NL: a,
DK: a,
S: a,
-FI: a,
+FI: A, a,
N: a.
@aitem{accent}
NL: accelerando,
DK: accelerando,
S: accelerando,
-FI: accelerando,
+FI: accelerando, kiihdytt@"aen,
N: ?.
Increase tempo.
NL: andante,
DK: andante,
S: andante,
-FI: andante,
+FI: andante, k@"ayden,
N: andante.
Walking tempo/character.
NL: voorslag,
DK: forslag,
S: f@"orslag,
-FI: appoggiatura,
+FI: appoggiatura, etuhele,
N: ?.
Ornamental note, usually a second, that is melodically connected with the main
NL: gebroken akoord,
DK: arpeggio, akkordbrydning,
S: arpeggio,
-FI: arpeggio, murtaen sointu,
+FI: arpeggio, murtosointu,
N: ?.
@lilypond[13pt]
NL: bariton,
DK: baryton,
S: baryton,
-FI: baritoni,
+FI: baritoni, keskikorkuinen mies@"a@"ani,
N: baryton.
The male voice intermediate between the @aref{bass} and the
NL: accolade, teksthaak,
DK: klamme,
S: klammer,
-FI: ?,
+FI: yhdist@"av@"a sulkumerkki,
N: ?.
Symbol at the start of a system connecting staves. Curly braces are used
NL: brevis,
DK: brevis,
S: brevis,
-FI: breve,
+FI: brevis,
N: ?.
@aref{note value} twice as long as a whole note. Mainly used
NL: cadens,
DK: kadence,
S: kadens,
-FI: kadenssi,
+FI: kadenssi, lopuke,
N: ?.
An extended, improvisatory style section inserted near the end of
NL: canon,
DK: kanon,
S: kanon,
-FI: kaanon,
+FI: kaanon, tarkka j@"aljittely,
N: ?.
@aref{counterpoint}.
NL: cent,
DK: cent,
S: cent,
-FI: sadasosa,
+FI: sentti, puolis@"avelaskeleen sadasosa tasavireisess@"a viritysj@"arjestelm@"ass@"a,
N: ?.
Logarithmic unit of measurement. 1 cent is 1/1200 of an octave (1/100 of an
NL: komma,
DK: komma,
S: komma,
-FI: comma,
+FI: komma, korvinkuultava ero @"a@"anenkorkeudessa,
N: ?.
Difference in pitch between a note derived from pure tuning and the same note
NL: complementair interval,
DK: komplement@ae{}rinterval,
S: komplement@"arintervall (?),
-FI: ?,
+FI: t@"aydent@"av@"a intervalli,
N: ?.
@aref{inverted interval}.
NL: ?,
DK: trinvis bev@ae{}gelse,
S: stegvis r@"orelse,
-FI: ?,
+FI: asteittainen liike,
N: ?.
Melody moving in the narrow steps of the scale.
NL: ?,
DK: springende bev@ae{}gelse,
S: hoppande r@"orelse,
-FI: hyppiv@"a melodian liike,
+FI: melodian hyppiv@"a liike,
N: ?.
Melody moving in steps greater than those of the
NL: dorische toonladder,
DK: dorisk skala,
S: dorisk tonart,
-FI: doorinen asteikko,
+FI: doorinen moodi,
N: ?.
@aref{diatonic scale}.
NL: dubbele voorslag,
DK: dobbelt forslag,
S: dubbelslag,
-FI: kaksoisappogiatura,
+FI: kaksoisappogiatura, kaksoisetuhele,
N: ?.
@aref{appoggiatura}.
NL: steken,
DK: nodestik,
S: nottryck,
-FI: nuotinnus,
+FI: painatus,
N: ?.
Engraving means incising or etching a metal plate for
NL: voordrachtsteken,
DK: foredragsbetegnelse,
S: f@"oredragsbeteckning,
-FI: nyanssimerkki, esitysmerkki,
+FI: nyanssiosoitus, esitysmerkki,
N: ?.
Performance indications concerning 1. volume, dynamics (for example
NL: homofonie,
DK: homofoni,
S: homofoni,
-FI: homofonia,
+FI: homofonia, yksi@"a@"anisyys,
N: ?.
Music in which one voice leads melodically followed by the other voices more
NL: interval,
DK: interval,
S: intervall,
-FI: intervalli, s@"avelien korkeusero,
+FI: intervalli, kahden s@"avelen korkeusero,
N: ?.
Difference in pitch between two notes. Intervals may be perfect, minor, major,
NL: lijn,
DK: nodelinie,
S: notlinje,
-FI: nuottiviiva,
+FI: viiva, nuottiviiva,
N: ?.
@aref{staff}.
D: langer Vorschlag,
DK: langt forslag,
S: l@aa{}ngt f@"orslag,
-FI: pitk@#@"a appoggiatura,
+FI: pitk@"a appoggiatura, pitk@"a etuhele,
N: ?.
@aref{appoggiatura}.
D: Mediante,
DK: mediant,
S: mediant,
-FI: ?,
+FI: keskis@"avel,
N: ?.
1. The third @b{scale degree}.
NL: metronoom aanduiding,
DK: metronomtal,
S: metronomangivelse,
-FI: metronomi osoitus,
+FI: metronomiosoitus,
N: ?.
Exact tempo indication (in beats per minute). Also denoted by
NL: centrale@w{ }c,
DK: enstreget@w{ }c,
S: ettstruket@w{ }c,
-FI: keski-c,
+FI: keski-C,
N: ?.
First C below the 440 Hz A.
NL: modus,
DK: skala,
S: modus, skala,
-FI: moodi, s@"avelasteikko,
+FI: moodi, kirkkos@"avelasteikko,
N: ?.
@aref{church mode}, @aref{diatonic scale}.
NL: mordent,
DK: mordent,
S: mordent,
-FI: mordent,
+FI: mordent, korukuvio,
N: ?.
@aref{ornament}.
NL: deel,
DK: sats,
S: sats,
-FI: liike,
+FI: osa,
N: ?.
Greater musical works like @aref{symphony} and
D: mehrtaktige Pause,
DK: flertaktspause,
S: flertaktspaus,
-FI: monen tahdin pituinen tauko,
+FI: usean tahdin mittainen tauko,
N: ?.
@lilypond[13pt]
NL: partij,
DK: stemme,
S: st@"amma,
-FI: osa,
+FI: stemma, instrumenttiosuus,
N: ?.
1. In instrumental or choral music the music for the single instrument
NL: frase, zin,
DK: frase,
S: fras,
-FI: fraasi,
+FI: fraasi, lause,
N: ?.
A natural division of the melodic line, comparable to a sentence of speech.
NL: frasering,
DK: frasering,
S: fra@-se@-ring,
-FI: fraseeraus,
+FI: fraseeraus, j@"asent@"aminen,
N: ?.
The clear rendering in musical performance of the @aref{phrase}s of
NL: pizzicato, getokkeld,
DK: pizzicato,
S: pizzicato,
-FI: pizzicato,
+FI: pizzicato, n@"app@"aillen,
N: ?.
Play by plucking the strings.
NL: komma van Pythagoras,
DK: pythagor@ae{}isk komma,
S: pytagoreiskt komma,
-FI: pytagorinen pilkku,
+FI: pytagorinen komma,
N: ?.
A sequence of fifths starting on@w{ }C eventually circles back to@w{ }C,
NL: trap [van de toonladder],
DK: skalatrin,
S: skalsteg (?),
-FI: s@"avelaste,
+FI: s@"avelaste, asteikon s@"avel,
N: ?.
Names and symbols used in harmonic analysis to denote tones of the scale as
NL: solmizatie,
DK: solmisation,
S: solmisation,
-FI: ?,
+FI: suhteelliset laulunimet,
N: ?.
General term for systems of designating the degrees of the
NL: staccato,
DK: staccato,
S: staccato,
-FI: staccato,
+FI: staccato, lyhyesti, ter@"av@"asti,
N: ?.
Playing the note(s) short. Staccato is indicated by a dot above or below the
NL: submediant,
DK: Submediant,
S: submediant,
-FI: ?,
+FI: alikeskis@"avel,
N: ?.
The sixth @aref{scale degree}.
NL: subtonica,
DK: Subtonika,
S: subtonika,
-FI: subtoonika,
+FI: subtoonika, alitoonika,
N: ?.
The seventh @aref{scale degree}.
NL: syntonische komma,
DK: syntonisk komma,
S: syntoniskt komma,
-FI: ?,
+FI: syntoninen komma, terssin taajuusero luonnollisessa ja Pytagorisessa viritysj@"arjestelm@"ass@"a,
N: ?.
Difference between the natural third and the third obtained by Pythagorean
NL: tenor,
DK: tenor,
S: tenor,
-FI: tenori,
+FI: tenori, korkea mies@"a@"ani,
N: ?.
The highest voice of men (apart from @aref{counter tenor}).
NL: basso continuo,
DK: generalbas,
S: generalbas,
-FI: kenraalibasso,
+FI: kenraalibasso, numeroitu basso,
N: ?.
A method of indicating an accompaniment part by the bass notes only, together
NL: dubbelslag,
DK: dobbeltslag,
S: dubbelslag,
-FI: ?,
+FI: korukuvio,
N: ?.
???
NL: unisono,
DK: unison,
S: unison,
-FI: unisoni, yksi@"a@"anisesti,
+FI: unisono, yksi@"a@"anisesti,
N: ?.
Playing of the same notes or the same melody by various instruments (voices)
NL: arsis,
DK: ubetonet taktslag,
S: obetonat taktslag,
-FI: tahdin heikko osa,
+FI: tahdin heikko isku,
N: ?.
@aref{beat}, @aref{measure}, @aref{rhythm}.
@item DURATION NAMES, NOTES AND RESTS
@end table
-@multitable @columnfractions .111 .111 .111 .111 .111 .111 .111 .111 .111
+@multitable @columnfractions .1 .1 .1 .1 .1 .1 .1 .1 .1 .1
@item @tab @strong{UK} @tab @strong{I} @tab @strong{F} @tab @strong{D} @tab
-@strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{N}
+@strong{NL} @tab @strong{DK} @tab @strong{S} @tab {FI} @tab @strong{N}
@item
@item @strong{longa} @tab longa @tab longa @tab longa @tab Longa @tab longa
-@tab longa @tab longa @tab longa
+@tab longa @tab longa @tab longa @tab longa
@item
@item @strong{breve} @tab breve @tab breve @tab br@`eve @tab Brevis @tab
-brevis @tab brevis @tab brevis @tab brevis
+brevis @tab brevis @tab brevis @tab brevis @tab brevis
@item
@item @strong{whole} @tab semi@-breve @tab semi@-breve @tab ronde @tab
-Ganze @tab hele @tab hel @tab hel @tab
+Ganze @tab hele @tab hel @tab hel @tab kokonuotti/-tauko @tab
@item
@item @strong{half} @tab minim @tab minima @tab blanche @tab Halbe @tab
-halve @tab halv @tab halv @tab
+halve @tab halv @tab halv @puoli- @tab
@item
@item @strong{quarter} @tab crotchet @tab semi@-minima @tab noire @tab
-Viertel @tab kwart @tab fjerde@-del @tab fj@"arde@-del @tab
+Viertel @tab kwart @tab fjerde@-del @tab fj@"arde@-del @tab nelj@"annes- @tab
@item
@item @strong{eighth} @tab quaver @tab croma @tab croche @tab Achtel @tab
-achtste @tab ottende@-del @tab @aa{}tton@-del @tab
+achtste @tab ottende@-del @tab @aa{}tton@-del @tab kahdeksasosa- @tab
@item
@item @strong{sixteenth} @tab semi@-quaver @tab semi@-croma @tab double croche
@tab Sech@-zehntel @tab zes@-ti@-ende @tab seks@-tende@-del @tab sexton@-del
-@tab
+@tab kuudestoistaosa- @tab
@item
@item @strong{thirty-second} @tab demi@-semi@-quaver @tab bis@-croma @tab
triple croche @tab Zwei@-und@-drei@-@ss{}ig@-stel @tab twee-en@-dertig@-ste
-@tab toog@-tredivte-del @tab trettio@-tv@aa{}on@-del @tab
+@tab toog@-tredivte-del @tab trettio@-tv@aa{}on@-del @tab kolmaskymmeneskahdesosa- @tab
@item
@item @strong{sixty-fourth} @tab hemi@-demi@-semi@-quaver @tab
semi@-bis@-croma @tab qua@-druple croche @tab Vier@-und@-sechzig@-stel @tab
vier@-en@-zestig@-ste @tab fireog@-tred@-sinds@-ty@-ven@-de@-del @tab
-sextio@-fj@"arde@-del @tab
+sextio@-fj@"arde@-del @tab kuudeskymmenesnelj@"asosa- @tab
@end multitable
-@c @item @tab @tab @tab @tab @tab @tab @tab @tab
+@c @item @tab @tab @tab @tab @tab @tab @tab @tab @tab
@page
@item PITCH NAMES
@end table
-@multitable @columnfractions .125 .125 .125 .125 .125 .125 .125 .125
+@multitable @columnfractions .111 .111 .111 .111 .111 .111 .111 .111 .111
@item @tab @strong{I} @tab @strong{F} @tab @strong{D} @tab
-@strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{N}
+@strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{FI}
+@tab @strong{N}
@item
-@item @strong{c} @tab do @tab ut @tab C @tab c @tab c @tab c @tab c
+@item @strong{c} @tab do @tab ut @tab C @tab c @tab c @tab c @tab C @tab c
@item
@item @strong{c-sharp} @tab do diesis @tab ut di@`ese @tab Cis @tab cis @tab
-cis @tab cis @tab cis
+cis @tab cis @tab Cis @tab cis
@item
@item @strong{d-flat} @tab re bemolle @tab r@'e b@'emol @tab Des @tab des @tab
-des @tab des @tab des
+des @tab des @tab Des @tab des
@item
-@item @strong{d} @tab re @tab r@'e @tab D @tab d @tab d @tab d @tab d
+@item @strong{d} @tab re @tab r@'e @tab D @tab d @tab d @tab d @tab D @tab d
@item
-@item @strong{e} @tab mi @tab mi @tab E @tab e @tab e @tab e @tab e
+@item @strong{e} @tab mi @tab mi @tab E @tab e @tab e @tab e @tab E @tab e
@item
-@item @strong{f} @tab fa @tab fa @tab F @tab f @tab f @tab f @tab f
+@item @strong{f} @tab fa @tab fa @tab F @tab f @tab f @tab f @tab F @tab f
@item
-@item @strong{g} @tab sol @tab sol @tab G @tab g @tab g @tab g @tab g
+@item @strong{g} @tab sol @tab sol @tab G @tab g @tab g @tab g @tab G @tab g
@item
@item @strong{a-flat} @tab la bemolle @tab la b@'emol @tab As @tab as @tab as
-@tab as @tab as
+@tab as @tab As @tab as
@item
-@item @strong{a} @tab la @tab la @tab A @tab a @tab a @tab a @tab a
+@item @strong{a} @tab la @tab la @tab A @tab a @tab a @tab a @tab A @tab a
@item
@item @strong{a-sharp} @tab la diesis @tab la di@`ese @tab Ais @tab ais @tab
-ais @tab ais @tab ais
+ais @tab ais @tab Ais @tab ais
@item
@item @strong{b-flat} @tab si bemolle @tab si b@'emol @tab B @tab bes @tab b
-@tab b @tab b
+@tab b @tab B @tab b
@item
-@item @strong{b} @tab si @tab si @tab H @tab b @tab h @tab h @tab h
+@item @strong{b} @tab si @tab si @tab H @tab b @tab h @tab h @tab H @tab h
@end multitable