% \break c
- \bar"|."
-}
-
-oboi = \relative c' {
- \set Staff.instrumentName = #"2 Oboi "
- \set Staff.shortInstrumentName = #"Ob. "
- c1 c
-}
-
-clarinetti = \relative c' {
- \set Staff.instrumentName = \markup { \column { "Clarinetti "
-\line { "in B" \raisedFlat } } }
- \set Staff.shortInstrumentName = \markup { \smaller { "Cl(B"
-\raisedFlat ") " } }
-
- c1 c
-}
-
-fagotti = \relative c {
- \set Staff.instrumentName = #"2 Fagotti "
- \set Staff.shortInstrumentName = #"Fg. "
- \clef bass
- c1 c
-}
-
-corni = \relative c' {
- \set Staff.instrumentName = \markup { \column { "Corni " \line {
-"in E" \raisedFlat } } }
- \set Staff.shortInstrumentName = \markup { \smaller { "Cor(E"
-\raisedFlat ") " } }
- c1 c
-}
-
-trombe = \relative c' {
- \set Staff.instrumentName = \markup \column { "2 Trombe " "(C) " }
- \set Staff.shortInstrumentName = \markup \column { "Tbe. " "(C) " }
- c1 c
-}
-
-timpani = \relative c {
- \set Staff.instrumentName = \markup \column { "Timpani " "(C-G) " }
- \set Staff.shortInstrumentName = #"Timp. "
- \clef bass
- c1 c
-}
-
-violinoI = \relative c' {
- \set Staff.instrumentName = #"Violino I "
- \set Staff.shortInstrumentName = #"Vl. I "
- c1 c
-}
-
-violinoII = \relative c' {
- \set Staff.instrumentName = #"Violino II "
- \set Staff.shortInstrumentName = #"Vl. II "
- c1 c
-}
-
-viola = \relative c' {
- \set Staff.instrumentName = #"Viola "
- \set Staff.shortInstrumentName = #"Vla. "
- \clef alto
- c1 c
-}
-
-violoncello = \relative c {
- \set Staff.instrumentName = \markup \column { "Violoncello " "e"
-"Contrabasso " }
- \set Staff.shortInstrumentName = \markup \column { "Vc. " "Cb. " }
- \clef bass
- c1 c
-}
-
-
-\paper {
- indent=10.0\mm
- line-width=150.0\mm
- ragged-bottom = ##t
-}
-
-#(set-global-staff-size 16)
-\book {
- \score {
- << \override Score.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 6)
- \new StaffGroup = "legni" <<
- \new Staff = "flauti" \flauti
- \new Staff = "oboi" \oboi
- \new Staff = "clarinetti" \clarinetti
- \new Staff = "fagotti" \fagotti
- >>
- \new StaffGroup = "ottoni" <<
- \new Staff = "corni" \corni
- \new Staff = "trombe" \trombe
- >>
- \new StaffGroup = "timpani" <<
- \new Staff = "timpani" \timpani
- {
- \skip 1
- % Hmm: this forces a staff-bracket, that's good!
- % However, I can't find where is decided on staff-bracket yes/no
- }
- >>
- \new StaffGroup = "archi" <<
- \new GrandStaff = "violini" <<
- \new Staff = "violinoI" \violinoI
- \new Staff = "violinoII" \violinoII
- >>
- \new Staff = "viola" \viola
- \new Staff = "violoncello" \violoncello
- >>
- >>
- \layout {
- \context {
- \RemoveEmptyStaffContext
- }
- \context {
- \Score
- \override TimeSignature #'style = #'C
- }
- }
- }
- % this is ignored?
- \paper {
- indent=10.0\mm
- line-width=150.0\mm
- }
-}
-
+++ /dev/null
-\version "2.10.0"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This example shows prelude in C major of WTK1, but coded using Scheme
-functions to avoid typing work.
-" }
-
-\version "2.11.23"
-
-\include "deutsch.ly"
-#(define (transform music)
- (let* ((es (ly:music-property music 'elements))
- (n (ly:music-property music 'name)))
- (if (not (equal? n 'SequentialMusic))
- (ly:warning "transform needs SequentialMusic, got ~a" n)
- (begin
- (let recurse ((elts es))
- (if (not (equal? elts '()))
- (begin
- ((trans (ly:music-property (cadr elts) 'elements)) (car
-elts))
- (set-cdr! elts (cddr elts))
- (recurse (cdr elts))
- )))))
- music
- ))
-
-#(define ((trans pitches) music)
- (let* ((es (ly:music-property music 'elements))
- (e (ly:music-property music 'element))
- (p (ly:music-property music 'pitch)))
-
- (if (pair? es)
- (ly:music-set-property!
- music 'elements
- (map (trans pitches) es)))
-
- (if (ly:music? e)
- (ly:music-set-property!
- music 'element
- ((trans pitches) e)))
-
- (if (ly:pitch? p)
- (let* ((o (ly:pitch-octave p))
- (n (ly:pitch-notename p))
- (i (+ (* 7 o) n))
- (pes (ly:music-property (list-ref pitches i) 'elements))
- (pnew (ly:music-property (car pes) 'pitch))
- )
- (ly:music-set-property! music 'pitch pnew)
- ))
- music))
-
-
-
-
-
-
-
-pat = \transpose c c' \repeat unfold 2 {
- << { \context Staff = "up" {r8 e16 f g e f g } }
- { \context Staff = "down" <<
- \context Voice = "vup" { \stemUp \tieUp r16 d8.~d4 }
- \context Voice = "vdwn" { \stemDown c2 }
- >> }
- >>
-}
-
-enda = { r8 f,16 a, c f c a, \stemUp c \change Staff = down
- a, f, a, f, d, f, d, \change Staff = up \stemNeutral
- r8 g16 h d' f' d' h d' h g h d f e\prall d <e g c'>1^\fermata \bar
-"|."
-}
-endb = {\stemUp \tieUp r16 c,8.~c,4~c,2 r16 h,,8.~h,,4~h,,2 c,1 \bar
-"|."}
-endc = {\stemDown \tieDown c,,2~c,, c,,~c,, c,,1_\fermata }
-
-\score {
- \transpose c c' \context PianoStaff <<
- \new Staff = "up" { \clef "G" }
- \new Staff = "down" { \clef "F" }
- { \applyMusic #transform {
- \pat {c e g c' e' }
- \pat {c d a d' f' }
- }
- % Etc, we get the idea now
- }
- >>
-}
-
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The \\markup command is quite versatile. In this snippet, it contains a
-\\score bloc instead of texts or marks.
-" }
-
-tuning = \markup {
- \score {
- \new Staff \with {
- \remove Time_signature_engraver
- } {
- \clef bass <c, g, d g>1
- }
- \layout { ragged-right = ##t }
- }
-}
-
-
-\header {
- title = "Solo Cello Suites"
- subtitle = "Suite IV"
- subsubtitle = \markup { "Originalstimmung:" \tuning }
-}
-
-\relative {
- \time 4/8
- \times 2/3 { c'8 d e } \times 2/3 {c d e}
- \times 2/3 { c8 d e } \times 2/3 {c d e}
- g8 a8 g8 a
- g8 a8 g8 a
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-A template to write score for a diatonic accordion.
-
-- There is a horizontal staff indicating if the accordion  must be
-pushed (thick line) or pulled (thin line)
-
-- There is a small rhytmic staff with lyrics that describes the bass
-buttons to press. Â The bar-lines are made of gridlines ( Gridlines,
-not a really satisfying solution, but the best I found)
-
-- The tabulator staff for diatonic accordions shows the geographic
-position of the buttons  and not (as for every other instrument) the
-pitch of the tones. Â The keys on the melody-side of the accordion are
-placed in three columns and about 12 rows. Â In the tabulator staff
-notation the  - most outer column is described with notes between
-lines  - most inner column is described with notes between lines with
-a cross as accidental  - middle column is described with notes on a
-line, whereby the row in the middle is represented    on the middle
-line in the staff.
-
-
-
-Some words to transpose piano note to the diatonic accordion.
------------------------------------------------------------- 1. Every
-diatonic accordion is built for some keys only. For example   for the
-key of C-major and F-major. Â Â So it is important to transpose a piano
-melody to match one of these keys. Â Â Transpose the source code, not
-only the output because   you need this code later on to translate it
-once more to the tabulator staff. Â Â This can be done with the command
-'displayLilyMusic'.
-
-2. You have to alternate the push and pull-direction of the accordion
-regularely. Â Â If the player has a too long part to pull the accordion
-gets broken. Â Â At the other hand some harmonies are only available in
-one direction (push or pull) Â Â Considering this decide which parts of
-the melody are the push-parts and whic the pull-parts.
-
-3. For each pull- / or push-part translate the piano notes to the
-according tabulatur representation.
-
-This snippet comes with a useful optional macro for the jEdit text
-editor.
-" }
-
-% Created on Sat Aug 17 2007 by ak
-
-verse= \lyricmode { Wie gross bist du! Wie gross bist du! }
-
-harmonies = \new ChordNames \chordmode {
- \germanChords \set chordChanges = ##t
- bes8 bes8 bes8 es2 f bes1
-}
-
-NoStem = \override Stem #'transparent = ##t
-NoNoteHead= \override NoteHead #'transparent = ##t
-ZeroBeam = \override Beam #'positions = #'(0 . 0)
-
-staffTabLine = \new Staff \with { \remove "Time_signature_engraver" \remove "Clef_engraver" } {
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
-% Shows one horizontal line. The vertical line (simulating a bar-line) is simulated with a gridline
- \set Staff.midiInstrument="choir aahs"
- \key c \major
- \relative c''
- {
- % disable the following line to see the the noteheads while writing the song
- \NoNoteHead
- \override NoteHead #'no-ledgers = ##t
-
- % The beam between 8th-notes is used to draw the push-line
- %How to fast write the push-lines:
- % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
- % 2. uncomment the line \NoNoteHead
- % 3. compile
- % 4. Mark the positions on which push/pull changes.
- % In the score-picture click on the position the push- or pull-part starts
- % (on the noteHead, the cursor will change to a hand-icon).
- % The cursor in the source code will jump just at this position.
- % a) If a push-part starts there, replace the 'c' by an 'e['
- % b) If a pull-part starts there, replace the 'c' by an 's'
- % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
- % 6. For the pull-parts overwrite the 'c' with 's'
- % 7. For every push-part replace the last 'c' with 'e]'
- % 8. Switch into 'insert-mode' again
- % 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
- % 10. re-enable the line \NoNoteHead
- \autoBeamOff
- \ZeroBeam
- s8 s s | e[ c c c c c c e] | s s s s s
- }
-}
-
-%{
-notePush= { e f fis g a c' c' d' ees' e' f' fis' g' a' bes' c'' c'' d'' ees'' e'' f'' fis'' g'' a'' c''' c''' ees''' e''' f''' g''' a''' }
-tabPush= { g f e b a d' c' bisis disis' f' e' aisis' a' g' fisis' b' c'' eisis'' cisis'' e'' d'' gisis'' g'' f'' a'' b'' bisis'' d''' c''' f''' e''' }
-
-notePull= { g aes bes b c' cis' d' ees' e' f' fis' g' aes' a' bes' b' c'' cis'' d'' ees'' e'' f'' g'' aes'' a'' bes'' b'' c''' cis''' d''' e''' }
-tabPull= { g e f b a disis' d' bisis c' f' fisis' e' aisis' a' g' c'' b' cisis'' e'' eisis'' d'' g'' f'' gisis'' b'' a'' d''' f''' bisis'' c''' e''' }
-%}
-
-% Accordion melody in tabulator score
-% 1. Place a copy of the piano melody below
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
-% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
-% Tips:
-% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-
-AccordionTabTwoCBesDur= {
- % pull 1
- %<f' bes'>8 <f' a'>8 <d' bes'>8 |
-<g'' a''>8 <g'' b''>8 <e'' a''>8 |
- % push 2
- %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
-<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
- % pull 3
-% <f' bes'>2 r8 }
- <g'' a''>2 r8 }
-
- AccordionTab= { \dynamicUp
-% 1. Place a copy of the piano melody above
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
-% change the second line using the transformation paper
-% Tips:
-% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-% -
-\AccordionTabTwoCBesDur
- }
-
-
-
- \layout {
- \context {
- \Staff
- \consists "Grid_point_engraver"
-
- gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
-
- % The following line has to be adjusted O-F-T-E-N.
- \override GridPoint #'Y-extent = #'(-2 . -21)
- }
- \context {
- \ChoirStaff
- \remove "System_start_delimiter_engraver"
- }
-}
-
-staffVoice = \new Staff=astaffvoice {
- \time 4/4
- \set Staff.instrumentName="Voice"
- \set Staff.midiInstrument="voice oohs"
- \key bes \major
- \partial 8*3
- \clef treble
- {
- \context Voice = "melodyVoi"
- { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
- \bar "|."
- }
-}
-
-staffAccordionMel = \new Staff \with { \remove "Clef_engraver" } {
- #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
- %do not remember them for the rest of the measure.
- \time 4/4
- \set Staff.instrumentName="Accordion"
- \set Staff.midiInstrument="voice oohs"
- \key c \major
- \clef treble
- { \AccordionTab \bar "|." }
-}
-
- AltOn = #(define-music-function (parser location mag) (number?)
- #{ \override Stem #'length = #$(* 7.0 mag)
- \override NoteHead #'font-size =
- #$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
-
- AltOff = {
- \revert Stem #'length
- \revert NoteHead #'font-size
- }
-
-BassRhytm = {s4 s8 | c2 c2 | c2 s8 }
-LyricBassRhythmI= \lyricmode { c b | c }
-
-staffBassRhytm = \new Staff=staffbass \with { \remove "Clef_engraver" } {
- % This is not a RhythmicStaff because it must be possible to append lyrics.
-
- \override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
- % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
- % Search for 'grid' in this page to find all related functions
- \time 4/4
- {
- \context Voice = "VoiceBassRhytm"
- \stemDown \AltOn #0.6
- \relative c''
- {
- \BassRhytm
- }
- \AltOff
- \bar "|."
- }
-}
-
-\new Score
-\with {
- \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
-}
-\new ChoirStaff
- <<
- \harmonies
- \staffVoice
- \context Lyrics = "lmelodyVoi" \with {alignBelowContext=astaffvoice} { \lyricsto "melodyVoi" \verse }
- \staffAccordionMel
- \staffTabLine
- \staffBassRhytm
- \context Lyrics = "lBassRhytmAboveI" \with {alignAboveContext=staffbass} \lyricsto VoiceBassRhytm \LyricBassRhythmI
- >>
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% APPENDIX %
-% macro 'macro_conv2diaton_push.bsh' for jedit editor %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-%{
-// original saved in 'Handorg_Adria_Diaton_III.xls'
-// Save this buffer, to the other recorded macros in the jedit editor
-// and the macro should appear in the
-// Macros menu.
-
-// /ak 17.8.07 This macro from converts lilypond piano notation into
-// lilypond tabulator notation for the push-part (at the bottom the pull-part) of a diatonic accordion
-// It replaces the piano notes of the line where the cursor is by the accordion notation
-
-
-
-// Known issues: 1) A note at the end of line is not replaced
-
-textArea.goToEndOfWhiteSpace(false);
-textArea.goToStartOfWhiteSpace(true);
-
-
-String firstName, lastName;
-
-int ReplaceTextInSelection(String sfind, String sreplace)
-{
-//MsgConcat = new StringBuffer(512);
-//MsgConcat.append("Ha");
-
-//Macros.message(view, "On that line replace \"" + sfind + "\" by \"" + sreplace+ "\"");
-SearchAndReplace.setSearchString(sfind.toString());
-SearchAndReplace.setReplaceString(sreplace.toString());
-SearchAndReplace.setBeanShellReplace(false);
-SearchAndReplace.setIgnoreCase(true);
-SearchAndReplace.replace(view);
-SearchAndReplace.setRegexp(true);
-return 1;
-}
-
-
-String smainfind;
-String smainrepl;
-
-
-// Push-part tmp
-smainfind="(\\s|^|<|\\{)(c,)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e,)([^\'^is^es])"; smainrepl="$1tmpg$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g,)([^\'^is^es])"; smainrepl="$1tmpb$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a,)([^\'^is^es])"; smainrepl="$1tmpa$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e)([^\'^is^es])"; smainrepl="$1tmpf\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f)([^\'^is^es])"; smainrepl="$1tmpe\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g)([^\'^is^es])"; smainrepl="$1tmpa\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b)([^\'^is^es])"; smainrepl="$1tmpr$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\')([^\'^is^es])"; smainrepl="$1tmpb\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\')([^\'^is^es])"; smainrepl="$1tmpe\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\')([^\'^is^es])"; smainrepl="$1tmpd\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\')([^\'^is^es])"; smainrepl="$1tmpg\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(as\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\')([^\'^is^es])"; smainrepl="$1tmpf\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\'\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\'\')([^\'^is^es])"; smainrepl="$1tmpc\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\'\')([^\'^is^es])"; smainrepl="$1tmpe\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-
-smainfind="(\\s|^|<|\\{)(tmp)()"; smainrepl="$1$3"; ReplaceTextInSelection( smainfind, smainrepl );
-*/
-
-/*
-// Pull-part tmp
-smainfind="(\\s|^|<|\\{)(c,)([^\'^is^es])"; smainrepl="$1tmpa-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des,)([^\'^is^es])"; smainrepl="$1tmpdisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d,)([^\'^is^es])"; smainrepl="$1tmpd\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees,)([^\'^is^es])"; smainrepl="$1tmpbisis-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e,)([^\'^is^es])"; smainrepl="$1tmpc\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f,)([^\'^is^es])"; smainrepl="$1tmpf\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges,)([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g,)([^\'^is^es])"; smainrepl="$1tmpg$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes,)([^\'^is^es])"; smainrepl="$1tmpe$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a,)([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes,)([^\'^is^es])"; smainrepl="$1tmpf$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b,)([^\'^is^es])"; smainrepl="$1tmpb$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c)([^\'^is^es])"; smainrepl="$1tmpa$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des)([^\'^is^es])"; smainrepl="$1tmpdisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d)([^\'^is^es])"; smainrepl="$1tmpd\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees)([^\'^is^es])"; smainrepl="$1tmpbisis$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e)([^\'^is^es])"; smainrepl="$1tmpc\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f)([^\'^is^es])"; smainrepl="$1tmpf\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges)([^\'^is^es])"; smainrepl="$1tmpfisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g)([^\'^is^es])"; smainrepl="$1tmpe\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes)([^\'^is^es])"; smainrepl="$1tmpaisis\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a)([^\'^is^es])"; smainrepl="$1tmpa\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes)([^\'^is^es])"; smainrepl="$1tmpg\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b)([^\'^is^es])"; smainrepl="$1tmpc\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\')([^\'^is^es])"; smainrepl="$1tmpb\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\')([^\'^is^es])"; smainrepl="$1tmpcisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\')([^\'^is^es])"; smainrepl="$1tmpe\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\')([^\'^is^es])"; smainrepl="$1tmpd\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\')([^\'^is^es])"; smainrepl="$1tmpg\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\')([^\'^is^es])"; smainrepl="$1tmpfisis\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\')([^\'^is^es])"; smainrepl="$1tmpf\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\')([^\'^is^es])"; smainrepl="$1tmpb\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(c\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(cis\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(des\'\')([^\'^is^es])"; smainrepl="$1tmpbisis\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(d\'\')([^\'^is^es])"; smainrepl="$1tmpc\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(dis\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ees\'\')([^\'^is^es])"; smainrepl="$1tmpeisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(e\'\')([^\'^is^es])"; smainrepl="$1tmpe\'\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(f\'\')([^\'^is^es])"; smainrepl="$1tmpg\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(fis\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ges\'\')([^\'^is^es])"; smainrepl="$1tmpr-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(g\'\')([^\'^is^es])"; smainrepl="$1tmpf\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(gis\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(aes\'\')([^\'^is^es])"; smainrepl="$1tmpgisis\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(a\'\')([^\'^is^es])"; smainrepl="$1tmpb\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(ais\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(bes\'\')([^\'^is^es])"; smainrepl="$1tmpa\'\'$3"; ReplaceTextInSelection( smainfind, smainrepl );
-smainfind="(\\s|^|<|\\{)(b\'\')([^\'^is^es])"; smainrepl="$1tmpd\'\'\'-.$3"; ReplaceTextInSelection( smainfind, smainrepl );
-
-smainfind="(\\s|^|<|\\{)(tmp)()"; smainrepl="$1$3"; ReplaceTextInSelection( smainfind, smainrepl );
-*/
-
-
-%}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-You can add various stuff to notes using @code{make-music}. In this
-example, an extra fingering is attached to a note.
-
-
-In general, first do a @code{display} of the music you want to create,
-then write a function that will structure the music for you.
-
-
-" }
-
-#(define (make-text-script x)
- (make-music 'TextScriptEvent
- 'direction DOWN
- 'text (make-simple-markup x)))
-
-#(define (add-text-script m x)
- (if (equal? (ly:music-property m 'name) 'EventChord)
- (set! (ly:music-property m 'elements)
- (cons (make-text-script x)
- (ly:music-property m 'elements)))
- (let ((es (ly:music-property m 'elements))
- (e (ly:music-property m 'element)))
- (map (lambda (y) (add-text-script y x)) es)
- (if (ly:music? e)
- (add-text-script e x))))
- m)
-
-addScript =
-#(define-music-function (parser location script music )
- ( string? ly:music? )
- (add-text-script music script))
-
-\score {
- {
- \addScript "6" { c'4-3 }
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Using @code{make-music}, you can add various stuff to notes. In this
-example staccato dots are added to the notes. For this simple case, it
-is not necessary to use scm constructs.
-
-
-" }
-
-#(define (make-script x)
- (make-music 'ArticulationEvent
- 'articulation-type x))
-
-#(define (add-script m x)
- (if
- (equal? (ly:music-property m 'name) 'EventChord)
- (set! (ly:music-property m 'elements)
- (cons (make-script x)
- (ly:music-property m 'elements))))
- m)
-
-#(define (add-staccato m)
- (add-script m "staccato"))
-
-addStacc =
-#(define-music-function (parser location music)
- (ly:music?)
- (music-map add-staccato music))
-
-\score {
- \relative c'' {
- a b \addStacc { c c }
- }
- \layout{ ragged-right = ##t }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If you want to see what a piece looks like twice faster, or slower,
-without having to correct every duration manually, here is an easy way
-to do it.
-" }
-
-\paper { indent = 0 }
-
-
-music = {a4. b4 c b8 a g a4 b8 a}
-
-looksFaster = #(define-music-function (parser location music)
- (ly:music?)
- (let ((new-music (ly:music-deep-copy music)))
- (shift-duration-log new-music 1 0)
- new-music))
-
-looksSlower = #(define-music-function (parser location music)
- (ly:music?)
- (let ((new-music (ly:music-deep-copy music)))
- (shift-duration-log new-music -1 0)
- new-music))
-
-\score { \new Voice { \time 7/8 \music
-\break \looksFaster { \time 7/16 \music }
-\break \looksSlower { \time 7/4 \music }}}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The @code{\applyOutput} command gives you the ability to tune any
-layout object, in any context. It requires a Scheme function with three
-arguments; advanced users can write it quite easily, whereas new users
-may want to use pre-defined functions such as this snippet, or the
-example in the manual.
-" }
-
-% ****************************************************************
-% ly snippet:
-% ****************************************************************
-
-\layout {
- ragged-right = ##t
-}
-
-#(define (mc-squared gr org cur)
- (let*
- (
- (ifs (ly:grob-interfaces gr))
- (sp (ly:grob-property gr 'staff-position))
- )
- (if (memq 'note-head-interface ifs)
- (begin
- (ly:grob-set-property! gr 'stencil ly:text-interface::print)
- (ly:grob-set-property! gr 'font-family 'roman)
- (ly:grob-set-property! gr 'text
- (make-raise-markup -0.5
- (case sp
- ((-5) (make-simple-markup "m"))
- ((-3) (make-simple-markup "c "))
- ((-2) (make-smaller-markup (make-bold-markup "2")))
- (else (make-simple-markup "bla"))
- ))))
- )))
-
-\context Voice \relative c' {
- \stemUp
- \set autoBeaming = ##f
-
- { <d f g b>8
-
- \applyOutput #'Voice #mc-squared
- <d f g b>
- }
-}
-
-% ****************************************************************
-% end ly snippet
-% ****************************************************************
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-In music that contains many occurrences of the same sequence of notes
-at different pitches, you can use the following music function. It
-takes a note, of which the pitch is used. The supporting Scheme
-functions were borrowed from the Tips and Tricks document in the manual.
-
-This example creates the rhythm used throughout Mars, from The Planets,
-by Gustav Holst.
-" }
-
-#(define (make-note-req p d)
- (make-music 'NoteEvent
- 'duration d
- 'pitch p))
-
-#(define (make-note p d)
- (make-music 'EventChord
- 'elements (list (make-note-req p d))))
-
-#(define (seq-music-list elts)
- (make-music 'SequentialMusic
- 'elements elts))
-
-#(define (make-triplet elt)
- (make-music 'TimeScaledMusic
- 'denominator 3
- 'numerator 2
- 'element elt))
-
-
-rhythm = #(define-music-function (parser location note) (ly:music?)
- "Make the rhythm in Mars (the Planets) at the given note's pitch"
- (let* ((p (ly:music-property
- (car (ly:music-property note 'elements))
- 'pitch)))
- (seq-music-list (list
- (make-triplet (seq-music-list (list
- (make-note p (ly:make-duration 3 0 2 3))
- (make-note p (ly:make-duration 3 0 2 3))
- (make-note p (ly:make-duration 3 0 2 3))
- )))
- (make-note p (ly:make-duration 2 0))
- (make-note p (ly:make-duration 2 0))
- (make-note p (ly:make-duration 3 0))
- (make-note p (ly:make-duration 3 0))
- (make-note p (ly:make-duration 2 0))
- ))))
-
-\score {
- \new Staff {
- \time 5/4
-
- \rhythm c'
- \rhythm c''
- \rhythm g
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This example shows prelude in C major of WTK1, but coded using Scheme
-functions to avoid typing work.
-" }
-
-\version "2.11.23"
-
-\include "deutsch.ly"
-#(define (transform music)
- (let* ((es (ly:music-property music 'elements))
- (n (ly:music-property music 'name)))
- (if (not (equal? n 'SequentialMusic))
- (ly:warning "transform needs SequentialMusic, got ~a" n)
- (begin
- (let recurse ((elts es))
- (if (not (equal? elts '()))
- (begin
- ((trans (ly:music-property (cadr elts) 'elements)) (car
-elts))
- (set-cdr! elts (cddr elts))
- (recurse (cdr elts))
- )))))
- music
- ))
-
-#(define ((trans pitches) music)
- (let* ((es (ly:music-property music 'elements))
- (e (ly:music-property music 'element))
- (p (ly:music-property music 'pitch)))
-
- (if (pair? es)
- (ly:music-set-property!
- music 'elements
- (map (trans pitches) es)))
-
- (if (ly:music? e)
- (ly:music-set-property!
- music 'element
- ((trans pitches) e)))
-
- (if (ly:pitch? p)
- (let* ((o (ly:pitch-octave p))
- (n (ly:pitch-notename p))
- (i (+ (* 7 o) n))
- (pes (ly:music-property (list-ref pitches i) 'elements))
- (pnew (ly:music-property (car pes) 'pitch))
- )
- (ly:music-set-property! music 'pitch pnew)
- ))
- music))
-
-
-
-
-
-
-
-pat = \transpose c c' \repeat unfold 2 {
- << { \context Staff = "up" {r8 e16 f g e f g } }
- { \context Staff = "down" <<
- \context Voice = "vup" { \stemUp \tieUp r16 d8.~d4 }
- \context Voice = "vdwn" { \stemDown c2 }
- >> }
- >>
-}
-
-enda = { r8 f,16 a, c f c a, \stemUp c \change Staff = down
- a, f, a, f, d, f, d, \change Staff = up \stemNeutral
- r8 g16 h d' f' d' h d' h g h d f e\prall d <e g c'>1^\fermata \bar
-"|."
-}
-endb = {\stemUp \tieUp r16 c,8.~c,4~c,2 r16 h,,8.~h,,4~h,,2 c,1 \bar
-"|."}
-endc = {\stemDown \tieDown c,,2~c,, c,,~c,, c,,1_\fermata }
-
-\score {
- \transpose c c' \context PianoStaff <<
- \new Staff = "up" { \clef "G" }
- \new Staff = "down" { \clef "F" }
- { \applyMusic #transform {
- \pat {c e g c' e' }
- \pat {c d a d' f' }
- }
- % Etc, we get the idea now
- }
- >>
-}
-
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Thanks to its implementation of GUILE, LilyPond makes high level
-functionalities relatively easy to accomplish.
-
-In this example, the title will mention the current version (i.e. the
-version the snippet was compiled with, regardless which \version was
-originally used).
-" }
-
-#(if (not (defined? 'pieceTagLine))
- (define pieceTagLine (string-append "You are running version " (lilypond-version))))
-
-\header{
- title = \pieceTagLine
-}
-
-{ c'4 }
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-You can engrave music using just Scheme expressions. Although those
-expressions reflect the inner mechanism of LilyPond, they are rather
-clumsy to use, so avoid them, if possible.
-" }
-
-#(define (make-note-req p d)
- (make-music 'NoteEvent
- 'duration d
- 'pitch p))
-
-#(define (make-note elts)
- (make-music 'EventChord
- 'elements elts))
-
-#(define (seq-music-list elts)
- (make-music 'SequentialMusic
- 'elements elts))
-
-fooMusic = #(seq-music-list
- (list (make-note (list (make-note-req (ly:make-pitch 1 0 0) (ly:make-duration 2 0))))
- (make-note (list (make-note-req (ly:make-pitch 1 1 0) (ly:make-duration 2 0))))))
-
-\score { \fooMusic
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Symmetric, or palindromical music can be produced, first, by printing
-some music, and second, by printing the same music applying a Scheme
-function to reverse the syntax.
-
-
-" }
-
-#(define (reverse-music music)
- (let* ((elements (ly:music-property music 'elements))
- (reversed (reverse elements))
- (e (ly:music-property music 'element))
- (span-dir (ly:music-property music 'span-direction)))
-
- (ly:music-set-property! music 'elements reversed)
-
- (if (ly:music? e)
- (ly:music-set-property!
- music 'element
- (reverse-music e)))
-
- (if (ly:dir? span-dir)
- (ly:music-set-property! music 'span-direction (- span-dir)))
-
- (map reverse-music reversed)
-
- music))
-
-reverseMusic =
-#(define-music-function (parser location m) (ly:music?)
- (reverse-music m)
- )
-
-music = \relative c'' { c4 d4( e4 f4 }
-
-\score {
-\context Voice {
- \music
- \reverseMusic \music
- }
- \layout { ragged-right = ##t}
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This Scheme-based snippet allows you to generate 256 random notes based
-on the current time (or any randomish number you might wish to specify
-instead, so you can obtain the same random notes each time): i.e. to
-get different random notes patterns, just change this number.
-" }
-
-\score {
-{ #(let ((random-state (seed->random-state (current-time))))
- (ly:export
- (make-music 'SequentialMusic 'elements
- (map (lambda x
- (let ((idx (random 12 random-state)))
- (make-music 'EventChord
- 'elements (list (make-music 'NoteEvent
- 'duration (ly:make-duration 2 0 1 1)
- 'pitch (ly:make-pitch (quotient idx 7)
- (remainder idx 7)
- 0))))))
- (make-list 256)))))
- }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-It is possible to use fragments of LilyPond syntax inside Scheme, by
-putting them between #@{ and #@}. In this example, three functions are
-defined to apply different paddings on the TextScript markups, using
-native LilyPond commands such as \"\override TextScript #'padding\".
-" }
-
-\layout { ragged-right = ##t }
-
-withPaddingA = #(define-music-function (parser location padding music) (number? ly:music?)
- #{ \override TextScript #'padding = #$padding
- $music
- \revert TextScript #'padding #})
-
-withPaddingB = #(define-music-function (parser location padding music) (number? ly:music?)
- #{ \override TextScript #'padding = #$(* padding 2)
- $music
- \revert TextScript #'padding #})
-
-withPaddingC = #(define-music-function (parser location padding music) (number? ly:music?)
- #{ \override TextScript #'padding = #(+ 1 $(* padding 2))
- $music
- \revert TextScript #'padding #})
-
-{
- c'^"1"
- \withPaddingA #2
- { c'^"2" c'^"3"}
- c'^"4"
- \withPaddingB #2
- { c'^"5" c'^"6"}
- c'^"7"
- \withPaddingC #2
- { c'^"8" c'^"9"}
- c'^"10"
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-
-\version "2.11.23"
-% possible rename to scheme- or something like that. -gp
-\header { texidoc = "@cindex Scheme Move Text
-Objects, like text, can be moved around by using some Scheme code.
-" }
-
-#(define (make-text-checker text)
- (lambda (grob) (equal? text (ly:grob-property grob 'text))))
-
-\score {
- \relative c''' {
- \stemUp
- \applyOutput #'Voice #(outputproperty-compatibility (make-text-checker (make-simple-markup "m.d."))
- 'extra-offset '(-3.5 . -4.5))
- a^2^"m.d."
- }
- \layout { ragged-right = ##t}
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-There is a way to enforce enharmonic modifications for notes in order
-to have the minimum number of accidentals. In that case, ``Double
-accidentals should be removed, as well as E-sharp (-> F), bC (-> B), bF
-(-> E), B-sharp (-> C).'', as proposed by a request for a new feature.
-In this manner, the most natural enharmonic notes are chosen in this
-example.
-" }
-
-#(define (naturalise-pitch p)
- (let* ((o (ly:pitch-octave p))
- (a (ly:pitch-alteration p))
- (n (ly:pitch-notename p)))
-
- (cond
- ((and (> a 1) (or (eq? n 6) (eq? n 2)))
- (set! a (- a 2))
- (set! n (+ n 1)))
- ((and (< a -1) (or (eq? n 0) (eq? n 3)))
- (set! a (+ a 2))
- (set! n (- n 1))))
-
- (cond
- ((> a 2) (set! a (- a 4)) (set! n (+ n 1)))
- ((< a -2) (set! a (+ a 4)) (set! n (- n 1))))
-
- (if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
- (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
-
- (ly:make-pitch o n a)))
-
-#(define (naturalise music)
- (let* ((es (ly:music-property music 'elements))
- (e (ly:music-property music 'element))
- (p (ly:music-property music 'pitch)))
-
- (if (pair? es)
- (ly:music-set-property!
- music 'elements
- (map (lambda (x) (naturalise x)) es)))
-
- (if (ly:music? e)
- (ly:music-set-property!
- music 'element
- (naturalise e)))
-
- (if (ly:pitch? p)
- (begin
- (set! p (naturalise-pitch p))
- (ly:music-set-property! music 'pitch p)))
-
- music))
-
-music = \relative c' { c4 d e f g a b c }
-
-naturaliseMusic =
-#(define-music-function (parser location m)
- (ly:music?)
- (naturalise m))
-
-\score {
- \context Staff {
- \transpose c ais \music
- \naturaliseMusic \transpose c ais \music
- \transpose c deses \music
- \naturaliseMusic \transpose c deses \music
- }
- \layout { ragged-right = ##t}
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header{
-texidoc = "
-@unnumbered Introduction
-
-This document shows examples from the
-@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}.
-
-In the web version of this document, you can click on the file name
-or figure for each example to see the corresponding input file."
-}
-
-% make sure .png is generated.
-\markup{ "This document is for LilyPond version" #(ly:export(lilypond-version)) }
-
+++ /dev/null
-
-depth = ../../../
-
-STEPMAKE_TEMPLATES=documentation texinfo tex
-LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
-EXTRA_DIST_FILES=
-
-include $(depth)/make/stepmake.make
-
-TITLE=Advanced snippets
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This snippet shows of to use the @code{alignBelowContext} and
-@code{alignAboveContext} properties, which may be needed for text
-elements (e.g. lyrics) positioning, but also for musical contents such
-as ossias.
-" }
-
-\paper {
- ragged-right = ##t
-}
-
-\relative <<
- \new Staff = "1" { c4 c s2 }
- \new Staff = "2" { c4 c s2 }
- \new Staff = "3" { c4 c s2 }
- { \skip 2
- <<
- \lyrics {
- \set alignBelowContext = #"1"
- below8 first staff
- }
- \new Staff {
- \set Staff.alignAboveContext = #"3"
- \times 4/6 {
- \override TextScript #'padding = #3
- c8^"this" d_"staff" e^"above" d_"last" e^"staff" f
- }
- }
- >> }
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-By setting properties in @code{NonMusicalPaperColumn}, vertical spacing
-of alignments can be adjusted per system.
-
-
-By setting @code{alignment-extra-space} or
-@code{fixed-alignment-extra-space} an individual system may be
-stretched vertically.
-
-
-For technical reasons, @code{\overrideProperty} has to be used for
-setting properties on individual objects. @code{\override} in a
-@code{\context} block may still be used for global overrides.
-" }
-
-#(set-global-staff-size 13)
-
-\relative c''
-\new StaffGroup <<
- \new Staff {
- c1\break
- c\break
- c\break
- }
- \new Staff {
- c1 c c
- }
- \new PianoStaff <<
- \new Voice {
- \set PianoStaff.instrumentName = #"piano"
- \set PianoStaff.shortInstrumentName = #"pn"
- c1_"normal"
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((fixed-alignment-extra-space . 15))
- c_"fixed-aligment-extra-space"
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((alignment-extra-space . 15))
- c_"aligment-extra-space"
- }
- { c1 c c }
- >>
->>
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If you want to see exactly what amount of space takes your system, you
-can display it by overriding the #'stencil property in the System
-context: as you can see here, the system size is determined by
-including every postscript element such as slurs or key symbol.
-" }
-
-\layout {
- \context {
- \Score
- \override System #'stencil = #box-grob-stencil
- }
-}
-
-\new Voice
-{
- \unset Staff.minimumVerticalExtent
- \override Score.RehearsalMark #'font-size = #20
-
- \slurDown c4 ( g4 c''4)
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-By setting the Scheme property 'debug-skylines, you can turn your score
-into a nice funky artwork :-) More seriously, drawing this skyline can
-be helpful to debug spacing and collision issues. (Still, it does make
-your score pretty; so just try it, no matter how much you really need
-to...)
-" }
-
-#(ly:set-option 'debug-skylines #t)
-\book {
- \score {
- {
- a,,1 | a'4 b' c'' d'' \break
- \repeat unfold 2 {a' b' c'' d''} | b''''1
- }
- }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.26"
-
-\header {
- texidoc = "Page labels may be placed inside music or at top-level,
-and refered to in markups."
-}
-
-#(set-default-paper-size "a6")
-
-#(define-markup-command (toc-line layout props label text) (symbol? markup?)
- (interpret-markup layout props
- (markup #:fill-line (text #:page-ref label "8" "?"))))
-
-\book {
- \markup \huge \fill-line { \null "Title Page" \null }
-
- \pageBreak
-
- \label #'toc
- \markup \column {
- \large \fill-line { \null "Table of contents" \null }
- \toc-line #'toc "Table of contents"
- \toc-line #'firstScore "First Score"
- \toc-line #'markA "Mark A"
- \toc-line #'markB "Mark B"
- \toc-line #'markC "Mark C"
- \toc-line #'unknown "Unknown label"
- }
-
- \pageBreak
-
- \label #'firstScore
- \score {
- { c'2 c'
- \mark \markup { A (page \concat { \page-ref #'markA "0" "?" ) }} \label #'markA
- c' c'
- \pageBreak
- \mark "B" \label #'markB
- d' d'
- d' d'
- \once \override Score . RehearsalMark #'break-visibility = #begin-of-line-invisible
- \mark "C" \label #'markC
- }
- \header { piece = "First score" }
- }
-}
\ No newline at end of file
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-By setting properties in @code{NonMusicalPaperColumn}, vertical spacing
-of page layout can be adjusted.
-
-
-For technical reasons, @code{overrideProperty} has to be used for
-setting properties on individual objects. @code{\override} may still be
-used for global overrides.
-
-
-By setting @code{annotate-spacing}, we can see the effect of each
-property.
-" }
-
-#(set-global-staff-size 11)
-
- \book {
- \score {
- \relative c'' \new PianoStaff <<
- \new Voice {
- c1_"followed by default spacing"
- \break
- c
- \break
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((Y-extent . (-30 . 10)))
- c_"Big bounding box (property Y-extent)"
- \break
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((refpoint-Y-extent . (-37 . -10)))
- c_\markup {
- \column {
- "Refpoints further apart (property refpoint-Y-extent)."
- "Stretchable space runs between refpoints" } }
- \break
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((next-padding . 10))
- c_"Followed by padding, ie unstretchable space (property next-padding)."
- \break
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((next-space . 20))
- c_"Followed by stretchable space (property next-space)"
- \break
- c
- \break
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((bottom-space . 25.0))
- c_"25 staff space to the bottom of the page (property bottom-space)."
- \break
- }
- { c1 c c c c c c c }
- >>
- }
-
- \paper {
- ragged-last-bottom = ##f
- annotate-spacing = ##t
- between-system-space = 1.0
- #(set! text-font-defaults
- (acons
- 'font-size 6
- text-font-defaults))
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Proportional notation can be created by setting
-@code{proportionalNotationDuration}. Notes will be spaced proportional
-to the distance for the given duration.
-" }
-
-\paper {
- ragged-right = ##t
-}
-
-\relative c''
-<<
- \set Score.proportionalNotationDuration = #(ly:make-moment 1 16)
- \new Staff { c8[ c c c c c] c4 c2 r2 }
- \new Staff { c2 \times 2/3 { c8 c c } c4 c1 }
->>
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-With @code{strict-note-spacing} spacing for grace notes (even multiple
-ones) is floating as well.
-" }
-
-\paper {
- ragged-right = ##t
- indent = 0
-}
-
-\relative c''
-{
- \override Score.SpacingSpanner #'strict-note-spacing = ##t
- \set Score.proportionalNotationDuration = #(ly:make-moment 1 12)
- c8[ \grace { c16[ c] } c8 c8 c8]
- c2
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-If @code{strict-note-spacing} is set spacing of notes is not influenced
-by bars or clefs part way along the system. Rather, they are put just
-before the note that occurs at the same time. This may cause
-collisions.
-" }
-
-\paper {
- ragged-right = ##t
- indent = 0
-}
-\layout {
- \context {
- \Score
- }
-}
-
-\relative c'' <<
- \override Score.SpacingSpanner #'strict-note-spacing = ##t
- \set Score.proportionalNotationDuration = #(ly:make-moment 1 16)
- \new Staff {
- c8[ c \clef alto c c \grace { d16 } c8 c] c4 c2
- \grace { c16[ c16] }
- c2 }
- \new Staff {
- c2 \times 2/3 { c8 \clef bass cis,, c }
- c4
- c1
- }
->>
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-The object may be extended to larger sized by overriding their
-properties. The lyrics in this example have an extent of
-@code{(-10,10)}, which is why they are spaced so widely.
-
-
-
-" }
-
-\score {
- \context Lyrics \lyricmode {
- foo --
-
- \override LyricText #'X-extent = #'(-10.0 . 10.0)
- bar baz
- }
- \layout { raggedright = ##t}
-}
-
-
-
%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
+\version "2.10.0"
\header{
texidoc = "
STEPMAKE_TEMPLATES=documentation texinfo tex
LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
-## Hmm, would this work? No -- if we really want examples, move
-## to other dir (input/) comes to mind.
-## examples = font20 ancient-font
-## LOCALSTEPMAKE_TEMPLATES += ly mutopia
-
EXTRA_DIST_FILES=
include $(depth)/make/stepmake.make
-TITLE=Advanced snippets
+TITLE=Sample snippets from LSR
+
# -*-python-*-
Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+collate (title = 'Sample snippets from LSR')
+
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Ambits can be added per voice. In that case, the ambitus must be moved
-manually to prevent collisions.
-" }
-
-\new Staff <<
- \new Voice \with {
- \consists "Ambitus_engraver"
- } \relative c'' {
- \override Ambitus #'X-offset = # 1.0
- \voiceOne
- c4 a d e f2
- }
- \new Voice \with {
- \consists "Ambitus_engraver"
- } \relative c' {
- \voiceTwo
- es4 f g as b2
- }
->>
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-You can specify different horizontal alignment for your lyrics, by
-overriding the #'self-alignment-X property of the LyricText object. #-1
-is left, #0 is center and #1 is right; however, you can use #LEFT,
-#CENTER and #RIGHT as well.
-" }
-
-\relative c'' {
-c1 c c}
-\addlyrics {\once \override LyricText #'self-alignment-X = #LEFT "This is left-aligned"
-\once \override LyricText #'self-alignment-X = #CENTER "This is centered"
-\once \override LyricText #'self-alignment-X = #1 "this is right-aligned" }
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-Ambituses indicate pitch ranges for voices.
-
-
-Accidentals only show up if they're not part of key signature.
-@code{AmbitusNoteHead} grobs also have ledger lines.
-" }
-
-\layout {
- ragged-right = ##t
- \context {
- \Voice
- \consists Ambitus_engraver
- }
-}
-
-\relative
-<<
- \new Staff {
- \time 2/4 c4 f'
- }
- \new Staff \relative {
- \time 2/4
- \key d \major
- cis as'
- }
->>
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-You can move @code{Bar_engraver} and @code{Span_bar_engraver} to a
-different engraving context, if you want, for example, bar lines on
-lyrics.
-" }
-
-\score {
- \relative c' \context ChoirStaff <<
- \new Staff { c1 c1 c1}
- \lyricmode <<
- \new Lyrics { bla1 die bla }
- >>
- \new Staff { c1 c1 c1}
- >>
-
-
- \layout {
- raggedright = ##t
- \context {
- \Lyrics
- \consists Bar_engraver
-
-
- %% need procedure, since lyrics doesn't have a staff_sym engraver.
- \override BarLine #'bar-size-procedure = #(lambda (x) 3.0)
- }
- \context{
- \ChoirStaff
- \remove "Span_bar_engraver"
- }
- \context {
- \Staff
- \remove "Bar_engraver"
- }
- }
-}
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This can be achieved by separating those syllables by tildes.
-" }
-
-\lyrics {
- wa~o~a
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-With the @code{\lyricsto} mechanism, individual lyric lines can be
-associated with one melody line. For each lyric line, they can be tuned
-whether to follow melismata or not.
-" }
-
-<<
- \new Voice = "bla" \relative c'' {
- \autoBeamOff
- c2( d4) e8[ c b c] f4
- }
- \lyricsto "bla" \new Lyrics {
- bla ab blob blob
- }
- \lyricsto "bla" \new Lyrics {
- bla
-
- \set ignoreMelismata = ##t
-
- blob
-
- %% note: effect of ignoreMelismata delayed one time step.
- \unset ignoreMelismata
- blob
-
- blob
- }
-
- \lyricsto "bla" \new Lyrics {
- nes ted lyrics voice with more words than no tes
- }
->>
-
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.23"
-
-\header { texidoc = "
-This example shows a trick to insert a vertical brace when going from
-several stanzas into a common ending in the lyrics. (An alternative is
-of course to just skip the brace, especially if you add a line break
-instead).
-" }
-
-% Replace brace150 by whatever between brace0 and brace575 that is of a
-% suitable size.
-leftbrace = \markup {\override #'(font-encoding . fetaBraces) \lookup #"brace200" }
-
-% In some versions earlier than 20.10.20, the argument to \rotate was
-% erroneously treated as radians instead of degrees, i.e. #3.14 was
-% needed instead of #180
-rightbrace = \markup {\rotate #180 \leftbrace }
-
-
-lyricsbeforebrace = \lyricmode {Here is some ly -- rics }
-
-lyricsfrombrace = \lyricmode { \markup{\rightbrace Here} comes some more }
-
-
-melody = \relative c'{ c d e f g f e d c e d f g }
-
-
-\score{
-<<
- \new Voice = m \melody
- \new Lyrics \lyricsto m \lyricsbeforebrace
- \new Lyrics \lyricsto m { \lyricsbeforebrace \lyricsfrombrace }
- \new Lyrics \lyricsto m \lyricsbeforebrace
->>
-}
-
# NR 1
SUBDIRS = pitches rhythms expressive repeats simultaneous staff editorial text
+# NR 2
+SUBDIRS += vocal chords piano percussion guitar strings bagpipes ancient
+SUBDIRS += other
+
+# old
SUBDIRS += ancient chords connecting contemporary education expressive
SUBDIRS += guitar parts repeats spacing staff text vocal scheme other
SUBDIRS += engravers nonmusic instrument
projects / lilypond.git / commitdiff