Doc: Tweaks.itely - tidy up more lilypond examples

Removed unnecessary bar checks and spaces withink Braces and brackets
broke some lines to add clarity

diff --git a/Documentation/learning/tweaks.itely b/Documentation/learning/tweaks.itely
index e2ea8c16714c3fb9bf6271c254f0759983acf45a..448892b69654f91ec8b4eaee6cf5ba47ebf15ebd 100644 (file)
--- a/Documentation/learning/tweaks.itely
+++ b/Documentation/learning/tweaks.itely
@@ -2846,13 +2846,13 @@ was left looking like this:
   \key aes \major
   <<
     { c2 aes4. bes8 } \\
-    { aes2 f4 fes   } \\
+    { aes2 f4 fes } \\
     { \voiceFour
       <ees c>2
       des2
     }
-  >> |
-  <c ees aes c>1 |
+  >>
+  <c ees aes c>1
 }
 @end lilypond
 
@@ -2876,13 +2876,15 @@ Here's the final result:
   \key aes \major
   <<
     { c2 aes4. bes8 } \\
-    { aes2 f4 fes   } \\
+    { aes2 f4 fes } \\
     { \voiceFour
-      \once \override NoteColumn #'force-hshift = #0 <ees c>2
-      \once \override NoteColumn #'force-hshift = #0.5 des2
+      \once \override NoteColumn #'force-hshift = #0
+      <ees c>2
+      \once \override NoteColumn #'force-hshift = #0.5
+      des2
     }
-  >> |
-  <c ees aes c>1 |
+  >>
+  <c ees aes c>1
 }
 @end lilypond
 
@@ -2910,26 +2912,29 @@ dynamics, fingering and pedalling.
 @lilypond[quote,ragged-right,line-width=5.5\in]
 rhMusic = \relative c'' {
   r2
-  c4.\( g8 |
+  c4.\( g8
   \once \override Tie #'staff-position = #3.5
-  bes1~ |
+  bes1~
   \bar "||"
   \time 6/4
   \mergeDifferentlyHeadedOn
   \mergeDifferentlyDottedOn
-  bes2.^\markup {\bold "Moderato"} r8
+  bes2.^\markup { \bold "Moderato" } r8
   <<
-    {c,8 d fis bes a | }
+    { c,8 d fis bes a }
   \\
     % Reposition the c2 to the right of the merged note
-    {c,8~ \once \override NoteColumn #'force-hshift = #1.0
+    { c,8~ \once \override NoteColumn #'force-hshift = #1.0
     % Move the c2 out of the main note column so the merge will work
-    \shiftOnn c2}
+    \shiftOnn c2 }
   \\
     % Stem on the d2 must be down to permit merging
-    {s8 \stemDown \once \override Stem #'transparent = ##t d2}
+    { s8 \stemDown
+      \once \override Stem #'transparent = ##t
+      d2
+    }
   \\
-    {s4 fis4.}
+    { s4 fis4. }
   >>
   \mergeDifferentlyHeadedOff
   \mergeDifferentlyDottedOff
@@ -2937,9 +2942,9 @@ rhMusic = \relative c'' {
 }
 
 lhMusic = \relative c' {
-  r2 <c g ees>2( |
-  <d g, d>1)\arpeggio |
-  r2. d,,4 r4 r |
+  r2 <c g ees>2(
+  <d g, d>1)\arpeggio
+  r2. d,,4 r4 r
   r4
 }
 
@@ -2973,27 +2978,27 @@ default:
 @c line-width ensures no break
 @lilypond[quote,verbatim,ragged-right,line-width=5.5\in]
 rhMusic = \relative c'' {
-  r2 c4. g8 |
-  bes1~ |
+  r2 c4. g8
+  bes1~
   \time 6/4
   bes2. r8
   % Start polyphonic section of four voices
   <<
-    {c,8 d fis bes a | }
+    { c,8 d fis bes a }
   \\
-    {c,8~ c2 | }
+    { c,8~ c2 }
   \\
-    {s8 d2 | }
+    { s8 d2 }
   \\
-    {s4 fis4. | }
+    { s4 fis4. }
   >>
   g2.
 }
 
 lhMusic = \relative c' {
-  r2 <c g ees>2 |
-  <d g, d>1 |
-  r2. d,,4 r4 r |
+  r2 <c g ees>2
+  <d g, d>1
+  r2. d,,4 r4 r
   r4
 }
 
@@ -3022,27 +3027,27 @@ since these were all covered in the Tutorial.  Doing this gives:
 @c line-width ensures no break
 @lilypond[quote,verbatim,ragged-right,line-width=5.5\in]
 rhMusic = \relative c'' {
-  r2 c4.\( g8 |
-  bes1~ |
+  r2 c4.\( g8
+  bes1~
   \time 6/4
   bes2. r8
   % Start polyphonic section of four voices
   <<
-    {c,8 d fis bes a | }
+    { c,8 d fis bes a }
   \\
-    {c,8~ c2 | }
+    { c,8~ c2 }
   \\
-    {s8 d2 | }
+    { s8 d2 }
   \\
-    {s4 fis4. | }
+    { s4 fis4. }
   >>
   g2.\)
 }
 
 lhMusic = \relative c' {
-  r2 <c g ees>2( |
-  <d g, d>1) |
-  r2. d,,4 r4 r |
+  r2 <c g ees>2(
+  <d g, d>1)
+  r2. d,,4 r4 r
   r4
 }
 
@@ -3084,29 +3089,29 @@ This completes bar two, giving:
 @c line-width ensures no break
 @lilypond[quote,verbatim,ragged-right,line-width=5.5\in]
 rhMusic = \relative c'' {
-  r2 c4.\( g8 |
+  r2 c4.\( g8
   \once \override Tie #'staff-position = #3.5
-  bes1~ |
+  bes1~
   \bar "||"
   \time 6/4
   bes2. r8
   % Start polyphonic section of four voices
   <<
-    {c,8 d fis bes a | }
+    { c,8 d fis bes a }
   \\
-    {c,8~ c2 | }
+    { c,8~ c2 }
   \\
-    {s8 d2 | }
+    { s8 d2 }
   \\
-    {s4 fis4. | }
+    { s4 fis4. }
   >>
   g2.\)
 }
 
 lhMusic = \relative c' {
-  r2 <c g ees>2( |
-  <d g, d>1)\arpeggio |
-  r2. d,,4 r4 r |
+  r2 <c g ees>2(
+  <d g, d>1)\arpeggio
+  r2. d,,4 r4 r
   r4
 }
 
@@ -3155,23 +3160,23 @@ to the end, giving:
 @c line-width ensures no break
 @lilypond[quote,ragged-right,line-width=5.5\in]
 rhMusic = \relative c'' {
-  r2 c4.\( g8 |
+  r2 c4.\( g8
   \once \override Tie #'staff-position = #3.5
-  bes1~ |
+  bes1~
   \bar "||"
   \time 6/4
-  bes2.^\markup {\bold "Moderato"} r8
+  bes2.^\markup { \bold "Moderato" } r8
   \mergeDifferentlyHeadedOn
   \mergeDifferentlyDottedOn
   % Start polyphonic section of four voices
   <<
-    {c,8 d fis bes a | }
+    { c,8 d fis bes a }
   \\
-    {c,8~ c2 | }
+    { c,8~ c2 }
   \\
-    {s8 d2 | }
+    { s8 d2 }
   \\
-    {s4 fis4. | }
+    { s4 fis4. }
   >>
   \mergeDifferentlyHeadedOff
   \mergeDifferentlyDottedOff
@@ -3179,9 +3184,9 @@ rhMusic = \relative c'' {
 }
 
 lhMusic = \relative c' {
-  r2 <c g ees>2( |
-  <d g, d>1)\arpeggio |
-  r2. d,,4 r4 r |
+  r2 <c g ees>2(
+  <d g, d>1)\arpeggio
+  r2. d,,4 r4 r
   r4
 }
 
@@ -3221,25 +3226,25 @@ Applying these changes gives:
 @c line-width ensures no break
 @lilypond[quote,verbatim,ragged-right,line-width=5.5\in]
 rhMusic = \relative c'' {
-  r2 c4.\( g8 |
+  r2 c4.\( g8
   \once \override Tie #'staff-position = #3.5
-  bes1~ |
+  bes1~
   \bar "||"
   \time 6/4
-  bes2.^\markup {\bold "Moderato"} r8
+  bes2.^\markup { \bold "Moderato" } r8
   \mergeDifferentlyHeadedOn
   \mergeDifferentlyDottedOn
   % Start polyphonic section of four voices
   <<
-    {c,8 d fis bes a | }
+    { c,8 d fis bes a }
   \\
     % Move the c2 out of the main note column so the merge will work
-    {c,8~ \shiftOnn c2 | }
+    { c,8~ \shiftOnn c2 }
   \\
     % Stem on the d2 must be down to permit merging
-    {s8 \stemDown d2 | }
+    { s8 \stemDown d2 }
   \\
-    {s4 fis4. | }
+    { s4 fis4. }
   >>
   \mergeDifferentlyHeadedOff
   \mergeDifferentlyDottedOff
@@ -3247,9 +3252,9 @@ rhMusic = \relative c'' {
 }
 
 lhMusic = \relative c' {
-  r2 <c g ees>2( |
-  <d g, d>1)\arpeggio |
-  r2. d,,4 r4 r |
+  r2 <c g ees>2(
+  <d g, d>1)\arpeggio
+  r2. d,,4 r4 r
   r4
 }
 
@@ -3283,26 +3288,29 @@ the @code{force-hshift} property.  Here's the final result:
 @lilypond[quote,verbatim,ragged-right,line-width=5.5\in]
 rhMusic = \relative c'' {
   r2
-  c4.\( g8 |
+  c4.\( g8
   \once \override Tie #'staff-position = #3.5
-  bes1~ |
+  bes1~
   \bar "||"
   \time 6/4
-  bes2.^\markup {\bold "Moderato"} r8
+  bes2.^\markup { \bold "Moderato" } r8
   \mergeDifferentlyHeadedOn
   \mergeDifferentlyDottedOn
   <<
-    {c,8 d fis bes a | }
+    { c,8 d fis bes a }
   \\
     % Reposition the c2 to the right of the merged note
-    {c,8~ \once \override NoteColumn #'force-hshift = #1.0
+    { c,8~ \once \override NoteColumn #'force-hshift = #1.0
     % Move the c2 out of the main note column so the merge will work
-    \shiftOnn c2}
+    \shiftOnn c2 }
   \\
     % Stem on the d2 must be down to permit merging
-    {s8 \stemDown \once \override Stem #'transparent = ##t d2}
+    { s8 \stemDown
+      \once \override Stem #'transparent = ##t
+      d2
+    }
   \\
-    {s4 fis4.}
+    { s4 fis4. }
   >>
   \mergeDifferentlyHeadedOff
   \mergeDifferentlyDottedOff
@@ -3310,9 +3318,9 @@ rhMusic = \relative c'' {
 }
 
 lhMusic = \relative c' {
-  r2 <c g ees>2( |
-  <d g, d>1)\arpeggio |
-  r2. d,,4 r4 r |
+  r2 <c g ees>2(
+  <d g, d>1)\arpeggio
+  r2. d,,4 r4 r
   r4
 }