prévoit moins ; par exemple, les trois toms des lignes du milieu
sont @code{tommh}, @code{tomml}, et @code{tomfh}.
+
+@item agostini-drums-style
+Inventé par le percussioniste français Dante Agostini en 1965, cette notation
+est comunément utilisée en France mais aussi autre part.
+
+@lilypond[quote,line-width=10.0\cm]
+nam = \lyricmode {
+ cymc cyms cymr hh hhc hho hhho hhp
+ cb hc bd sn ss tomh tommh tomml toml tomfh tomfl }
+mus = \drummode {
+ cymc cyms cymr hh hhc hho hhho hhp \break
+ cb hc bd sn ss tomh tommh tomml toml tomfh tomfl s16 }
+\score {
+ << \new DrumStaff \with {
+ \remove "Bar_engraver"
+ \remove "Time_signature_engraver"
+ \hide Stem
+ \override Stem.Y-extent = ##f
+ drumStyleTable = #agostini-drums-style
+ } \mus
+ \new Lyrics \nam
+ >>
+ \layout {
+ \context {
+ \Score
+ \override LyricText.font-family = #'typewriter
+ \override BarNumber.transparent =##T
+ }
+ }
+}
+@end lilypond
+
@item timbales-style
Ce style permet de saisir une partie de timbales, sur une portée à deux
lignes.
example, to get toms on the three middle lines you use
@code{tommh}, @code{tomml}, and @code{tomfh}.
+@item agostini-drums-style
+Invented by the French percussionist Dante Agostini in 1965, this notation is
+commonly employed in France but also elsewhere.
+
+@lilypond[quote,line-width=10.0\cm]
+nam = \lyricmode {
+ cymc cyms cymr hh hhc hho hhho hhp
+ cb hc bd sn ss tomh tommh tomml toml tomfh tomfl }
+mus = \drummode {
+ cymc cyms cymr hh hhc hho hhho hhp \break
+ cb hc bd sn ss tomh tommh tomml toml tomfh tomfl s16 }
+\score {
+ << \new DrumStaff \with {
+ \remove "Bar_engraver"
+ \remove "Time_signature_engraver"
+ \hide Stem
+ \override Stem.Y-extent = ##f
+ drumStyleTable = #agostini-drums-style
+ } \mus
+ \new Lyrics \nam
+ >>
+ \layout {
+ \context {
+ \Score
+ \override LyricText.font-family = #'typewriter
+ \override BarNumber.transparent =##T
+ }
+ }
+}
+@end lilypond
+
@item timbales-style
This typesets timbales on a two line staff:
(ridecymbalb cross #f 5)
))
+
+ (agostini-drums-style .
+ ((acousticbassdrum () #f -6)
+ (bassdrum () #f -5)
+ (sidestick cross #f 0)
+ (acousticsnare () #f 1)
+ (snare () #f 0)
+ (handclap triangle #f 0)
+ (electricsnare () #f 0)
+ (lowfloortom () #f -3)
+ (closedhihat cross #f 5)
+ (hihat cross #f 5)
+ (highfloortom () #f -2)
+ (pedalhihat cross #f -7)
+ (lowtom () #f -3)
+ (openhihat xcircle #f 5)
+ (halfopenhihat xcircle #f 5)
+ (lowmidtom () #f 2)
+ (himidtom () #f 3)
+ (crashcymbala cross #f 7)
+ (crashcymbal cross #f 8)
+ (hightom () #f 3)
+ (ridecymbala cross #f 6)
+ (ridecymbal cross #f 6)
+ (chinesecymbal mensural #f 6)
+ (ridebell mi #f 7)
+ (splashcymbal diamond #f 6)
+ (cowbell triangle #f 6)
+ (crashcymbalb cross #f 6)
+ (vibraslap diamond #f 4)
+ (ridecymbalb cross #f 7)
+ ))
+
+
(timbales-style .
((losidestick cross #f -1)
(lotimbale () #f -1)
instruments (symbols) to pitches.")
(drumStyleTable ,hash-table? "A hash table which maps drums to
layout settings. Predefined values: @samp{drums-style},
-@samp{timbales-style}, @samp{congas-style}, @samp{bongos-style}, and
-@samp{percussion-style}.
+@samp{agostini-drums-style}, @samp{timbales-style}, @samp{congas-style},
+@samp{bongos-style}, and @samp{percussion-style}.
The layout style is a hash table, containing the drum-pitches (e.g.,
the symbol @samp{hihat}) as keys, and a list