* Replace "\relative { }" with "\relative c' { }".
* Fix whitespace.
ragged-right = ##t
}
-\relative {
- gis'4 ~ gis!~ gis?
- }
+\relative c'' {
+ gis4 ~ gis!~ gis?
+}
\header {
-
+
texidoc = "The autobeamer may be switched off for a single note
with @code{\\noBeam}."
ragged-right = ##t
}
-\relative { c8 c-\noBeam c c }
+\relative c' { c8 c-\noBeam c c }
\paper { ragged-right = ##t }
-\relative {
+\relative c'' {
\new StaffGroup \new PianoStaff <<
\new Staff
{
\ottava #1
- \times 2/3 { c'8[\< f]( f''\!) }
+ \times 2/3 { c8[\< f]( f''\!) }
\ottava #0
<f,, \5>4
\override TextScript #'color = #red
g4^"red"
}
-
+
\new Staff \relative c'' {
\makeClusters { <g a>8 <e a> <g a>4 }
-
+
\override Glissando #'style = #'zigzag
\slurDashed
f2( \glissando f')
\easyHeadsOn
- f e
+ f e
}
>>
}
\header {
texidoc = "beamlets don't run to end of line if there are no other
beamlets on the same height."
-
+
}
\version "2.12.0"
raggedright = ##t
}
-\relative {
+\relative c' {
\time 1/4
\override Beam #'breakable = ##t
r16 r16. c32[ c16 \break c8. ] r16
texidoc = "This file tests a few standard beam quants, taken from
Ted Ross' book. If LilyPond finds another quant, the correct quant
is printed over the beam."
-
+
}
\version "2.12.0"
#(define debug-beam-quanting #t)
}
-filler = \new Voice \relative {
+filler = \new Voice \relative c' {
\hideNotes
e4 e
}
- %
+ %
%%
%% Ross p108--112
-primes = \relative {
- \time 3/4
+primes = \relative c' {
+ \time 3/4
\assertBeamQuant #'(0 . 0) #'(0 . 0)
c8[ c]
\filler
\assertBeamQuant #'(1 . -1) #'(1 . -1)
d8[ d]
-
+
\filler
-
+
\assertBeamQuant #'(1 . 0) #'(1 . 0)
e8[ e]
\filler
-
-
+
+
\assertBeamQuant #'(2 . -1) #'(2 . -1)
f8[ f]
\filler
-
-
+
+
\assertBeamQuant #'(2 . 0) #'(2 . 0)
g8[ g]
\filler
-
-
+
+
\assertBeamQuant #'(2 . 1) #'(2 . 1)
a8[ a]
\filler
-
+
%{
\once \override Beam #'inspect-quants = #'(2.2 . 2.2)
- \assertBeamQuant
+ \assertBeamQuant
a8[ a]
\filler
-
+
%}
-
+
}
-seconds = \relative {
-
+seconds = \relative c' {
+
\assertBeamQuant #'(0 . 0) #'(0 . 1)
a8[ b]
\filler
-
+
\assertBeamQuant #'(0 . 0) #'(0 . 1)
b8[ c]
\filler
-
+
\assertBeamQuant #'(0 . 0) #'(0 . 1)
c8[ d]
\filler
-
+
\assertBeamQuant #'(1 . -1) #'(1 . 0)
d8[ e]
\filler
-
-
+
+
\assertBeamQuant #'(1 . 0) #'(1 . 1)
e8[ f]
\filler
-
-
+
+
\assertBeamQuant #'(2 . -1) #'(2 . 0)
f8[ g]
\filler
-
-
+
+
\assertBeamQuant #'(2 . 0) #'(2 . 1)
g8[ a]
\filler
\filler
}
-filler = \new Voice \relative {
+filler = \new Voice \relative c' {
\hideNotes
e4 e4.
}
- % Ross, p122
-primeSixteenths = \relative {
+ % Ross, p122
+primeSixteenths = \relative c' {
\stemUp
\assertBeamQuant #'(0 . -1) #'(0 . -1)
g16[ g]
ragged-right = ##t
}
-\relative {
+\relative c {
\stemDown
- \repeat tremolo 16 {d,32 a'32 }
-}
+ \repeat tremolo 16 { d32 a'32 }
+}
"
}
-scales = \relative {
+scales = \relative c' {
a ais b c cis d dis e f fis g gis
a
}
#(define output-suffix "1")
origScore = \score{
- \relative {
+ \relative c' {
\set Staff.instrumentName = #"bla"
c1
d
ragged-right = ##t
}
-\relative {
+\relative c' {
<< { f
\override NoteColumn #'force-hshift = #0.1
f } \\
\paper { ragged-right = ##t }
-\relative {
+\relative c' {
\override Accidental #'color = #darkgreen
\override Beam #'color = #cyan
\override NoteHead #'color = #darkyellow
You also get ledger lines, of course."
}
-\relative {
+\relative c' {
\easyHeadsOn
f1 e
f2 e
\paper { ragged-right = ##t }
-\relative {
+\relative c' {
%% input order is not 1 2 3 , output is.
<c-1 g'-3 e-2 b'-4 d-5 f-6 a-7 c-8 > 4
\version "2.12.0"
-\paper {
- % change for other default global staff size.
+\paper {
+ % change for other default global staff size.
myStaffSize = #20
lilypond -dshow-available-fonts blabla
- to show all fonts available in the process log.
-
+ to show all fonts available in the process log.
+
%}
-
+
#(define fonts
(make-pango-font-tree "Times New Roman"
"Nimbus Sans"
(/ myStaffSize 20)))
}
-\relative {
+\relative c'' {
- c'^\markup { roman: foo \bold bla \italic bar \italic \bold baz }
+ c^\markup { roman: foo \bold bla \italic bar \italic \bold baz }
c'_\markup {
\override #'(font-family . sans)
{
mono: foo \bold bla \italic bar \italic \bold baz
}
}
-}
+}
indent = 0\cm
}
-\relative {
+\relative c' {
\set Staff.shortInstrumentName = "foo"
f1 | f1 | f1 |
f1\< | f1 | f1\! |
ragged-right = ##t
}
-\relative {
+\relative c' {
<c e g>\laissezVibrer r4
<c f g>\laissezVibrer r
<c d f g>\laissezVibrer r
\header { texidoc = " Scores may be printed in landscape mode."}
-pattern = \relative { a b c d \break }
+pattern = \relative c' { a b c d \break }
\book {
\score {
ragged-right = ##t
}
-\relative {
+\relative c' {
\time 2/4
c4
\version "2.12.0"
-\relative {
+\relative c' {
\override Staff.OttavaBracket #'dash-period = #0.1
\override Score.OttavaBracket #'dash-fraction = #1
ragged-right = ##t
}
-\relative {
+\relative c' {
\set melismaBusyProperties = #'()
c d( e) f f( e) e e }
\addlyrics
ragged-right = ##t
}
-\relative { \clef "G_8" c c c c }
+\relative c' { \clef "G_8" c c c c }
\addlyrics { bla bla bla bla }
subsubtitle = \markup { "Originalstimmung:" \tuning }
}
-\relative {
+\relative c'' {
\time 4/8
- \times 2/3 { c'8 d e } \times 2/3 {c d e}
\times 2/3 { c8 d e } \times 2/3 {c d e}
- g8 a8 g8 a
- g8 a8 g8 a
+ \times 2/3 { c8 d e } \times 2/3 {c d e}
+ g8 a8 g8 a
+ g8 a8 g8 a
}
\version "2.12.0"
\score {
- \relative {
+ \relative c' {
\set midiMinimumVolume = #0.0
\set midiMaximumVolume = #1.0
\score
{
-
- \relative {
+
+ \relative c' {
a geseh \acciaccatura a geseh
}
\version "2.12.0"
\score {
- \relative {
+ \relative c' {
{
{ c16 e g c }
\header {
-
+
texidoc = "newlyrics, multiple stanzas, multiple lyric voices."
-
+
}
\layout { ragged-right = ##t }
<<
- \new Staff \relative {
- d'2 d c4 bes a2 \break
+ \new Staff \relative c'' {
+ d2 d c4 bes a2 \break
}
\addlyrics {
My first Li -- ly song,
\addlyrics {
Not much can go wrong!
}
- \new Staff \relative {
+ \new Staff \relative c' {
\clef bass
d2 d c4 bes a2 \break
}
grob is tweaked."
}
-\relative {
+\relative c' {
\override Stem #'details #'beamed-lengths = #'(6 10 8)
c8[ c] c16[ c] c32[ c]
\revert Stem #'details
}
}
<<
- \new Staff \relative {
- d'2 d c4 bes a2 \break
+ \new Staff \relative c'' {
+ d2 d c4 bes a2 \break
}
\addlyrics {
My first Li -- ly song,
\new Lyrics \lyricmode {
Not2 much can4 go wrong!
}
- \context Voice = "voice" \relative {
- d'2 d c4 bes a2
+ \context Voice = "voice" \relative c'' {
+ d2 d c4 bes a2
}
>>
My2 first Li4 -- ly song,2
My2 first Li4 -- ly song,2
}
- \context Voice = "voice" \relative {
- d'2 d c4 bes a2 \break
+ \context Voice = "voice" \relative c'' {
+ d2 d c4 bes a2 \break
d'2 d c4 bes a2
}
\new Lyrics \lyricmode {
\book {
\score {
- \relative {
+ \relative c' {
c1\break\pageBreak
c1\break\pageBreak
c1
}
\score {
- \relative {
+ \relative c' {
\set Score.skipBars = ##t
% this should be kept on one page
\repeat volta 2 {
\version "2.12.0"
-\relative {
+\relative c' {
c4 -\parenthesize -.
\override ParenthesesItem #'padding = #0.1
vone = \relative a' { R1*2 g2 r2 g2 r2 a4 r4 g }
vtwo = \relative a' { R1*2 g2 r2 g2 r2 f4 r4 g }
-comment = \relative { s1*2 s2_"a2" s2 s2_"no a2" s2 s4 s4 s4_"a2" }
+comment = \relative c' { s1*2 s2_"a2" s2 s2_"no a2" s2 s4 s4 s4_"a2" }
\layout { ragged-right = ##T }
-\new Staff << \set Score.skipBars = ##t
+\new Staff << \set Score.skipBars = ##t
\partcombine \vone \vtwo
\comment
>>
-
+
\version "2.12.0"
-\relative {
+\relative c' {
f2 \glissando c
\override Glissando #'bound-details #'right #'Y = #4
f2 \glissando c |
}
-foo = \relative {
+foo = \relative c' {
\times 2/3 { c4 c c } \times 2/3 { c4 c c }
}
\version "2.12.0"
-\relative {
+\relative c' {
\override Score.RehearsalMark #'break-align-symbols = #'(clef key-signature staff-bar)
c1
\clef "bass"
}
}
-\relative {
+\relative c' {
c1 \mark "foo"
c1
\key cis \major
\version "2.12.0"
-\relative {
+\relative c' {
c1 \mark "foo"
c1
\key cis \major
}
\version "2.12.0"
-\relative {
+\relative c' {
\repeat "unfold" 3
{ f2 bes2 }
\alternative { a1 e b }
line-width = #110
}
-%% using Book and Score to get text in lilypond-book
+%% using Book and Score to get text in lilypond-book
\book {
\markup {
\fill-line { "High up above" }
}
\score {
<<
- \relative {
+ \relative c {
\clef bass
- d,2 d c4 bes a2 \break
+ d2 d c4 bes a2 \break
c2 c d4 f g2
}
\addlyrics {
}
}
}
-}
\ No newline at end of file
+}
}
-\relative {
+\relative c' {
c4
\set Score.skipTypesetting = ##t
c4 c4
<bis f' b>) s2..\break
\stemNeutral
- \new Voice \relative {
+ \new Voice \relative c' {
c'8[( c c c] g2 ~ | \break
g1) | \break
\slurDown c8[( c] g4 ~ g2 ~ | \break
texidoc = "Slurs that depend on a cross-staff beam are not calculated until after line-breaking."
}
-\paper{ ragged-right=##t }
+\paper { ragged-right=##t }
\score {
\new PianoStaff <<
- \context Staff = rh \relative { c'8([ d) \change Staff = lh c,] }
+ \context Staff = rh \relative c'' { c8([ d) \change Staff = lh c,] }
\context Staff = lh { s4. }
>>
-}
\ No newline at end of file
+}
\version "2.12.0"
\layout { ragged-right = ##t }
-\relative {
+\relative c' {
\set doubleSlurs = ##t
<c e>4 ( <d f> <c e> <d f> )
}
\version "2.12.0"
\paper { ragged-right = ##T }
-\relative {
+\relative c' {
\override Slur #'positions = #'(-4 . -5)
e( f g)
}
one big file, since changing one score parameter for one situation
may affect several other situations.
- Tunable parameters are in @file{scm/slur.scm}.
+ Tunable parameters are in @file{scm/slur.scm}.
"
}
% #(define debug-slur-scoring #t)
}
-\relative {
-
- \grace e'=''16( d8.[) c16]
+\relative c'' {
+
+ \grace e=''16( d8.[) c16]
d=''8.[ \grace f16( e16)]
s2
<< {c=''8.([ es16] bes4~bes )}
{r8 <as es> r <f des> r }
>>
\new Voice { \voiceOne b='8[ c16( d]) }
- g,='8[( a b b! ] c4 bes)
+ g,='8[( a b b! ] c4 bes)
bes='8( f' des bes) as4( bes)
r8 d( f e d c b a)
cis=''4( d) f=''16( e) d( c)
s4
-
+
c=''2(~c8 d16 c b8 a)
-
+
<c,=' g>4 ( f <g b>) f
<c g>^( f <g b>) f
<c g>_( f <g b>)
<g b>_( g <b d>)
<g b>_( \stemDown g \stemNeutral <b d>)
- c,='^( c'' c)
+ c,='^( c'' c)
c,,^( c'')
c,,^( c')
| b='2( a4) s4
| << { b='8[( c]) } \\
{ b='8[( c]) }>>
-
+
s2.|
e4( dis4)
- e4( dis4)
+ e4( dis4)
g,='16( b d fis)
\clef bass a,,=8[ e16(f] g[ a b d,)] s4 | \break
e=8[( f] g[ a b d,)] s4 |
-
+
\clef treble
\new Voice {
\slurDown
% #(define debug-slur-scoring #t)
}
-\relative {
+\relative c' {
\slurUp
\override TupletBracket #'bracket-visibility = ##f
\override Slur #'(details region-size) = #6
\festivalsyl #"song-basic-nonenglish.xml" { \tempo 4 = 100 }
{
-\relative { c e g r }
+\relative c' { c e g r }
\addlyrics { ov -- čá -- ci }
}
#(ly:progress "song-basic-nonenglish")
\festival #"song-basic.xml" { \tempo 4 = 100 }
{
\time 3/4
-\relative { c2 r2 e4 g2. }
+\relative c' { c2 r2 e4 g2. }
\addlyrics { play the game }
}
#(ly:progress "song-basic")
\festival #"song-breathe.xml" { \tempo 4 = 100 }
{
\time 3/4
-\relative { c2 e \breathe g }
+\relative c' { c2 e \breathe g }
\addlyrics { play the game }
}
#(ly:progress "song-breathe")
#(set! *skip-word* #f)
\festival #"song-skip-noword.xml" { \tempo 4 = 100 }
-\relative { c c g' }
+\relative c' { c c g' }
\addlyrics {
twin -- \skip 4
kle
\include "festival.ly"
\festival #"song-skip.xml" { \tempo 4 = 100 }
-\relative { c c g' }
+\relative c' { c c g' }
\addlyrics {
twin -- \skip 4
kle
\festival #"song-stanzas.xml" { \tempo 4 = 100 }
{
\time 3/4
-\relative { c2 e4 g2. }
+\relative c' { c2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
\festival #"song-tempo.xml" { \tempo 4=90 }
{
\time 3/4
-\relative { c4 e g \tempo 4=60 c, e g }
+\relative c' { c4 e g \tempo 4=60 c, e g }
\addlyrics { do re mi do re mi }
}
#(ly:progress "song-tempo")
ragged-right=##t
}
-\new Staff \relative {
+\new Staff \relative c' {
\override Score.NonMusicalPaperColumn #'stencil = #ly:paper-column::print
\override Score.NonMusicalPaperColumn #'layer = #1
ragged-right = ##t
}
-\relative {
- \stemUp c''4...*1/2
+\relative c''' {
+ \stemUp c4...*1/2
ceses,,!
eses!
ceses!
geses'!
ceses,!
-
+
}
-
+
\version "2.12.0"
-\relative {
+\relative c' {
\override Score.SpacingSpanner #'packed-spacing = ##t
c2 d4 f8[ g] a
}
ragged-right = ##t
}
\version "2.12.0"
-\relative {
+\relative c' {
\time 2/4
c4 c8 c
c8 c c4 c16[ c c8] c4
\layout { ragged-right = ##t }
-\relative {
+\relative c' {
\override Score.PaperColumn #'keep-inside-line = ##t
c1 c1^"This is a really long text" c
}
\header {
-
+
texidoc = "Staves may be present in several sizes within a score.
-This is achieved with an internal scaling factor. If the scaling factor is
-forgotten in some places, objects generally become too thick or too
+This is achieved with an internal scaling factor. If the scaling factor is
+forgotten in some places, objects generally become too thick or too
large on smaller staves."
}
ragged-right = ##t
}
-melody = \relative {
+melody = \relative c''' {
\override DynamicText #'extra-offset = #'(0 . 3)
- s1-\f c''8[(\< r a g]) e[ r d( <f a>])\! \times 2/3 { d4 d d }
+ s1-\f c8[(\< r a g]) e[ r d( <f a>])\! \times 2/3 { d4 d d }
}
<<
\melody
}
\new Staff {
- \relative c' {
- \melody
- }
+ \melody
}
>>
\version "2.12.0"
\layout { ragged-right = ##t }
-\relative {
+\relative c' {
\override Stem #'stemlet-length = #0.75
c8[ r8 c16 r16 c8]
c4
ragged-right = ##t
}
-\relative {
+\relative c' {
<c\1 e\2 g\3>
c4
\set fingeringOrientations = #'(down left up)
ragged-right = ##f
}
-\relative { c4 d f8_\f[ g-.] }
+\relative c' { c4 d f8_\f[ g-.] }
\version "2.12.0"
\paper { ragged-right = ##t }
-\relative {
+\relative c' {
c~ e~ g~ <c, e g>
\set tieWaitForNote = ##t
c~ e~ g~ <c, e g>
line-width = 40.0\mm
}
-\relative {
+\relative c' {
\override Tie #'minimum-length = #5
f2. f16 f f f ~ | \break
f1
ragged-right = ##t
}
-\relative {
+\relative c' {
<c~ e g> <c e g~> <c e g>
}
ragged-right = ##t
}
-\relative {
+\relative c' {
\pitchedTrill c4.\startTrillSpan es f\stopTrillSpan
}
Red Hat Fedora
taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
- ttfonts-zh_CN fonts-ja fonts-hebrew
+ ttfonts-zh_CN fonts-ja fonts-hebrew
Debian GNU/Linux
apt-get install emacs-intl-fonts xfonts-intl-.* \
ttf-kochi-gothic ttf-kochi-mincho \
- xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
-%}
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+%}
\header {
will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
"
-
+
}
% Cyrillic font
Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
}
-hebrew = \lyricmode {
+hebrew = \lyricmode {
זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
}
-japanese = \lyricmode {
+japanese = \lyricmode {
いろはにほへど ちりぬるを
わがよたれぞ つねならむ
うゐのおくや まけふこえて
- あさきゆめみじ ゑひもせず
+ あさきゆめみじ ゑひもせず
}
% "a legal song to you"
-portuguese = \lyricmode {
+portuguese = \lyricmode {
à vo -- cê uma can -- ção legal
}
ragged-right = ##T
}
-\relative {
+\relative c' {
c2 d e f g f e
}
\addlyrics { \bulgarian }
projects / lilypond.git / commitdiff