Add some lost `relative'

ly-options.

diff --git a/ChangeLog b/ChangeLog
index 682f27ceb941b3ea1dd4d6364b376d51d3e424e8..3f9baa4cc8e88e99589dd995fdf144b8ffecf23f 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,3 +1,8 @@
+2004-02-09  Jan Nieuwenhuizen  <janneke@gnu.org>
+
+       * Documentation/user/tutorial.itely: Add some lost `relative'
+       ly-options.
+
 2004-02-09  Han-Wen Nienhuys   <hanwen@xs4all.nl>
 
        * scripts/lilypond-book.py (do_file):  fix latex output.
@@ -47,10 +52,6 @@
        * Documentation/bibliography/engraving.bib (donemus1982):
        update entry.
 
-2004-02-07  Jan Nieuwenhuizen  <janneke@gnu.org>
-
-       * scripts/lilypond.py (option_definitions): Fix typo.
-
 2004-02-07  Han-Wen Nienhuys   <hanwen@xs4all.nl>
 
        * scripts/lilypond-book.py (Substring.__init__): new class.

diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index 4e099ea9a2102d0f5766d5eb4292a5e8fe6b79ff..4ed041f12ca50ab94de421974e1d5fc312099e70 100644 (file)
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -938,7 +938,7 @@ For more information on
 Chords can be made by
 surrounding pitches with @code{<} and @code{>}:
 @quotation
-@lilypond[,fragment,verbatim]
+@lilypond[relative,fragment,verbatim]
 r4 <c e g>4 <c f a>8
 @end lilypond
 @end quotation
@@ -948,7 +948,7 @@ r4 <c e g>4 <c f a>8
 You can combine beams and ties with chords.  Beam and tie markings
 must be placed outside the chord markers:
 @quotation
-@lilypond[,fragment,verbatim]
+@lilypond[relative,fragment,verbatim]
 r4 <c e g>8[ <c f a>]~ <c f a>
 @end lilypond
 @end quotation
@@ -957,7 +957,7 @@ r4 <c e g>8[ <c f a>]~ <c f a>
 @example
 r4 <c e g>8\>( <c e g> <c e g>  <c f a>8\!)
 @end example
-@lilypond[,fragment]
+@lilypond[relative,fragment]
 \slurUp
 r4 <c e g>8\>( <c e g> <c e g>  <c f a>8\!)
 @end lilypond
@@ -989,7 +989,7 @@ arguments: a fraction and a piece of music.  The duration of the piece
 of music is multiplied by the fraction.  Triplets make notes occupy
 2/3 of their notated duration, so  a triplet has  2/3 as its fraction:
 @c
-@lilypond[,verbatim,fragment]
+@lilypond[relative,verbatim,fragment]
   \times 2/3 { f8 g a }
   \times 2/3 { c r c }
 @end lilypond 
@@ -1383,7 +1383,7 @@ but now this entire expression must be interpreted as a
 
 Here is a full-fledged example:
 
-@lilypond[,fragment]
+@lilypond[relative,fragment]
 \new PianoStaff
  << \new Staff { \time 2/4
      c4 c g' g  }