In Lyrics mode, you can make invisible syllables by entering `@code{" "}'
or `@code{_}':
-@lilypond[singleline,verbatim]
+@lilypond[singleline,verbatim,quote]
<
\context Lyrics \lyrics { lah2 di4 " " dah2 _4 di }
\notes\relative c'' { a2 a4 a a2 a4 a }
r1 r2 r4 r8 r16 r32 r64 r64
@end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
\score {
\notes \relative c'' {
a\breve \autoBeamOff
to the augmentation dot: the following example are two ways of notating
exactly the same concept.
@c
-@lilypond[fragment, singleline]
+@lilypond[fragment, singleline,quote]
\time 3/4 c'2. c'2 ~ c'4
@end lilypond
If you need to tie notes over bars, it may be easier to use
is done by replacing the @code{Note_heads_engraver} by the
@code{Completion_heads_engraver}.
-@lilypond[verbatim,noindent,noquote]
+@lilypond[verbatim,noindent]
\score{
\notes\relative c'{ \time 2/4
c2. c8 d4 e f g a b c8 c2 b4 a g16 f4 e d c8. c2
\property Score.beatLength = #(ly:make-moment 1 8)
c32-[ c c c c c c c c c c c c c c c-]
@end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
\score {
\notes \relative c' {
c16-[ c c c c c c c-]
durations, that differ from the beaming parameters of all separate
durations, i.e., you'll have to specify manual beams to get:
-@lilypond[singleline,fragment,relative,noverbatim]
+@lilypond[singleline,fragment,relative,noverbatim,quote]
\property Voice.autoBeamSettings
\override #'(end * * * *) = #(ly:make-moment 3 8)
\time 12/8 c'8 c c c16 c c c c c c-[ c c c-] c8 c c4
Warning: This leads to some weird and often unwanted results
because accidentals from one voice DO NOT get cancelled in other
voices:
-@lilypond[singleline,relative,fragment,verbatim]
+@lilypond[singleline,relative,fragment,verbatim,quote]
\context Staff <
\voiceAccidentals
\context Voice=va { \voiceOne es g }
after the last note. Because these marks are bound to notes, if you
want several marks during one note, you have to use spacer notes.
-@lilypond[fragment,verbatim,center]
+@lilypond[fragment,verbatim,center,quote]
c'' \< \! c'' d'' \decr e'' \rced
< f''1 { s4 s4 \< \! s4 \> \! s4 } >
@end lilypond
positions (that is: pitches relative to the C-clef) and uses this to
transform the input music by moving the pitch, changing the notehead
and (optionally) adding a script:
-@lilypond[singleline,verbatim]
+@lilypond[singleline,verbatim,quote]
\include "drumpitch-init.ly"
up = \notes { crashcymbal4 hihat8 halfopenhihat hh hh hh openhihat }
down = \notes { bassdrum4 snare8 bd r bd sn4 }
point), and it looks ahead skipping over rests to switch rests in
advance. Here is a practical example:
-@lilypond[verbatim,singleline]
+@lilypond[verbatim,singleline,quote]
\score { \notes \context PianoStaff <
\context Staff = "up" {
\autochange Staff \context Voice = VA < \relative c' {
\property TabStaff.minimumFret = #8
e8 fis gis a b cis' dis' e'
@end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
frag = \notes {
\key e \major
e8 fis gis a b cis' dis' e'
names. It is introduced by the keyword @code{\chords}.
In chords mode, a chord is entered by the root, which is entered
like a common pitch, for example,
-@lilypond[fragment,verbatim]
+@lilypond[fragment,verbatim,quote]
es4. d8 c2
@end lilypond
is the notation for an E-flat major chord.
Other chords may be entered
by suffixing a colon, and introducing a modifier, and optionally, a
number, for example
-@lilypond[fragment,verbatim]
+@lilypond[fragment,verbatim,quote]
\chords { e1:m e1:7 e1:m7 }
@end lilypond
The first number following the root is taken to be the `type' of the
to a chord. Additions are added after the number following
the colon, and are separated by dots. For example
@c
-@lilypond[verbatim,fragment]
+@lilypond[verbatim,fragment,quote]
\chords { c:5.6 c:3.7.8 c:3.6.13 }
@end lilypond
Chord steps can be altered by suffixing a @code{-} or @code{+} sign
to the number, for example:
-@lilypond[verbatim,fragment]
+@lilypond[verbatim,fragment,quote]
\chords { c:7+ c:5+.3- c:3-.5-.7- }
@end lilypond
Removals are specified similarly, and are introduced by a caret. They
#(make-molecule-boxer 0.1 0.25 0.25 Text_item::brew_molecule)
\property Score.BarNumber \override #'font-relative-size = #0
@end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
\score {
\context Staff \notes \transpose c c'' {
\property Score.BarNumber \override #'break-visibility = #end-of-line-invisible
\mark \default \resetBarnum
\repeat unfold 8 c
@end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
resetBarnum = \context Score \applycontext
#(set-bar-number-visibility 4)
\score {
R1*13/8
R1*13/8*12
@end lilypond
+
Notice that a @code{R} spanning a single measure is printed as a whole
rest centered in the measure, regardless of the time signature.
R2._\markup { \roman "Ad lib" }
R2.^\fermataMarkup
@end lilypond
+
By default, the multi-measure rest uses the number font, which does
not contain any letters. This is the reason for the explicit
@code{\roman} in the above example.
thus helps the player or singer to manage line breaks during
performance, thus enhancing readability of a score.
-@lilypond[verbatim,noquote]
+@lilypond[verbatim]
\score {
\notes { c'1 \break
\property Staff.Custos \set #'style = #'mensural
context property. By assigning to that property (using plain
@code{\property}), you can change the resulting objects.
-@lilypond[verbatim, fragment]
+@lilypond[verbatim, fragment,quote]
c'4 \property Voice.NoteHead = #'() c'4
@end lilypond
This mechanism is fairly crude, since you can only set, but not modify,
You can add a property on top of the existing definition, or remove a
property, thus overriding the system defaults:
-@lilypond[verbatim]
+@lilypond[verbatim,quote]
c'4 \property Voice.Stem \override #'thickness = #4.0
c'4 \property Voice.Stem \revert #'thickness
c'4
much work, you can use the @code{\set} shorthand. It performs a revert
followed by an override. The following example gives exactly the same
result as the previous one.
-@lilypond[verbatim]
+@lilypond[verbatim,quote]
c'4 \property Voice.Stem \set #'thickness = #4.0
c'4 \property Voice.Stem \set #'thickness = #0.8
c'4
their size. The font size of a @internalsref{Voice},
@internalsref{Staff} or @internalsref{Thread} context, can be easily
changed by setting the @code{fontSize} property for that context:
-@lilypond[fragment,relative=1]
+@lilypond[fragment,relative=1,verbatim,quote]
c4 c4 \property Voice.fontSize = #-1
f4 g4
@end lilypond
If you want to give an explicit amount for lowering or raising, use
@code{\raise}. This command takes a Scheme valued argument,
-@lilypond[verbatim,fragment,relative=1]
+@lilypond[verbatim,fragment,relative=1,quote]
c1^\markup { C \small \raise #1.0 { "9/7+" }}
@end lilypond
The argument to @code{\raise} is the vertical displacement amount,
@item @code{1 2 8 16}
@tab durations
@tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
\property Staff.autoBeaming = ##f
\property Staff.Clef = \turnOff
c1 c2 c8 c16
@item @code{. ..}
@tab augmentation dots
@tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
\property Staff.Clef = \turnOff
c4. c4..
@end lilypond
@item @code{c d e f g a b }
@tab scale
@tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
\property Staff.Clef = \turnOff
c d e f g a b
@end lilypond
@item @code{\clef treble \clef bass }
@tab clefs
@tab
-@lilypond[noquote, notime]
+@lilypond[notime]
\clef treble
s4_" "
\clef bass
@item @code{\time 3/4 \time 4/4 }
@tab time signature
@tab
-@lilypond[noquote]
+@lilypond
\property Staff.Clef \set #'transparent = ##t
\time 3/4
s4_" "
@item @code{r4 r8}
@tab rest
@tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
\property Staff.Clef = \turnOff
r4 r8
@end lilypond
@item @code{~}
@tab tie
@tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
\property Score.timing = ##f
\property Staff.autoBeaming = ##f
\property Staff.Clef = \turnOff
@item @code{\key es \major }
@tab key signature
@tab
-@lilypond[noquote, notime]
+@lilypond[notime]
\clef treble
\key es \major
s4
@item @var{note}@code{'}
@tab raise octave
@tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
\property Score.timing = ##f
\property Staff.autoBeaming = ##f
\property Staff.Clef = \turnOff
@item @var{note}@code{,}
@tab lower octave
@tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
\property Score.timing = ##f
\property Staff.autoBeaming = ##f
\property Staff.Clef = \turnOff
Battista Sammartini, composed around 1740. It's in the source
package under the name @file{input/tutorial/sammartini.ly}.
-@lilypondfile[smallverbatim,noquote]{sammartini.ly}
+@lilypondfile[smallverbatim]{sammartini.ly}
As you can see, this example features multiple voices on one staff. To
make room for those voices, their notes should be stemmed in opposite
If you include large examples into the text, it may be more convenient
to put the example in a separate file:
-@lilypondfile[printfilename,noquote]{sammartini.ly}
+@lilypondfile[printfilename]{sammartini.ly}
The @code{printfilename} option adds the file name to the output.
@node End of tutorial