\input texinfo @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 08560a1b8076630c4fc6cb9b902614d8b74fd6fc
+ Translation of GIT committish: a8841c7b9212700f2ebac56e0713afa78a8f0ca0
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@end ifclear
@ifset web_version
@c make the box:
-@divId{latestVersion}
+@divId{wildCardBox}
+@subheading Novedades
+@divId{wildCardText}
+
+@divEnd
+@divEnd
+@end ifset
+@html
+
+<script language="JavaScript" type="text/javascript">
+ function loadXMLDoc(dname)
+ {
+ if (window.XMLHttpRequest)
+ {
+ xhttp=new XMLHttpRequest();
+ }
+ else
+ {
+ xhttp=new ActiveXObject("Microsoft.XMLHTTP");
+ }
+ xhttp.open("GET",dname,false);
+ xhttp.send();
+ return xhttp.responseXML;
+ }
+
+ var xmlDoc = loadXMLDoc("tweets.xml");
+ var tweets = xmlDoc.getElementsByTagName("tweet");
+ var index = Math.floor(Math.random() * tweets.length);
+ var tweet = tweets[index];
+ var text = tweet.childNodes[0];
+ document.getElementById("wildCardText").innerHTML = text.nodeValue;
+</script>
+
+@end html
+
+@ifset web_version
+ @c make the box:
+@divId{latestVersion}
@subheading Enlaces rápidos
@c TODO: javascript to detect OS and suggest download?
@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: bf2c7f09ff00e6c59877eff5ba5f880299ed95bf
+ Translation of GIT committish: dd8a184cfb8065d987bc658f33647cc47ad2feaa
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@c used for news about the upcoming release; see CG 10.2
+@newsItem
+@subsubheading Sexta candidata al lanzamiento de 2.16: ¡Lanzado LilyPond 2.15.38! @emph{3 de mayo de 2012}
+
+Ha salido LilyPond 2.15.38; ésta es la sexta versión candidata al
+lanzamiento de la inminente versión estable 2.16. Se invita a los
+usuarios a que hagan experimentos con esta versión. Las
+funcionalidades nuevas desde 2.14.2 están relacionadas en el manual de
+@qq{Cambios} dentro de la sección @ref{Desarrollo} de estas páginas.
+
+No existen problemas críticos conocidos en esta edición. Si no se
+encuentra ningún bug crítico, la edición oficial 2.16.0 se producirá
+el 17 de mayo de 2012. Si descubre algún problema, le rogamos que nos
+envíe @ref{Informes de fallos}.
+
+@newsEnd
+
+
@newsItem
@subsubheading ¡LilyPond participa en Google Summer of Code 2012! @emph{25 de abril de 2012}
@c -*- coding: utf-8; mode: texinfo; documentlanguage: it -*-
@ignore
- Translation of GIT committish: f1d318170db686e9215c391a448975d5e88fad91
+ Translation of GIT committish: 6b9b2c2e3e701852485c24bc71f404effc6d83ec
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
musica. Se un contesto della voce non è dichiarato esplicitamente, ne
viene creato uno automaticamente, come abbiamo visto all'inizio di questo
capitolo. Alcuni strumenti, come ad esempio un oboe, possono produrre una
-sola nota per volta. La musica scritta per tali strumenti è monofonica e
-necessita di una sola voce. Invece gli strumenti che possono produrre più
-di una nota contemporaneamente, come ad esempio il pianoforte, richiederanno
-spesso voci multiple per codificare le diverse note e ritmi simultanei che
+sola nota per volta. La musica scritta per tali strumenti necessita di
+una sola voce. Invece gli strumenti che possono produrre più di una nota
+contemporaneamente, come ad esempio il pianoforte, richiederanno spesso
+voci multiple per codificare le diverse note e ritmi simultanei che
sono capaci di riprodurre.
Ovviamente, una singola voce può contenere molte note in un accordo,
Per collocarli in voci distinte, i frammenti devono essere separati da un doppio
backslash, @code{\\}. Senza di esso, le note sarebbero inserite in un'unica
voce, e questo normalmente causerebbe degli errori. Questa tecnica è
-particolarmente adatta ai brani che sono in gran parte monofonici ma
+particolarmente adatta ai brani che sono in gran parte omofonici ma
con brevi e occasionali sezioni polifoniche.
Ecco come suddividere gli accordi precedenti in due voci e aggiungere sia
@lilypond[quote,ragged-right,verbatim]
\new Staff \relative c' {
\voiceOneStyle
- % The following notes are monophonic
+ % This section is homophonic
c16^( d e f
% Start simultaneous section of three voices
<<
@c -*- coding: utf-8; mode: texinfo; documentlanguage: it -*-
@ignore
- Translation of GIT committish: d6b6b53d09a0fb8e137e7cfcec39fe22dc7b6872
+ Translation of GIT committish: f71ede90de06fdc16dad9ed75f38558efe819080
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@c -*- coding: utf-8; mode: texinfo; documentlanguage: it -*-
@ignore
- Translation of GIT committish: 80340bdefc128536c79733d8c6f3467d91b01f72
+ Translation of GIT committish: c9eaefea18957fe2b148fc990509065832dccdd0
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
\clef bass
\new Voice {
\voiceTwo \relative c' {
- <fis, a cis>8 <fis a cis>
+ <fis, a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
- <fis, a> <fis a>
+ <fis, a> <fis a>]
\showStaffSwitch
\change Staff = up
dis'4 |
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
L'ambitus può essere specificato per voce. In tal caso occorre
spostarlo manualmente per evitare collisioni.
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Se si aggiunge l'incisore @code{Ambitus_engraver} al contesto @code{Staff} viene
creato un solo ambitus per il rigo, anche nel caso di righi che hanno più
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo esempio mostra come realizzare una trascrizione moderna di musica
gregoriana. La musica gregoriana non presenta suddivisione in misure né gambi;
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Quando si trascrive musica mensurale, può essere utile inserire all'inizio del
pezzo un incipit che indichi l'intonazione e il tempo originali. Le stanghette
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo modello presenta un modo di impostare un salmo anglicano. Mostra
anche come le strofe possono essere aggiunte come testo separato al di sotto
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
La proprietà @code{shapeNoteStyles} può essere usata per definire vari
stili di teste di nota per ogni grado della scala (definita dall'armatura
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
È possibile cambiare le impostazioni predefinite dell'intervallo
dell'ambitus.
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo frammento mostra come nascondere le alterazioni delle note con
legatura di valore all'inizio di un nuovo sistema
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Il codice seguente presenta un modo di impostare un inno in cui ogni verso
inizia e finisce con una misura parziale. Mostra anche come aggiungere delle
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Ecco un modello piuttosto complesso, per un gruppo jazz. Si noti che tutti
gli strumenti sono in @code{\\key c \\major}. Si tratta della tonalità
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Il comando @code{\\key} comunemente usato imposta la proprietà
@code{keySignature}, che fa parte del contesto @code{Staff}.
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Le teste di nota con nome della nota usano la proprietà @code{note-names}
dell'oggetto @code{NoteHead} per determinare cosa appaia
-%% Translation of GIT committish: 34607d3e36a93030690ccd780a7ffce621ca1e0f
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo modello mostra come usare i contesti annidati @code{StaffGroup} e
@code{GrandStaff} per creare sottogruppi degli strumenti dello stesso
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Internamente, @code{\\ottava} imposta le proprietà @code{ottavation} (ad
esempio, su @code{8va} o @code{8vb}) e @code{middleCPosition}. Per
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Ecco un comune doppio pentagramma per pianoforte con un po' di note.
+++ /dev/null
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
- texidocit = "
-Molti spartiti per pianoforte hanno le dinamiche poste al centro dei due righi.
-Il contesto @code{Dynamics}, se collocato tra i righi, posiziona automaticamente
-le dinamiche in modo corretto.
-
-"
- doctitleit = "Modello per pianoforte con dinamiche al centro"
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Invece di destinare un rigo a parte alla linea melodica e al suo testo, è
possibile collocare il testo al centro di un doppio pentagramma per pianoforte.
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Ecco un tipico formato per canzoni: un rigo con linea melodica e testo,
e sotto l'accompagnamento per pianoforte.
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Secondo le norme tipografiche standard, un segno di bequadro viene
inserito prima di un diesis o di un bemolle se un'alterazione
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Quando l'armatura di chiave cambia, vengono inseriti automaticamente i
segni di bequadro per annulare le alterazioni di precedenti armature. Si
-%% Translation of GIT committish: 34607d3e36a93030690ccd780a7ffce621ca1e0f
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Modello per coro SATB (quattro righi)
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Ecco il modello di un comune spartito semplificato (lead sheet): include
linea melodica, testo vocale, sigle degli accordi e relativi diagrammi
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Vuoi preparare uno spartito semplificato (lead sheet) con melodia e
accordi? La tua ricerca è finita!
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo piccolo modello presenta una semplice linea melodica con un testo. Copialo
e incollalo, aggiungi le note e le parole. Questo esempio disabilita la
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo modello molto semplice mette a disposizione un rigo con delle note ed è
quindi adatto per uno strumento non accompagnato o per un frammento
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo modello presenta un semplice quartetto d'archi. Impiega anche una
sezione @code{\\global} per definire il tempo e l'armatura di chiave.
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Il frammento di codice del @qq{Modello per quartetto d'archi} crea un bel
quartetto, ma cosa fare se si ha bisogno di creare le singole parti? Questo
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo esempio usa del codice Scheme per imporre delle modifiche
enarmoniche alle note che permettano di avere il numero minimo di
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Il comando @code{\\clef \"treble_8\"} equivale a impostare
@code{clefGlyph}, @code{clefPosition} (che regola la posizione
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo modello aggiunge una riduzione automatica per pianoforte alla tipica
partitura vocale SATB illustrata in @qq{Modello per complesso vocale}. Si
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo modello è fondamentalmente analogo al semplice modello @qq{Complesso vocale},
con l'unica differenza che qui tutti i versi del testo sono posizionati
-%% Translation of GIT committish: 34607d3e36a93030690ccd780a7ffce621ca1e0f
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Questo modello crea una partitura che inizia con una sezione solistica e
prosegue in un ritornello a due voci. Illustra anche l'uso delle
-%% Translation of GIT committish: c3b519f0dd5ff0f8ccfc9a39ed1fe8df8b43741c
+%% Translation of GIT committish: 6ae36b6f8a7cf2df5f4e46c3c06820fccd9f35e1
texidocit = "
Ecco una tipica partitura corale a quattro parti, SATB. Se il complesso è più
ampio, è spesso comodo scrivere gli elementi comuni in un'unica sezione, che
@c -*- coding: utf-8; mode: texinfo; documentlanguage: it -*-
@ignore
- Translation of GIT committish: 0cc0c4fb20b70e717db7e8f43cbb0c1878cd8395
+ Translation of GIT committish: f71ede90de06fdc16dad9ed75f38558efe819080
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@c -*- coding: utf-8; mode: texinfo; documentlanguage: it -*-
@ignore
- Translation of GIT committish: 7465f4b1291f38bed8ee81e3922eb685f7e909ad
+ Translation of GIT committish: c610645cc9a77cba1a2798280965db142d649ac5
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@node Opzioni di base della linea di comando per LilyPond
-@unnumberedsubsec Opzioni di base della linea di comando per @command{lilypond}
+@unnumberedsubsec Opzioni di base della linea di comando per LilyPond
@translationof Basic command line options for LilyPond
@cindex Utilizzo di @command{lilypond}
\input texinfo @c -*- coding: utf-8; mode: texinfo; -*-
@ignore
- Translation of GIT committish: 08560a1b8076630c4fc6cb9b902614d8b74fd6fc
+ Translation of GIT committish: a8841c7b9212700f2ebac56e0713afa78a8f0ca0
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@ifclear web_version
@c do nothing
@end ifclear
+@ifset web_version
+ @c make the box:
+@divId{wildCardBox}
+@subheading Pondings
+@divId{wildCardText}
+
+@divEnd
+@divEnd
+@end ifset
+
+@html
+
+<script language="JavaScript" type="text/javascript">
+ function loadXMLDoc(dname)
+ {
+ if (window.XMLHttpRequest)
+ {
+ xhttp=new XMLHttpRequest();
+ }
+ else
+ {
+ xhttp=new ActiveXObject("Microsoft.XMLHTTP");
+ }
+ xhttp.open("GET",dname,false);
+ xhttp.send();
+ return xhttp.responseXML;
+ }
+
+ var xmlDoc = loadXMLDoc("tweets.xml");
+ var tweets = xmlDoc.getElementsByTagName("tweet");
+ var index = Math.floor(Math.random() * tweets.length);
+ var tweet = tweets[index];
+ var text = tweet.childNodes[0];
+ document.getElementById("wildCardText").innerHTML = text.nodeValue;
+</script>
+
+@end html
+
@ifset web_version
@c make the box:
@divId{latestVersion}
@c -*- coding: utf-8; mode: texinfo; documentlanguage: it -*-
@ignore
- Translation of GIT committish: af50298395325eb7c1c4adfa667555d26af9299e
+ Translation of GIT committish: 18cc52e04834f7eaec4d41cf2783767b0e764d03
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Far sì che tutti gli incisori di LilyPond facciano il loro lavoro
@item
-aggiungere la capacità di collegare ogni oggetto dell'output
+Aggiungere la capacità di collegare ogni oggetto dell'output
(in pratica ogni stampo (stencil) / gruppo di stampi) alla sua causa musicale
(e quindi al tag XML nell'albero XML)
@itemize
@item
-accordature non monotoniche, come l'Ukulele
+Accordature non monotoniche, come l'Ukulele
@item
-creare una modalità di input per l'intavolatura (attualmente l'informazione
+Creare una modalità di input per l'intavolatura (attualmente l'informazione
musicale viene inserita secondo i termini della notazione musicale occidentale,
ovvero @qq{una nota Fa# di un quarto} e poi convertita in intavolatura) per
trascrivere l'intavolatura del liuto medievale
@item
-implementare funzionalità dell'intavolatura moderna, come la piegatura (bending),
+Implementare funzionalità dell'intavolatura moderna, come la piegatura (bending),
lo strappato e il martellato (hammer-on e pull-off)
@item
-se si definisce una forma sulla tastiera per un certo accordo, questa informazione
+Se si definisce una forma sulla tastiera per un certo accordo, questa informazione
deve essere usata quando si mostra l'accordo sul rigo (invece di mostrare soltanto
la forma predefinita dell'accordo)
@subheading Annunci
Annunci e notizie ordinati per versione:
+@uref{http://lilypond.org/doc/v2.14/Documentation/web/index#LilyPond-2_002e14_002e0-released_0021-June-6_002c-2011,v2.14}
@miscLink{announce-v2.12,v2.12},
-@miscLink{announce-v2.12.de,v2.12 (German)},
-@miscLink{announce-v2.12.es,v2.12 (Spanish)},
-@miscLink{announce-v2.12.fr,v2.12 (French)},
@miscLink{announce-v2.10,v2.10},
@miscLink{announce-v2.8,v2.8},
@miscLink{announce-v2.6,v2.6},
@miscLink{announce-v2.4,v2.4},
@miscLink{announce-v2.2,v2.2},
@miscLink{announce-v2.0,v2.0},
-@miscLink{NEWS-1.4,v1.4},
-@miscLink{NEWS-1.2,v1.2 (1)},
-@miscLink{ANNOUNCE-1.2,v1.2 (2)},
+@miscLink{ANNOUNCE-1.2,v1.2},
@miscLink{ANNOUNCE-1.0,v1.0},
@miscLink{ANNOUNCE-0.1,v0.1}
+Elenco descrittivo dei cambiamenti per ogni versione:
++@uref{http://lilypond.org/doc/v2.14/Documentation/changes/index.html,v2.14},
++@uref{http://lilypond.org/doc/v2.12/Documentation/topdocs/NEWS,v2.12},
++@uref{http://lilypond.org/doc/v2.10/Documentation/topdocs/NEWS,v2.10},
++@uref{http://lilypond.org/doc/v2.8/Documentation/topdocs/NEWS,v2.8},
++@uref{http://lilypond.org/doc/v2.6/Documentation/topdocs/NEWS,v2.6},
++@uref{http://lilypond.org/doc/v2.4/Documentation/topdocs/out-www/NEWS,v2.4},
++@uref{http://lilypond.org/doc/v2.2/Documentation/topdocs/out-www/NEWS,v2.2},
++@uref{http://lilypond.org/doc/v2.0/Documentation/topdocs/out-www/NEWS,v2.0},
++@uref{http://lilypond.org/doc/v1.8/Documentation/topdocs/out-www/NEWS,v1.8},
++@uref{http://lilypond.org/doc/v1.6/Documentation/out-www/NEWS,v1.6},
++@miscLink{NEWS-1.4,v1.4},
++@miscLink{NEWS-1.2,v1.2}
+
@divEnd
@divClass{column-center-bottom}
@subheading Changelog
-Changelog ordinati per versione:
+Changelog degli sviluppatori per ogni versione:
@miscLink{ChangeLog-2.10,v2.10},
@miscLink{ChangeLog-2.3,v2.3},
@miscLink{ChangeLog-2.1,v2.1},
@c -*- coding: utf-8; mode: texinfo; documentlanguage: it -*-
@ignore
- Translation of GIT committish: b6731e900a2037112364ad328b8e3b2f7bcd1eb0
+ Translation of GIT committish: eccc513d15d19b03ed8a9ae776c828fff4dbfbee
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@itemize
@item
-@emph{Affaire étrangère}, un opera di
-@uref{http://valentin.villenave.net/,Valentin Villenave}
-basata su un libretto francese di
-@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
-Trondheim}. La prima rappresentazione ha avuto luogo il 1 Febbraio 2009 presso
-@uref{http://www.orchestre-montpellier.com/, L'Opéra National di
-Montpellier}, Francia.
+@emph{Pictures at an exhibition} di Mussorgsky, riorchestrata e diretta
+da @uref{http://www.aurelienbello.com/,Aurélien Bello} con
+la @uref{http://www.junge-philharmonie-brandenburg.de/,Junge Philharmonie Brandenburg}
+il 10 Ottobre 2011 e di nuovo il 15-16 Aprile 2012.
+
+@item
+@uref{http://www.kierenmacmillan.info/, Kieren MacMillan}, compositore e
+direttore musicale. Le sue opere recenti sono: @emph{Go Thy Way},
+eseguita da @uref{http://www.saltlakechoralartists.org/,
+Salt Lake Choral Artists} nel Marzo 2012; @emph{Just Out of Reach Suite}
+eseguita dal
+@uref{http://www.herald-dispatch.com/news/marshall/x1883873762/Music-duo-Chrysalis-to-perform-at-Marshall-University-on-Jan-19,
+Chrysalis Duo} ; @emph{thrafsmata} eseguita nel Luglio 2011 dal
+@uref{http://www.pnme.org/CurrentSeason/PreviousSeasons.html, Pittsburgh
+New Music Ensemble}.
+
+@item
+@emph{Anonymous Student Compliment or Complaint}, di
+@uref{http://www.mikesolomon.org, Mike Solomon}, che ha vinto il
+@uref{http://leftcoastensemble.org/contest, Left Coast Composition Contest del 2011},
+a cui hanno partecipato 172 opere provenienti da 22 paesi.
+Altre opere comprendono Norman (age 1) per clarinetto solo, eseguita all'Electroacoustic
+Music Festival (FEMF) della @uref{http://emu.music.ufl.edu/fems_concerts.html, University of Florida}
+nell'Ottobre 2010.
+
+@item
+Edizione moderna della @emph{Serenata Erminia} di Alessandro Scarlatti,
+curata da Thomas Griffin, Musicologo (Roma, Italia). Eseguita il 22
+Ottobre 2010 presso la Galleria di Palazzo Zevallos Stigliano, Napoli,
+Italia. @uref{http://www.ascarlatti2010.net, Alessandro Scarlatti 2010},
+per celebrare il 350° compleanno del compositore.
@item
Esecuzione dell' @emph{Armide} di Lully da parte della
New York} (spartiti realizzati da Nicolas Sceaux).
@item
-@emph{Pictures at an exhibition} di Mussorgsky, riorchestrata e diretta
-da @uref{http://www.aurelienbello.com/,Aurélien Bello} con
-la @uref{http://www.junge-philharmonie-brandenburg.de/,Junge Philharmonie Brandenburg}
-il 10 Ottobre 2011 e di nuovo il 15-16 Aprile 2012.
+@emph{Affaire étrangère}, un opera di
+@uref{http://valentin.villenave.net/,Valentin Villenave}
+basata su un libretto francese di
+@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
+Trondheim}. La prima rappresentazione ha avuto luogo il 1 Febbraio 2009 presso
+@uref{http://www.orchestre-montpellier.com/, L'Opéra National di
+Montpellier}, Francia.
@end itemize
@divEnd
\header {
lsrtags = "specific-notation, keyboards, workaround, symbols-and-glyphs"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los símbolos específicos de acordeón discanto se escriben mediante
@code{\\markup}. Se puede trucar la colocación vertical de los
\header {
lsrtags = "ancient-notation, contexts-and-engravers, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al escribir un bajo cifrado, podemos situar las cifras encima o debajo
\header {
lsrtags = "vocal-music, pitches, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Añadir un ámbito por voz"
texidoces = "
Se puede añadir un ámbito por cada voz. En este caso, el ámbito se
\header {
lsrtags = "workaround, breaks, contexts-and-engravers, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al añadir un pentagrama nuevo en un salto de línea, por desgracia
se añade un espacio adicional al final de la línea antes del salto
\header {
lsrtags = "contexts-and-engravers, staff-notation, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede añadir (posiblemente de forma temporal) un pentagrama
nuevo una vez que la pieza ha comenzado.
\header {
lsrtags = "specific-notation, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para añadir indicaciones de línea divisoria dentro del contexto de
los nombres de acorde @code{ChordNames}, incluya el grabador
\header {
lsrtags = "rhythms, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La sintaxis de LilyPond puede implicar muchas colocaciones poco
comunes para los paréntesis, corchetes, etc, que a veces se tienen
\header {
lsrtags = "preparing-parts, specific-notation, percussion, really-simple, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Mediante la utilización de las potentes herramientas preconfiguradas
como la función @code{\\drummode} y el contexto @code{DrumStaff}, la
\header {
lsrtags = "specific-notation, fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para añadir digitaciones a las tablaturas, utilice una combinación de
@code{\\markup} y @code{\\finger}.
\version "2.15.20"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este ejemplo muestra una forma de simplificar la adición de muchas
\header {
lsrtags = "workaround, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La función @code{\\parenthesize} es un truco especial que encierra
objetos entre paréntesis. El grob asociado es @code{ParenthesesItem}.
\header {
lsrtags = "text, really-cool, titles, scheme-language"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Con algo de código de Scheme, se puede añadir fácilmente la fecha
actual a una partitura.
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El grabador @code{Volta_engraver} reside de forma predeterminada
dentro del contexto de @code{Score}, y los corchetes de la repetición
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Voces adicionales para evitar colisiones"
texidoces = "
En ciertos casos de polifonía compleja, se necesitan voces adicionales
\header {
lsrtags = "tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede ajustar la separación entre las notas de adorno utilizando la
propiedad @code{spacing-increment} de @code{Score.GraceSpacing}.
\header {
lsrtags = "correction-wanted, vocal-music, workaround, text, spacing"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este fragmento de código muestra cómo situar la línea de base de la
letra más cerca del pentagrama.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Puede ser necesario trucar la propiedad
@code{shortest-duration-space} para poder ajustar el tamaño de las
\header {
lsrtags = "text, paper-and-layout, titles"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La alineación horizontal de los nombres de instrumento se puede
trucar modificando la propiedad @code{Staff.InstrumentName
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los números de compás se alinean de forma predeterminada por la
\header {
lsrtags = "text"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Si están especificadas, las marcas de texto se pueden alinear con
objetos de notación distintos a las líneas divisorias. Entre estos
\header {
lsrtags = "specific-notation, editorial-annotations, fretted-strings, spacing"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las cifras de digitación orientadas verticalmente se colocan de forma
\header {
lsrtags = "pitches, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede variar la longitud de las plicas de las figuras unidas por
una barra mediante la sobreescritura de la propiedad
\version "2.15.24"
\header {
-%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden seleccionar dos métodos alternativos para la numeración de
\header {
lsrtags = "rhythms, expressive-marks"
-%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este código muestra cómo usar la forma alternativa de la breve o
cuadrada con dos líneas verticales a los lados de la cabeza, en lugar
\header {
lsrtags = "vocal-music, pitches"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Ámbitos con varias voces"
texidoces = "
La adición del grabador @code{Ambitus_engraver} al contexto de
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
De forma predeterminada se añaden corchetes de análisis sencillos
debajo del pentagrama. El ejemplo siguiente muestra una manera de
\version "2.15.9"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Aquí se muestran muchos de (¿o quizá todos?) los símbolos que
están contemplados por la capacidad de LilyPond para la música
\version "2.15.15"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este ejemplo muestra cómo hacer una transcripción moderna de canto
gregoriano. El canto gregoriano no tiene compás ni plicas; utiliza
\header {
lsrtags = "template, ancient-notation, really-cool, real-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al transcribir música mensural, es útil un «incipit» al compienzo
de la pieza para indicar la tonalidad y el tempo
\header {
lsrtags = "ancient-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las indicaciones de compás también se pueden grabar en estilo antiguo.
\header {
lsrtags = "template, vocal-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla muestra una forma de preparar un cántico salmódico
anglicano. También muestra cómo se pueden añadir estrofas adicionales
\header {
lsrtags = "editorial-annotations, pitches"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Aplicar estilos de cabeza según la nota de la escala"
texidoces = "
La propiedad @code{shapeNoteStyles} se puede usar para definir varios
\header {
lsrtags = "world-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para las improvisaciones o @emph{taqasim} que son libres durante unos
momentos, se puede omitir la indicación de compás y se puede usar
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede hacer que una ligadura de expresión sea asimétrica para
adaptarse mejor a un patrón asimétrico de notas.
\header {
lsrtags = "automatic-notation, connecting-notes, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden subdividir las barras automáticamente. Estableciendo la
propiedad @code{subdivideBeams}, las barras se subdividen en
\header {
lsrtags = "editorial-annotations, chords, tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\version "2.15.30"
\header {
-%% Translation of GIT committish: 5a7301fc350ffc3ab5bd3a2084c91666c9e9a549
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
He aquí cómo imprimir acordes con cejilla o con media cejilla (quite
la marca de comentario de la línea adecuada para seleccionar uno de
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las reglas de final de barra especificadas en el contexto
@code{Score} se aplican a todos los pentagramas, pero se pueden
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
No está especificada ninguna agrupación predeterminada automática de
las barras para el compás de 7/8, de forma que si se requieren barras
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Normalmente están prohibidos los saltos de línea si las barras
atraviesan las líneas divisorias. Se puede cambiar este
\header {
lsrtags = "editorial-annotations, text, really-cool"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La instrucción @code{\\whiteout} intercala un rectángulo blanco
debajo de un elemento de marcado. Este rectángulo blanco no tapa
\header {
lsrtags = "contemporary-notation, symbols-and-glyphs, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para hacer invisibles partes de un regulador de crescendo, se usa
el método de dibujar un rectángulo blanco encima de la parte
\header {
lsrtags = "symbols-and-glyphs, tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
A veces se denota una «cesura» mediante una doble marca de respiración
parecida a las vías del tren, con un calderón encima. Este fragmento
\header {
lsrtags = "text, really-cool, expressive-marks, scheme-language"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este ejemplo proporciona una función para tipografiar un regulador con
texto por debajo, como @qq{molto} o @qq{poco}. El ejemplo ilustra
\header {
lsrtags = "specific-notation, symbols-and-glyphs, unfretted-strings, expressive-marks, scheme-language"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para hacer más pequeño el círculo de @code{\\flageolet} (armónico)
utilice la siguiente función de Scheme.
\header {
lsrtags = "specific-notation, editorial-annotations, simultaneous-notes, tweaks-and-overrides, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden modificar notas individuales de un acorde con la instrucción
@code{\\tweak}, alterando la propiedad @code{font-size}.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se insertan automáticamente barras en ángulo cuando se detecta un
intervalo muy grande entre las notas. Se puede hacer un ajuste
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede establecer el separador entre las distintas partes del
nombre de un acorde para que sea cualquier elemento de marcado.
\header {
lsrtags = "tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Cambiar la forma de los silencios multicompás"
texidoces = "
Si hay diez compases de silencio o menos, se imprime en el pentagrama
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "real-music, contexts-and-engravers, midi"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al producir una salida MIDI, el comportamiento predeterminado es que
cada pentagrama representa un canal MIDI, con todas las voces de dicho
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al utilizar la posibilidad de combinación automática de partes, se
puede modificar el texto que se imprime para las secciones de solo
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede modificar el texto empleado para los crescendos y
decrescendos modificando las propiedades de contexto
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Es posible ajustar la separación en las indicaciones de tesitura.
\header {
lsrtags = "editorial-annotations, really-simple, connecting-notes, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede cambiar el aspecto de las ligaduras de expresión de
continuas a punteadas o intermitentes.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El glifo de la marca de respiración se puede ajustar
sobreescribiendo la propiedad de texto del objeto de presentación
\header {
lsrtags = "chords, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La nomenclatura inglesa (predeterminada) para los acordes del cifrado
americano se puede cambiar por la alemana (@code{\\germanChords}
\header {
lsrtags = "rhythms, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este código muestra cómo cambiar la cantidad de puntillos de una nota.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las alteraciones y los signos «más» pueden aparecer antes o
después de los números, según el valor de las propiedades
\header {
lsrtags = "winds"
-%%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
%%% Translation of GIT committish: ab9e3136d78bfaf15cc6d77ed1975d252c3fe506
+ texidocde="
+Die Größe und Dicke der Holzbläserdiagramme kann geändert werden.
+"
+%%% Translation of GIT committish: ab9e3136d78bfaf15cc6d77ed1975d252c3fe506
+
+
texidocde="
Die Größe und Dicke der Holzbläserdiagramme kann geändert werden.
"
\header {
lsrtags = "tweaks-and-overrides, midi, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para cambiar el tempo en la salida MIDI sin
imprimir nada, hacemos invisible la indicación metronómica:
\header {
lsrtags = "keyboards, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede usar @code{Staff.pedalSustainStrings} para fijar el texto de
las indicaciones de pisar pedal y levantar pedal. Observe que las
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Cambiar el número del grupo especial"
texidoces = "
\header {
lsrtags = "workaround, contexts-and-engravers, contemporary-notation, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La propiedad @code{measureLength}, junto con
@code{measurePosition}, determina cuándo es necesario dibujar una
\version "2.15.15"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este tipo de notación se utiliza para el canto de los Salmos, en
que las estrofas no siempre tienen la misma longitud.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los deslizamientos para acordes se pueden indicar tanto en el contexto
\header {
lsrtags = "specific-notation, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede usar la propiedad @code{chordNameExceptions} para
almacenar una lista de notaciones espaciales para acordes
\header {
lsrtags = "specific-notation, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La presentación del acorde de séptima mayor se
puede ajustar mediante majorSevenSymbol.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede hacer que los diagramas de posiciones se muestren sólo
cuando el acorde cambia o al comienzo de una nueva línea.
\header {
lsrtags = "paper-and-layout"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este código muestra cómo recortar (extraer) fragmentos a partir de una
partitura completa.
\header {
lsrtags = "specific-notation, keyboards, simultaneous-notes, really-cool, contemporary-notation, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los «clusters» o racimos son un mecanismo para indicar la
interpretación de un ámbito de notas al mismo tiempo.
\header {
lsrtags = "text, really-simple, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Ciertas indicaciones dinámicas pueden llevar textos (como @qq{più
forte} o @qq{piano subito}). Se pueden producir usando un bloque
\header {
lsrtags = "syntax-and-expressions, text, simultaneous-notes"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La herramienta de combinación de partes (instrucción
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Indicaciones de compases compuestos"
texidoces = "
Las indicaciones de compás poco frecuentes como @qq{5/8} se pueden
\version "2.15.19"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La agrupación de pulsos dentro de un compás está controlada por la
propiedad de contexto @code{beatStructure}. Hay establecidos valores
\header {
lsrtags = "specific-notation, contemporary-notation, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede tipografiar un gissando contemporáneo sin nota final
utilizando una nota oculta y temporalización de cadenza.
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La visibilidad de los objetos de extensión que acaban en la primera
\header {
lsrtags = "specific-notation, editorial-annotations, keyboards, fretted-strings, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede controlar con precisión la colocación de los números de
digitación. Para que se tenga en cuenta la orientación de las
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El orden vertical que ocupan las inscripciones gráficas está
controlado con la propiedad @code{'script-priority}. Cuanto más
\header {
lsrtags = "tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El comportamiento predeterminado de la visibilidad de los corchetes de
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La creación de un grupeto circular de anticipación entre dos notas,
donde la nota inferior del grupeto utiliza una alteración, requiere
\version "2.15.27"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
En una música que tenga muchas apariciones de la
misma secuencia de notas a distintas alturas, podría ser de
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede trazar un símbolo de arpegio entre notas de distintas
voces que están sobre el mismo pentagrama si el grabador
\header {
lsrtags = "specific-notation, editorial-annotations, paper-and-layout, contexts-and-engravers, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para crear pentagramas en blanco, genere compases vacíos y después
elimine el grabador de números de compás @code{Bar_number_engraver}
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Dentro de un @code{PianoStaff}, es posible hacer que un arpegio
cruce entre los pentagramas ajustando la propiedad
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden crear arpegios que se cruzan entre pentagramas dentro de
contextos distintos a @code{GrandStaff}, @code{PianoStaff} y
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden crear indicaciones metronómicas nuevas en modo de
marcado, pero no cambian el tempo en la salida MIDI.
\header {
lsrtags = "workaround, text, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Aunque la manera más fácil de añadir paréntesis a una indicación
de dinámica es utilizar un bloque @code{\\markup}, este método
\header {
lsrtags = "text, tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
A diferencia de las inscripciones de texto, las lestras de ensayo
no se pueden apilar en un punto concreto de la partitura: sólo se
\header {
lsrtags = "keyboards, real-music, unfretted-strings, connecting-notes, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
En determinadas situaciones es necesario crear ligaduras de
expresión entre notas que están en voces distintas.
\header {
lsrtags = "text, tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las instrucciones @code{\\startTextSpan} y @code{\\stopTextSpan}
permiten la creación de elementos de extensión textuales tan
\header {
lsrtags = "repeats, keyboards, real-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "specific-notation, ancient-notation, symbols-and-glyphs, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden tipografiar «custos» en diferentes estilos.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones de acordes por medio de @code{'fret-diagram-details}.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones a través de @code{'fret-diagram-details}. Para los
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La dirección predeterminada de las plicas sobre la tercera línea
del pentagrama está determinada por la propiedad
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden añadir diagramas de posiciones predefinidas para
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Si hay un solo pentagrama en un de los tipos de sistema
@code{ChoirStaff} o @code{StaffGroup}, el comportamiento
\header {
lsrtags = "workaround, simultaneous-notes, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
He aquí una forma de imprimir un acorde en el que suena la misma nota
\header {
lsrtags = "devel, tweaks-and-overrides, scheme-language"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al trabajar con los callbacks de un grob, puede ser de mucha ayuda
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Funciones postfijas para la creación de objetos de extensión de texto
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los objetos de extensión \cresc, \dim y \decresc ahora se pueden
\header {
lsrtags = "specific-notation, editorial-annotations, text, really-cool"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede insertar códico PostScript directamente dentro de un
bloque @code{\\markup}.
\header {
lsrtags = "specific-notation, contexts-and-engravers"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Del problema central de la notación, esto es, crear un determinado
símbolo, se encargan los «plugins» o complementos añadidos. Cada
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Grabado manual de las ligaduras"
texidoces = "
Se pueden grabar a mano las ligaduras modificando la propiedad
\header {
lsrtags = "syntax-and-expressions, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Escribir varios grupos especiales usando una sola instrucción \\times"
texidoces = "
La propiedad @code{tupletSpannerDuration} establece cuánto debe durar
\header {
lsrtags = "specific-notation, workaround, fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede simular un @qq{hammer} o ligado ascendente con ligaduras de
\header {
lsrtags = "winds, symbols-and-glyphs"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden conseguir símbolos especiales combinando glifos existentes,
lo que es de utilidad para la notación de instrumentos de viento.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
En este ejemplo se combinan las digitaciones de la mano izquierda,
indicaciones del número de cuerda y digitaciones de la mano
\header {
lsrtags = "specific-notation, version-specific, fretted-strings, stylesheet"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "contemporary-notation, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Son posibles tanto los corchetes rectos sobre notas sueltas como
extremos de barra sueltos en figuras unidas, con una combinación de
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Forzar el desplazamiento horizontal de las notas"
\header {
lsrtags = "vocal-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Si LilyPond no cree que haya sitio suficiente para un guión separador
\header {
lsrtags = "vocal-music, text"
-%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Es posible usar el modo de marcado para dar formato a sílabas
individuales dentro de la letra.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden crear tablas alternativas de diagramas de posiciones. Se
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Armónicos sobre cuerdas pisadas (armónicos artificiales):
"
\header {
lsrtags = "really-cool, pitches, scheme-language"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este fragmento de código basado en Scheme genera
24 notas aleatorias (o tantas como se necesiten), basándose en la
\version "2.15.12"
\header {
-%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los objetos gráficos de columna de nota (los grobs @code{NoteColumn})
pueden ser sobrepasados por los glissandos.
\header {
lsrtags = "winds"
-%%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
En muchos casos, las llaves que no están en la columna central se
Löcher dargestellt werden, indem man die Lochbezeichnung oder
graphische Zeichen benutzt.
+"
+%%% Translation of GIT committish: ab9e3136d78bfaf15cc6d77ed1975d252c3fe506
+
+
+ texidocde="
+In vielen Fällen können die nicht in der mittleren Reihe befindlichen
+Löcher dargestellt werden, indem man die Lochbezeichnung oder
+graphische Zeichen benutzt.
+
"
doctitlede = "Graphische und Text-Holzbläserdiagramme"
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede cambiar el aspecto de las líneas de rejilla
sobreescribiendo algunas de sus propiedades.
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden trazar líneas verticales normales entre pentagramas para
mostrar la relación entre notas; sin embargo, en caso de música
\version "2.15.10"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "fretted-strings, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para la música de guitarra, es posible mostrar los ritmos de rasgueo,
además de las notas de la melodía, acordes y diagramas de posiciones.
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los reguladores pueden imprimirse en uno cualquiera de los estilos de
@code{line-interface}: discontinuo, punteado, línea, trino o zig-zag.
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Aquí se muestra la manera de ocultar las alteraciones de las notas
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los cambios de dinámica con estilo de texto (como cresc. y dim.)
se imprimen con una línea intermitente que muestra su alcance.
\header {
lsrtags = "template, vocal-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este fragmento de código muestra una forma de preparar un himno cuando
cada línea comienza con un compás parcial. También muestra cómo
\version "2.15.18"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los «incipit» se pueden escribir utilizando el grob del nombre del
instruemento, pero manteniendo independientes las definiciones del
\header {
lsrtags = "keyboards, real-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Un corchete de arpegio puede indicar que se tienen que tocar con la
misma mano notas que están en dos pentagramas distintos. Para hacerlo,
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las marcas de cesura se pueden crear sobreescribiendo la propiedad
@code{'text} del objeto @code{BreathingSign}. También está disponible
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
También se pueden imprimir símbolos de porcentaje sueltos.
\version "2.15.15"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Ésta es una plantilla bastante avanzada, para un conjunto de
jazz. Observe que la notación de todos los instrumentos está en
\header {
lsrtags = "pitches, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Cuando se produce un cambio de clave, el símbolo de clave se imprime a
un tamaño menor que la clave inicial. Esto se puede ajustar con
\header {
lsrtags = "fretted-strings, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La tablatura se puede formatear utilizando letras en lugar de números.
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden aplicar puntas de flecha a los elementos de extensión de
texto y de línea (como el Glissando).
\header {
lsrtags = "vocal-music, text, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La alineación horizontal de la letra se puede ajustar sobreescribiendo
la propiedad @code{self-alignment-X} del objeto @code{LyricText}.
\header {
lsrtags = "version-specific, pitches, world-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El «Makam» es un tipo de melodía de Turquía que
utiliza alteraciones microtonales de 1/9 de tono. Consulte el
\header {
lsrtags = "rhythms, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las ligaduras de expresión se pueden construir con patrones de
\header {
lsrtags = "editorial-annotations, workaround, really-cool, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede engrosar una línea del pentagrama con fines pedagógicos
(p.ej. la tercera línea o la de la clave de Sol). Esto se puede
\header {
lsrtags = "repeats, editorial-annotations, workaround, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este fragmento de código proporciona una solución alternativa a la
producción de contadores de compás utilizando repeticiones
\header {
lsrtags = "ancient-notation, contexts-and-engravers, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La disposición «mensurstriche» en que las líneas divisorias no
están dibujadas sobre los pentagramas, sino entre ellos, se puede
texidocfr = "
En musique mensurale, les barres de mesure ne traversent pas les
portées. Pour obtenir ce résultat avec un @code{StaffGroup} plutôt
-qu'en utilisant un @code{ChoirStaff}, il faudra rendre
+qu'en utilisant un @code{ChoirStaff}, il faudra rendre
@qq{transparentes} les portions de barre qui recouvrent les portées.
"
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las abreviaturas se encuentran definidas dentro del archivo
@file{ly/script-init.ly}, donde las variables @code{dashHat},
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Cuando se puede una nota en la voz superior para evitar la colisión
con una nota de otra voz, el comportamiento predeterminado es
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede ajustar la posición vertical de una ligadura de
expresión utilizando la propiedad @code{positions} del objeto
\header {
lsrtags = "text, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los elementos de marcado aplicados a un silencio multicompás se
centran encima o debajo de éste. Los elementos de marcado extensos
\header {
lsrtags = "preparing-parts, contexts-and-engravers, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede utilizar la propiedad
@code{systemStartDelimiterHierarchy} para crear grupos de
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
LilyPond también proporciona funciones de formato para imprimir
números de grupo especial diferentes a la propia fracción, así
\header {
lsrtags = "version-specific, really-cool, pitches, contemporary-notation, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Armaduras de tonalidad no tradicionales"
texidoces = "
"
-%% Translation of GIT committish: bbf8fd2b5a3ebf20a1fdc91613dc49045a53a270
+%% Translation of GIT committish: d76b338302374164acc9b62a0d628d4d230bfa95
texidocit = "
Il comando @code{\\key} comunemente usato imposta la proprietà
@code{keySignature}, che fa parte del contesto @code{Staff}.
@code{\\set Staff.keySignature = #`(((ottava . grado) . alterazione) ((ottava
. grado) . alterazione) ...)} dove, per ogni elemento della lista,
-@code{ottava} indica l'ottava (0@tie{}è l'ottava dal Do@tie{}centrale
+@code{ottava} indica l'ottava (0 è l'ottava dal Do centrale
al Si precedente), @code{grado} indica la nota all'interno
-dell'ottava (0@tie{}significa@tie{}Do e 6@tie{}significa@tie{}Si) e @code{alterazione}
+dell'ottava (0 significa Do e 6 significa Si) e @code{alterazione}
può essere @code{,SHARP ,FLAT ,DOUBLE-SHARP} etc. (Si noti la virgola iniziale.)
+Le alterazioni nell'armatura di chiave appariranno nell'ordine inverso
+a quello in cui sono sono specificate.
Altrimenti, usando, per ogni elemento della lista, il formato breve
@code{(grado . alterazione)}, ciò indica che la stessa alterazione deve
essere presente in tutte le ottave.
+Per le scale microtonali in cui un @qq{diesis} non equivale a cento centesimi, @code{alter}
+si riferisce all'alterazione come a una proporzione di un duecentesimo di tono intero.
+
Ecco un esempio di una possibile armatura per generare una scala
a tono intero:
"
\version "2.15.31"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las cabezas de nota de notación fácil utilizan la propiedad
\version "2.14.2"
\header {
-%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El motor de espaciado vertical cambió en la versión 2.14. Esto puede
hacer que se altere el espaciado de la letra de las canciones. Es
doctitlees = "Conseguir el espaciado de la letra de la versión 2.12
en versiones más recientes"
-
%% Translation of GIT committish: 0f93dd92ffa0319328e58148458d22c5448b3d58
texidocfr = "
La version 2.14 a donné naissance à un nouveau moteur pour l'espacement
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Referencia para armónicos sobre cuerdas al aire (armónicos naturales):
\header {
lsrtags = "template, vocal-music, pitches, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla muestra el uso de contextos @code{StaffGroup} y
@code{GrandStaff} anidados para sub-agrupar instrumentos del mismo
\header {
lsrtags = "text, pitches"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Internamente, @code{\\ottava} establece las propiedades
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden mostrar los contadores de las repeticiones del tipo
porcentaje a intervalos regulares mediante el establecimiento de
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las repeticiones de compases completos de más de dos repeticiones
pueden llevar un contador si se activa la propiedad adecuada, como se
\header {
lsrtags = "version-specific, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Permitir saltos de línea dentro de grupos especiales con barra"
texidoces = "
Este ejemplo artificial muestra cómo se pueden permitir tanto los
\version "2.14.2"
\header {
-%% Translation of GIT committish: 0b690b572795050d01c53e07b2fd2a5f445029ef
+%% Translation of GIT committish: d76b338302374164acc9b62a0d628d4d230bfa95
texidocja = "
いくつかの音符を持つシンプルなピアノ譜を示します。
"
doctitleja = "ピアノ テンプレート (シンプル)"
-
lsrtags = "template, keyboards, really-simple"
+
%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Presentamos a continuación una plantilla de piano sencilla con algunas
\header {
lsrtags = "template, keyboards, text, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
En lugar de tener un pentagrama dedicado a la melodía y la letra, ésta
se puede centrar entre los pentagramas de un sistema de piano.
\header {
lsrtags = "template, vocal-music, keyboards, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
He aquí el típico formato dde una canción: un pentagrama con la
melodía y la letra, y el acompañamiento de piano por debajo.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Es posible ejercer un mayor control sobre la colocación de las
digitaciones de la mano derecha estableciendo el valor de una
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La polifonía se crea de la misma forma en un @code{TabStaff} que
en una pauta normal.
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Si necesitamos alargar o acortar un símbolo de arpegio, podemos
modificar independientemente los extremos superior e inferior.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Cuando se colocan figuras sobre líneas adicionales, sus barras se
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al establecer la propiedad @code{'strict-grace-spacing} hacemos que
\version "2.15.14"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Posicionar los silencios multicompás"
texidoces = "
A diferencia de los silencios normales, no existe una instrucción
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los elementos de marcado de texto deben tener la propiedad
\header {
lsrtags = "pitches, automatic-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Evitar que se añadan becuadros adicionales automáticamente"
texidoces = "
\header {
lsrtags = "pitches, automatic-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Evitar que se impriman becuadros cuando cambia la armadura"
texidoces = "
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede imprimir una línea divisoria de la forma @code{|:} al
principio de la pieza, sobreescribiendo la propiedad correspondiente:
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden imprimir los números de compás a intervalos regulares
\header {
lsrtags = "tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los números de compás también se pueden imprimir dentro de rectángulos o de circunferencias.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden imprimir reguladores con un círculo en la punta (notación
«al niente») estableciendo la propiedad @code{circled-tip} del objeto
\header {
lsrtags = "text"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "text"
-%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Aunque normalmente las marcas de ensayo textuales sólo se imprimen
sobre el pentagrama superior, también se pueden imprimir en otro
\header {
lsrtags = "tweaks-and-overrides, rhythms, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
De forma predeterminada, las indicaciones metronómicas y las
letras de ensayo se imprimen encima del pentagrama. Para
\header {
lsrtags = "tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede usar el contexto @code{NoteNames} para imprimir el valor
textual de las notas. La propiedad @code{printOctaveNames} activa o
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
De forma predeterminada se suprime el número del primer compás de una
\header {
lsrtags = "pitches, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los pasajes citados tienen en cuenta la transposición de la fuente
tanto como la del destino. En este ejemplo, todos los
\header {
lsrtags = "staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La propiedad @code{quotedEventTypes} determina los tipos de eventos
\header {
lsrtags = "winds"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El ejemplo siguiente muestra cómo se pueden realizar diagramas de
\version "2.15.15"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los valores predeterminados para las notas de adorno están
\header {
lsrtags = "contexts-and-engravers, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden eliminar completamente los números de compás quitando el
\header {
lsrtags = "tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
De forma predeterminada, las líneas divisorias en los grupos
StaffGroup, PianoStaff o GrandStaff se conectan entre los pentagramas.
\header {
lsrtags = "breaks, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El primer pentagrama vacío también se puede suprimir de la
partitura estableciendo la propiedad @code{remove-first} de
\header {
lsrtags = "ancient-notation, symbols-and-glyphs, tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Estilos de silencios"
texidoces = "
Los silencios se pueden imprimir en distintos estilos.
\header {
lsrtags = "version-specific, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Para tipografiar las barras agrupadas en la forma @code{3-4-3-2} sólo
es necesario modificar la estructura de pulsos:
\header {
lsrtags = "template, vocal-music"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Plantilla de coro SATB (en cuatro pentagramas)
\header {
lsrtags = "tweaks-and-overrides, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Si la nota que da fin a un regulador cae sobre la primera parte de
un compás, el regulador se detiene en la línea divisoria
\header {
lsrtags = "paper-and-layout, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden insertar separadores sistema entre los sistemas de una
página. Se puede usar cualquier elemento de marcado, pero
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Si los reguladores son demasiado cortos, se pueden alargar
modificando la propiedad @code{minimum-length} del objeto
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
De forma predeterminada, los corchetes de primera y segunda vez se
trazan encima de los finales alternativos completos, pero es posible
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden imprimir los acordes exclusivamente al comienzo de las
líneas y cuando cambia el acorde.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Al juntar nombres de acorde en cifrado americano, melodía y letra,
obtenemos una hoja guía de acordes o «lead sheet»:
\header {
lsrtags = "template, vocal-music, chords, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla facilita la preparación de una canción con melodía,
letra y acordes.
\header {
lsrtags = "template, vocal-music, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Presentamos a continuación un ejemplo de plantilla para una hoja
guía de acordes con melodía, letra, acordes y diagramas de
\header {
lsrtags = "template, chords, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
¿Quiere preparar una hoja guía de acordes (o «lead sheet») con
melodía y acordes? ¡No busque más!
\header {
lsrtags = "template, vocal-music, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta pequeña plantilla muestra una melodía sencilla con letra. Córtela
y péguela, escriba las notas y luego la letra. Este ejemplo desactiva
\header {
lsrtags = "template, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla simple prepara un pentagrama con notas, adecuado para
un instrumento solista o un fragmento melódico. Córtelo y péguelo en
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los deslizamientos se pueden componer tipográficamente tanto en los
%% Translation of GIT committish: 3b125956b08d27ef39cd48bfa3a2f1e1bb2ae8b4
texidocfr = "
Un glissando s'indique dans un @code{TabStaff} tout comme dans un
-@code{Staff}.
+@code{Staff}.
"
doctitlefr = "Glissando et tablature"
\header {
lsrtags = "text"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Los textos independientes se pueden disponer en varias columnas
utilizando instrucciones @code{\\markup}:
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La dirección de las plicas se contola de la misma forma en la
tablatura que en la notación tradicional. Las barras se pueden
\version "2.15.28"
\header {
-%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede hacer que las barras secundarias apunten en la dirección del
pulso o fracción a que pertenecen. La primera barra evita los
\header {
lsrtags = "template, really-simple, unfretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla muestra un cuarteto de cuerda normal. También utiliza
una sección @code{\\global} para el compás y la armadura
\header {
lsrtags = "preparing-parts, template, unfretted-strings"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El fragmento de código @qq{Plantilla de cuarteto de cuerda} produce un
resultado satisfactorio para el cuarteto, pero ¿y si tenemos que
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
A veces, la indicación de compás no debe imprimir la fracción completa
\header {
lsrtags = "specific-notation, ancient-notation, workaround, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
A modo de alternativa para obtener auténticos «incipit»
independientes de la partitura principal, se incluyen como
\header {
lsrtags = "workaround, pitches, scheme-language"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Transportar música con el menor número de alteraciones"
texidoces = "
Este ejemplo utiliza código de Scheme para forzar las
\header {
lsrtags = "pitches, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Trucaje de las propiedades de clave"
texidoces = "
La instrucción @code{\\clef \"treble_8\"} equivale a un ajuste de
\header {
lsrtags = "tweaks-and-overrides, rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
La disposición de las expresiones de adorno se puede cambiar a lo
\header {
lsrtags = "contexts-and-engravers, staff-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se puede usar el delimitador de comienzo de un sistema
@code{SystemStartSquare} estableciéndolo explícitamente dentro de
\version "2.15.15"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Se pueden imprimir estilos alternativos del corchete o gancho de las
\header {
lsrtags = "vocal-music, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El corchete de arpegios @code{arpeggioBracket} se puede usar para
indicar la división de voces cuando no hay plicas que puedan ofrecer
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Algunos compositores escriben dos ligaduras cuando quieren acordes
legato. Esto se puede conseguir estableciendo @code{doubleSlurs}.
\version "2.15.15"
\header {
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Es posible aplicar la barrita que cruza la barra de las
\header {
lsrtags = "devel, tweaks-and-overrides, scheme-language"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "editorial-annotations, expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
doctitlees = "Uso de ligaduras en los arpegios"
texidoces = "
En ocasiones se usan ligaduras de unión para escribir los arpegios.
\header {
lsrtags = "workaround, tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Mediante el establecimiento de la propiedad @code{'Y-extent} a un valor
adecuado, todos los objetos @code{DynamicLineSpanner} (reguladores e
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Las expresiones dinámicas que se comienzan, terminan o se producen
en la misma nota se alinean verticalmente. Para asegurar que las
\header {
lsrtags = "vocal-music, tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Este fragmento de código muestra el uso de las propiedades de
contexto @code{alignBelowContext} y @code{alignAboveContext} para
\header {
lsrtags = "chords, tweaks-and-overrides"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Allí donde se utilicen líneas extensoras para el bajo cifrado mediante
el establecimiento de @code{useBassFigureExtenders} al valor
\header {
lsrtags = "template, vocal-music, keyboards, automatic-notation"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla añade una reducción de piano automática a la partitura
\header {
lsrtags = "template, vocal-music, text, contexts-and-engravers"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla es, básicamente, la misma que la sencilla plantilla
@qq{Conjunto vocal}, excepto que aquí todas las líneas de letra se
\header {
lsrtags = "template, vocal-music, contexts-and-engravers"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Esta plantilla crea una partitura que comienza con una estrofa para
\header {
lsrtags = "template, vocal-music, really-simple"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
He aquí una partitura vocal estándar para cuatro voces SATB. Con
grupos mayores, suele ser útil incluir una sección que aparezca en
\header {
lsrtags = "repeats, staff-notation, chords"
-%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
Mediante la adición del grabador @code{Volta_engraver} al
pentagrama pertinente, se pueden poner los corchetes de primera y
\version "2.14.0"
\header {
-%%% Translation of GIT committish: ea0b270e14781707ab52683acddf9302bbe337f3
+%%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
\header {
lsrtags = "winds, specific-notation"
-%%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98
+%%% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
texidoces = "
El fragmento de música que aparece a continuación presenta todos los
diagramas de viento madera que se encuentran definidos en LilyPond por
Folgende Noten zeige alle Holzbläserdiagramme, die für LilyPond
definiert sind.
+"
+%%% Translation of GIT committish: ab9e3136d78bfaf15cc6d77ed1975d252c3fe506
+
+
+ texidocde="
+Folgende Noten zeige alle Holzbläserdiagramme, die für LilyPond
+definiert sind.
+
"
doctitlede = "Liste der Holzbläserdiagramme"