"
+texidocde = "
+Ambitus können pro Stimme gesetzt werden. In diesem Fall müssen sie
+manual verschoben werden, um Zusammenstöße zu verhindern.
+
+"
+doctitlede = "Ambitus pro Stimme hinzufügen"
+
texidoc = "
Ambitus can be added per voice. In this case, the ambitus must be moved
manually to prevent collisions.
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.62"
-
-\header {
- lsrtags = "tweaks-and-overrides, paper-and-layout, spacing"
-
- texidoces = "
-Mediante el establecimiento de las propiedades de
-@code{NonMusicalPaperColumn} se puede ajustar el espaciado vertical en
-cada sistema.
-
-Ajustando @code{alignment-extra-space} o
-@code{fixed-alignment-extra-space} se puede ampliar verticalmente un
-sistema individual.
-
-Por razones técnicas, se debe usar @code{\\overrideProperty} para
-cambiar estas propiedades dentro de un pentagrama; aún se debe usar
-@code{\\override} dentro de un bloque @code{\\context} para las
-sobreescrituras globales.
-
-"
- doctitlees = "Espaciado de la alineación vertical"
-
- texidoc = "
-By setting properties in @code{NonMusicalPaperColumn}, vertical spacing
-can be adjusted per system.
-
-
-By setting @code{alignment-extra-space} or
-@code{fixed-alignment-extra-space} an individual system may be
-stretched vertically.
-
-
-For technical reasons, @code{\\overrideProperty} must be used for
-changing these properties within a staff; @code{\\override} in a
-@code{\\context} block may still be used for global overrides.
-
-"
- doctitle = "Alignment vertical spacing"
-} % begin verbatim
-#(set-global-staff-size 13)
-
-\relative c''
-\new StaffGroup <<
- \new Staff {
- c1 \break
- c1 \break
- c1 \break
- }
- \new Staff {
- c1 | c | c
- }
- \new PianoStaff <<
- \new Voice {
- \set PianoStaff.instrumentName = #"piano"
- \set PianoStaff.shortInstrumentName = #"pn"
- c1_"normal"
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((fixed-alignment-extra-space . 15))
- c_"fixed-aligment-extra-space"
-
- \overrideProperty
- #"Score.NonMusicalPaperColumn"
- #'line-break-system-details
- #'((alignment-extra-space . 15))
- c_"aligment-extra-space"
- }
- { c1 | c | c }
- >>
->>
doctitlees = "Permitir que las digitaciones se impriman dentro del pentagrama"
texidoc = "
-By default, fingering numbers will be printed outside the staff.
-However, this behavior can be canceled.
+By default, vertically oriented fingerings are positioned outside the
+staff. However, this behavior can be canceled.
"
doctitle = "Allowing fingerings to be printed inside the staff"
"
+texidocde = "
+Indem man den @code{Ambitus_engraver} im @code{Staff}-Kontext
+hinzufügt, erhält man einen einzigen Ambitus pro System, auch in dem
+Fall, dass mehrere Stimmen sich im gleichen System befinden.
+"
+ doctitlede = "Ambitus mit vielen Stimmen"
texidoc = "
Adding the @code{Ambitus_engraver} to the @code{Staff} context creates
doctitle = "Analysis brackets above the staff"
} % begin verbatim
\layout {
- \context {
- \Voice
- \consists "Horizontal_bracket_engraver"
- }
+ \context {
+ \Voice
+ \consists "Horizontal_bracket_engraver"
+ }
}
\relative c'' {
- \once \override HorizontalBracket #'direction = #UP
- c2\startGroup
- d\stopGroup
+ \once \override HorizontalBracket #'direction = #UP
+ c2\startGroup
+ d2\stopGroup
}
-
"
+texidocde = "
+Die @code{shapeNoteStyles}-(NotenFormenStile)-Eigenschaft kann benutzt
+werden, um verschiedene Notenstile für jeden Schritt der Tonleiter
+zudefinieren (vorgegeben von der Tonart oder der \"tonic\" (Tonika)-Eigneschaft.
+Diese Eigenschaft braucht eine Anzahl von Symbolen, welche vollständig
+arbiträr sein können (geometrische Ausdrücke wie
+@code{triangle} (Dreieck), @code{cross} (Kreuz) und @code{xcircle} (X-Kreis)
+sind erlaubt) oder basierend auf einer alten amerikanischen Notensatztradition
+(einige lateinische Notenbezeichnungen sind auch erlaubt).
+
+Um alte amerikanische Liederbücher zu imitieren, gibt es einige vordefinierte
+Notenstile wie etwa
+@code{\\aikenHeads} (im Stil von Aiken) oder @code{\\sacredHarpHeads} (im
+Stil der Sacred Harp-Tradition).
+
+Dieses Beispiel zeigt andere Wege, um die unterschiedliche geformten
+Noten zu erhalten, und zeigt, wie man eine Melodie transponieren kann,
+ohne dass das Verhältnis zwischen den harmonischen Funktionen und
+dem Notenstil verloren geht.
+
+"
+
+ doctitlede = "Notenkopfstile besierend auf der Tonleiterstufe erstellen"
+
texidoc = "
The @code{shapeNoteStyles} property can be used to define various note
head styles for each step of the scale (as set by the key signature or
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.62"
+
+\header {
+ lsrtags = "rhythms"
+
+ texidoc = "
+There are no default automatic beam groupings specified for 7/8 time,
+so if automatic beams are required the grouping must be specified. For
+example, to group all beams 2-3-2 in 7/8 time, specify beam endings at
+2/8 and 5/8:
+
+"
+ doctitle = "Beam grouping in 7/8 time"
+} % begin verbatim
+\relative c'' {
+ \time 7/8
+ % rhythm 2-3-2
+ a8 a a a a a a
+ #(override-auto-beam-setting '(end * * 7 8) 2 8)
+ #(override-auto-beam-setting '(end * * 7 8) 5 8)
+ a8 a a a a a a
+}
\version "2.11.62"
\header {
- lsrtags = "rhythms, breaks"
+ lsrtags = "rhythms"
texidoc = "
-By default, beams can't be printed across line breaks. This behavior
-can be overridden by setting the @code{breakable} property.
+Line breaks are normally forbidden when beams cross bar lines. This
+behavior can be changed as shown:
"
doctitle = "Beams across line breaks"
} % begin verbatim
-\layout { ragged-right = ##t }
\relative c'' {
- \override Score.Beam #'breakable = ##t
- \time 3/16
- c16[ d e \break
- f16] r r
+ \override Beam #'breakable = ##t
+ c8 c[ c] c[ c] c[ c] c[ \break
+ c8] c[ c] c[ c] c[ c] c
}
+
removing-the-first-empty-line.ly
positioning-segno-and-coda-with-line-break.ly
-beams-across-line-breaks.ly
adding-an-extra-staff-at-a-line-break.ly
<< { g4 as g } \\ { es4 bes es } >> |
% Modern notation:
% by default, \breathe uses the rcomma, just as if saying:
- % \override BreathingSign #'text = #(make-musicglyph-markup "scripts.rcomma")
+ % \override BreathingSign #'text = #(make-musicglyph-markup "scripts.rcomma")
<< { g4 as g } \\ { es4 \breathe bes es } >> |
% rvarcomma and lvarcomma are variations of the default rcomma and lcomma
% N.B.: must use Staff context here, since we start a Voice below
- \override Staff.BreathingSign #'text = #(make-musicglyph-markup "scripts.rvarcomma")
+ \override Staff.BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" }
<< { g4 as g } \\ { es4 \breathe bes es } >> |
% vee
- \override BreathingSign #'text = #(make-musicglyph-markup "scripts.upbow")
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.upbow" }
es8[ d es f g] \breathe f |
% caesura
- \override BreathingSign #'text = #(make-musicglyph-markup "scripts.caesura.curved")
- es8[ d] \breathe es[ f g f] |
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.curved" }
+ es8[ d] \breathe es[ f g f] |
es2 r4 \bar "||"
}
doctitlees = "Cesura tipo \"vías del tren\" con calderón"
texidoc = "
-A caesura is sometimes denoted with a double \"railtracks\" breath mark
+A caesura is sometimes denoted by a double \"railtracks\" breath mark
with a fermata sign positioned above. This snippet should present an
-optically pleasing combination of railtracks and a fermata.
+optically pleasing combination of railtracks and fermata.
"
doctitle = "Caesura (\"railtracks\") with fermata"
} % begin verbatim
-{
- c''2.
+\relative c'' {
+ c2.
% construct the symbol
\override BreathingSign #'text = \markup {
\line {
\musicglyph #"scripts.ufermata"
}
}
- \breathe c''4
+ \breathe c4
% set the breathe mark back to normal
\revert BreathingSign #'text
- c''2. \breathe c''4
+ c2. \breathe c4
\bar "|."
}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.62"
+
+\header {
+ lsrtags = "rhythms"
+
+ texidoc = "
+Kneed beams are inserted automatically when a large gap is detected
+between the note heads. This behavior can be tuned through the
+@code{auto-knee-gap} property. A kneed beam is drawn if the gap is
+larger than the value of @code{auto-knee-gap} plus the width of the
+beam object (which depends on the duration of the notes and the slope
+of the beam). By default @code{auto-knee-gap} is set to 5.5 staff
+spaces.
+
+"
+ doctitle = "Changing beam knee gap"
+} % begin verbatim
+{
+ f8 f''8 f8 f''8
+ \override Beam #'auto-knee-gap = #6
+ f8 f''8 f8 f''8
+}
\relative c' {
<d f g b>2
\applyOutput #'Voice #mc-squared
- <d f g b>
+ <d f g b>2
}
(/ myStaffSize 20)))
}
-\relative {
- c'^\markup {
+\relative c'' {
+ c4^\markup {
roman: foo \bold bla \italic bar \italic \bold baz
}
- c'_\markup {
+ c'4_\markup {
\override #'(font-family . sans)
{
sans: foo \bold bla \italic bar \italic \bold baz
texidoc = "
Though the simplest way to resize staves is to use
@code{#(set-global-staff-size xx)}, an individual staff's size can be
-changed by scaling the properties @code{staff-space} and
+changed by scaling the properties @code{'staff-space} and
@code{fontSize}.
"
doctitle = "Changing the staff size"
} % begin verbatim
<<
- \new Staff \relative c'' {
- \dynamicDown
- c8\ff c c c c c c c
+ \new Staff {
+ \relative c'' {
+ \dynamicDown
+ c8\ff c c c c c c c
+ }
}
\new Staff \with {
fontSize = #-3
lsrtags = "rhythms"
texidoc = "
-The Scheme function @code{set-time-signature}, in combination with the
-@code{Measure_grouping_engraver}, creates measure grouping signs. Such
-signs ease reading rhythmically complex modern music. In the following
-example, the 9/8 measure is subdivided into 2, 2, 2 and 3 beats. This
-is passed to @code{set-time-signature} as the third argument @code{(2 2
-2 3)}.
-
-
+Options to group beats within a bar are available through the Scheme
+function @code{set-time-signature}, which takes three arguments: the
+number of beats, the beat length, and the internal grouping of beats in
+the measure. If the @code{Measure_grouping_engraver} is included, the
+function will also create @code{MeasureGrouping} signs. Such signs
+ease reading rhythmically complex modern music. In the example, the
+9/8 measure is subdivided in 2, 2, 2 and 3. This is passed to
+@code{set-time-signature} as the third argument: @code{'(2 2 2 3)}:
"
doctitle = "Conducting signs, measure grouping signs"
texidoc = "
The vertical ordering of scripts is controlled with the
-@code{script-priority} property. The lower this number, the closer it
+@code{'script-priority} property. The lower this number, the closer it
will be put to the note. In this example, the @code{TextScript} (the
sharp symbol) first has the lowest priority, so it is put lowest in the
first example. In the second, the prall trill (the @code{Script}) has
texidoc = "
The default behavior of tuplet-bracket visibility is to print a bracket
unless there is a beam of the same length as the tuplet. To control the
-visibility of tuplet brackets, set the property @code{TupletBracket
-#'bracket-visibility} to either @code{##t} (always print a bracket),
-@code{##f} (never print a bracket) or @code{#'if-no-beam} (only print a
-bracket if there is no beam).
+visibility of tuplet brackets, set the property
+@code{'bracket-visibility} to either @code{#t} (always print a
+bracket), @code{#f} (never print a bracket) or @code{#'if-no-beam}
+(only print a bracket if there is no beam).
"
doctitle = "Controlling tuplet bracket visibility"
} % begin verbatim
-mus = \relative c'' {
+music = \relative c'' {
\times 2/3 { c16[ d e } f8]
\times 2/3 { c8 d e }
\times 2/3 { c4 d e }
}
-\new Voice \relative c'{
- << \mus s4^"default" >>
- \override TupletBracket #'bracket-visibility = #'if-no-beam
- << \mus s4^"'if-no-beam" >>
- \override TupletBracket #'bracket-visibility = ##t
- << \mus s4^"#t" >>
- \override TupletBracket #'bracket-visibility = ##f
- << \mus s4^"#f" >>
+\new Voice {
+ \relative c' {
+ << \music s4^"default" >>
+ \override TupletBracket #'bracket-visibility = #'if-no-beam
+ << \music s4^"'if-no-beam" >>
+ \override TupletBracket #'bracket-visibility = ##t
+ << \music s4^"#t" >>
+ \override TupletBracket #'bracket-visibility = ##f
+ << \music s4^"#f" >>
+ }
}
\version "2.11.62"
\header {
+ texidoces = "
+Se pueden establecer las propiedades de los diagramas de
+posiciones de acordes por medio de @code{'fret-diagram-details}.
+Para los diagramas de posiciones de FretBoard, se aplican los
+overrides (sobreescrituras) al objeto @code{FretBoards.FretBoard}.
+Como @code{Voice}, @code{FretBoards} es un contexto del nivel
+inferior, y por tanto se puede omitir su nombre en la
+sobreescritura de propiedades.
+
+"
+ doctitlees = "Personalizar los diagramas de posiciones"
+
lsrtags = "fretted-strings,tweaks-and-overrides"
texidoc = "Fret diagram properties can be set through
\version "2.11.62"
\header {
+ texidoces = "
+Se pueden establecer las propiedades de los diagramas de
+posiciones a través de @code{'fret-diagram-details}. Para los
+diagramas de posiciones de marcado, se pueden aplicar overrides
+(sobreescrituras) al objeto @code{Voice.TextScript} o directamente al elemento de marcado.
+
+"
+ doctitlees = "Personalizar diagramas de posiciones de marcado"
+
lsrtags = "fretted-strings,tweaks-and-overrides"
texidoc = "Fret diagram properties can be set through
\version "2.11.62"
\header {
- lsrtags = "vocal-music, keyboards, unfretted-strings, midi"
+ lsrtags = "midi"
texidoc = "
Problem: How to know which @code{midiInstrument} would be best for your
arranger = "Myself "
}
-basemelodie = \relative c' {
- c4. \mf g c16 b' c d
+baseMelody = \relative c' {
+ c4.\mf g c16 b' c d
e16 d e f g4 g'4 r
R1
}
-melodie = { \tempo 4 = 150 \basemelodie }
+melody = {
+ \tempo 4 = 150
+ \baseMelody
+}
\score {
\new Staff <<
- \new Voice { \melodie
- }
+ \new Voice \melody
>>
\layout { }
}
\score {
\new Staff <<
- %\set Staff.instrumentName= #"S/A"
- %\set Staff.midiMinimumVolume = #0.2
- %\set Staff.midiMaximumVolume = #0.4
- %\set Voice.dynamicAbsoluteVolumeFunction = #0.6
- \new Voice { r \mf
- \set Staff.midiInstrument = #"acoustic grand" \melodie
- \set Staff.midiInstrument = #"bright acoustic" \melodie
- \set Staff.midiInstrument = #"electric grand" \melodie
- \set Staff.midiInstrument = #"honky-tonk" \melodie
- \set Staff.midiInstrument = #"electric piano 1" \melodie
- \set Staff.midiInstrument = #"electric piano 2" \melodie
- \set Staff.midiInstrument = #"harpsichord" \melodie
- \set Staff.midiInstrument = #"clav" \melodie
- \set Staff.midiInstrument = #"celesta" \melodie
- \set Staff.midiInstrument = #"glockenspiel" \melodie
- \set Staff.midiInstrument = #"music box" \melodie
- \set Staff.midiInstrument = #"vibraphone" \melodie
- \set Staff.midiInstrument = #"marimba" \melodie
- \set Staff.midiInstrument = #"xylophone" \melodie
- \set Staff.midiInstrument = #"tubular bells" \melodie
- \set Staff.midiInstrument = #"dulcimer" \melodie
- \set Staff.midiInstrument = #"drawbar organ" \melodie
- \set Staff.midiInstrument = #"percussive organ" \melodie
- \set Staff.midiInstrument = #"rock organ" \melodie
- \set Staff.midiInstrument = #"church organ" \melodie
- \set Staff.midiInstrument = #"reed organ" \melodie
- \set Staff.midiInstrument = #"accordion" \melodie
- \set Staff.midiInstrument = #"harmonica" \melodie
- \set Staff.midiInstrument = #"concertina" \melodie
- \set Staff.midiInstrument = #"acoustic guitar (nylon)" \melodie
- \set Staff.midiInstrument = #"acoustic guitar (steel)" \melodie
- \set Staff.midiInstrument = #"electric guitar (jazz)" \melodie
- \set Staff.midiInstrument = #"electric guitar (clean)" \melodie
- \set Staff.midiInstrument = #"electric guitar (muted)" \melodie
- \set Staff.midiInstrument = #"overdriven guitar" \melodie
- \set Staff.midiInstrument = #"distorted guitar" \melodie
- \set Staff.midiInstrument = #"acoustic bass" \melodie
- \set Staff.midiInstrument = #"electric bass (finger)" \melodie
- \set Staff.midiInstrument = #"electric bass (pick)" \melodie
- \set Staff.midiInstrument = #"fretless bass" \melodie
- \set Staff.midiInstrument = #"slap bass 1" \melodie
- \set Staff.midiInstrument = #"slap bass 2" \melodie
- \set Staff.midiInstrument = #"synth bass 1" \melodie
- \set Staff.midiInstrument = #"synth bass 2" \melodie
- \set Staff.midiInstrument = #"violin" \melodie
- \set Staff.midiInstrument = #"viola" \melodie
- \set Staff.midiInstrument = #"cello" \melodie
- \set Staff.midiInstrument = #"contrabass" \melodie
- \set Staff.midiInstrument = #"tremolo strings" \melodie
- \set Staff.midiInstrument = #"pizzicato strings" \melodie
- \set Staff.midiInstrument = #"orchestral strings" \melodie
- \set Staff.midiInstrument = #"timpani" \melodie
- \set Staff.midiInstrument = #"string ensemble 1" \melodie
- \set Staff.midiInstrument = #"string ensemble 2" \melodie
- \set Staff.midiInstrument = #"synthstrings 1" \melodie
- \set Staff.midiInstrument = #"synthstrings 2" \melodie
- \set Staff.midiInstrument = #"choir aahs" \melodie
- \set Staff.midiInstrument = #"voice oohs" \melodie
- \set Staff.midiInstrument = #"synth voice" \melodie
- \set Staff.midiInstrument = #"orchestra hit" \melodie
- \set Staff.midiInstrument = #"trumpet" \melodie
- \set Staff.midiInstrument = #"trombone" \melodie
- \set Staff.midiInstrument = #"tuba" \melodie
- \set Staff.midiInstrument = #"muted trumpet" \melodie
- \set Staff.midiInstrument = #"french horn" \melodie
- \set Staff.midiInstrument = #"brass section" \melodie
- \set Staff.midiInstrument = #"synthbrass 1" \melodie
- \set Staff.midiInstrument = #"synthbrass 2" \melodie
- \set Staff.midiInstrument = #"soprano sax" \melodie
- \set Staff.midiInstrument = #"alto sax" \melodie
- \set Staff.midiInstrument = #"tenor sax" \melodie
- \set Staff.midiInstrument = #"baritone sax" \melodie
- \set Staff.midiInstrument = #"oboe" \melodie
- \set Staff.midiInstrument = #"english horn" \melodie
- \set Staff.midiInstrument = #"bassoon" \melodie
- \set Staff.midiInstrument = #"clarinet" \melodie
- \set Staff.midiInstrument = #"piccolo" \melodie
- \set Staff.midiInstrument = #"flute" \melodie
- \set Staff.midiInstrument = #"recorder" \melodie
- \set Staff.midiInstrument = #"pan flute" \melodie
- \set Staff.midiInstrument = #"blown bottle" \melodie
- \set Staff.midiInstrument = #"shakuhachi" \melodie
- \set Staff.midiInstrument = #"whistle" \melodie
- \set Staff.midiInstrument = #"ocarina" \melodie
- \set Staff.midiInstrument = #"lead 1 (square)" \melodie
- \set Staff.midiInstrument = #"lead 2 (sawtooth)" \melodie
- \set Staff.midiInstrument = #"lead 3 (calliope)" \melodie
- \set Staff.midiInstrument = #"lead 4 (chiff)" \melodie
- \set Staff.midiInstrument = #"lead 5 (charang)" \melodie
- \set Staff.midiInstrument = #"lead 6 (voice)" \melodie
- \set Staff.midiInstrument = #"lead 7 (fifths)" \melodie
- \set Staff.midiInstrument = #"lead 8 (bass+lead)" \melodie
- \set Staff.midiInstrument = #"pad 1 (new age)" \melodie
- \set Staff.midiInstrument = #"pad 2 (warm)" \melodie
- \set Staff.midiInstrument = #"pad 3 (polysynth)" \melodie
- \set Staff.midiInstrument = #"pad 4 (choir)" \melodie
- \set Staff.midiInstrument = #"pad 5 (bowed)" \melodie
- \set Staff.midiInstrument = #"pad 6 (metallic)" \melodie
- \set Staff.midiInstrument = #"pad 7 (halo)" \melodie
- \set Staff.midiInstrument = #"pad 8 (sweep)" \melodie
- \set Staff.midiInstrument = #"fx 1 (rain)" \melodie
- \set Staff.midiInstrument = #"fx 2 (soundtrack)" \melodie
- \set Staff.midiInstrument = #"fx 3 (crystal)" \melodie
- \set Staff.midiInstrument = #"fx 4 (atmosphere)" \melodie
- \set Staff.midiInstrument = #"fx 5 (brightness)" \melodie
- \set Staff.midiInstrument = #"fx 6 (goblins)" \melodie
- \set Staff.midiInstrument = #"fx 7 (echoes)" \melodie
- \set Staff.midiInstrument = #"fx 8 (sci-fi)" \melodie
- \set Staff.midiInstrument = #"sitar" \melodie
- \set Staff.midiInstrument = #"banjo" \melodie
- \set Staff.midiInstrument = #"shamisen" \melodie
- \set Staff.midiInstrument = #"koto" \melodie
- \set Staff.midiInstrument = #"kalimba" \melodie
- \set Staff.midiInstrument = #"bagpipe" \melodie
- \set Staff.midiInstrument = #"fiddle" \melodie
- \set Staff.midiInstrument = #"shanai" \melodie
- \set Staff.midiInstrument = #"tinkle bell" \melodie
- \set Staff.midiInstrument = #"agogo" \melodie
- \set Staff.midiInstrument = #"steel drums" \melodie
- \set Staff.midiInstrument = #"woodblock" \melodie
- \set Staff.midiInstrument = #"taiko drum" \melodie
- \set Staff.midiInstrument = #"melodic tom" \melodie
- \set Staff.midiInstrument = #"synth drum" \melodie
- \set Staff.midiInstrument = #"reverse cymbal" \melodie
- \set Staff.midiInstrument = #"guitar fret noise" \melodie
- \set Staff.midiInstrument = #"breath noise" \melodie
- \set Staff.midiInstrument = #"seashore" \melodie
- \set Staff.midiInstrument = #"bird tweet" \melodie
- \set Staff.midiInstrument = #"telephone ring" \melodie
- \set Staff.midiInstrument = #"helicopter" \melodie
- \set Staff.midiInstrument = #"applause" \melodie
- \set Staff.midiInstrument = #"gunshot" \melodie
+ \new Voice {
+ r\mf
+ \set Staff.midiInstrument = #"acoustic grand" \melody
+ \set Staff.midiInstrument = #"bright acoustic" \melody
+ \set Staff.midiInstrument = #"electric grand" \melody
+ \set Staff.midiInstrument = #"honky-tonk" \melody
+ \set Staff.midiInstrument = #"electric piano 1" \melody
+ \set Staff.midiInstrument = #"electric piano 2" \melody
+ \set Staff.midiInstrument = #"harpsichord" \melody
+ \set Staff.midiInstrument = #"clav" \melody
+ \set Staff.midiInstrument = #"celesta" \melody
+ \set Staff.midiInstrument = #"glockenspiel" \melody
+ \set Staff.midiInstrument = #"music box" \melody
+ \set Staff.midiInstrument = #"vibraphone" \melody
+ \set Staff.midiInstrument = #"marimba" \melody
+ \set Staff.midiInstrument = #"xylophone" \melody
+ \set Staff.midiInstrument = #"tubular bells" \melody
+ \set Staff.midiInstrument = #"dulcimer" \melody
+ \set Staff.midiInstrument = #"drawbar organ" \melody
+ \set Staff.midiInstrument = #"percussive organ" \melody
+ \set Staff.midiInstrument = #"rock organ" \melody
+ \set Staff.midiInstrument = #"church organ" \melody
+ \set Staff.midiInstrument = #"reed organ" \melody
+ \set Staff.midiInstrument = #"accordion" \melody
+ \set Staff.midiInstrument = #"harmonica" \melody
+ \set Staff.midiInstrument = #"concertina" \melody
+ \set Staff.midiInstrument = #"acoustic guitar (nylon)" \melody
+ \set Staff.midiInstrument = #"acoustic guitar (steel)" \melody
+ \set Staff.midiInstrument = #"electric guitar (jazz)" \melody
+ \set Staff.midiInstrument = #"electric guitar (clean)" \melody
+ \set Staff.midiInstrument = #"electric guitar (muted)" \melody
+ \set Staff.midiInstrument = #"overdriven guitar" \melody
+ \set Staff.midiInstrument = #"distorted guitar" \melody
+ \set Staff.midiInstrument = #"acoustic bass" \melody
+ \set Staff.midiInstrument = #"electric bass (finger)" \melody
+ \set Staff.midiInstrument = #"electric bass (pick)" \melody
+ \set Staff.midiInstrument = #"fretless bass" \melody
+ \set Staff.midiInstrument = #"slap bass 1" \melody
+ \set Staff.midiInstrument = #"slap bass 2" \melody
+ \set Staff.midiInstrument = #"synth bass 1" \melody
+ \set Staff.midiInstrument = #"synth bass 2" \melody
+ \set Staff.midiInstrument = #"violin" \melody
+ \set Staff.midiInstrument = #"viola" \melody
+ \set Staff.midiInstrument = #"cello" \melody
+ \set Staff.midiInstrument = #"contrabass" \melody
+ \set Staff.midiInstrument = #"tremolo strings" \melody
+ \set Staff.midiInstrument = #"pizzicato strings" \melody
+ \set Staff.midiInstrument = #"orchestral strings" \melody
+ \set Staff.midiInstrument = #"timpani" \melody
+ \set Staff.midiInstrument = #"string ensemble 1" \melody
+ \set Staff.midiInstrument = #"string ensemble 2" \melody
+ \set Staff.midiInstrument = #"synthstrings 1" \melody
+ \set Staff.midiInstrument = #"synthstrings 2" \melody
+ \set Staff.midiInstrument = #"choir aahs" \melody
+ \set Staff.midiInstrument = #"voice oohs" \melody
+ \set Staff.midiInstrument = #"synth voice" \melody
+ \set Staff.midiInstrument = #"orchestra hit" \melody
+ \set Staff.midiInstrument = #"trumpet" \melody
+ \set Staff.midiInstrument = #"trombone" \melody
+ \set Staff.midiInstrument = #"tuba" \melody
+ \set Staff.midiInstrument = #"muted trumpet" \melody
+ \set Staff.midiInstrument = #"french horn" \melody
+ \set Staff.midiInstrument = #"brass section" \melody
+ \set Staff.midiInstrument = #"synthbrass 1" \melody
+ \set Staff.midiInstrument = #"synthbrass 2" \melody
+ \set Staff.midiInstrument = #"soprano sax" \melody
+ \set Staff.midiInstrument = #"alto sax" \melody
+ \set Staff.midiInstrument = #"tenor sax" \melody
+ \set Staff.midiInstrument = #"baritone sax" \melody
+ \set Staff.midiInstrument = #"oboe" \melody
+ \set Staff.midiInstrument = #"english horn" \melody
+ \set Staff.midiInstrument = #"bassoon" \melody
+ \set Staff.midiInstrument = #"clarinet" \melody
+ \set Staff.midiInstrument = #"piccolo" \melody
+ \set Staff.midiInstrument = #"flute" \melody
+ \set Staff.midiInstrument = #"recorder" \melody
+ \set Staff.midiInstrument = #"pan flute" \melody
+ \set Staff.midiInstrument = #"blown bottle" \melody
+ \set Staff.midiInstrument = #"shakuhachi" \melody
+ \set Staff.midiInstrument = #"whistle" \melody
+ \set Staff.midiInstrument = #"ocarina" \melody
+ \set Staff.midiInstrument = #"lead 1 (square)" \melody
+ \set Staff.midiInstrument = #"lead 2 (sawtooth)" \melody
+ \set Staff.midiInstrument = #"lead 3 (calliope)" \melody
+ \set Staff.midiInstrument = #"lead 4 (chiff)" \melody
+ \set Staff.midiInstrument = #"lead 5 (charang)" \melody
+ \set Staff.midiInstrument = #"lead 6 (voice)" \melody
+ \set Staff.midiInstrument = #"lead 7 (fifths)" \melody
+ \set Staff.midiInstrument = #"lead 8 (bass+lead)" \melody
+ \set Staff.midiInstrument = #"pad 1 (new age)" \melody
+ \set Staff.midiInstrument = #"pad 2 (warm)" \melody
+ \set Staff.midiInstrument = #"pad 3 (polysynth)" \melody
+ \set Staff.midiInstrument = #"pad 4 (choir)" \melody
+ \set Staff.midiInstrument = #"pad 5 (bowed)" \melody
+ \set Staff.midiInstrument = #"pad 6 (metallic)" \melody
+ \set Staff.midiInstrument = #"pad 7 (halo)" \melody
+ \set Staff.midiInstrument = #"pad 8 (sweep)" \melody
+ \set Staff.midiInstrument = #"fx 1 (rain)" \melody
+ \set Staff.midiInstrument = #"fx 2 (soundtrack)" \melody
+ \set Staff.midiInstrument = #"fx 3 (crystal)" \melody
+ \set Staff.midiInstrument = #"fx 4 (atmosphere)" \melody
+ \set Staff.midiInstrument = #"fx 5 (brightness)" \melody
+ \set Staff.midiInstrument = #"fx 6 (goblins)" \melody
+ \set Staff.midiInstrument = #"fx 7 (echoes)" \melody
+ \set Staff.midiInstrument = #"fx 8 (sci-fi)" \melody
+ \set Staff.midiInstrument = #"sitar" \melody
+ \set Staff.midiInstrument = #"banjo" \melody
+ \set Staff.midiInstrument = #"shamisen" \melody
+ \set Staff.midiInstrument = #"koto" \melody
+ \set Staff.midiInstrument = #"kalimba" \melody
+ \set Staff.midiInstrument = #"bagpipe" \melody
+ \set Staff.midiInstrument = #"fiddle" \melody
+ \set Staff.midiInstrument = #"shanai" \melody
+ \set Staff.midiInstrument = #"tinkle bell" \melody
+ \set Staff.midiInstrument = #"agogo" \melody
+ \set Staff.midiInstrument = #"steel drums" \melody
+ \set Staff.midiInstrument = #"woodblock" \melody
+ \set Staff.midiInstrument = #"taiko drum" \melody
+ \set Staff.midiInstrument = #"melodic tom" \melody
+ \set Staff.midiInstrument = #"synth drum" \melody
+ \set Staff.midiInstrument = #"reverse cymbal" \melody
+ \set Staff.midiInstrument = #"guitar fret noise" \melody
+ \set Staff.midiInstrument = #"breath noise" \melody
+ \set Staff.midiInstrument = #"seashore" \melody
+ \set Staff.midiInstrument = #"bird tweet" \melody
+ \set Staff.midiInstrument = #"telephone ring" \melody
+ \set Staff.midiInstrument = #"helicopter" \melody
+ \set Staff.midiInstrument = #"applause" \melody
+ \set Staff.midiInstrument = #"gunshot" \melody
}
>>
\midi { }
"
+ texidocde = "
+ In Werken des fürhen 20. Jahrhundert, angefangen mit Schönberg, Berg
+ und Webern (die zweite Wiener Schule), wird jeder Ton der
+ Zwölftonleiter als gleichwertig erachtet, ohne hierarchische
+ Ordnung. Deshalb wird in dieser Musik für jede Note ein Versetzungszeichen
+ ausgegeben, auch für unalterierte Tonhöhen, um das neue Verständnis
+ der Musiktheorie und Musiksprache zu verdeutlichen.
+
+ Dieser Schnipsel zeigt, wie derartige Notationsregeln zu erstellen sind.
+ "
+
+doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
lsrtags = "pitches"
texidoc = "In early 20th century works, starting with Schoenberg,
\header {
lsrtags = "fretted-strings"
+ texidoces = "
+En este ejemplo se combinan las digitaciones de la mano izquierda,
+indicaciones del número de cuerda y digitaciones de la mano
+derecha.
+
+"
+ doctitlees = "Digitaciones, indicación del número de cuerda y digitaciones de mano derecha"
+
texidoc = "
This example combines left-hand fingering, string indications, and
right-hand fingering.
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.62"
+
+\header {
+ lsrtags = "rhythms"
+
+ texidoc = "
+Beaming patterns may be altered with the @code{beatGrouping} property:
+"
+ doctitle = "Grouping beats"
+} % begin verbatim
+\relative c'' {
+ \time 5/16
+ \set beatGrouping = #'(2 3)
+ c8[^"(2+3)" c16 c8]
+ \set beatGrouping = #'(3 2)
+ c8[^"(3+2)" c16 c8]
+}
+
\version "2.11.62"
\header {
+ texidoces = "
+Para la música de guitarra, es posible mostrar los ritmos de rasgueo,
+además de las notas de la melodía, acordes y diagramas de posiciones.
+
+"
+ doctitlees = "Ritmos rasgueados de guitarra"
+
lsrtags = "rhythms,fretted-strings"
texidoc = "
For guitar music, it is possible to show strum rhythms, along
piano-template-with-melody-and-lyrics.ly
piano-template-with-centered-dynamics.ly
jazz-combo-template.ly
-demo-midiinstruments.ly
He aquí un ejemplo de una posible armadura para generar una escala
exátona:
+"
+
+doctitlede = "Untypische Tonarten"
+
+texidocde = "
+Der üblicherweise benutzte @code{\\key}-Befehl setzt die
+@code{keySignature}-Eigenschaft im @code{Staff}-Kontext.
+
+Um untypische Tonartenvorzeichen zu erstellen, muss man diese Eigenschaft
+direkt setzen. Das Format für den Befehl ist eine Liste:
+
+@code{ \\set Staff.keySignature = #`(((Oktave . Schritt) . Alteration) ((Oktave
+. Schritt) . Alteration) ...) } wobei für jedes Element in der Liste
+@code{Oktave} die Oktave angibt (0 ist die Oktave vom eingestrichenen C bis
+zum eingestrichenen H), @code{Schritt} gibt die Note innerhalb der Oktave an
+(0 heißt C und 6 heißt H), und @code{Alteration} ist @code{,SHARP ,FLAT ,DOUBLE-SHARP}
+usw. (Beachte das beginnende Komma.)
+
+Alternativ kann auch für jedes Element der Liste mit dem allgemeineren
+Format @code{(Schritt . Alteration)} bestimmt werden, wobei dann die
+Einstellungen für alle Oktaven gelten.
+
+Hier ein Beispiel einer möglichen Tonart für eine Ganztonleiter:
"
texidoc = "
@code{set-octavation}.
"
doctitlees = "Texto de octava alta y baja"
+
+
+texidocde = "
+Intern setzt die @code{set-octavation}-Funktion die Eigenschaften
+@code{ottavation} (etwa auf den Wert @code{\"8va\"} oder @code{\"8vb\"})
+und @code{middleCPosition}. Um den Text der Oktavierungsklammer zu
+ändern, kann @code{ottavation} manuell gesetzt werden, nachdem
+@code{set-octavation} benützt wurde.
+
+"
+
+doctitlede = "Ottava-Text"
+
texidoc = "
Internally, the @code{set-octavation} function sets the properties
@code{ottavation} (for example, to @code{\"8va\"} or @code{\"8vb\"})
creating-blank-staves.ly
+aligning-and-centering-instrument-names.ly
+table-of-contents.ly
demonstrating-all-headers.ly
changing-the-staff-size.ly
clip-systems.ly
-aligning-and-centering-instrument-names.ly
-alignment-vertical-spacing.ly
-table-of-contents.ly
\header {
lsrtags = "fretted-strings"
+ texidoces = "
+Es posible ejercer un mayor control sobre la colocación de las
+digitaciones de la mano derecha estableciendo el valor de una
+propiedad específica, como se muestra en el ejemplo siguiente.
+
+"
+ doctitlees = "Posicionamiento de digitaciones de mano derecha"
+
texidoc = "
It is possible to exercise greater control over the placement of
right-hand fingerings by setting a specific property, as demonstrated
\header {
lsrtags = "fretted-strings"
+ texidoces = "
+La polifonía se crea de la misma forma en un @code{TabStaff} que
+en una pauta normal.
+
+"
+ doctitlees = "Polifonía en tablaturas"
+
texidoc = "
Polyphony is created the same way in a @code{TabStaff} as in a regular
staff.
contexto de @code{Staff}.
"
+
+doctitlede = "Verhindern, dass zusätzliche Auflösungszeichen automatisch
+hinzugefügt werden"
+
+texidocde = "Den tranditionellen Notensatzregeln zufolge wird ein
+Auflösungszeichen immer dann vor einem Kreuz oder B gesetzt, wenn
+ein vorheriges Versetzungszeichen der gleichen Note aufgehoben werden
+soll. Um dieses Verhalten zu ändern, muss die Eigenschaft
+@code{extraNatural} im @code{Staff}-Kontext auf \"false\" gesetzt werden.
+"
+
texidoc = "
In accordance with standard typesetting rules, a natural sign is
printed before a sharp or flat if a previous accidental on the same
propiedad @code{printKeyCancellation} del contexto @code{Staff}.
"
+
+doctitlede = "Auflösungzeichen nicht setzen, wenn die Tonart wechselt"
+
+texidocde = "
+Wenn die Tonart wechselt, werden automatisch Auflösungszeichen ausgegeben,
+um Versetzungszeichen der vorherigen Tonart aufzulösen. Das kann
+verhindert werden, indem die @code{printKeyCancellation}-Eigenschaft
+im @code{Staff}-Kontext auf \"false\" gesetzt wird.
+"
+
texidoc = "
When the key signature changes, natural signs are automatically printed
to cancel any accidentals from previous key signatures. This may be
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.62"
+
+\header {
+ lsrtags = "rhythms"
+
+ texidoc = "
+To typeset beams grouped @code{3-4-3-2} in 12/8 it is necessary first
+to override the default beam endings in 12/8, and then to set up the
+new beaming endings:
+
+"
+ doctitle = "Reverting default beam endings"
+} % begin verbatim
+\relative c'' {
+ \time 12/8
+
+ % Default beaming
+ a8 a a a a a a a a a a a
+
+ % Revert default values in scm/auto-beam.scm for 12/8 time
+ #(revert-auto-beam-setting '(end * * 12 8) 3 8)
+ #(revert-auto-beam-setting '(end * * 12 8) 3 4)
+ #(revert-auto-beam-setting '(end * * 12 8) 9 8)
+ a8 a a a a a a a a a a a
+
+ % Set new values for beam endings
+ #(override-auto-beam-setting '(end * * 12 8) 3 8)
+ #(override-auto-beam-setting '(end * * 12 8) 7 8)
+ #(override-auto-beam-setting '(end * * 12 8) 10 8)
+ a8 a a a a a a a a a a a
+}
+changing-beam-knee-gap.ly
+reverting-default-beam-endings.ly
adding-beams,-slurs,-ties-etc.-when-using-tuplet-and-non-tuplet-rythms..ly
printing-music-with-different-time-signatures.ly
beams-across-line-breaks.ly
chant-or-psalms-notation.ly
controlling-tuplet-bracket-visibility.ly
heavily-customized-polymetric-time-signatures.ly
+grouping-beats.ly
positioning-multi--measure-rests.ly
using-ties-with-arpeggios.ly
changing-text-and-spanner-styles-for-text-dynamics.ly
forcing-rehearsal-marks-to-start-from-a-given-letter-or-number.ly
+sub-dividing-beams.ly
compound-time-signatures.ly
changing-time-signatures-inside-a-polymetric-section-using-scaledurations.ly
modifying-tuplet-bracket-length.ly
making-an-object-invisible-with-the-transparent-property.ly
permitting-line-breaks-within-beamed-tuplets.ly
automatic-beam-subdivisions.ly
+beam-grouping-in-7-8-time.ly
changing-the-tuplet-number.ly
entering-several-tuplets-using-only-one--times-command.ly
conducting-signs,-measure-grouping-signs.ly
skips-in-lyric-mode-2.ly
changing-form-of-multi--measure-rests.ly
+guitar-strum-rhythms.ly
rhythmic-slashes.ly
automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
three-sided-box.ly
skips-in-lyric-mode.ly
engraving-ties-manually.ly
stemlets.ly
-guitar-strum-rhythms.ly
\header {
lsrtags = "expressive-marks, unfretted-strings"
+ texidoces = "
+El pizzicato de chasquido (también llamado \"Pizzicato
+de Bartók\") es un \"pizzicato fuerte en que la cuerda se pulsa
+verticalmente produciendo un chasquido y rebotando en el diapasón del
+instrumento\" (Wikipedia). Se denota mediante una circunferencia con
+una línea vertical corta que parte del centro de aquélla hacia
+fuera. Aunque Lilypond no tiene ninguna instrucción predefinida para
+crear esta marca, es fácil hacer la definición y colocarla
+directamente en el archivo de lilypond.
+
+"
+ doctitlees = "Marca de pizzicato de chasquido (\"pizzicato de Bartók\")"
+
texidoc = "
A snap-pizzicato (also known as \"Bartok pizzicato\") is a \"strong
pizzicato where the string is plucked vertically by snapping and
vertically-aligned-dynamics-and-textscripts.ly
-proportional-strict-notespacing.ly
-vertically-aligning-ossias-and-lyrics.ly
allowing-fingerings-to-be-printed-inside-the-staff.ly
-page-label.ly
-alignment-vertical-spacing.ly
adjusting-lyrics-vertical-spacing.ly
+vertically-aligning-ossias-and-lyrics.ly
+page-label.ly
+proportional-strict-notespacing.ly
\header {
lsrtags = "fretted-strings"
+ texidoces = "
+La dirección de las plicas se contola de la misma forma en la
+tablatura que en la notación tradicional. Las barras se pueden
+poner horizontales, como se muestra en este ejemplo.
+
+"
+ doctitlees = "Comportamiento de las plicas y las barras de corchea en tablaturas"
texidoc = "
The direction of stems is controlled the same way in tablature as in
traditional notation. Beams can be made horizontal, as shown in this
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.62"
+
+\header {
+ lsrtags = "rhythms"
+
+ texidoc = "
+The beams of consecutive 16th (or shorter) notes are, by default, not
+sub-divided. That is, the three (or more) beams stretch unbroken over
+entire groups of notes. This behavior can be modified to sub-divide
+the beams into sub-groups by setting the property
+@code{subdivideBeams}. When set, multiple beams will be sub-divided at
+intervals defined by the current value of @code{beatLength} by reducing
+the multiple beams to just one beam between the sub-groups. Note that
+@code{beatLength} defaults to a quarter note if not set explicitly. It
+must be set to a fraction giving the duration of the beam sub-group
+using the @code{make-moment} function, as shown here:
+
+
+
+"
+ doctitle = "Sub-dividing beams"
+} % begin verbatim
+\relative c'' {
+ c32[ c c c c c c c]
+ \set subdivideBeams = ##t
+ c32[ c c c c c c c]
+
+ % Set beam sub-group length to an eighth note
+ \set beatLength = #(ly:make-moment 1 8)
+ c32[ c c c c c c c]
+
+ % Set beam sub-group length to a sixteenth note
+ \set beatLength = #(ly:make-moment 1 16)
+ c32[ c c c c c c c]
+}
naturales.
"
+
+doctitlede = "Noten mit minimaler Anzahl an Versetzungszeichen transponieren."
+
+texidocde = "Dieses Beispiel benutzt Scheme-Code, um enharmonische
+Verwechslungen für Noten zu erzwingen, damit nur eine minimale Anzahl
+an Versetzungszeichen ausgegeben wird. In diesem Fall gelten die
+folgenden Regeln:
+
+@itemize
+@item
+Doppelte Versetzungszeichen sollen entfernt werden
+
+@item
+His -> C
+
+@item
+Eis -> F
+
+@item
+Ces -> B
+
+@item
+Fes -> E
+
+@end itemize
+
+Auf diese Art werden am meisten natürliche Tonhöhen als enharmonische
+Variante gewählt.
+"
+
+
lsrtags = "pitches"
texidoc = "This example uses some Scheme code to enforce enharmonic
modifications for notes in order to have the minimum number of
las claves y las notas, pero no lo hacen en la segunda línea.
"
+
+doctitlede = "Eigenschaften des Schlüssels optimieren"
+
+texidocde = "Der Befehl @code{\\clef \"treble_8\"} ist gleichbedeutend
+mit einem expliziten Setzen der Eigenschaften von @code{clefGlyph},
+@code{clefPosition} (welche die vertikale Position des Schlüssels
+bestimmt), @code{middleCPosition} und @code{clefOctavation}. Ein
+Schlüssel wird ausgegeben, wenn eine der Eigenschaften außer
+@code{middleCPosition} sich ändert.
+
+Eine Änderung des Schriftzeichens (Glyph), der Schlüsselposition oder
+der Oktavierung selber ändert noch nicht die Position der darauf
+folgenden Noten auf dem System: das geschieht nur, wenn auch die
+Position des eingestrichenen Cs (middleCPosition) angegeben wird.
+Die Positionsparameter sind relativ zur Mittellinie des Systems,
+dabei versetzen positive Zahlen die Position nach oben, jeweils eine
+Zahl für jede Linie plus Zwischenraum. Der @code{clefOctavation}-Wert
+ist normalerweise auf 7, -7, 15 oder -15 gesetzt, aber auch andere
+Werte sind gültig.
+
+Wenn ein Schlüsselwechsel an einem Zeilenwechsel geschieht, wird das
+neue Symbol sowohl am Ende der alten Zeilen als auch am Anfang der
+neuen Zeile ausgegeben. Wenn der Warnungs-Schlüssel am Ende der
+alten Zeile nicht erforderlich ist, kann er unterdrückt werden,
+indem die @code{explicitClefVisibility} des @code{Staff}-Kontextes
+auf den Wert @code{end-of-line-invisible} gesetzt wird. Das
+Standardverhalten kann mit @code{\\unset Staff.explicitClefVisibility}
+wieder hergestellt werden.
+
+Die folgenden Beispiele zeigen die Möglichkeiten, wenn man diese
+Eigenschaften manuell setzt. Auf der ersten Zeile erhalten die manuellen
+Änderungen die ursprüngliche relative Positionierung von Schlüssel und
+Noten, auf der zweiten Zeile nicht.
+"
+
+
texidoc = "
The command @code{\\clef \"treble_8\"} is equivalent to setting
@code{clefGlyph}, @code{clefPosition} (which controls the vertical
proportional-strict-notespacing.ly
making-an-object-invisible-with-the-transparent-property.ly
transcription-of-ancient-music-with-incipit.ly
-alignment-vertical-spacing.ly
drawing-circles-around-various-objects.ly
analysis-brackets-above-the-staff.ly
fret-diagrams-explained-and-developed.ly
dotted-harmonics.ly
-demo-midiinstruments.ly
-snap-pizzicato-markup-bartok-pizzicato.ly
-string-quartet-template-simple.ly
string-quartet-template-with-separate-parts.ly
-changing--flageolet-mark-size.ly
creating-slurs-across-voices.ly
+changing--flageolet-mark-size.ly
+string-quartet-template-simple.ly
+snap-pizzicato-markup-bartok-pizzicato.ly
doctitlees = "Indicaciones dinámicas y textuales alineadas verticalmente"
texidoc = "
-By setting the @code{Y-extent} property to a suitable value, all
+By setting the @code{'Y-extent} property to a suitable value, all
@code{DynamicLineSpanner} objects (hairpins and dynamic texts) can be
aligned to a common reference point, regardless of their actual extent.
This way, every element will be vertically aligned, thus producing a
} {
\times 4/6 {
\override TextScript #'padding = #3
- c8^"ossia above" d e d e f
+ c8[^"ossia above" d e d e f]
}
}
>>
changing-stanza-fonts.ly
+vocal-ensemble-template-with-automatic-piano-reduction.ly
ambitus-with-multiple-voices.ly
+how-to-put-ties-between-syllables-in-lyrics.ly
formatting-lyrics-syllables.ly
+piano-template-with-melody-and-lyrics.ly
+marking-notes-of-spoken-parts-with-a-cross-on-the-stem.ly
chant-or-psalms-notation.ly
+single-staff-template-with-notes-and-lyrics.ly
adding-ambitus-per-voice.ly
single-staff-template-with-notes,-lyrics,-chords-and-frets.ly
skips-in-lyric-mode-2.ly
+ambitus.ly
lyrics-alignment.ly
+single-staff-template-with-notes,-lyrics,-and-chords.ly
vertically-aligning-ossias-and-lyrics.ly
+vertically-centered-common-lyrics.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
vocal-ensemble-template.ly
adjusting-lyrics-vertical-spacing.ly
-vocal-ensemble-template-with-automatic-piano-reduction.ly
-vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
-how-to-put-ties-between-syllables-in-lyrics.ly
-piano-template-with-melody-and-lyrics.ly
-demo-midiinstruments.ly
-single-staff-template-with-notes-and-lyrics.ly
-marking-notes-of-spoken-parts-with-a-cross-on-the-stem.ly
-ambitus.ly
-single-staff-template-with-notes,-lyrics,-and-chords.ly
-vertically-centered-common-lyrics.ly
skips-in-lyric-mode.ly
projects / lilypond.git / commitdiff