Misc small changes.

diff --git a/ChangeLog b/ChangeLog
index 9abe70f21205fcdf6745dd0e9be4011e934b19af..455e247cb8f3603e0f409ed0551e1f1756f000a7 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,3 +1,13 @@
+2005-08-26  Graham Percival  <gpermus@gmail.com>
+
+       * Documentation/user/advanced.itely: add text-only example.
+
+       * Documentation/user/invoking.itely: add index entries for
+       convert-ly.
+
+       * Documentation/user/ tutorial.itely, basic-notation.itely:
+       small fixes suggested by Steve D.  Thanks!
+
 2005-08-26  Han-Wen Nienhuys  <hanwen@xs4all.nl>
 
        * input/regression/markup-bidi-pango.ly: new file.

diff --git a/Documentation/user/advanced-notation.itely b/Documentation/user/advanced-notation.itely
index 8effe24b71956b9ead47bdcfd287c1294fa9ff8e..bf490b8c908308989b73ea889ce7e042256ac472 100644 (file)
--- a/Documentation/user/advanced-notation.itely
+++ b/Documentation/user/advanced-notation.itely
@@ -228,6 +228,14 @@ but it can also be used anywhere text is called in lilypond
 }
 @end lilypond
 
+Text can also be placed on its own, away from any @code{\score}
+block.  This is primarily used in a @code{\book} (see
+@ref{Multiple movements}).
+
+@lilypond[quote,fragment,raggedright,verbatim]
+\markup{Here is some text.}
+@end lilypond
+
 @cindex font switching
 
 The markup in the example demonstrates font switching commands.  The

diff --git a/Documentation/user/basic-notation.itely b/Documentation/user/basic-notation.itely
index f1c31032af6434876c956e8e08ce449e47638e0b..d7b0b3cdb7f3faf14634ba7be93ab36b51e5d5c5 100644 (file)
--- a/Documentation/user/basic-notation.itely
+++ b/Documentation/user/basic-notation.itely
@@ -537,8 +537,9 @@ between this and the last note is always taken to be a fourth or
 less.  This distance is determined without regarding alterations; a
 @code{fisis} following a @code{ceses} will be put above the
 @code{ceses}.  In other words, a doubly-augmented fourth is considered
-a smaller interval than a diminshed fifth, even though the fourth is
-seven semitones while the fifth is only six semitones.
+a smaller interval than a diminished fifth, even though the
+doubly-augmented fourth spans seven semitones while the diminished
+fifth only spans six semitones.
 
 The octave changing marks @code{'} and @code{,} can be added to raise
 or lower the pitch by an extra octave.  Upon entering relative mode,

diff --git a/Documentation/user/invoking.itely b/Documentation/user/invoking.itely
index 65cf692bc2c857c887cc27ab0def500752ac2ec2..d095371858dc8a8c7bf92ee6e17037071a8a6eef 100644 (file)
--- a/Documentation/user/invoking.itely
+++ b/Documentation/user/invoking.itely
@@ -372,6 +372,9 @@ above the indicated position.
 @node Updating files with convert-ly
 @section Updating with @command{convert-ly}
 
+@cindex Updating a LilyPond file
+@cindex @code{@convert-ly}
+
 The LilyPond input syntax is routinely changed to simplify it or improve
 it in different ways.  As a side effect of this, the LilyPond interpreter
 often is no longer compatible with older input files.  To remedy this,

diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index f5f30ec5930dc5a2305779417336d17582fc9563..f7c99cc135a732e8d3de8c5eeae38264328bee7c 100644 (file)
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -588,7 +588,7 @@ you can make arbitrarily complex and large expressions.  For example,
 @cindex expression
 @cindex music expression
 This is a sequence of expressions, where each expression is contained
-in the next one.  The simplest expressions are numbers, and larger
+in the next (larger) one.  The simplest expressions are numbers, and larger
 ones are made by combining expressions with operators (like @samp{+},
 @samp{*} and @samp{/}) and parentheses.  Like mathematical expressions,
 music expressions can be nested arbitrarily deep, which is necessary