* Documentation/user/{tutorial.itely,refman.itely,internals.itely}:

	  Remove all noquote and insert a few quote.

diff --git a/ChangeLog b/ChangeLog
index 82a613fc7be8ea7cfbe28b8fcf3a048bb999bfde..053a50fd3259b50732792a479bd4fd1a0d2296d7 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,6 +1,8 @@
 2003-03-19  Mats Bengtsson  <mats.bengtsson@s3.kth.se>
 
-
+       * Documentation/user/{tutorial.itely,refman.itely,internals.itely}: 
+         Remove all noquote and insert a few quote.
+       
        * Documentation/user/lilypond-book.itely (Music fragment options),
          scripts/lilypond-book.py: Don't include quotation blocks by
          default. Introduce option quote instead of noquote

diff --git a/Documentation/user/appendices.itely b/Documentation/user/appendices.itely
index 1f594e1593a6151e3b4c03da90f74b90c4b84af9..7929b78523fee8181047ea4ed24923ff61ff9c3d 100644 (file)
--- a/Documentation/user/appendices.itely
+++ b/Documentation/user/appendices.itely
@@ -99,7 +99,7 @@ The following symbols are available in the Feta font and may be
 accessed directly using text markup such as 
 @code{g^\markup @{ \musicglyph #"scripts-segno" @}}, see @ref{Text markup}.
 
-@lilypondfile[noquote,noindent]{feta16list.ly}
+@lilypondfile[noindent]{feta16list.ly}
 
 @c parmesan is too big. Apparently pythons re's choke on this.
 @c @lil ypondfile{parmesan16list.ly}

diff --git a/Documentation/user/internals.itely b/Documentation/user/internals.itely
index f041e591bbb80badd008b30c4eeb20ff5c8852d8..c91382646e6290ffcf156ecdc9aedc8b72296028 100644 (file)
--- a/Documentation/user/internals.itely
+++ b/Documentation/user/internals.itely
@@ -624,7 +624,7 @@ In principle, the way in which you nest sequential and simultaneous to
 produce music is not relevant.  In the following example, three chords
 are expressed in two different ways:
 
-@lilypond[fragment,verbatim,center]
+@lilypond[fragment,verbatim,center,quote]
 \notes \context Voice {
   <a c'> <b d'> <c' e'>
   < { a b c' } { c' d' e' } >

diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely
index da24f8c683efe37be3176312df47be4304d7d4c6..f08d82a5d30c6e8b2796002db51f767d68d455e4 100644 (file)
--- a/Documentation/user/refman.itely
+++ b/Documentation/user/refman.itely
@@ -225,7 +225,7 @@ a2 s4 a4 \skip 1 a4
 
 In Lyrics mode, you can make invisible syllables by entering `@code{" "}' 
 or `@code{_}':
-@lilypond[singleline,verbatim]
+@lilypond[singleline,verbatim,quote]
 <
   \context Lyrics \lyrics { lah2 di4 " " dah2 _4 di }
   \notes\relative c'' { a2 a4 a a2 a4 a }
@@ -277,7 +277,7 @@ r\longa r\breve
 r1 r2 r4 r8 r16 r32 r64 r64 
 @end example 
 
-@lilypond[noindent,noquote]
+@lilypond[noindent]
 \score {
   \notes \relative c'' {
     a\breve  \autoBeamOff
@@ -364,7 +364,7 @@ In its meaning a tie is just a way of extending a note duration, similar
 to the augmentation dot: the following example are two ways of notating
 exactly the same concept.
 @c
-@lilypond[fragment, singleline]
+@lilypond[fragment, singleline,quote]
 \time 3/4 c'2. c'2 ~ c'4
 @end lilypond
 If you need to tie notes over bars, it may be easier to use
@@ -391,7 +391,7 @@ LilyPond can automatically converting long notes to tied notes.  This
 is done by replacing the @code{Note_heads_engraver} by the
 @code{Completion_heads_engraver}. 
 
-@lilypond[verbatim,noindent,noquote]
+@lilypond[verbatim,noindent]
 \score{
   \notes\relative c'{ \time 2/4
   c2. c8 d4 e f g a b c8 c2 b4 a g16 f4 e d c8. c2 
@@ -1271,7 +1271,7 @@ c32-[ c c c c c c c c c c c c c c c-]
 \property Score.beatLength = #(ly:make-moment 1 8)
 c32-[ c c c c c c c c c c c c c c c-]
 @end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
 \score {
     \notes \relative c' {
         c16-[ c c c c c c c-]
@@ -1418,7 +1418,7 @@ It is not possible to specify beaming parameters for beams with mixed
 durations, that differ from the beaming parameters of all separate
 durations, i.e., you'll have to specify manual beams to get:
 
-@lilypond[singleline,fragment,relative,noverbatim]
+@lilypond[singleline,fragment,relative,noverbatim,quote]
   \property Voice.autoBeamSettings
   \override #'(end * * * *) = #(ly:make-moment 3 8)
   \time 12/8 c'8 c c c16 c c c c c c-[ c c c-] c8 c c4
@@ -1506,7 +1506,7 @@ The macros are:
       Warning: This leads to some weird and often unwanted results
       because accidentals from one voice DO NOT get cancelled in other
       voices:
-@lilypond[singleline,relative,fragment,verbatim]
+@lilypond[singleline,relative,fragment,verbatim,quote]
     \context Staff <
         \voiceAccidentals
         \context Voice=va { \voiceOne es g }
@@ -2240,7 +2240,7 @@ the last note of the dynamic mark whereas @code{\rc} and @code{\rced} go
 after the last note.  Because these marks are bound to notes, if you
 want several marks during one note, you have to use spacer notes.
 
-@lilypond[fragment,verbatim,center]
+@lilypond[fragment,verbatim,center,quote]
   c'' \< \! c''   d'' \decr e'' \rced 
   < f''1 { s4 s4 \< \! s4 \> \! s4 } >
 @end lilypond
@@ -2554,7 +2554,7 @@ list of percussion instrument names, notehead scripts and staff
 positions (that is: pitches relative to the C-clef) and uses this to
 transform the input music by moving the pitch, changing the notehead
 and (optionally) adding a script:
-@lilypond[singleline,verbatim]
+@lilypond[singleline,verbatim,quote]
 \include "drumpitch-init.ly"
 up = \notes { crashcymbal4 hihat8 halfopenhihat hh hh hh openhihat }
 down = \notes { bassdrum4 snare8 bd r bd sn4 }
@@ -2875,7 +2875,7 @@ The autochanger switches on basis of pitch (central C is the turning
 point), and it looks ahead skipping over rests to switch rests in
 advance. Here is a practical example:
         
-@lilypond[verbatim,singleline]
+@lilypond[verbatim,singleline,quote]
 \score { \notes \context PianoStaff <
   \context Staff = "up" {
     \autochange Staff \context Voice = VA < \relative c' {
@@ -3224,7 +3224,7 @@ e8 fis gis a b cis' dis' e'
 \property TabStaff.minimumFret = #8
 e8 fis gis a b cis' dis' e'
 @end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
 frag = \notes {
     \key e \major
     e8 fis gis a b cis' dis' e'
@@ -3358,7 +3358,7 @@ Chord mode is a mode where you can input sets of pitches using common
 names.  It is introduced by the keyword @code{\chords}.
 In chords mode,  a  chord is entered by the root, which is entered
 like a common pitch, for example,
-@lilypond[fragment,verbatim]
+@lilypond[fragment,verbatim,quote]
   es4.  d8 c2
 @end lilypond
 is the notation for an E-flat major chord.
@@ -3369,7 +3369,7 @@ is the notation for an E-flat major chord.
 Other chords may be entered
 by suffixing a colon, and introducing a modifier, and optionally, a
 number, for example
-@lilypond[fragment,verbatim]
+@lilypond[fragment,verbatim,quote]
 \chords { e1:m e1:7 e1:m7  }
 @end lilypond
 The first number following the root is taken to be the `type' of the
@@ -3387,12 +3387,12 @@ More complex chords may also be constructed  adding separate steps
 to a chord. Additions are added after the  number following
 the colon, and are separated by dots. For example
 @c
-@lilypond[verbatim,fragment]
+@lilypond[verbatim,fragment,quote]
   \chords { c:5.6 c:3.7.8 c:3.6.13 }
 @end lilypond
 Chord steps can be  altered by suffixing a @code{-} or @code{+} sign
 to the number, for example:
-@lilypond[verbatim,fragment]
+@lilypond[verbatim,fragment,quote]
   \chords { c:7+ c:5+.3-  c:3-.5-.7- }
 @end lilypond
 Removals are specified similarly, and are introduced by a caret.  They
@@ -3704,7 +3704,7 @@ adds a box around the bar numbers:
   #(make-molecule-boxer 0.1 0.25 0.25 Text_item::brew_molecule)
 \property Score.BarNumber \override #'font-relative-size = #0
 @end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
 \score {
     \context Staff \notes \transpose c c'' {
        \property Score.BarNumber \override #'break-visibility = #end-of-line-invisible
@@ -3735,7 +3735,7 @@ resetBarnum = \context Score \applycontext
 \mark \default \resetBarnum
 \repeat unfold 8 c
 @end example
-@lilypond[noindent,noquote]
+@lilypond[noindent]
 resetBarnum = \context Score \applycontext
   #(set-bar-number-visibility 4)
 \score {
@@ -3863,6 +3863,7 @@ fractions:
  R1*13/8
  R1*13/8*12
 @end lilypond
+
 Notice that a @code{R} spanning a single measure is printed as a whole
 rest centered in the measure, regardless of the time signature.
 
@@ -3882,6 +3883,7 @@ is provided for a fermata.
   R2._\markup { \roman "Ad lib" }
   R2.^\fermataMarkup
 @end lilypond
+
 By default, the multi-measure rest uses the number font, which does
 not contain any letters. This is the reason for the explicit
 @code{\roman} in the above example.
@@ -4301,7 +4303,7 @@ anticipates the pitch of the first note(s) of the following line and
 thus helps the player or singer to manage line breaks during
 performance, thus enhancing readability of a score.
 
-@lilypond[verbatim,noquote]
+@lilypond[verbatim]
 \score {
   \notes { c'1 \break
         \property Staff.Custos \set #'style = #'mensural
@@ -4665,7 +4667,7 @@ A object definition is a Scheme association list, that is stored in a
 context property.  By assigning to that property (using plain
 @code{\property}), you can change the resulting objects.
 
-@lilypond[verbatim, fragment]
+@lilypond[verbatim, fragment,quote]
 c'4 \property Voice.NoteHead  = #'() c'4
 @end lilypond
 This mechanism is fairly crude, since you can only set, but not modify,
@@ -4685,7 +4687,7 @@ in @file{scm/grob-description.scm}), includes the following definitions for
 
 You can add a property on top of the existing definition, or remove a
 property, thus overriding the system defaults:
-@lilypond[verbatim]
+@lilypond[verbatim,quote]
 c'4 \property Voice.Stem \override #'thickness = #4.0
 c'4 \property Voice.Stem \revert #'thickness
 c'4
@@ -4694,7 +4696,7 @@ You should balance @code{\override} and @code{\revert}. If that's too
 much work, you can use the @code{\set} shorthand. It performs a revert
 followed by an override. The following example gives exactly the same
 result as the previous one. 
-@lilypond[verbatim]
+@lilypond[verbatim,quote]
 c'4 \property Voice.Stem \set #'thickness = #4.0
 c'4 \property Voice.Stem \set #'thickness = #0.8
 c'4
@@ -4845,7 +4847,7 @@ The most common thing to change about the appearance of fonts is
 their size. The font size of a @internalsref{Voice},
 @internalsref{Staff} or @internalsref{Thread} context, can be easily
 changed by setting the @code{fontSize} property for that context:
-@lilypond[fragment,relative=1]
+@lilypond[fragment,relative=1,verbatim,quote]
   c4 c4 \property Voice.fontSize = #-1
   f4 g4
 @end lilypond
@@ -5036,7 +5038,7 @@ Raising and lowering texts can be done with @code{\super} and
 
 If you want to give an explicit amount for lowering or raising, use
 @code{\raise}.  This command takes a Scheme valued argument,
-@lilypond[verbatim,fragment,relative=1]
+@lilypond[verbatim,fragment,relative=1,quote]
  c1^\markup { C \small \raise #1.0 { "9/7+" }}
 @end lilypond
 The argument to @code{\raise} is the vertical displacement amount,

diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index 047f71dc60f0f7e0ec55b823d44093f19ffba283..4018352846976b8eb9f0a5e4f373861a6f8af12e 100644 (file)
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -361,7 +361,7 @@ discussed in the previous two sections.
 @item @code{1 2 8 16}
 @tab durations 
 @tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
 \property Staff.autoBeaming = ##f
 \property Staff.Clef = \turnOff
 c1 c2 c8 c16
@@ -370,7 +370,7 @@ c1 c2 c8 c16
 @item @code{. ..}
 @tab augmentation dots
 @tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
 \property Staff.Clef = \turnOff
 c4. c4..  
 @end lilypond
@@ -378,7 +378,7 @@ c4. c4..
 @item @code{c d e f g a b }
 @tab scale 
 @tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
 \property Staff.Clef = \turnOff
 c d e f g a b
 @end lilypond
@@ -386,7 +386,7 @@ c d e f g a b
 @item @code{\clef treble \clef bass }
 @tab clefs
 @tab
-@lilypond[noquote, notime]
+@lilypond[notime]
 \clef treble
 s4_" "
 \clef bass
@@ -396,7 +396,7 @@ s4_" "
 @item @code{\time 3/4 \time 4/4 }
 @tab time signature
 @tab
-@lilypond[noquote]
+@lilypond
 \property Staff.Clef \set #'transparent = ##t 
 \time 3/4
 s4_" "
@@ -650,7 +650,7 @@ The following table summarizes the syntax learned so far in this section.
 @item @code{r4 r8}
 @tab rest 
 @tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
 \property Staff.Clef = \turnOff
 r4 r8
 @end lilypond
@@ -658,7 +658,7 @@ r4 r8
 @item @code{~}
 @tab tie
 @tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
 \property Score.timing = ##f
 \property Staff.autoBeaming = ##f
 \property Staff.Clef = \turnOff
@@ -668,7 +668,7 @@ d ~ d
 @item @code{\key es \major }
 @tab key signature
 @tab
-@lilypond[noquote, notime]
+@lilypond[notime]
 \clef treble
 \key es \major
 s4 
@@ -677,7 +677,7 @@ s4
 @item @var{note}@code{'}
 @tab raise octave
 @tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
 \property Score.timing = ##f
 \property Staff.autoBeaming = ##f
 \property Staff.Clef = \turnOff
@@ -687,7 +687,7 @@ a a'
 @item @var{note}@code{,}
 @tab lower octave
 @tab
-@lilypond[relative 1, noquote, notime]
+@lilypond[relative 1, notime]
 \property Score.timing = ##f
 \property Staff.autoBeaming = ##f
 \property Staff.Clef = \turnOff
@@ -1686,7 +1686,7 @@ input file is a piano reduction of the G major Sinfonia by Giovanni
 Battista Sammartini, composed around 1740.  It's in the source
 package under the name @file{input/tutorial/sammartini.ly}.
 
-@lilypondfile[smallverbatim,noquote]{sammartini.ly}
+@lilypondfile[smallverbatim]{sammartini.ly}
 
 As you can see, this example features multiple voices on one staff.  To
 make room for those voices, their notes should be stemmed in opposite
@@ -2846,7 +2846,7 @@ the default music size, @code{fragment} adds a score block,
 If you include large examples into the text, it may be more convenient
 to put the example in a separate file:
 
-@lilypondfile[printfilename,noquote]{sammartini.ly}
+@lilypondfile[printfilename]{sammartini.ly}
 
 The @code{printfilename} option adds the file name to the output.
 @node  End of tutorial