depth = ..
-SUBDIRS = test regression tutorial no-notation mutopia manual
+SUBDIRS = test regression tutorial midi no-notation mutopia manual
examples = typography-demo les-nereides wilhelmus proportional bach-schenker cary
--- /dev/null
+depth = ../..
+
+STEPMAKE_TEMPLATES=documentation texinfo tex
+LOCALSTEPMAKE_TEMPLATES=lilypond ly lysdoc
+
+include $(depth)/make/stepmake.make
+TITLE=LilyPond MIDI Tests
+
--- /dev/null
+
+\version "2.10.0"
+
+\version "2.10.1"
+
+\score {
+ \new DrumStaff <<
+ \drummode {
+ bd4 sn4 bd4 sn4
+ <<
+ {\voiceOne \repeat unfold 16 hh16 }
+ \new DrumVoice { \voiceTwo bd4 sn4 bd4 sn4 }
+ >> \oneVoice
+ }
+ >>
+ \layout {}
+ \midi {}
+}
--- /dev/null
+\version "2.10.0"
+\header{ texidoc = "Tests MIDI output with grace notes. " }
+
+\score {
+ \context Voice \relative c {
+ \new Voice = VoiceOne
+ \grace {
+ \override Stem #'stroke-style = #"grace"
+ c8
+ \revert Stem #'stroke-style }
+ d4 d d d d
+ \grace {
+ \override Stem #'stroke-style = #"grace"
+ e16 f e f
+ \revert Stem #'stroke-style }
+ d4 d d d d
+
+ }
+ \layout { }
+ \midi { }
+}
+
--- /dev/null
+\version "2.10.0"
+\header {
+
+ texidoc = "Lyrics in MIDI are aligned to ties and beams:
+this examples causes no bar checks in MIDI.
+"
+
+
+ }
+\score {
+
+ <<\relative c'' \new Voice = A {
+ \autoBeamOff
+ c8[ c] c2.
+ c1~c4 c2.
+ c4 ( d e) d
+ c1
+
+ }
+ \lyricsto "A" \lyrics { bla bla | bla bla | bla bla | bla }
+ >>
+ \layout {}
+ \midi {}
+ }
--- /dev/null
+
+\version "2.10.0"
+% candidate for regression. -gp
+\header {
+ texidoc="Converting LilyPond input to MIDI and then again back with
+ @code{midi2ly.py} is a reversible procedure in some simple cases,
+ which mean that the original @code{.ly} -file and the one converted
+ back from the generated @code{.midi} -file do not differ.
+ Here are produced some scales.
+
+ "
+}
+
+%{
+ This means, doing:
+
+ lilypond input/test/midi-scales.ly
+ midi2ly midi-scales.midi
+ diff -u input/test/midi-scales.ly midi-scales-midi.ly
+
+ should show no differences at all in \key commands or notes.
+
+ Therefore, do not reformat this file unless midi2ly changes.
+
+ 1.7.30 reformatted, because
+ midi2ly now outpts 1 bar per line and adds bar checks and numbers.
+
+%}
+
+scales = \relative c {
+
+ % [INSTRUMENT_NAME] bright acoustic
+ \key c \major % sharp-major
+ c'4 d e f |
+ g a b c |
+
+ \key g \major
+ g a b c |
+ d e fis g |
+
+ \key d \major
+ d, e fis g |
+ a b cis d |
+
+ \key a \major
+ a b cis d |
+ e fis gis a |
+
+ \key e \major
+ e, fis gis a |
+ b cis dis e |
+
+ \key b \major
+ b cis dis e |
+ fis gis ais b |
+
+ \key fis \major
+ fis, gis ais b |
+ cis dis eis fis |
+
+ \key cis \major
+ cis, dis eis fis |
+ gis ais bis cis |
+
+ \key a \minor % sharp-minor
+ a b c d |
+ e f gis a |
+
+ \key e \minor
+ e, fis g a |
+ b c dis e |
+
+ \key b \minor
+ b cis d e |
+ fis g ais b |
+
+ \key fis \minor
+ fis, gis a b |
+ cis d eis fis |
+
+ \key cis \minor
+ cis, dis e fis |
+ gis a bis cis |
+
+ \key gis \minor
+ gis ais b cis |
+ dis e fisis gis |
+
+ \key dis \minor
+ dis, eis fis gis |
+ ais b cisis dis |
+
+ \key ais \minor
+ ais bis cis dis |
+ eis fis gisis ais |
+
+ \key f \major % flat-major
+ f, g a bes |
+ c d e f |
+
+ \key bes \major
+ bes c d ees |
+ f g a bes |
+
+ \key ees \major
+ ees,, f g aes |
+ bes c d ees |
+
+ \key aes \major
+ aes, bes c des |
+ ees f g aes |
+
+ \key des \major
+ des,, ees f ges |
+ aes bes c des |
+
+ \key ges \major
+ ges, aes bes ces |
+ des ees f ges |
+
+ \key ces \major
+ ces,, des ees fes |
+ ges aes bes ces |
+
+ \key d \minor % flat-minor
+ d, e f g |
+ a bes cis d |
+
+ \key g \minor
+ g, a bes c |
+ d ees fis g |
+
+ \key c \minor
+ c,, d ees f |
+ g aes b c |
+
+ \key f \minor
+ f, g aes bes |
+ c des e f |
+
+ \key bes \minor
+ bes,, c des ees |
+ f ges a bes |
+
+ \key ees \minor
+ ees, f ges aes |
+ bes ces d ees |
+
+ \key aes \minor
+ aes, bes ces des |
+ ees fes g aes |
+}
+
+\score {
+ \context Voice \scales
+ \layout { }
+ \midi { }
+}
+
--- /dev/null
+\version "2.10.0"
+\header {
+texidoc = "
+
+Midi2ly tuplet test.
+
+@example
+ python scripts/midi2ly.py --duration-quant=32 \
+ --allow-tuplet=4*2/3 \
+ --allow-tuplet=8*2/3 \
+ --allow-tuplet=4*3/5 \
+ --allow-tuplet=8*3/5 \
+ tu.midi
+@end example
+"
+}
+
+
+\score {
+ \context Voice \relative c' {
+
+ a1 a2 a2. a4 a4. a8 a8. a16 a16. a32 a32. a64
+
+ \times 2/3 { b4 b4 b4 }
+ \times 3/5 { b4 b4 b4 b4 b4 }
+
+ \times 2/3 { c8 c8 c8 }
+ \times 3/5 { c8 c8 c8 c8 c8 }
+
+ }
+ \layout { }
+ \midi { }
+}
+
+
--- /dev/null
+\version "2.10.0"
+\header {
+ texidoc = "@cindex Midi Volume Equaliser
+The full orchestra plays a notes, where groups stop one after
+another. Use this to tune equalizer settings. "
+}
+
+#(set-global-staff-size 16)
+
+%{
+
+Override, see scm/midi.scm:
+
+#(set! instrument-equalizer-alist
+ (append
+ '(
+ ("flute" . (0 . 0.7))
+ )
+ instrument-equalizer-alist))
+
+%}
+
+flauti = \relative c' {
+ \set Staff.midiInstrument = #"flute"
+ \set Staff.instrumentName = #"2 Flauti"
+ \set Staff.shortInstrumentName = #"Fl."
+
+ c1\f R1*10
+}
+
+oboi = \relative c' {
+ \set Staff.midiInstrument = #"oboe"
+ \set Staff.instrumentName = #"2 Oboi"
+ \set Staff.shortInstrumentName = #"Ob."
+
+ R1*1 c1\f R1*9
+}
+
+clarinetti = \relative c' {
+ \set Staff.midiInstrument = #"clarinet"
+ \set Staff.instrumentName = #"Clarinetti"
+ \set Staff.shortInstrumentName = #"Cl"
+
+ R1*2 c1\f R1*8
+}
+
+fagotti = \relative c' {
+ \set Staff.midiInstrument = #"bassoon"
+ \set Staff.instrumentName = #"2 Fagotti"
+ \set Staff.shortInstrumentName = #"Fg."
+
+ \clef bass
+ R1*3 c1\f R1*7
+}
+
+corni = \relative c' {
+ \set Staff.midiInstrument = #"french horn"
+ \set Staff.instrumentName = #"Corni"
+ \set Staff.shortInstrumentName = #"Cor"
+
+ R1*4 c1\f R1*6
+}
+
+trombe = \relative c' {
+ \set Staff.midiInstrument = #"trumpet"
+ \set Staff.instrumentName = #"Trombe"
+ \set Staff.shortInstrumentName = #"Tp."
+
+ \clef bass
+ R1*5 c1\f R1*5
+}
+
+timpani = \relative c' {
+ \set Staff.midiInstrument = #"timpani"
+ \set Staff.instrumentName = #"Timpani"
+ \set Staff.shortInstrumentName = #"Timp."
+
+ R1*6 c1\f R1*4
+}
+
+violinoI = \relative c' {
+ \set Staff.midiInstrument = #"violin"
+ \set Staff.instrumentName = #"Violino I "
+ \set Staff.shortInstrumentName = #"Vl. I "
+
+ R1*7 c1\f R1*3
+}
+
+violinoII = \relative c' {
+ \set Staff.midiInstrument = #"violin"
+ \set Staff.instrumentName = #"Violino II "
+ \set Staff.shortInstrumentName = #"Vl. II "
+
+ R1*8 c1\f R1*2
+}
+
+viola = \relative c' {
+ \set Staff.midiInstrument = #"viola"
+ \set Staff.instrumentName = #"Viola"
+ \set Staff.shortInstrumentName = #"Vla."
+
+ \clef alto
+ R1*9 c1\f R1*1
+}
+
+violoncello = \relative c' {
+ \set Staff.midiInstrument = #"cello"
+ %\set Staff.midiInstrument = #"contrabass"
+ \set Staff.instrumentName = #"Violoncello"
+ \set Staff.shortInstrumentName = #"Vc."
+
+ \clef bass
+ R1*10 c1\f
+}
+
+
+\score {
+ <<
+ \new StaffGroup = "legni" <<
+ \new Staff = "flauti" \flauti
+ \new Staff = "oboi" \oboi
+ \new Staff = "clarinetti" \clarinetti
+ \new Staff = "fagotti" \fagotti
+ >>
+ \new StaffGroup = "ottoni" <<
+ \new Staff = "corni" \corni
+ \new Staff = "trombe" \trombe
+ >>
+ \new StaffGroup = "timpani" <<
+ \new Staff = "timpani" \timpani
+ {
+ \skip 1
+ %% Hmm: this forces a staff-bracket, that's good!
+ %% However, I can't find where is decided on staff-bracket yes/no
+ }
+ >>
+ \new StaffGroup = "archi" <<
+ \new GrandStaff = "violini" <<
+ \new Staff = "violino1" \violinoI
+ \new Staff = "violino2" \violinoII
+ >>
+ \new Staff = "viola" \viola
+ \new Staff = "violoncello" \violoncello
+ >>
+ >>
+
+ \layout {
+ \context {
+ \RemoveEmptyStaffContext
+ }
+ }
+
+ \midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 60 1)
+ }
+ }
+}
+
+
+++ /dev/null
-
-\version "2.10.0"
-
-\version "2.10.1"
-
-\score {
- \new DrumStaff <<
- \drummode {
- bd4 sn4 bd4 sn4
- <<
- {\voiceOne \repeat unfold 16 hh16 }
- \new DrumVoice { \voiceTwo bd4 sn4 bd4 sn4 }
- >> \oneVoice
- }
- >>
- \layout {}
- \midi {}
-}
+++ /dev/null
-#(ly:set-option 'old-relative)
-\version "2.10.0"
-\header{ texidoc = "Tests MIDI output with grace notes. " }
-
-\score {
- \context Voice \relative c {
- \new Voice = VoiceOne
- \grace {
- \override Stem #'stroke-style = #"grace"
- c8
- \revert Stem #'stroke-style }
- d4 d d d d
- \grace {
- \override Stem #'stroke-style = #"grace"
- e16 f e f
- \revert Stem #'stroke-style }
- d4 d d d d
-
- }
- \layout { }
- \midi { }
-}
-
+++ /dev/null
-\version "2.10.0"
-\header {
-
- texidoc = "Lyrics in MIDI are aligned to ties and beams:
-this examples causes no bar checks in MIDI.
-"
-
-
- }
-\score {
-
- <<\relative c'' \new Voice = A {
- \autoBeamOff
- c8[ c] c2.
- c1~c4 c2.
- c4 ( d e) d
- c1
-
- }
- \lyricsto "A" \lyricmode\new Lyrics { bla bla | bla bla | bla bla | bla }
- >>
- \layout {}
- \midi {}
- }
+++ /dev/null
-
-\version "2.10.0"
-% candidate for regression. -gp
-\header {
- texidoc="Converting LilyPond input to MIDI and then again back with
- @code{midi2ly.py} is a reversible procedure in some simple cases,
- which mean that the original @code{.ly} -file and the one converted
- back from the generated @code{.midi} -file do not differ.
- Here are produced some scales.
-
- "
-}
-
-%{
- This means, doing:
-
- lilypond input/test/midi-scales.ly
- midi2ly midi-scales.midi
- diff -u input/test/midi-scales.ly midi-scales-midi.ly
-
- should show no differences at all in \key commands or notes.
-
- Therefore, do not reformat this file unless midi2ly changes.
-
- 1.7.30 reformatted, because
- midi2ly now outpts 1 bar per line and adds bar checks and numbers.
-
-%}
-
-scales = \relative c {
-
- % [INSTRUMENT_NAME] bright acoustic
- \key c \major % sharp-major
- c'4 d e f |
- g a b c |
-
- \key g \major
- g a b c |
- d e fis g |
-
- \key d \major
- d, e fis g |
- a b cis d |
-
- \key a \major
- a b cis d |
- e fis gis a |
-
- \key e \major
- e, fis gis a |
- b cis dis e |
-
- \key b \major
- b cis dis e |
- fis gis ais b |
-
- \key fis \major
- fis, gis ais b |
- cis dis eis fis |
-
- \key cis \major
- cis, dis eis fis |
- gis ais bis cis |
-
- \key a \minor % sharp-minor
- a b c d |
- e f gis a |
-
- \key e \minor
- e, fis g a |
- b c dis e |
-
- \key b \minor
- b cis d e |
- fis g ais b |
-
- \key fis \minor
- fis, gis a b |
- cis d eis fis |
-
- \key cis \minor
- cis, dis e fis |
- gis a bis cis |
-
- \key gis \minor
- gis ais b cis |
- dis e fisis gis |
-
- \key dis \minor
- dis, eis fis gis |
- ais b cisis dis |
-
- \key ais \minor
- ais bis cis dis |
- eis fis gisis ais |
-
- \key f \major % flat-major
- f, g a bes |
- c d e f |
-
- \key bes \major
- bes c d ees |
- f g a bes |
-
- \key ees \major
- ees,, f g aes |
- bes c d ees |
-
- \key aes \major
- aes, bes c des |
- ees f g aes |
-
- \key des \major
- des,, ees f ges |
- aes bes c des |
-
- \key ges \major
- ges, aes bes ces |
- des ees f ges |
-
- \key ces \major
- ces,, des ees fes |
- ges aes bes ces |
-
- \key d \minor % flat-minor
- d, e f g |
- a bes cis d |
-
- \key g \minor
- g, a bes c |
- d ees fis g |
-
- \key c \minor
- c,, d ees f |
- g aes b c |
-
- \key f \minor
- f, g aes bes |
- c des e f |
-
- \key bes \minor
- bes,, c des ees |
- f ges a bes |
-
- \key ees \minor
- ees, f ges aes |
- bes ces d ees |
-
- \key aes \minor
- aes, bes ces des |
- ees fes g aes |
-}
-
-\score {
- \context Voice \scales
- \layout { }
- \midi { }
-}
-
+++ /dev/null
-#(ly:set-option 'old-relative)
-\version "2.10.0"
-
-\header { texidoc = "@cindex Transposing
-The transposing property leaves output invariant, but has effect on MIDI. "
-}
-
-\score {
- \context Voice \relative c {
- % btw: this is not how transposing is done in lilypond
- % this is a transposing performer, i.e. for midi-output only
- \set Staff.transposing = #0 c
- \set Staff.transposing = #2 c
- \set Staff.transposing = #4 c
- \set Staff.transposing = #5 c
- \set Staff.transposing = #7 c
- \set Staff.transposing = #9 c
- \set Staff.transposing = #11 c
- \set Staff.transposing = #12 c
-
- }
- \layout { ragged-right = ##t }
- \midi { }
-}
-
+++ /dev/null
-#(ly:set-option 'old-relative)
-\version "2.10.0"
-\header {
-texidoc = "
-
-Midi2ly tuplet test.
-
-@example
- python scripts/midi2ly.py --duration-quant=32 \
- --allow-tuplet=4*2/3 \
- --allow-tuplet=8*2/3 \
- --allow-tuplet=4*3/5 \
- --allow-tuplet=8*3/5 \
- tu.midi
-@end example
-"
-}
-
-
-\score {
- \context Voice \relative c' {
-
- a1 a2 a2. a4 a4. a8 a8. a16 a16. a32 a32. a64
-
- \times 2/3 { b4 b4 b4 }
- \times 3/5 { b4 b4 b4 b4 b4 }
-
- \times 2/3 { c8 c8 c8 }
- \times 3/5 { c8 c8 c8 c8 c8 }
-
- }
- \layout { }
- \midi { }
-}
-
-
+++ /dev/null
-#(ly:set-option 'old-relative)
-\version "2.10.0"
-\header {
-texidoc = "@cindex Midi Volume Equaliser
-The full orchestra plays a notes, where groups stop one after
-another. Use this to tune equalizer settings. "
-}
-
-#(set-global-staff-size 16)
-
-%{
-
-Override, see scm/midi.scm:
-
-#(set! instrument-equalizer-alist
- (append
- '(
- ("flute" . (0 . 0.7))
- )
- instrument-equalizer-alist))
-
-%}
-
-flauti = \relative c' {
- \set Staff.midiInstrument = #"flute"
- \set Staff.instrumentName = #"2 Flauti"
- \set Staff.shortInstrumentName = #"Fl."
-
- c1\f R1*10
-}
-
-oboi = \relative c' {
- \set Staff.midiInstrument = #"oboe"
- \set Staff.instrumentName = #"2 Oboi"
- \set Staff.shortInstrumentName = #"Ob."
-
- R1*1 c1\f R1*9
-}
-
-clarinetti = \relative c' {
- \set Staff.midiInstrument = #"clarinet"
- \set Staff.instrumentName = #"Clarinetti"
- \set Staff.shortInstrumentName = #"Cl"
-
- R1*2 c1\f R1*8
-}
-
-fagotti = \relative c' {
- \set Staff.midiInstrument = #"bassoon"
- \set Staff.instrumentName = #"2 Fagotti"
- \set Staff.shortInstrumentName = #"Fg."
-
- \clef bass
- R1*3 c1\f R1*7
-}
-
-corni = \relative c' {
- \set Staff.midiInstrument = #"french horn"
- \set Staff.instrumentName = #"Corni"
- \set Staff.shortInstrumentName = #"Cor"
-
- R1*4 c1\f R1*6
-}
-
-trombe = \relative c' {
- \set Staff.midiInstrument = #"trumpet"
- \set Staff.instrumentName = #"Trombe"
- \set Staff.shortInstrumentName = #"Tp."
-
- \clef bass
- R1*5 c1\f R1*5
-}
-
-timpani = \relative c' {
- \set Staff.midiInstrument = #"timpani"
- \set Staff.instrumentName = #"Timpani"
- \set Staff.shortInstrumentName = #"Timp."
-
- R1*6 c1\f R1*4
-}
-
-violinoI = \relative c' {
- \set Staff.midiInstrument = #"violin"
- \set Staff.instrumentName = #"Violino I "
- \set Staff.shortInstrumentName = #"Vl. I "
-
- R1*7 c1\f R1*3
-}
-
-violinoII = \relative c' {
- \set Staff.midiInstrument = #"violin"
- \set Staff.instrumentName = #"Violino II "
- \set Staff.shortInstrumentName = #"Vl. II "
-
- R1*8 c1\f R1*2
-}
-
-viola = \relative c' {
- \set Staff.midiInstrument = #"viola"
- \set Staff.instrumentName = #"Viola"
- \set Staff.shortInstrumentName = #"Vla."
-
- \clef alto
- R1*9 c1\f R1*1
-}
-
-violoncello = \relative c' {
- \set Staff.midiInstrument = #"cello"
- %\set Staff.midiInstrument = #"contrabass"
- \set Staff.instrumentName = #"Violoncello"
- \set Staff.shortInstrumentName = #"Vc."
-
- \clef bass
- R1*10 c1\f
-}
-
-
-\score {
- <<
- \new StaffGroup = "legni" <<
- \new Staff = "flauti" \flauti
- \new Staff = "oboi" \oboi
- \new Staff = "clarinetti" \clarinetti
- \new Staff = "fagotti" \fagotti
- >>
- \new StaffGroup = "ottoni" <<
- \new Staff = "corni" \corni
- \new Staff = "trombe" \trombe
- >>
- \new StaffGroup = "timpani" <<
- \new Staff = "timpani" \timpani
- {
- \skip 1
- % Hmm: this forces a staff-bracket, that's good!
- % However, I can't find where is decided on staff-bracket yes/no
- }
- >>
- \new StaffGroup = "archi" <<
- \new GrandStaff = "violini" <<
- \new Staff = "violino1" \violinoI
- \new Staff = "violino2" \violinoII
- >>
- \new Staff = "viola" \viola
- \new Staff = "violoncello" \violoncello
- >>
- >>
-
- \layout {
- \layoutSixteen
- indent=100.0\mm
- line-width=150.0\mm
- \context {
- \RemoveEmptyStaffContext
- }
- }
-
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 60 1)
- }
- }
-
-
-}
-
-
projects / lilypond.git / commitdiff