* Piano templates::
* Small ensembles::
* Jazz combo::
+* Other templates::
@end menu
@c more sections to come soon.
\version "2.3.11"
global = {
\key c \major
-\time 3/4
+\time 4/4
}
sopMusic = \relative c'' {
@subsection String quartet
-TODO
+This template demonstrates a string quartet. It also uses a @code{\global}
+section for time and key signatures.
+
+@lilypond[verbatim,raggedright]
-@c @lilypond[verbatim,raggedright]
-@c @end lilypond
+\version "2.3.11"
+global = {
+\time 4/4
+\key c \major
+}
+violinOne = \relative c''{
+\set Staff.instrument = "Violin 1 "
+c2 d
+e1
+}
+violinTwo = \relative c''{
+\set Staff.instrument = "Violin 2 "
+g2 g
+g1
+}
+viola = \relative c'{
+\set Staff.instrument = "Viola "
+\clef alto
+e2 d
+c1
+}
+cello = \relative c'{
+\set Staff.instrument = "Cello "
+\clef bass
+c2 g
+c,1
+}
+\score {
+ \new StaffGroup <<
+ \new Staff << \global \violinOne >>
+ \new Staff << \global \violinTwo >>
+ \new Staff << \global \viola >>
+ \new Staff << \global \cello >>
+ >>
+ \paper { }
+ \midi { \tempo 4=60}
+}
+@end lilypond
@node Jazz combo
@section Jazz combo
@end lilypond
+@node Other templates
+@section Other templates
+@subsection All headers
+
+This template displays all available headers. Some of them are only
+used in the Mutopia project; they don't affect the printed output at
+all. They are used if you want the piece to be listed with different
+information in the Mutopia database than you wish to have printed on the
+music. For example, Mutopia lists the composer of the famous D major
+violin concerto as TchaikovskyPI, whereas perhaps you wish to print
+"Petr Tchaikowski" on your music.
+
+@lilypond[verbatim,raggedright]
+
+\version "2.3.11"
+\header {
+ dedication = "dedication"
+ title = "Title"
+ subtitle = "Subtitle"
+ subsubtitle = "Subsubtitle"
+ composer = "Composer (xxxx-yyyy)"
+ opus = "Opus 0"
+ piece = "Piece I"
+ instrument = "Instrument"
+ arranger = "Arranger"
+ poet = "Poet"
+ texttranslator = "Translator"
+ copyright = "public domain"
+
+% These are headers used by the Mutopia Project http://www.mutopiaproject.org/
+ mutopiatitle = ""
+ mutopiacomposer = ""
+ mutopiapoet = ""
+ mutopiainstrument = ""
+ date = "composer's dates"
+ source = "urtext "
+ maintainer = "your name here"
+ maintainerEmail = "your email here"
+ maintainerWeb = "your home page"
+ lastupdated = "2004/Aug/26"
+}
+
+\score {
+ {
+ c'4
+ }
+}
+
+@end lilypond
+
+@subsection Gregorian template
+
+This example demonstrates how to do modern transcriptions of Gregorian
+music. Gregorian music has no measure, no stems; it uses only half and
+quarter notes, and two types of barlines, a short one indicating a rest,
+and a second one indicating a breath mark.
+
+
+@lilypond[verbatim,raggedright]
+
+barOne = { \once \override Staff.BarLine #'bar-size = #2
+ \bar "|" }
+barTwo = { \once \override Staff.BarLine #'extra-offset = #'(0 . 2)
+ \once \override Staff.BarLine #'bar-size = #2
+ \bar "|" }
+chant = \relative c' {
+\set Score.timing = ##f
+\override Staff.Stem #'transparent = ##t
+
+f4 a2 \barTwo
+g4 a2 f2 \barOne
+g4( f) f( g) a2
+}
+\score {
+ \chant
+ \paper{ }
+ \midi { \tempo 4=60 }
+}
+
+@end lilypond
+
+@subsection Bagpipe music
+
+Here's an example of bagpipe music. It demonstrates a big strength of
+LilyPond, compared to graphical score editors: in LilyPond, you can
+very easily reuse small segments of music without writing them out
+completely. This template defines a large number of small segments
+(@code{taor, grip, thrd,} etc), which can be reused easily.
+
+@lilypond[verbatim,raggedright]
+
+taor = { \grace { g32[ d' g e'] } }
+grip = { \grace { g32[ b g ] } }
+thrd = { \grace { g32[ d' c'] } }
+birl = { \grace { g32[ a g] } }
+gstd = { \grace { g'32[ d' g] } }
+fgg = { \grace { f32[ g'32] } }
+dblb = { \grace { g'32[ b d'] } }
+dblc = { \grace { g'32[ c' d'] } }
+dble = { \grace { g'32[ e' f'] } }
+dblf = { \grace { g'32[ f' g'] } }
+dblg = { \grace { g'32[ f'] } }
+dbla = { \grace { a'32[ g'] } }
+lgg = { \grace { g32 } }
+lag = { \grace { a32 } }
+cg = { \grace { c'32 } }
+eg = { \grace { e'32 } }
+gg = { \grace { g'32 } }
+dg = { \grace { d'32 } }
+hag = { \grace { a'32 } }
+gefg = { \grace { g'32[ e' f'] } }
+efg = { \grace { e'32[ f'] } }
+gdcg = { \grace { g'32[ d' c'] } }
+gcdg = { \grace { g'32[ c' d'] } }
+
+\transpose a a' {
+ #(add-grace-property 'Voice 'Stem 'length 6)
+ \time 6/8 \partial 4
+ \tieUp
+ \slurUp
+
+ f'4 |
+ \gg f'4 e'8 \thrd d'4. |
+ \eg a4.(a4) d'8 |
+ \gg d'4 f'8 \dble e'4. ( | \noBreak
+ e'8) d'4 \gg d'4 e'8 |
+
+ \break
+ \time 9/8
+ \dblf f'2.( f'4) d'8 |
+ \time 6/8
+ \dblg g'4 a'8 \gg a'4. |
+ \thrd d'4.( d'4) \eg a8 |
+ \time 9/8
+ \dble e'4 \lag e'8 \gg e'16[ d'8. e'8] \gg f'4 g'8 |
+
+ \break
+ \time 6/8
+ \gg f'4 e'8 \thrd d'4. |
+ \eg a4.( a4) d'8 |
+ \dblg g'4 a'8 \gg a'4. |
+ \thrd d'4.( d'4) f'8 |
+
+ \break
+ \dblg g'4 e'8( e'8) \dblf f'8.[ e'16] |
+ \thrd d'4.( d'4) \cg d'8 |
+ \gg c'4 e'8 \thrd d'4.( |
+ d'4.) \gdcg d'4.
+
+}
+
+@end lilypond
+
+
+
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