@end menu
@node Ancient note heads
-@unnumberedsubsubsec Ancient note heads
+@subsubsection Ancient note heads
@cindex note heads, ancient
@node Ancient accidentals
-@unnumberedsubsubsec Ancient accidentals
+@subsubsection Ancient accidentals
@cindex accidentals
Examples: @c @lsrdir{ancient}
@node Ancient rests
-@unnumberedsubsubsec Ancient rests
+@subsubsection Ancient rests
@cindex rests, ancient
@node Ancient clefs
-@unnumberedsubsubsec Ancient clefs
+@subsubsection Ancient clefs
@cindex clefs
@node Ancient flags
-@unnumberedsubsubsec Ancient flags
+@subsubsection Ancient flags
@cindex flags
scope for mensural notation).
@node Ancient time signatures
-@unnumberedsubsubsec Ancient time signatures
+@subsubsection Ancient time signatures
@cindex time signatures
@node Ancient articulations
-@unnumberedsubsubsec Ancient articulations
+@subsubsection Ancient articulations
@cindex articulations
the right end of the episem line is often too far to the right.
@node Custodes
-@unnumberedsubsubsec Custodes
+@subsubsection Custodes
@cindex custos
@cindex custodes
@node Divisiones
-@unnumberedsubsubsec Divisiones
+@subsubsection Divisiones
@cindex divisio
@cindex divisiones
@node Ligatures
-@unnumberedsubsubsec Ligatures
+@subsubsection Ligatures
@cindex Ligatures
@end menu
@node White mensural ligatures
-@unnumberedsubsubsec White mensural ligatures
+@subsubsection White mensural ligatures
@cindex Mensural ligatures
@cindex White mensural ligatures
Horizontal spacing is poor.
@node Gregorian square neumes ligatures
-@unnumberedsubsubsec Gregorian square neumes ligatures
+@subsubsection Gregorian square neumes ligatures
@cindex Square neumes ligatures
@cindex Gregorian square neumes ligatures
@node Gregorian Chant contexts
-@unnumberedsubsubsec Gregorian Chant contexts
+@subsubsection Gregorian Chant contexts
@cindex VaticanaVoiceContext
@cindex VaticanaStaffContext
@node Mensural contexts
-@unnumberedsubsubsec Mensural contexts
+@subsubsection Mensural contexts
@cindex MensuralVoiceContext
@cindex MensuralStaffContext
@end menu
@node Bagpipe definitions
-@unnumberedsubsubsec Bagpipe definitions
+@subsubsection Bagpipe definitions
LilyPond contains special definitions for music for the Scottish
highland bagpipe; to use them, add
@node Bagpipe example
-@unnumberedsubsubsec Bagpipe example
+@subsubsection Bagpipe example
This is what the well known tune Amazing Grace looks like in bagpipe
notation.
@c really awkward; I just shoved this in here from the tutorial.
@node A lead sheet
-@unnumberedsubsubsec A lead sheet
+@subsubsection A lead sheet
@cindex Lead sheets
@cindex chords
@node Introducing chord names
-@unnumberedsubsubsec Introducing chord names
+@subsubsection Introducing chord names
@cindex chord names
LilyPond has support for printing chord names. Chords may be entered
@node Chords mode
-@unnumberedsubsubsec Chords mode
+@subsubsection Chords mode
@cindex Chords mode
In chord mode sets of pitches (chords) are entered with normal note
@node Printing chord names
-@unnumberedsubsubsec Printing chord names
+@subsubsection Printing chord names
@cindex printing chord names
@cindex chord names
@end menu
@node Selecting notation font size
-@unnumberedsubsubsec Selecting notation font size
+@subsubsection Selecting notation font size
@cindex font size
@cindex font size, selecting
@node Fingering instructions
-@unnumberedsubsubsec Fingering instructions
+@subsubsection Fingering instructions
@cindex fingering
@cindex finger change
@node Hidden notes
-@unnumberedsubsubsec Hidden notes
+@subsubsection Hidden notes
@cindex Hidden notes
@cindex Invisible notes
@node Coloring objects
-@unnumberedsubsubsec Coloring objects
+@subsubsection Coloring objects
@cindex colored objects
@cindex colors
@node Parentheses
-@unnumberedsubsubsec Parentheses
+@subsubsection Parentheses
@cindex ghost notes
@cindex notes, ghost
@node Stems
-@unnumberedsubsubsec Stems
+@subsubsection Stems
@cindex stem
@end menu
@node Balloon help
-@unnumberedsubsubsec Balloon help
+@subsubsection Balloon help
Elements of notation can be marked and named with the help of a
square balloon. The primary purpose of this feature is to explain
@node Grid lines
-@unnumberedsubsubsec Grid lines
+@subsubsection Grid lines
Vertical lines can be drawn between staves synchronized with the
notes.
@node Blank music sheet
-@unnumberedsubsubsec Blank music sheet
+@subsubsection Blank music sheet
@cindex sheet music, empty
@cindex staves, blank sheet
@node Analysis brackets
-@unnumberedsubsubsec Analysis brackets
+@subsubsection Analysis brackets
@cindex brackets
@cindex phrasing brackets
@end menu
@node Articulations and ornamentations
-@unnumberedsubsubsec Articulations and ornamentations
+@subsubsection Articulations and ornamentations
@cindex articulations
@cindex scripts
@node Dynamics
-@unnumberedsubsubsec Dynamics
+@subsubsection Dynamics
@cindex dynamics
@funindex \pppp
@end menu
@node Slurs
-@unnumberedsubsubsec Slurs
+@subsubsection Slurs
@cindex slurs
@node Phrasing slurs
-@unnumberedsubsubsec Phrasing slurs
+@subsubsection Phrasing slurs
@cindex phrasing slurs
@cindex phrasing marks
@node Breath marks
-@unnumberedsubsubsec Breath marks
+@subsubsection Breath marks
Breath marks are entered using @code{\breathe}:
@node Falls and doits
-@unnumberedsubsubsec Falls and doits
+@subsubsection Falls and doits
Falls and doits can be added to notes using the @code{\bendAfter}
command,
@end menu
@node Glissando
-@unnumberedsubsubsec Glissando
+@subsubsection Glissando
@cindex glissando
@funindex \glissando
@node Arpeggio
-@unnumberedsubsubsec Arpeggio
+@subsubsection Arpeggio
@cindex arpeggio
@cindex broken chord
@node Trills
-@unnumberedsubsubsec Trills
+@subsubsection Trills
Short trills are printed with @code{\trill} like normal
articulation; see @ref{Articulations and ornamentations}.
output. This is a crude way of modifying the output, but it
can sometimes be useful.
-@unnumberedsubsubsec Changing a single context
+@subsubsection Changing a single context
To remove an engraver from a single context we use the
@code{\with} command placed immediately after the context creation
>>
@end lilypond
-@unnumberedsubsubsec Changing all contexts of the same type
+@subsubsection Changing all contexts of the same type
The examples above show how to remove or add engravers to
individual contexts. It is also possible to remove or add
@end menu
@node String number indications
-@unnumberedsubsubsec String number indications
+@subsubsection String number indications
@cindex String numbers
@node Tablatures basic
-@unnumberedsubsubsec Tablatures basic
+@subsubsection Tablatures basic
@cindex Tablatures basic
Tablature notation is used for notating music for plucked string
@node Non-guitar tablatures
-@unnumberedsubsubsec Non-guitar tablatures
+@subsubsection Non-guitar tablatures
@cindex Non-guitar tablatures
You can change the tuning of the strings. A string tuning is given as
@node Banjo tablatures
-@unnumberedsubsubsec Banjo tablatures
+@subsubsection Banjo tablatures
@cindex Banjo tablatures
LilyPond has basic support for five stringed banjo. When making tablatures
@node Fret diagrams
-@unnumberedsubsubsec Fret diagrams
+@subsubsection Fret diagrams
@cindex fret diagrams
@cindex chord diagrams
@node Right hand fingerings
-@unnumberedsubsubsec Right hand fingerings
+@subsubsection Right hand fingerings
Right hand fingerings in chords can be entered using
@code{@var{note}-\rightHandFinger @var{finger}}
@node Other guitar issues
-@unnumberedsubsubsec Other guitar issues
+@subsubsection Other guitar issues
This example demonstrates how to include guitar position and
barring indications.
@end menu
@node Repeats and MIDI
-@unnumberedsubsubsec Repeats and MIDI
+@subsubsection Repeats and MIDI
@cindex expanding repeats
@funindex \unfoldRepeats
@node Showing melody rhythms
-@unnumberedsubsubsec Showing melody rhythms
+@subsubsection Showing melody rhythms
Sometimes you might want to show only the rhythm of a melody. This
can be done with the rhythmic staff. All pitches of notes on such a
@node Entering percussion
-@unnumberedsubsubsec Entering percussion
+@subsubsection Entering percussion
@cindex percussion
@cindex drums
Internals Reference: @internalsref{note-event}.
@node Percussion staves
-@unnumberedsubsubsec Percussion staves
+@subsubsection Percussion staves
@cindex percussion
@cindex drums
@c TODO: check name -gp
@node Ghost notes
-@unnumberedsubsubsec Ghost notes
+@subsubsection Ghost notes
Ghost notes for drums and percussion may be created using the
@code{\parenthesize} command detailed in @ref{Parentheses}. However,
@node Automatic staff changes
-@unnumberedsubsubsec Automatic staff changes
+@subsubsection Automatic staff changes
@cindex Automatic staff changes
Voices can be made to switch automatically between the top and the bottom
@node Manual staff switches
-@unnumberedsubsubsec Manual staff switches
+@subsubsection Manual staff switches
@cindex manual staff switches
@cindex staff switch, manual
@node Pedals
-@unnumberedsubsubsec Pedals
+@subsubsection Pedals
@cindex Pedals
Pianos have pedals that alter the way sound is produced. Generally, a
Notation Reference: @ref{Ties} (laissez vibrer).
@node Staff switch lines
-@unnumberedsubsubsec Staff switch lines
+@subsubsection Staff switch lines
@cindex follow voice
@node Cross staff stems
-@unnumberedsubsubsec Cross staff stems
+@subsubsection Cross staff stems
Chords that cross staves may be produced by increasing the length
of the stem in the lower staff, so it reaches the stem in the upper
@node Repeat syntax
-@unnumberedsubsubsec Repeat syntax
+@subsubsection Repeat syntax
@cindex repeats
@node Normal repeats
-@unnumberedsubsubsec Normal repeats
+@subsubsection Normal repeats
@cindex volta
@cindex prima volta
@node Manual repeat commands
-@unnumberedsubsubsec Manual repeat commands
+@subsubsection Manual repeat commands
@funindex repeatCommands
@end menu
@node Tremolo repeats
-@unnumberedsubsubsec Tremolo repeats
+@subsubsection Tremolo repeats
@cindex tremolo beams
@node Measure repeats
-@unnumberedsubsubsec Measure repeats
+@subsubsection Measure repeats
@cindex percent repeats
@cindex measure repeats
@end menu
@node Chorded notes
-@unnumberedsubsubsec Chorded notes
+@subsubsection Chorded notes
@cindex Chords
@node Clusters
-@unnumberedsubsubsec Clusters
+@subsubsection Clusters
@cindex cluster
@end menu
@node Collision resolution
-@unnumberedsubsubsec Collision resolution
+@subsubsection Collision resolution
@cindex merging notes
@cindex note collisions
@node Automatic part combining
-@unnumberedsubsubsec Automatic part combining
+@subsubsection Automatic part combining
@cindex automatic part combining
@cindex part combiner
@cindex combining parts
@node Writing music in parallel
-@unnumberedsubsubsec Writing music in parallel
+@subsubsection Writing music in parallel
@cindex Writing music in parallel
@cindex Interleaved music
@end menu
@node System start delimiters
-@unnumberedsubsubsec System start delimiters
+@subsubsection System start delimiters
@cindex start of system
@cindex staff, multiple
@node Staff symbol
-@unnumberedsubsubsec Staff symbol
+@subsubsection Staff symbol
@cindex adjusting staff symbol
@node Hiding staves
-@unnumberedsubsubsec Hiding staves
+@subsubsection Hiding staves
@cindex Frenched scores
@cindex staves, hiding
@end menu
@node Metronome marks
-@unnumberedsubsubsec Metronome marks
+@subsubsection Metronome marks
@cindex Tempo
@cindex beats per minute
@node Instrument names
-@unnumberedsubsubsec Instrument names
+@subsubsection Instrument names
@cindex instrument names
@cindex instrument names, short
@node Quoting other voices
-@unnumberedsubsubsec Quoting other voices
+@subsubsection Quoting other voices
@cindex cues
@cindex quoting other voices
@node Formatting cue notes
-@unnumberedsubsubsec Formatting cue notes
+@subsubsection Formatting cue notes
@cindex cues
@cindex cue notes
@end menu
@node Artificial harmonics (strings)
-@unnumberedsubsubsec Artificial harmonics (strings)
+@subsubsection Artificial harmonics (strings)
@cindex artificial harmonics
@end menu
@node Overview of text entry
-@unnumberedsubsubsec Overview of text entry
+@subsubsection Overview of text entry
There are four ways to add text to scores:
@node Text scripts
-@unnumberedsubsubsec Text scripts
+@subsubsection Text scripts
@cindex Text scripts
@cindex text items, non-empty
@node Text spanners
-@unnumberedsubsubsec Text spanners
+@subsubsection Text spanners
@cindex Text spanners
@node Text marks
-@unnumberedsubsubsec Text marks
+@subsubsection Text marks
@cindex coda on bar line
@cindex segno on bar line
@end menu
@node Text markup introduction
-@unnumberedsubsubsec Text markup introduction
+@subsubsection Text markup introduction
@cindex markup
@cindex text markup
@node Nested scores
-@unnumberedsubsubsec Nested scores
+@subsubsection Nested scores
It is possible to nest music inside markups, by adding a
@code{\score} block to a markup expression. Such a score must
Snippets: @lsrdir{Text,Text}
@node Page wrapping text
-@unnumberedsubsubsec Page wrapping text
+@subsubsection Page wrapping text
Whereas @code{\markup} is used to enter a non-breakable block of
text, @code{\markuplines} can be used at top-level to enter lines
@code{\markuplines}
@node Font selection
-@unnumberedsubsubsec Font selection
+@subsubsection Font selection
@cindex font selection
@cindex font magnification
@end menu
@node New dynamic marks
-@unnumberedsubsubsec New dynamic marks
+@subsubsection New dynamic marks
It is possible to print new dynamic marks or text that should be
aligned with dynamics. Use @code{make-dynamic-script} to create
@node Text and line spanners
-@unnumberedsubsubsec Text and line spanners
+@subsubsection Text and line spanners
Some performance indications, e.g., @i{rallentando} and
@i{accelerando} and @i{trills} are written as text and are
@end menu
@node Setting simple songs
-@unnumberedsubsubsec Setting simple songs
+@subsubsection Setting simple songs
@cindex \addlyrics
@node Entering lyrics
-@unnumberedsubsubsec Entering lyrics
+@subsubsection Entering lyrics
@cindex lyrics
@funindex \lyricmode
@end menu
@node Automatic syllable durations
-@unnumberedsubsubsec Automatic syllable durations
+@subsubsection Automatic syllable durations
@cindex automatic syllable durations
@cindex lyrics and melodies
@end example
@node Another way of entering lyrics
-@unnumberedsubsubsec Another way of entering lyrics
+@subsubsection Another way of entering lyrics
Lyrics can also be entered without @code{\addlyrics} or
@code{\lyricsto}. In this case,
@node Assigning more than one syllable to a single note
-@unnumberedsubsubsec Assigning more than one syllable to a single note
+@subsubsection Assigning more than one syllable to a single note
@funindex _
@node More than one note on a single syllable
-@unnumberedsubsubsec More than one note on a single syllable
+@subsubsection More than one note on a single syllable
@cindex melisma
@cindex melismata
inserted by hand.
@node Extenders and hyphens
-@unnumberedsubsubsec Extenders and hyphens
+@subsubsection Extenders and hyphens
@cindex melisma
@cindex extender
@end menu
@node Working with lyrics and variables
-@unnumberedsubsubsec Working with lyrics and variables
+@subsubsection Working with lyrics and variables
@cindex lyrics, variables
@node Lyrics to multiple notes of a melisma
-@unnumberedsubsubsec Lyrics to multiple notes of a melisma
+@subsubsection Lyrics to multiple notes of a melisma
One possibility is that the text has a melisma in one stanza, but
multiple syllables in another one. One solution is to make the faster
@node Divisi lyrics
-@unnumberedsubsubsec Divisi lyrics
+@subsubsection Divisi lyrics
You can display alternate (or divisi) lyrics by naming voice
contexts and attaching lyrics to those specific contexts.
@node Switching the melody associated with a lyrics line
-@unnumberedsubsubsec Switching the melody associated with a lyrics line
+@subsubsection Switching the melody associated with a lyrics line
More complex variations in text underlay are possible. It is possible
to switch the melody for a line of lyrics during the text. This is
@node Lyrics independent of notes
-@unnumberedsubsubsec Lyrics independent of notes
+@subsubsection Lyrics independent of notes
In some complex vocal music, it may be desirable to place
lyrics completely independently of notes. Music defined
@end menu
@node Spacing lyrics
-@unnumberedsubsubsec Spacing lyrics
+@subsubsection Spacing lyrics
@cindex Spacing lyrics
@cindex Lyrics, increasing space between
@node Adding stanza numbers
-@unnumberedsubsubsec Adding stanza numbers
+@subsubsection Adding stanza numbers
@cindex stanza number
@node Adding dynamics marks
-@unnumberedsubsubsec Adding dynamics marks
+@subsubsection Adding dynamics marks
Stanzas differing in loudness may be indicated by putting a
dynamics mark before each stanza. In Lilypond, everthing coming in
@end lilypond
@node Adding singer names
-@unnumberedsubsubsec Adding singer names
+@subsubsection Adding singer names
@cindex singer name
@cindex name of singer
@node Printing stanzas at the end
-@unnumberedsubsubsec Printing stanzas at the end
+@subsubsection Printing stanzas at the end
Sometimes it is appropriate to have one stanza set
to the music, and the rest added in verse form at
@node Printing stanzas at the end in multiple columns
-@unnumberedsubsubsec Printing stanzas at the end in multiple columns
+@subsubsection Printing stanzas at the end in multiple columns
When a piece of music has many verses, they are often printed in
multiple columns across the page. An outdented verse number often
to this scheme construct. ie
\set Staff.instrumentName = #"cello"
+* Examples should end with a complete bar if possible.
+
* If possible, only write one bar per line. The notes on each
line should be an independent line -- tweaks should occur on
their own line if possible.
projects / lilypond.git / commitdiff