-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+Este ejemplo muestra cómo hacer una transcripción moderna de canto
+gregoriano. El canto gregoriano no tiene compás ni plicas; utiliza
+solamente cabezas de nota de blanca y de negra, y unas marcas
+especiales que indican silencios de distintas longitudes.
+
+"
+
+ doctitlees = "Plantilla para notación de música antigua (transcripción moderna de canto gregoriano)"
+
+%% Translation of GIT committish: 514674cb00c18629242dfcde0c1a4976758adc56
+ texidocit = "
+Questo esempio mostra come realizzare una trascrizione moderna di musica
+gregoriana. La musica gregoriana non presenta suddivisione in misure né gambi;
+utilizza soltanto le teste della minima e della semiminima, e dei segni
+appositi che indicano pause di diversa lunghezza.
+
+"
+ doctitleit = "Modello per notazione antica -- trascrizione moderna di musica gregoriana"
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
+
+ texidocde = "
+Dieses Beispiel zeigt eine moderne Transkription des Gregorianischen
+Chorals. Hier gibt es keine Takte, keine Notenhälse und es werden nur
+halbe und Viertelnoten verwendet. Zusätzliche Zeichen zeigen die
+Länge von Pausen an.
+"
+
+ doctitlede = "Vorlage für Alte Notation -- moderne Transkription des gregorianischen Chorals"
+
+%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
+ texidocfr = "
+Voici comment vous pourriez transcrire du grégorien. Pour mémoire, il
+n'y a en grégorien ni de découpage en mesure, ni de hampe ; seules
+sont utilisées des têtes de note blanches ou noires, ainsi que des
+signes spécifiques permettant d'indiquer des silences de différentes durées.
+
+"
+ doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique grégorienne"
+
lsrtags = "vocal-music, ancient-notation, template"
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
f4 a2 \divisioMinima
g4 b a2 f2 \divisioMaior
g4( f) f( g) a2 \finalis
-}
+} % begin verbatim
+
verba = \lyricmode {
Lo -- rem ip -- sum do -- lor sit a -- met
\remove "Time_signature_engraver"
\remove "Bar_engraver"
\override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
}
\context {
\Voice
+
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
texidoces = "
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+Este tipo de notación se utiliza para el canto de los Salmos, en
+que las estrofas no siempre tienen la misma longitud.
+
+"
+ doctitlees = "Notación de responsos o salmos"
+
+%% Translation of GIT committish: ab9e3136d78bfaf15cc6d77ed1975d252c3fe506
+
+ texidocde = "
+Diese Form der Notation wird benutzt für die Notation von Psalmen, in denen
+die Strophen nicht die gleiche Länge haben.
+
+"
+ doctitlede = "Psalmennotation"
+
+
+%% Translation of GIT committish: c1d5bb448321d688185e0c6b798575d4c325ae80
+ texidocfr = "
+Ce style de notation permet d'indiquer la mélodie d'une psalmodie
+lorsque les strophes sont de longueur inégale.
+
+"
+ doctitlefr = "Notation pour psalmodie"
+
+
lsrtags = "rhythms, vocal-music, ancient-notation, contexts-and-engravers"
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
doctitle = "Chant or psalms notation"
} % begin verbatim
-stemOn = { \revert Staff.Stem #'transparent }
-stemOff = { \override Staff.Stem #'transparent = ##t }
+stemOn = { \revert Staff.Stem #'transparent \revert Staff.Flag #'transparent } % begin verbatim
+
+stemOff = { \override Staff.Stem #'transparent = ##t \override Staff.Flag #'transparent = ##t }
\score {
\new Staff \with { \remove "Time_signature_engraver" }
+
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
texidoces = "
Se pueden establecer las propiedades de los diagramas de
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
texidoc = "
-The @code{flag} property of the Stem grob can be set to a custom scheme
+The @code{stencil} property of the Flag grob can be set to a custom scheme
function to generate the glyph for the flag.
"
doctitle = "Generating custom flags"
} % begin verbatim
-#(define-public (weight-flag stem-grob)
- (let* ((log (- (ly:grob-property stem-grob 'duration-log) 2))
+#(define-public (weight-flag grob)
+ (let* ((stem-grob (ly:grob-parent grob X))
+ (log (- (ly:grob-property stem-grob 'duration-log) 2))
(is-up? (eqv? (ly:grob-property stem-grob 'direction) UP))
(yext (if is-up? (cons (* log -0.8) 0) (cons 0 (* log 0.8))))
(flag-stencil (make-filled-box-stencil '(-0.4 . 0.4) yext))
- (stroke-style (ly:grob-property stem-grob 'stroke-style))
+ (stroke-style (ly:grob-property grob 'stroke-style))
(stroke-stencil (if (equal? stroke-style "grace")
(make-line-stencil 0.2 -0.9 -0.4 0.9 -0.4)
empty-stencil)))
% Create a flag stencil by looking up the glyph from the font
-#(define (inverted-flag stem-grob)
- (let* ((dir (if (eqv? (ly:grob-property stem-grob 'direction) UP) "d" "u"))
- (flag (retrieve-glyph-flag "" dir "" stem-grob))
- (line-thickness (ly:staff-symbol-line-thickness stem-grob))
+#(define (inverted-flag grob)
+ (let* ((stem-grob (ly:grob-parent grob X))
+ (dir (if (eqv? (ly:grob-property stem-grob 'direction) UP) "d" "u"))
+ (flag (retrieve-glyph-flag "" dir "" grob))
+ (line-thickness (ly:staff-symbol-line-thickness grob))
(stem-thickness (ly:grob-property stem-grob 'thickness))
(stem-width (* line-thickness stem-thickness))
- (stroke-style (ly:grob-property stem-grob 'stroke-style))
+ (stroke-style (ly:grob-property grob 'stroke-style))
(stencil (if (null? stroke-style)
flag
(add-stroke-glyph flag stem-grob dir stroke-style "")))
(rotated-flag (ly:stencil-rotate-absolute stencil 180 0 0)))
(ly:stencil-translate rotated-flag (cons (- (/ stem-width 2)) 0))))
-snippetexamplenotes = { \autoBeamOff c'8 d'16 c'32 d'64 \acciaccatura {c'8} d'64 }
+snippetexamplenotes = { \autoBeamOff c'8 d'16 c'32 d'64 \acciaccatura {c'8} d'64 } % begin verbatim
+
{
\override Score.RehearsalMark #'self-alignment-X = #LEFT
\snippetexamplenotes
\mark "Custom flag: inverted"
- \override Stem #'flag = #inverted-flag
+ \override Flag #'stencil = #inverted-flag
\snippetexamplenotes
\mark "Custom flag: weight"
- \override Stem #'flag = #weight-flag
+ \override Flag #'stencil = #weight-flag
\snippetexamplenotes
\mark "Revert to normal"
- \revert Stem #'flag
+ \revert Flag #'stencil
\snippetexamplenotes
}
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.15.7"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+Ésta es una plantilla bastante avanzada, para un conjunto de
+jazz. Observe que la notación de todos los instrumentos está en
+@code{\\key c \\major} (Do mayor). Esto se refiere al tono de
+concierto; la armadura se transporta automáticamente si la música está
+dentro de una sección @code{\\transpose}.
+
+"
+ doctitlees = "Plantilla para combo de jazz"
+
+
+%% Translation of GIT committish: 514674cb00c18629242dfcde0c1a4976758adc56
+ texidocit = "
+Ecco un modello piuttosto complesso, per un gruppo jazz. Si noti che tutti
+gli strumenti sono in @code{\\key c \\major}. Si tratta della tonalità
+reale; sarà trasposta automaticamente includendo la
+musica all'interno di una sezione @code{\\transpose}.
+
+"
+ doctitleit = "Modello per combo jazz"
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
+ texidocde = "
+Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
+Alle Instrumente sind in @code{\\key c \major} (C-Dur) notiert. Das bezieht sich
+auf die klingende Musik: LilyPond transponiert die Tonart automatisch, wenn
+sich die Noten innerhalb eines @code{\\transpose}-Abschnitts befinden.
+
+"
+
+ doctitlede = "Vorlage für Jazz-Combo"
+
+%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
+ texidocfr = "
+Bien que compliqué de prime abord, voici un canevas tout à fait indiqué
+pour les ensembles de jazz. Vous noterez que tous les instruments sont
+notés en ut (@code{\\key c \major}), la tonalité de concert. Les notes
+seront automatiquement transposée dès lors qu'elles seront inscrites
+dans une section @code{\\transpose}.
+
+"
+ doctitlefr = "Symboles de jazz"
+
lsrtags = "keyboards, percussion, fretted-strings, template"
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
\column {
"LilyPond example file by Amelie Zapf,"
"Berlin 07/07/2003"
- }
+ } % begin verbatim
+
}
}
sl = {
\override NoteHead #'style = #'slash
\override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
}
nsl = {
\revert NoteHead #'style
\revert Stem #'transparent
+ \revert Flag #'transparent
}
crOn = \override NoteHead #'style = #'cross
crOff = \revert NoteHead #'style
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
\once \override Stem #'transparent = ##t
\once \override Stem #'length = #8
g8 ~ g\noBeam
- }
+ } % begin verbatim
+
\\
{
b8 g g e
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "vocal-music, ancient-notation, template"
+
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+Este ejemplo muestra cómo hacer una transcripción moderna de canto
+gregoriano. El canto gregoriano no tiene compás ni plicas; utiliza
+solamente cabezas de nota de blanca y de negra, y unas marcas
+especiales que indican silencios de distintas longitudes.
+
+"
+
+ doctitlees = "Plantilla para notación de música antigua (transcripción moderna de canto gregoriano)"
+
+%% Translation of GIT committish: 514674cb00c18629242dfcde0c1a4976758adc56
+ texidocit = "
+Questo esempio mostra come realizzare una trascrizione moderna di musica
+gregoriana. La musica gregoriana non presenta suddivisione in misure né gambi;
+utilizza soltanto le teste della minima e della semiminima, e dei segni
+appositi che indicano pause di diversa lunghezza.
+
+"
+ doctitleit = "Modello per notazione antica -- trascrizione moderna di musica gregoriana"
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
+
+ texidocde = "
+Dieses Beispiel zeigt eine moderne Transkription des Gregorianischen
+Chorals. Hier gibt es keine Takte, keine Notenhälse und es werden nur
+halbe und Viertelnoten verwendet. Zusätzliche Zeichen zeigen die
+Länge von Pausen an.
+"
+
+ doctitlede = "Vorlage für Alte Notation -- moderne Transkription des gregorianischen Chorals"
+
+%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
+ texidocfr = "
+Voici comment vous pourriez transcrire du grégorien. Pour mémoire, il
+n'y a en grégorien ni de découpage en mesure, ni de hampe ; seules
+sont utilisées des têtes de note blanches ou noires, ainsi que des
+signes spécifiques permettant d'indiquer des silences de différentes durées.
+
+"
+ doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique grégorienne"
+
+ texidoc = "
+This example demonstrates how to do modern transcription of Gregorian
+music. Gregorian music has no measure, no stems; it uses only half and
+quarter note heads, and special marks, indicating rests of different
+length.
+
+"
+ doctitle = "Ancient notation template -- modern transcription of gregorian music"
+} % begin verbatim
+
+\include "gregorian.ly"
+
+chant = \relative c' {
+ \set Score.timing = ##f
+ f4 a2 \divisioMinima
+ g4 b a2 f2 \divisioMaior
+ g4( f) f( g) a2 \finalis
+}
+
+verba = \lyricmode {
+ Lo -- rem ip -- sum do -- lor sit a -- met
+}
+
+\score {
+ \new Staff <<
+ \new Voice = "melody" \chant
+ \new Lyrics = "one" \lyricsto melody \verba
+ >>
+ \layout {
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ \remove "Bar_engraver"
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ }
+ \context {
+ \Voice
+ \override Stem #'length = #0
+ }
+ \context {
+ \Score
+ barAlways = ##t
+ }
+ }
+}
+
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "rhythms, vocal-music, ancient-notation, contexts-and-engravers"
+
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+Este tipo de notación se utiliza para el canto de los Salmos, en
+que las estrofas no siempre tienen la misma longitud.
+
+"
+ doctitlees = "Notación de responsos o salmos"
+
+%% Translation of GIT committish: ab9e3136d78bfaf15cc6d77ed1975d252c3fe506
+
+ texidocde = "
+Diese Form der Notation wird benutzt für die Notation von Psalmen, in denen
+die Strophen nicht die gleiche Länge haben.
+
+"
+ doctitlede = "Psalmennotation"
+
+
+%% Translation of GIT committish: c1d5bb448321d688185e0c6b798575d4c325ae80
+ texidocfr = "
+Ce style de notation permet d'indiquer la mélodie d'une psalmodie
+lorsque les strophes sont de longueur inégale.
+
+"
+ doctitlefr = "Notation pour psalmodie"
+
+
+ texidoc = "
+This form of notation is used for the chant of the Psalms, where verses
+aren't always the same length.
+
+"
+ doctitle = "Chant or psalms notation"
+} % begin verbatim
+
+stemOn = { \revert Staff.Stem #'transparent \revert Staff.Flag #'transparent }
+stemOff = { \override Staff.Stem #'transparent = ##t \override Staff.Flag #'transparent = ##t }
+
+\score {
+ \new Staff \with { \remove "Time_signature_engraver" }
+ {
+ \key g \minor
+ \cadenzaOn
+ \stemOff a'\breve bes'4 g'4
+ \stemOn a'2 \bar "||"
+ \stemOff a'\breve g'4 a'4
+ \stemOn f'2 \bar "||"
+ \stemOff a'\breve^\markup { \italic flexe }
+ \stemOn g'2 \bar "||"
+ }
+}
+
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "rhythms, tweaks-and-overrides"
+
+ texidoc = "
+The @code{stencil} property of the Flag grob can be set to a custom scheme
+function to generate the glyph for the flag.
+
+"
+ doctitle = "Generating custom flags"
+} % begin verbatim
+
+#(define-public (weight-flag grob)
+ (let* ((stem-grob (ly:grob-parent grob X))
+ (log (- (ly:grob-property stem-grob 'duration-log) 2))
+ (is-up? (eqv? (ly:grob-property stem-grob 'direction) UP))
+ (yext (if is-up? (cons (* log -0.8) 0) (cons 0 (* log 0.8))))
+ (flag-stencil (make-filled-box-stencil '(-0.4 . 0.4) yext))
+ (stroke-style (ly:grob-property grob 'stroke-style))
+ (stroke-stencil (if (equal? stroke-style "grace")
+ (make-line-stencil 0.2 -0.9 -0.4 0.9 -0.4)
+ empty-stencil)))
+ (ly:stencil-add flag-stencil stroke-stencil)))
+
+
+% Create a flag stencil by looking up the glyph from the font
+#(define (inverted-flag grob)
+ (let* ((stem-grob (ly:grob-parent grob X))
+ (dir (if (eqv? (ly:grob-property stem-grob 'direction) UP) "d" "u"))
+ (flag (retrieve-glyph-flag "" dir "" grob))
+ (line-thickness (ly:staff-symbol-line-thickness grob))
+ (stem-thickness (ly:grob-property stem-grob 'thickness))
+ (stem-width (* line-thickness stem-thickness))
+ (stroke-style (ly:grob-property grob 'stroke-style))
+ (stencil (if (null? stroke-style)
+ flag
+ (add-stroke-glyph flag stem-grob dir stroke-style "")))
+ (rotated-flag (ly:stencil-rotate-absolute stencil 180 0 0)))
+ (ly:stencil-translate rotated-flag (cons (- (/ stem-width 2)) 0))))
+
+snippetexamplenotes = { \autoBeamOff c'8 d'16 c'32 d'64 \acciaccatura {c'8} d'64 }
+
+{
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \time 1/4
+ \mark "Normal flags"
+ \snippetexamplenotes
+
+ \mark "Custom flag: inverted"
+ \override Flag #'stencil = #inverted-flag
+ \snippetexamplenotes
+
+ \mark "Custom flag: weight"
+ \override Flag #'stencil = #weight-flag
+ \snippetexamplenotes
+
+ \mark "Revert to normal"
+ \revert Flag #'stencil
+ \snippetexamplenotes
+}
+
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "keyboards, percussion, fretted-strings, template"
+
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+Ésta es una plantilla bastante avanzada, para un conjunto de
+jazz. Observe que la notación de todos los instrumentos está en
+@code{\\key c \\major} (Do mayor). Esto se refiere al tono de
+concierto; la armadura se transporta automáticamente si la música está
+dentro de una sección @code{\\transpose}.
+
+"
+ doctitlees = "Plantilla para combo de jazz"
+
+
+%% Translation of GIT committish: 514674cb00c18629242dfcde0c1a4976758adc56
+ texidocit = "
+Ecco un modello piuttosto complesso, per un gruppo jazz. Si noti che tutti
+gli strumenti sono in @code{\\key c \\major}. Si tratta della tonalità
+reale; sarà trasposta automaticamente includendo la
+musica all'interno di una sezione @code{\\transpose}.
+
+"
+ doctitleit = "Modello per combo jazz"
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
+ texidocde = "
+Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
+Alle Instrumente sind in @code{\\key c \major} (C-Dur) notiert. Das bezieht sich
+auf die klingende Musik: LilyPond transponiert die Tonart automatisch, wenn
+sich die Noten innerhalb eines @code{\\transpose}-Abschnitts befinden.
+
+"
+
+ doctitlede = "Vorlage für Jazz-Combo"
+
+%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
+ texidocfr = "
+Bien que compliqué de prime abord, voici un canevas tout à fait indiqué
+pour les ensembles de jazz. Vous noterez que tous les instruments sont
+notés en ut (@code{\\key c \major}), la tonalité de concert. Les notes
+seront automatiquement transposée dès lors qu'elles seront inscrites
+dans une section @code{\\transpose}.
+
+"
+ doctitlefr = "Symboles de jazz"
+
+ texidoc = "
+This is quite an advanced template, for a jazz ensemble. Note that all
+instruments are notated in @code{\\key c \\major}. This refers to the
+key in concert pitch; the key will be automatically transposed if the
+music is within a @code{\\transpose} section.
+
+"
+ doctitle = "Jazz combo template"
+} % begin verbatim
+
+\header {
+ title = "Song"
+ subtitle = "(tune)"
+ composer = "Me"
+ meter = "moderato"
+ piece = "Swing"
+ tagline = \markup {
+ \column {
+ "LilyPond example file by Amelie Zapf,"
+ "Berlin 07/07/2003"
+ }
+ }
+}
+
+%#(set-global-staff-size 16)
+\include "english.ly"
+
+%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%
+
+sl = {
+ \override NoteHead #'style = #'slash
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+}
+nsl = {
+ \revert NoteHead #'style
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+}
+crOn = \override NoteHead #'style = #'cross
+crOff = \revert NoteHead #'style
+
+%% insert chord name style stuff here.
+
+jazzChords = { }
+
+%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%
+
+global = { \time 4/4 }
+
+Key = { \key c \major }
+
+% ############ Horns ############
+
+% ------ Trumpet ------
+trpt = \transpose c d \relative c'' {
+ \Key
+ c1 | c | c |
+}
+trpHarmony = \transpose c' d {
+ \jazzChords
+}
+trumpet = {
+ \global
+ \set Staff.instrumentName = #"Trumpet"
+ \clef treble
+ <<
+ \trpt
+ >>
+}
+
+% ------ Alto Saxophone ------
+alto = \transpose c a \relative c' {
+ \Key
+ c1 | c | c |
+}
+altoHarmony = \transpose c' a {
+ \jazzChords
+}
+altoSax = {
+ \global
+ \set Staff.instrumentName = #"Alto Sax"
+ \clef treble
+ <<
+ \alto
+ >>
+}
+
+% ------ Baritone Saxophone ------
+bari = \transpose c a' \relative c {
+ \Key
+ c1
+ c1
+ \sl
+ d4^"Solo" d d d
+ \nsl
+}
+bariHarmony = \transpose c' a \chordmode {
+ \jazzChords s1 s d2:maj e:m7
+}
+bariSax = {
+ \global
+ \set Staff.instrumentName = #"Bari Sax"
+ \clef treble
+ <<
+ \bari
+ >>
+}
+
+% ------ Trombone ------
+tbone = \relative c {
+ \Key
+ c1 | c | c
+}
+tboneHarmony = \chordmode {
+ \jazzChords
+}
+trombone = {
+ \global
+ \set Staff.instrumentName = #"Trombone"
+ \clef bass
+ <<
+ \tbone
+ >>
+}
+
+% ############ Rhythm Section #############
+
+% ------ Guitar ------
+gtr = \relative c'' {
+ \Key
+ c1
+ \sl
+ b4 b b b
+ \nsl
+ c1
+}
+gtrHarmony = \chordmode {
+ \jazzChords
+ s1 c2:min7+ d2:maj9
+}
+guitar = {
+ \global
+ \set Staff.instrumentName = #"Guitar"
+ \clef treble
+ <<
+ \gtr
+ >>
+}
+
+%% ------ Piano ------
+rhUpper = \relative c'' {
+ \voiceOne
+ \Key
+ c1 | c | c
+}
+rhLower = \relative c' {
+ \voiceTwo
+ \Key
+ e1 | e | e
+}
+
+lhUpper = \relative c' {
+ \voiceOne
+ \Key
+ g1 | g | g
+}
+lhLower = \relative c {
+ \voiceTwo
+ \Key
+ c1 | c | c
+}
+
+PianoRH = {
+ \clef treble
+ \global
+ \set Staff.midiInstrument = #"acoustic grand"
+ <<
+ \new Voice = "one" \rhUpper
+ \new Voice = "two" \rhLower
+ >>
+}
+PianoLH = {
+ \clef bass
+ \global
+ \set Staff.midiInstrument = #"acoustic grand"
+ <<
+ \new Voice = "one" \lhUpper
+ \new Voice = "two" \lhLower
+ >>
+}
+
+piano = {
+ <<
+ \set PianoStaff.instrumentName = #"Piano"
+ \new Staff = "upper" \PianoRH
+ \new Staff = "lower" \PianoLH
+ >>
+}
+
+% ------ Bass Guitar ------
+Bass = \relative c {
+ \Key
+ c1 | c | c
+}
+bass = {
+ \global
+ \set Staff.instrumentName = #"Bass"
+ \clef bass
+ <<
+ \Bass
+ >>
+}
+
+% ------ Drums ------
+up = \drummode {
+ \voiceOne
+ hh4 <hh sn> hh <hh sn>
+ hh4 <hh sn> hh <hh sn>
+ hh4 <hh sn> hh <hh sn>
+}
+down = \drummode {
+ \voiceTwo
+ bd4 s bd s
+ bd4 s bd s
+ bd4 s bd s
+}
+
+drumContents = {
+ \global
+ <<
+ \set DrumStaff.instrumentName = #"Drums"
+ \new DrumVoice \up
+ \new DrumVoice \down
+ >>
+}
+
+%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%
+
+\score {
+ <<
+ \new StaffGroup = "horns" <<
+ \new Staff = "trumpet" \trumpet
+ \new Staff = "altosax" \altoSax
+ \new ChordNames = "barichords" \bariHarmony
+ \new Staff = "barisax" \bariSax
+ \new Staff = "trombone" \trombone
+ >>
+
+ \new StaffGroup = "rhythm" <<
+ \new ChordNames = "chords" \gtrHarmony
+ \new Staff = "guitar" \guitar
+ \new PianoStaff = "piano" \piano
+ \new Staff = "bass" \bass
+ \new DrumStaff \drumContents
+ >>
+ >>
+ \layout {
+ \context { \Staff \RemoveEmptyStaves }
+ \context {
+ \Score
+ \override BarNumber #'padding = #3
+ \override RehearsalMark #'padding = #2
+ skipBars = ##t
+ }
+ }
+ \midi { }
+}
+
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
+
+ texidoc = "
+Setting the @code{transparent} property will cause an object to be
+printed in @qq{invisible ink}: the object is not printed, but all its
+other behavior is retained. The object still takes up space, it takes
+part in collisions, and slurs, ties and beams can be attached to it.
+
+
+This snippet demonstrates how to connect different voices using ties.
+Normally, ties only connect two notes in the same voice. By
+introducing a tie in a different voice, and blanking the first up-stem
+in that voice, the tie appears to cross voices.
+
+"
+ doctitle = "Making an object invisible with the 'transparent property"
+} % begin verbatim
+
+\relative c'' {
+ \time 2/4
+ <<
+ {
+ \once \override Stem #'transparent = ##t
+ \once \override Stem #'length = #8
+ b8 ~ b\noBeam
+ \once \override Stem #'transparent = ##t
+ \once \override Stem #'length = #8
+ g8 ~ g\noBeam
+ }
+ \\
+ {
+ b8 g g e
+ }
+ >>
+}
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "rhythms"
+
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+
+Los valores predeterminados para las notas de adorno están
+almacenados en los identificadores @code{startGraceMusic},
+@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
+@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic} y
+@code{stopAppoggiaturaMusic}, que están definidos en el archivo
+@file{ly/grace-init.ly}. Redefiniéndolos se pueden obtener otros
+efectos.
+
+"
+
+ doctitlees = "Redefinición de los valores globales predeterminados para notas de adorno"
+
+
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
+ texidocde = "
+Die globalen Standardeinstellungen für Verzierungsnoten werden in
+den Variablen@code{startGraceMusic}, @code{stopGraceMusic},
+@code{startAcciaccaturaMusic}, @code{stopAcciaccaturaMusic},
+@code{startAppoggiaturaMusic} und @code{stopAppoggiaturaMusic}
+gespeichert, die in der Datei @file{ly/grace-init.ly} definiert
+sind. Wenn man sie umdefiniert, können andere Effekte erreicht
+werden.
+
+"
+ doctitlede = "Globale Umdefinition von Verzierungsnoten"
+
+
+
+%% Translation of GIT committish: 374d57cf9b68ddf32a95409ce08ba75816900f6b
+ texidocfr = "
+Vous pouvez modifier les valeurs des variables @code{startGraceMusic},
+@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
+@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic}, et
+@code{stopAppoggiaturaMusic} afin d'en personnaliser les effets. Pour
+plus de détails, voir le fichier @file{ly/grace-init.ly}.
+
+"
+ doctitlefr = "Redéfinition des réglages de mise en forme par défaut des notes d'ornement"
+
+ texidoc = "
+The global defaults for grace notes are stored in the identifiers
+@code{startGraceMusic}, @code{stopGraceMusic},
+@code{startAcciaccaturaMusic}, @code{stopAcciaccaturaMusic},
+@code{startAppoggiaturaMusic} and @code{stopAppoggiaturaMusic}, which
+are defined in the file @code{ly/grace-init.ly}. By redefining them
+other effects may be obtained.
+
+"
+ doctitle = "Redefining grace note global defaults"
+} % begin verbatim
+
+startAcciaccaturaMusic = {
+ s1*0(
+ \override Flag #'stroke-style = #"grace"
+ \slurDashed
+}
+
+stopAcciaccaturaMusic = {
+ \revert Flag #'stroke-style
+ \slurSolid
+ s1*0)
+}
+
+\relative c'' {
+ \acciaccatura d8 c1
+}
+
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "template"
+
+ texidoc = "
+A template to write a score for a diatonic accordion.
+
+- There is a horizontal staff indicating if the accordion must be
+pushed (thick line) or pulled (thin line)
+
+- There is a small rhythmic staff with lyrics that describes the bass
+buttons to press. The bar lines are made from gridlines
+
+- The tabulator staff for diatonic accordions shows the geographic
+position of the buttons and not (as for every other instrument) the
+pitch of the notes; the keys on the melody-side of the accordion are
+placed in three columns and about 12 rows
+
+
+In the tabulator staff notation the outermost column is described with
+notes between lines, the innermost column is described with notes
+between lines and a cross as accidental, and the middle column is
+described with notes on a line, whereby the row in the middle is
+represented on the middle line in the staff.
+
+
+Some words to transpose piano notes to the diatonic accordion:
+
+
+1. Every diatonic accordion is built for some keys only (for example,
+for the keys of C major and F major), so it is important to transpose a
+piano melody to match one of these keys. Transpose the source code, not
+only the output because this code is required later on to translate it
+once more to the tabulator staff. This can be done with the command
+@code{displayLilyMusic}.
+
+
+2. You have to alternate the push- and pull-direction of the accordion
+regularly. If the player has a too long part to pull the accordion gets
+broken. On the other hand, some harmonies are only available in one
+direction. Considering this, decide which parts of the melody are the
+push-parts and which the pull-parts.
+
+
+3. For each pull- or push-part translate the piano notes to the
+according tabulature representation.
+
+
+This snippet comes with a useful optional macro for the jEdit text
+editor.
+
+"
+ doctitle = "Score for diatonic accordion"
+} % begin verbatim
+
+verse = \lyricmode { Wie gross bist du! Wie gross bist du! }
+
+harmonies = \new ChordNames \chordmode {
+ \germanChords
+ \set chordChanges = ##t
+ bes8 bes8 bes8
+ es2 f
+ bes1
+}
+
+NoStem = { \override Stem #'transparent = ##t \override Flag #'transparent = ##t }
+NoNoteHead = \override NoteHead #'transparent = ##t
+ZeroBeam = \override Beam #'positions = #'(0 . 0)
+
+staffTabLine = \new Staff \with {
+ \remove "Time_signature_engraver"
+ \remove "Clef_engraver"
+} {
+ \override Staff.StaffSymbol #'line-positions = #'(0)
+ % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated with a gridline
+ \set Staff.midiInstrument = #"choir aahs"
+ \key c \major
+ \relative c''
+ {
+ % disable the following line to see the the noteheads while writing the song
+ \NoNoteHead
+ \override NoteHead #'no-ledgers = ##t
+
+ % The beam between 8th-notes is used to draw the push-line
+ %How to fast write the push-lines:
+ % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
+ % 2. uncomment the line \NoNoteHead
+ % 3. compile
+ % 4. Mark the positions on which push/pull changes.
+ % In the score-picture click on the position the push- or pull-part starts
+ % (on the noteHead, the cursor will change to a hand-icon).
+ % The cursor in the source code will jump just at this position.
+ % a) If a push-part starts there, replace the 'c' by an 'e['
+ % b) If a pull-part starts there, replace the 'c' by an 's'
+ % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
+ % 6. For the pull-parts overwrite the 'c' with 's'
+ % 7. For every push-part replace the last 'c' with 'e]'
+ % 8. Switch into 'insert-mode' again
+ % 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
+ % 10. re-enable the line \NoNoteHead
+ \autoBeamOff
+ \ZeroBeam
+ s8 s s e[ c c c c c c e] | s s s s s
+ }
+}
+
+%{
+%}
+
+% Accordion melody in tabulator score
+% 1. Place a copy of the piano melody below
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
+% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
+% Tips:
+% - In jEdit Search & Replace mark the Option 'Keep Dialog'
+
+AccordionTabTwoCBesDur = {
+ % pull 1
+ %<f' bes'>8 <f' a'>8 <d' bes'>8 |
+ <g'' a''>8 <g'' b''>8 <e'' a''>8 |
+ % push 2
+ %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
+ <g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
+ % pull 3
+ % <f' bes'>2 r8 }
+ <g'' a''>2 r8 }
+
+AccordionTab= { \dynamicUp
+ % 1. Place a copy of the piano melody above
+ % 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+ % 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
+ % change the second line using the transformation paper
+ % Tips:
+ % - In jEdit Search & Replace mark the Option 'Keep Dialog'
+ % -
+ \AccordionTabTwoCBesDur
+}
+
+
+
+\layout {
+ \context {
+ \Score
+ % The vertical line (simulating a bar-line) in
+ % the staffBassRhytm is a gridline
+ \consists "Grid_line_span_engraver"
+ }
+ \context {
+ \Staff
+ \consists "Grid_point_engraver"
+ gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
+ % The following line has to be adjusted O-F-T-E-N.
+ \override GridPoint #'Y-extent = #'(-2 . -21)
+ }
+ \context {
+ \ChoirStaff
+ \remove "System_start_delimiter_engraver"
+ }
+}
+
+staffVoice = \new Staff = astaffvoice {
+ \time 4/4
+ \set Staff.instrumentName = "Voice"
+ \set Staff.midiInstrument = "voice oohs"
+ \key bes \major
+ \partial 8*3
+ \clef treble
+ {
+ \context Voice = "melodyVoi"
+ { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
+ \bar "|."
+ }
+}
+
+staffAccordionMel =
+\new Staff \with { \remove "Clef_engraver" } {
+ #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
+ %do not remember them for the rest of the measure.
+ \time 4/4
+ \set Staff.instrumentName="Accordion"
+ \set Staff.midiInstrument="voice oohs"
+ \key c \major
+ \clef treble
+ { \AccordionTab \bar "|." }
+}
+
+AltOn =
+#(define-music-function (parser location mag) (number?)
+ #{ \override Stem #'length = #$(* 7.0 mag)
+ \override NoteHead #'font-size =
+#$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
+
+AltOff = {
+ \revert Stem #'length
+ \revert NoteHead #'font-size
+}
+
+BassRhytm = {s4 s8 | c2 c2 | c2 s8 }
+LyricBassRhythmI= \lyricmode { c b | c }
+
+staffBassRhytm =
+\new Staff = staffbass \with { \remove "Clef_engraver" } {
+ % This is not a RhythmicStaff because it must be possible to append lyrics.
+
+ \override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
+ \override Staff.StaffSymbol #'line-positions = #'( 0 )
+ % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
+ % Search for 'grid' in this page to find all related functions
+ \time 4/4
+ {
+ \context Voice = "VoiceBassRhytm"
+ \stemDown \AltOn #0.6
+ \relative c''
+ {
+ \BassRhytm
+ }
+ \AltOff
+ \bar "|."
+ }
+}
+
+\score {
+ \new ChoirStaff <<
+ \harmonies
+ \staffVoice
+ \context Lyrics = "lmelodyVoi"
+ \with { alignBelowContext = astaffvoice }
+ \lyricsto melodyVoi \verse
+ \staffAccordionMel
+ \staffTabLine
+ \staffBassRhytm
+ \context Lyrics = "lBassRhytmAboveI"
+ \with { alignAboveContext = staffbass }
+ \lyricsto VoiceBassRhytm \LyricBassRhythmI
+ >>
+}
+%}
+
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "rhythms, tweaks-and-overrides"
+
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+
+Se pueden imprimir estilos alternativos del corchete o gancho de las
+corcheas y figuras menores, mediante la sobreescritura de la propiedad
+@code{stencil} del objeto @code{Flag}. Son valores válidos
+@code{modern-straight-flag} y @code{old-straight-flag}.
+
+"
+ doctitlees = "Uso de estilos alternativos para los corchetes"
+
+
+
+ texidoc = "
+Alternative styles of flag on eighth and shorter notes can be displayed
+by overriding the @code{stencil} property of @code{Flag}. Valid values
+are @code{modern-straight-flag} and @code{old-straight-flag}.
+
+"
+ doctitle = "Using alternative flag styles"
+} % begin verbatim
+
+testnotes = {
+ \autoBeamOff
+ c8 d16 c32 d64 \acciaccatura { c8 } d64 r4
+}
+
+\relative c' {
+ \time 2/4
+ \testnotes
+
+ \override Flag #'stencil = #modern-straight-flag
+ \testnotes
+
+ \override Flag #'stencil = #old-straight-flag
+ \testnotes
+
+ \revert Flag #'stencil
+ \testnotes
+}
+
--- /dev/null
+\version "2.15.15"
+
+\header {
+ lsrtags = "rhythms"
+
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+
+Es posible aplicar la barrita que cruza la barra de las
+acciaccaturas, en otras situaciones.
+
+"
+
+ doctitlees = "Utilizar la barra que tacha las notas de adorno con notas normales"
+
+
+
+%% Translation of GIT committish: 374d57cf9b68ddf32a95409ce08ba75816900f6b
+ texidocfr = "
+Le trait que l'on trouve sur les hampes des acciaccatures peut
+être appliqué dans d'autres situations.
+
+"
+
+ doctitlefr = "Utilisation de hampe barrée pour une note normale"
+
+ texidoc = "
+The slash through the stem found in acciaccaturas can be applied in
+other situations.
+
+"
+ doctitle = "Using grace note slashes with normal heads"
+} % begin verbatim
+
+\relative c'' {
+ \override Flag #'stroke-style = #"grace"
+ c8( d2) e8( f4)
+}
+
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+
+Los valores predeterminados para las notas de adorno están
+almacenados en los identificadores @code{startGraceMusic},
+@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
+@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic} y
+@code{stopAppoggiaturaMusic}, que están definidos en el archivo
+@file{ly/grace-init.ly}. Redefiniéndolos se pueden obtener otros
+efectos.
+
+"
+
+ doctitlees = "Redefinición de los valores globales predeterminados para notas de adorno"
+
+
+
+%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
+ texidocde = "
+Die globalen Standardeinstellungen für Verzierungsnoten werden in
+den Variablen@code{startGraceMusic}, @code{stopGraceMusic},
+@code{startAcciaccaturaMusic}, @code{stopAcciaccaturaMusic},
+@code{startAppoggiaturaMusic} und @code{stopAppoggiaturaMusic}
+gespeichert, die in der Datei @file{ly/grace-init.ly} definiert
+sind. Wenn man sie umdefiniert, können andere Effekte erreicht
+werden.
+
+"
+ doctitlede = "Globale Umdefinition von Verzierungsnoten"
+
+
+
+%% Translation of GIT committish: 374d57cf9b68ddf32a95409ce08ba75816900f6b
+ texidocfr = "
+Vous pouvez modifier les valeurs des variables @code{startGraceMusic},
+@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
+@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic}, et
+@code{stopAppoggiaturaMusic} afin d'en personnaliser les effets. Pour
+plus de détails, voir le fichier @file{ly/grace-init.ly}.
+
+"
+ doctitlefr = "Redéfinition des réglages de mise en forme par défaut des notes d'ornement"
+
lsrtags = "rhythms"
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
startAcciaccaturaMusic = {
s1*0(
- \override Stem #'stroke-style = #"grace"
+ \override Flag #'stroke-style = #"grace"
\slurDashed
-}
+} % begin verbatim
+
stopAcciaccaturaMusic = {
- \revert Stem #'stroke-style
+ \revert Flag #'stroke-style
\slurSolid
s1*0)
}
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
lsrtags = "template"
doctitle = "Score for diatonic accordion"
} % begin verbatim
-verse = \lyricmode { Wie gross bist du! Wie gross bist du! }
+verse = \lyricmode { Wie gross bist du! Wie gross bist du! } % begin verbatim
+
harmonies = \new ChordNames \chordmode {
\germanChords
bes1
}
-NoStem = \override Stem #'transparent = ##t
+NoStem = { \override Stem #'transparent = ##t \override Flag #'transparent = ##t }
NoNoteHead = \override NoteHead #'transparent = ##t
ZeroBeam = \override Beam #'positions = #'(0 . 0)
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+
+Se pueden imprimir estilos alternativos del corchete o gancho de las
+corcheas y figuras menores, mediante la sobreescritura de la propiedad
+@code{flag} del objeto @code{Stem}. Son valores válidos
+@code{modern-straight-flag} y @code{old-straight-flag}.
+
+"
+ doctitlees = "Uso de estilos alternativos para los corchetes"
+
+
+
lsrtags = "rhythms, tweaks-and-overrides"
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
Se pueden imprimir estilos alternativos del corchete o gancho de las
corcheas y figuras menores, mediante la sobreescritura de la propiedad
-@code{flag} del objeto @code{Stem}. Son valores válidos
+@code{stencil} del objeto @code{Flag}. Son valores válidos
@code{modern-straight-flag} y @code{old-straight-flag}.
"
texidoc = "
Alternative styles of flag on eighth and shorter notes can be displayed
-by overriding the @code{flag} property of @code{Stem}. Valid values
+by overriding the @code{stencil} property of @code{Flag}. Valid values
are @code{modern-straight-flag} and @code{old-straight-flag}.
"
testnotes = {
\autoBeamOff
c8 d16 c32 d64 \acciaccatura { c8 } d64 r4
-}
+} % begin verbatim
+
\relative c' {
\time 2/4
\testnotes
- \override Stem #'flag = #modern-straight-flag
+ \override Flag #'stencil = #modern-straight-flag
\testnotes
- \override Stem #'flag = #old-straight-flag
+ \override Flag #'stencil = #old-straight-flag
\testnotes
- \revert Stem #'flag
+ \revert Flag #'stencil
\testnotes
}
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.dsi.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.14.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.15.15
+\version "2.15.15"
\header {
+%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
+ texidoces = "
+
+Es posible aplicar la barrita que cruza la barra de las
+acciaccaturas, en otras situaciones.
+
+"
+
+ doctitlees = "Utilizar la barra que tacha las notas de adorno con notas normales"
+
+
+
+%% Translation of GIT committish: 374d57cf9b68ddf32a95409ce08ba75816900f6b
+ texidocfr = "
+Le trait que l'on trouve sur les hampes des acciaccatures peut
+être appliqué dans d'autres situations.
+
+"
+
+ doctitlefr = "Utilisation de hampe barrée pour une note normale"
+
lsrtags = "rhythms"
%% Translation of GIT committish: 2d548a99cb9dba80f2ff035582009477cd37eceb
} % begin verbatim
\relative c'' {
- \override Stem #'stroke-style = #"grace"
+ \override Flag #'stroke-style = #"grace"
c8( d2) e8( f4)
-}
+} % begin verbatim
+
projects / lilypond.git / commitdiff