MANUALS_SUBDIRS = usage contributor essay \
web learning notation extending
SUBDIRS = $(MANUALS_SUBDIRS) snippets logo pictures misc po css topdocs \
- included $(LANGS)
+ included ly-examples $(LANGS)
STEPMAKE_TEMPLATES = documentation texinfo tex omf
LOCALSTEPMAKE_TEMPLATES = lilypond ly
ln -sf ../css/$(outdir) $@
$(outdir)/ly-examples:
- $(MAKE) -C web/ly-examples
- ln -sf ../web/ly-examples/$(outdir) $@
+ $(MAKE) -C ly-examples
+ ln -sf ../ly-examples/$(outdir) $@
endif
--- /dev/null
+depth=../..
+LOCALSTEPMAKE_TEMPLATES=lilypond ly
+include $(depth)/make/stepmake.make
+
+LILYPOND_PREVIEW = $(LILYPOND_BINARY) -dpreview -dresolution=150
+
+OUT_PNG_FILES = $(LY_FILES:%.ly=$(outdir)/%.png)
+OUT_PNG_PAGES = $(PNG_PAGES:%=$(outdir)/%.png)
+
+OUT_SMALL_PNG_FILES = $(OUT_PNG_FILES:%.png=%-small.png)
+
+ifeq ($(out),www)
+all: $(OUT_PNG_FILES) $(OUT_SMALL_PNG_FILES)
+endif
+
+$(outdir)/%.png: %.ly
+ $(LILYPOND_PREVIEW) -o $(outdir) $<
+ mv $(outdir)/$*.preview.png $@
+
+$(outdir)/%-small.png: $(outdir)/%.png
+ pngtopnm $< | pnmscale -w=600 | pnmtopng > $@
--- /dev/null
+\version "2.14.0"
+\include "example-header.ily"
+
+#(set-global-staff-size 15)
+
+\include "gregorian.ly"
+
+\score {
+ <<
+ \new VaticanaVoice = "cantus" {
+ \clef "vaticana-do3"
+ % Verse 1 — Salve, Regína
+ a\melisma \[ a \flexa g \pes a\melismaEnd \] d
+ \divisioMinima
+ \[ a\melisma \flexa g\melismaEnd \]
+ \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
+ \[ e\melisma \flexa d\melismaEnd \]
+ \divisioMaior
+ c d \[d\melisma \flexa c\melismaEnd \] d
+ \[ e\melisma \pes f\melismaEnd\] g
+ \[d\melisma \pes e \flexa c\melismaEnd \] d
+ \finalis
+ % Verse 2 — Vita, dulcédo
+ % a\melisma \[ a \flexa g \pes a\melismaEnd \] d
+ % \divisioMinima
+ % \[ a\melisma \flexa g\melismaEnd \]
+ % \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
+ % \[ e\melisma \flexa d\melismaEnd \]
+ % \divisioMaior
+ % c d \[e\melisma \pes f\melismaEnd \] g
+ % \[d\melisma \pes e \flexa c\melismaEnd \] d
+ % \finalis
+ % Verse 3 — Ad te clamámus
+ \[ d\melisma \pes f\melismaEnd\] a g
+ \[ g\melisma \flexa f \pes a\melismaEnd\] e
+ \divisioMaior
+ g f \[ e\melisma \flexa d \pes g\melismaEnd \]
+ \divisioMinima
+ c d \[ e\melisma \flexa d \pes g\melismaEnd \]
+ \[ f\melisma \flexa e\melismaEnd \] d
+ \finalis
+ % Verse 4 — Ad te suspirámus
+ \[ d\melisma \pes f\melismaEnd \] a c' g
+ \[ g\melisma \flexa f \pes g\melismaEnd \] a
+ \divisioMaior
+ d \[ f\melisma \pes \deminutum g\melismaEnd \] g d
+ \[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \]
+ c \divisioMaior
+ d \[ d\melisma \flexa c \pes f\melismaEnd \]
+ \[ g\melisma \pes a\melismaEnd \]
+ g \[ f\melisma \flexa e\melismaEnd \] g
+ \[ f\melisma \flexa \deminutum e\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \]
+ \finalis
+ % Verse 5 — Eia ergo, Advocáta nostra
+ f\melisma \[ f \pes g\melismaEnd \] f
+ \[ g\melisma \pes \deminutum a\melismaEnd \] a
+ \divisioMinima
+ c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a
+ \divisioMaior
+ d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a
+ \divisioMinima
+ d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g
+ \[ d\melisma \pes e\melismaEnd \] f
+ \[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \]
+ \divisioMaior
+ \[ c\melisma \pes d\melismaEnd \]
+ f \[ g\melisma \flexa \deminutum f\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \] d
+ \finalis
+ % Verse 6 — Et Jesum
+ d a, \[ c\melisma \pes d\melismaEnd \]
+ \divisioMinima
+ d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \]
+ c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g
+ \[ f\melisma \flexa e\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \]
+ \[ d\melisma \pes a \] \virga bes\melismaEnd a
+ \divisioMinima
+ \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f
+ \[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \]
+ \divisioMinima
+ \[ e\melisma \pes f \flexa e\melismaEnd \] d d
+ \finalis
+ % Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María
+ a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \]
+ \[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a
+ \finalis
+ \[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \]
+ \[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \]
+ \finalis
+ \[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \]
+ \divisioMinima
+ \[ d \pes e f \pes g\melismaEnd \]
+ \[ g\melisma \flexa \deminutum f\melismaEnd \]
+ \[ g\melisma \pes a\melismaEnd \]
+ d c d \[ d\melisma \pes g \flexa f f\melismaEnd \]
+ \[ e\melisma \flexa d\melismaEnd \]
+ \finalis
+ }
+ \new Lyrics \lyricsto "cantus" {
+ Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae:
+ % Vi- ta, dul- cé- do, et spes no- stra, sal- ve.
+ Ad te cla- má- mus, éx- su- les, fi- li- i He- vae.
+ Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum
+ val- le.
+ E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des
+ ó- cu- los ad nos con- vér- te.
+ Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc
+ ex- sí- li- um os- tén- de.
+ O cle- mens:
+ O pi- a:
+ O dul- cis Vir- go Ma- rí- a.
+ }
+ >>
+}
+
+\layout {
+ \context {
+ \Staff
+ \consists Custos_engraver
+ }
+}
--- /dev/null
+\version "2.14.0"
+\include "example-header.ily"
+
+\paper {
+% line-width=158\mm % produces 624 pixels
+ line-width = 143\mm % reserve 15mm for incipit
+}
+
+% Aucun ont trouvé, from Montpellier Codex
+%
+% Put brackets in where the original has ligatures, using
+% "Analysis Brackets," and adjust the "bracket-flare" property
+% to make the ends vertical instead of slanted.
+
+#(set-global-staff-size 15)
+
+%%%%%%%%%%% INCIPIT DEFS %%%%%%%%%%
+
+incipitGlobal = {
+ \override NoteHead #'style = #'mensural
+ \override Accidental #'style = #'mensural
+ \override KeySignature #'style = #'mensural
+ \override Rest #'style = #'mensural
+% \override Staff.TimeSignature #'style = #'mensural
+ \cadenzaOn
+ \override Score.Clef #'extra-offset = #'(-0.0 . 0.5)
+ \override Score.Clef #'font-size = #3
+ \clef "vaticana-do1"
+}
+
+incipitTriplum = \markup{
+ \score{
+ {
+ \set Staff.instrumentName="Triplum "
+ \incipitGlobal
+ s1.
+ }
+ \layout {
+ %indent = 1\cm
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ \context {\Staff
+ \remove "Time_signature_engraver"
+ }
+ line-width=5\mm
+ }
+ }
+}
+
+incipitMotetus = \markup{
+ \score{
+ {
+ \set Staff.instrumentName="Motetus"
+ \incipitGlobal
+ s1.
+ }
+ \layout {
+ % indent = 1\cm
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ \context {\Staff
+ \remove "Time_signature_engraver"
+ }
+ line-width=5\mm
+ }
+ }
+}
+
+incipitTenor = \markup{
+ \score{
+ {
+ \set Staff.instrumentName = "Tenor "
+ \incipitGlobal
+ s1.*2
+ }
+ \layout {
+ %indent = 1\cm
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ \context {\Staff
+ \remove "Time_signature_engraver"
+ }
+ line-width=5\mm
+}
+}
+}
+
+incipitBassus = \markup{
+ \score{ {
+ \set Staff.instrumentName = "Bassus "
+ \override NoteHead #'style = #'neomensural
+ \override Accidental #'style = #'neomensural
+ \override Rest #'style = #'neomensural
+ \override Staff.TimeSignature #'style = #'neomensural
+ \cadenzaOn
+ \clef "petrucci-f3"
+ \key f \major
+ \time 3/2
+ \relative c' {
+ s1. % R1.*2
+ }
+ }
+ \layout {
+ \context { \Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ line-width=5\mm
+ }
+ }
+}
+
+%%%%%%%%%%% END INCIPIT DEFS %%%%%%%%%%%
+
+#(ly:set-option 'point-and-click #f)
+
+global = {
+ \override Staff.TimeSignature #'stencil = #(lambda (grob)
+ (bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1))
+ \time 3/4
+ \override Staff.BarLine #'transparent = ##t
+ \override HorizontalBracket #'direction = #UP
+ \override HorizontalBracket #'bracket-flare = #'(0 . 0)
+}
+
+%%%%%%%%% MACRO FOR MAKING SLASHES THROUGH STEMS %%%%%%%%%%
+MakeSlash = #(define-music-function (parser location angle len-left len-right
+thick y-factor offset)
+ (number? number? number? number? number?
+pair?)
+#{
+\once \override Voice.Stem #'text = \markup {
+ \postscript #(let ((x-off (car $offset))
+ (y-off (cdr $offset)))
+ (string-append
+ (ly:number->string (car $offset)) " " (ly:number->string (cdr $offset)) "
+translate "
+ (ly:number->string $angle) " rotate "
+ (ly:number->string (- x-off)) " "
+ (ly:number->string (- y-off)) " translate 0 setlinewidth "
+ (ly:number->string (- x-off $len-left)) " " (ly:number->string (+ y-off
+$thick)) " moveto "
+ (ly:number->string (- x-off $len-left)) " " (ly:number->string y-off)
+ " " (ly:number->string $thick) "
+90 270 arc "
+ (ly:number->string (+ x-off $len-right)) " " (ly:number->string y-off)
+ " " (ly:number->string $thick) "
+270 90 arc "
+ " gsave fill grestore stroke")) }
+
+\once \override Voice.Stem #'stencil = #(lambda (grob)
+ (let* ((sten1 (ly:stem::print grob))
+ (sten2 (ly:text-interface::print grob))
+ (extent1 (ly:stencil-extent sten1 Y))
+ (extent2 (ly:stencil-extent sten2 Y)))
+ (ly:stencil-add
+ sten1
+ (ly:stencil-translate sten2
+ (cons 0 (+ (* $y-factor (cdr extent1))
+ (* (- 1 $y-factor) (car extent1))))))))
+#})
+
+
+slash = { \MakeSlash #20 #1.0 #1.1 #0.05 #0.75 #'(0 . -.5) }
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+triplumWords = \lyricmode {
+ Au -- cun ont trou -- ve chant par u -- sa -- ge,
+ mes a moi en doune o -- choi -- son __
+ a -- mours, qui res -- bou -- dist mon cou -- ra -- ge
+ si que m'ès -- tuet fai -- re _ chan -- _ _ çon
+}
+
+triplumNotes = \relative c' {
+ \clef "treble_8"
+ %\set Staff.midiInstrument = "flute"
+% \global
+ \override StemTremolo #'beam-thickness = #.125
+ \override StemTremolo #'slope = #1.0
+ f8 f4 e8 d c f f f | % 1
+ % the \scaleDurations command below makes 5 notes last the
+ % duration of a dotted quarter
+ e8 c4 \scaleDurations #'(3 . 2) { \times 4/5{e16[ d e d e]} } e8 f4 | % 2
+ g2. ~ g4. | % 3
+ f8 d4 f4. \scaleDurations #'(3 . 2) { \times 4/6{ g16[ f e f e f]}} % 4
+ g8 g4 g4. e4. | % 5
+ fis8 d4 e8\startGroup g4\stopGroup f8[ e d] | % 6
+ c2. r4. | % 7
+}
+
+motetusWords = \lyricmode {
+ lonc tans _ _ me fiu -- te -- nu de chan -- _ _ ter __
+ mes or ai _ _
+}
+
+motetusNotes = \relative c' {
+ \clef "treble_8"
+ c2. c8\startGroup b8 \slash c\stopGroup | % 1
+ a2. c4. | d2. e4. | % 2-3
+ f2. f8 e d | % 4
+ c2. ~ c4. | r2. r4. | % 5-6
+ g'4. g g8 f e | % 7
+}
+
+
+tenorNotes = \relative c {
+ \clef "treble_8"
+ f2. | a2. | g2. | r2. | % 1-4
+ c2. | b2. | c2. | % 5-7
+}
+
+\score {
+ \new StaffGroup <<
+ \new Staff = "triplum" <<
+ %\set Staff.instrumentName = "Triplum"
+ \set Staff.instrumentName = \incipitTriplum
+ \set Staff.shortInstrumentName = "Tr."
+ \set Staff.timeSignatureFraction = #'(9 . 8)
+ \scaleDurations #'(2 . 3)
+ \context Voice = "triplum" { \global \triplumNotes }
+% \scaleDurations #'(2 . 3)
+% \context Voice = "slashes" { \triplumSkips }
+ \new Lyrics { \lyricsto "triplum" { \triplumWords }}
+ >>
+ \new Staff = "motetus" <<
+ %\set Staff.instrumentName = "Motetus"
+ \set Staff.instrumentName = \incipitMotetus
+ \set Staff.shortInstrumentName = "M."
+ \set Staff.timeSignatureFraction = #'(9 . 8)
+ \scaleDurations #'(2 . 3)
+ \context Voice = "motetus" { \global \motetusNotes }
+ \new Lyrics { \lyricsto "motetus" { \motetusWords }}
+ >>
+ \new Staff = "tenor" {
+ %\set Staff.instrumentName = "Tenor"
+ \set Staff.instrumentName = \incipitTenor
+ \set Staff.shortInstrumentName = "T."
+ \global \tenorNotes
+ }
+ >>
+ %\midi {}
+ \layout {
+ %\context {
+ % \Staff \consists "Horizontal_bracket_engraver"
+ %}
+ \context {
+ \Voice \consists "Horizontal_bracket_engraver"
+ }
+ }
+}
--- /dev/null
+\version "2.14.0"
+%\include "example-header.ily"
+
+
+\header {
+ mutopiatitle = "Jesu, meine Freude"
+ mutopiacomposer = "BachJS"
+ poet = "BWV 610"
+ %mutopiaopus = "BWV 610"
+ mutopiainstrument = "Organ"
+ date = ""
+ source = "Bach-Album, Ernst H. Wolfram (editor), 6787, C. F. Peters, Leipzig"
+ style = "Baroque"
+ copyright = "Public Domain"
+ maintainer = "Urs Metzger"
+ maintainerEmail = "urs@ursmetzger.de"
+ lastupdated = "2006/Mar/15"
+
+ title = "Jesu, meine Freude"
+ composer = "Johann Sebastian Bach"
+ %opus="BWV 610"
+
+ footer = "Mutopia-2006/03/27-706"
+ tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
+
+}
+
+\include "deutsch.ly"
+
+global = {
+ \key c \minor
+ \time 4/4
+ #(set-accidental-style 'default)
+}
+
+halsup = {
+ \stemUp
+ \tieUp
+}
+
+halsdown = {
+ \stemDown
+ \tieDown
+}
+
+staffup = {
+ \change Staff = "right" \halsdown
+}
+
+staffdown = {
+ \change Staff = "left" \halsup
+}
+
+sopran = {
+ \new Voice \relative g' {
+ \global
+ \halsup
+ \repeat volta 2 {
+ g4^\markup { \hspace #-4 \large "Largo" } g f es
+ d2 c\fermata
+ g'4 g a h
+ c2 h\fermata
+ %% Takt 5 ==============================================
+ c8. d16 es4 d4. d8
+ c1\fermata
+ }
+ g4 g as g
+ f4. f8 es2\fermata
+ g4 g a h
+ %% Takt 10 =============================================
+ c4 b! a2
+ g1\fermata
+ g4 g f es
+ d2 c2\fermata \bar "|."
+ }
+}
+
+alt = {
+ \new Voice \relative es' {
+ \global
+ \halsdown
+ \repeat volta 2 {
+ es16 d es8~ es16 f es d c8 d~ d c
+ c8 c4 h8 c8. \staffdown g16 \staffup c h c d
+ es16 d es8~ es16 f es d c8 d16 es f as g f~
+ f16 e f8~ f16 g f es d es d8~ d16 es f d
+ %% Takt 5 ==============================================
+ g8 f es16 g as es f es f d g as g f
+ e8 f16 g as g as e f g f8~ f16 f es d
+ }
+ es16 d es8~ es16 f es des c8 \staffdown b~ b16 b c g
+ as16 g as f b c b as g f g8~ g16 b \staffup c d
+ es16 d es8~ es16 f es d c8 d16 es f as g f
+ %% Takt 10 =============================================
+ es16 d es8 d g~g g4 fis8
+ g16 d es c \staffdown d h c a h a h c d h g h
+ c16 h c \staffup d es d es8~ es d4 c8~
+ c16 h c8~ c h c16 \staffdown g as8 g4\fermata
+ }
+}
+
+tenor = {
+ \new Voice \relative c' {
+ \global
+ \repeat volta 2 {
+ c16 h c8~ c16 h c g a8 g~ g16 g as es
+ f16 es f d g as g f es d \tieDown es8~ es16 \tieNeutral f es d
+ c16 h c g' c h c c, f8. g16 as!4~
+ as16 g as b c h c8 d8. c16 h c d h
+ %% Takt 5 ==============================================
+ es16 d es d~ d8 c~c c4 h8
+ c4~ c8. b16 as b as8 g16 as g f
+ }
+ \halsdown es16 f g as b des c b as g f8~ f es
+ es8 es4 d8 es8. b16 es d es f
+ es16 f g8 c16 d c b a g f8~ f4
+ %% Takt 10 =============================================
+ g16 fis g a b a b g c b c a d es d c
+ h8 c16 a h g a fis g8 d16 es f es f8~
+ f16 d es h c h c8 r16 f g d es g as fis
+ g16 d f! es f as g f e8. f16~ f d e8\fermata
+ }
+}
+
+right = {
+ \clef treble
+ <<
+ \alt
+ \sopran
+ >>
+}
+
+left = {
+ \clef bass
+ <<
+ \tenor
+ >>
+}
+
+pedal = {
+ \global
+ \clef "bass"
+ \relative c {
+ \repeat volta 2 {
+ r8 c16 d es d es8~ es16 a, h g c h c8
+ r16 g as f g f g8 c,2
+ r8 c'16 d es d es8~ es16 c f es d c d8
+ c8 f16 g as g as8~ as16 d, fis d g fis g8
+ %% Takt 5 ==============================================
+ r8 a16 h c h c8
+ r16 g as f g f g8
+ r16 g as e f e f8 r16 e f h, c h c8
+ }
+ r8 es16 f g f g8~ g16 c, d! b es d es8
+ r16 b c as b as b8 es,2
+ r8 c'16 d es d es8~ es16 c f es d c d8
+ %% Takt 10 =============================================
+ c8 es16 f! g fis g8 r16 d es c d c d8
+ g,1
+ c4 c,8 c'16 b! a8 h c16 h c8
+ r16 g as fis g fis g8 c,2_\fermata
+ }
+}
+
+\score {
+ \new PianoStaff
+ { \set PianoStaff.instrumentName = \markup { \large \center-column {
+ "a" "" "2 Clav." "" "e" "" "Pedale." } \hspace #0.5 }
+ <<
+ \context Staff = right
+ {
+ \context Voice = right \right
+ }
+ \context Staff = left {
+ \context Voice = left \left
+ }
+ \context Staff = pedal {
+ \context Voice = pedal \pedal
+ }
+ >>
+ }
+ \layout{}
+}
--- /dev/null
+% -*-coding: utf-8 -*-
+
+\header{
+ composer = "J.S. Bach"
+ title = "Wenn wir in höchsten Nöten sein"
+ subtitle = "Analysis from Gene Biringer's Schenker Text, Ex. 5-27"
+% "BWV641"
+ enteredby = "Kris Shaffer"
+}
+
+% See http://kris.shaffermusic.com/tech.html. for more information
+
+% 'Add color...' sections are not the original author's, but added
+% afterwards specifically for illustration in LilyPond's Documentation.
+
+I = \once \override NoteColumn #'ignore-collision = ##t
+
+\version "2.15.10"
+
+staffPiano = \new PianoStaff {
+ \set Score.timing = ##f
+ \set PianoStaff.followVoice = ##t
+ <<
+ \new Staff = "RH" { % Right hand
+ \clef treble
+ \key g \major
+ \relative c'' {
+ \override Staff.NoteCollision
+ #'merge-differently-headed = ##t
+ <<
+ {
+ \override Beam #'positions = #'(8 . 8)
+ \override NoteHead #'transparent = ##t
+ \override NoteHead #'duration-log = #1
+ s1 b8[^\markup {
+ \override #'(baseline-skip . 0.5)
+ % Add color to markup in top staff
+ \column { \with-color #red \small { ^ 3 } }
+ }
+ s4. s1 a8^\markup {
+ \override #'(baseline-skip . 0.5)
+ % Add color to markup in top staff
+ \column { \with-color #red \small { ^ 2 } }
+ }
+ s4. s2 g8]^\markup {
+ % Add color to markup in top staff
+ \override #'(baseline-skip . 0.5)
+ \column { \with-color #red \small { ^ 1 } }
+ }
+ s4.
+ \revert Beam #'positions
+ \revert NoteHead #'transparent
+ \revert NoteHead #'duration-log
+ }
+ \\
+ {
+ % Add color to both Dashed Slurs in top staff
+ \override Slur #'color = #(x11-color "purple")
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ s1
+ \once \override Slur #'height-limit = #6
+ \once \override Slur #'extra-offset = #'(1.25 . 0)
+ \slurDashed
+ \I b2_( s2
+ \once \override NoteHead #'transparent = ##t
+ b4) s
+ \once \override Slur #'height-limit = #3.25
+ \once \override Slur #'extra-offset = #'(.75 . 0)
+ a2_( s4
+ \once \override NoteHead #'transparent = ##t
+ a4) g2
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ }
+ \\
+ \override Staff.NoteCollision
+ #'merge-differently-headed = ##t
+ {
+ \override Beam #'positions = #'(4 . -3.25)
+ \stemUp
+ g8[ s s4 s2
+ \stemDown
+ \once \override NoteHead #'transparent = ##t
+ \I b8] s8
+ \override Beam #'positions = #'(3 . -2.25)
+ \stemUp
+ a8[ s s4
+ \stemDown
+ c8] s s2 s s
+ }
+ \\
+ {
+ % Add color to all remaining Slurs in top staff
+ \override Slur #'color = #(x11-color "violet")
+ \override PhrasingSlur #'color = #(x11-color "violet")
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override Stem #'length = #0
+ % Add color to text markups in top staff
+ g4_\( fis^(_\markup { \with-color #blue \tiny N } g)\)
+ a^(^\markup { \with-color #blue \tiny P } b2)
+ b4^(^\markup { \with-color #blue \tiny P }
+ \stemUp
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ \override Stem #'length = #10
+ c8)^( s
+ \override Stem #'length = #14
+ b4) s s
+ \override Stem #'length = #0
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \once \override Slur #'extra-offset = #'(0 . 0.35)
+ % Add color to remaining text markup in top staff
+ c4^\( b_(_\markup { \with-color #blue \tiny P } a)\) s2
+ \revert Stem #'length
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ s1 s4 e4 s
+ \change Staff = "LH"
+ fis,4 s2
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ \revert NoteHead #'transparent
+ \revert Stem #'length
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ s1 s s2
+ fis'4 s
+ \change Staff = "LH"
+ g,4 s s2
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ \revert NoteHead #'transparent
+ \revert Stem #'length
+ }
+ >>
+ \bar "|."
+ }
+ }
+
+ \new Staff = "LH" { % Left hand
+ \clef bass
+ \key g \major
+ \relative c' {
+ \override Staff.NoteCollision
+ #'merge-differently-headed = ##t
+ <<
+ {
+ \override Beam #'positions = #'(-8 . -8)
+ \override NoteHead #'transparent = ##t
+ \stemDown
+ % Add color to long beam text markups in bottom staff
+ \I g8[_\markup { \with-color #(x11-color 'LawnGreen) \bold I }
+ s4. s1 s s2
+ \I d8_\markup { \with-color #(x11-color 'LawnGreen) \bold V }
+ s4.
+ \I g,8]_\markup { \with-color #(x11-color 'LawnGreen) \bold I }
+ s4.
+ \revert Beam #'positions
+ \revert NoteHead #'transparent
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \stemDown
+ \override TextScript #'extra-offset = #'(-11.75 . -12.25)
+ \I g'2 s1 s s2 \I d2 g,2
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ }
+ \\
+ {
+ % Add color to all single-note Slurs in bottom staff
+ \override Slur #'color = #(x11-color "violet")
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \once \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ g'4
+ \once \override TextScript #'padding = #0.25
+ % Add color to text markups in bottom staff
+ a4_(^\markup { \with-color #blue \tiny P } b)
+ fis4^(^\markup { \with-color #blue \tiny P } e)
+ \once \override NoteHead #'transparent = ##t
+ \once \override Slur #'height-limit = #1.5
+ % Add color to remaining text markup in bottom staff
+ c4^( d)^\markup { \with-color #blue \tiny N }
+ \once \override NoteHead #'transparent = ##t
+ \once \override Slur #'extra-offset = #'(0 . 0.5)
+ \I fis,4_(
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ \override Stem #'length = #10
+ \stemDown
+ g4) s
+ \once \override Slur #'extra-offset = #'(0 . 0.25)
+ \I c8_( s
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \revert Stem #'length
+ a4)
+ \once \override NoteHead #'transparent = ##t
+ \I d4^( d,4) s2
+ }
+ \\
+ {
+ % Add color to all two-note Slurs in bottom staff
+ \override Slur #'color = #(x11-color "violet")
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \I g'4^( s b) s2
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ \revert NoteHead #'transparent
+ \override Beam #'positions = #'(-4 . 1)
+ \stemDown
+ c,8[ s s4
+ \stemUp
+ fis,8] s
+ \override Beam #'positions = #'(1 . -4)
+ g8[ s
+ \stemDown
+ b8] s
+ \revert Beam #'positions
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ c4^( s d4) s s2
+ }
+ \\
+ {
+ % Add color to four-note Slur in bottom staff
+ \override Slur #'color = #(x11-color "violet")
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ \stemDown
+ \once \override Slur #'height-limit = #3
+ \once \override Slur #'extra-offset = #'(0 . 0.25)
+ \I g4_( s2. e4) s2. s2 s1 s2
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ \revert NoteHead #'transparent
+ }
+ \\
+ {
+ % Add color to dashed Slur in bottom staff
+ \override Slur #'color = #(x11-color "purple")
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \slurDashed
+ \once \override Slur #'height-limit = #6.0
+ \once \override Slur #'extra-offset = #'(0.5 . -0.25)
+ \override Stem #'length = #0
+ g4_( s2. s1 g,4) s s1 s2
+ \revert Stem #'transparent
+ \revert Flag #'transparent
+ \revert NoteHead #'transparent
+ }
+ >>
+ \bar "|."
+ }
+ }
+ >>
+}
+
+\score {
+ <<
+ \staffPiano
+ >>
+ \layout {
+ indent = 0.0
+ ragged-right = ##f
+ \context { \Staff \remove "Time_signature_engraver" }
+ }
+}
--- /dev/null
+
+\version "2.13.39"
+
+\layout {
+ indent = #0
+ ragged-right = ##t
+ \context {
+ \Score
+
+ proportionalNotationDuration = #(ly:make-moment 1 64)
+ \override Beam #'breakable = ##t
+ autoBeaming = ##f
+ tupletFullLength = ##t
+ \override BarNumber #'transparent = ##t
+ \override BarLine #'transparent = ##t
+ \override SpanBar #'transparent = ##t
+ \override Beam #'break-overshoot = #'(-0.5 . 1.0)
+ \override TextScript #'staff-padding = #6
+ \override Glissando #'thickness = #3
+ \override SpacingSpanner #'strict-grace-spacing = ##t
+ \override TupletBracket #'bracket-visibility = ##t
+ \override NoteColumn #'ignore-collision = ##t
+ }
+}
+
+\paper {
+ oddHeaderMarkup = \markup \fill-line { " " }
+ evenHeaderMarkup = \markup \fill-line { " " }
+ oddFooterMarkup = \markup {
+ \fill-line {
+ \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
+ evenFooterMarkup = \markup {
+ \fill-line {
+ \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
+ printfirst-page-number = ##t
+ print-page-number = ##t
+ ragged-last-bottom = ##t
+ markup-system-spacing #'minimum-distance = #25
+}
+
+#(set-global-staff-size 14)
+
+
+%% definitions.
+
+
+ppX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "pp" #:hspace 0)))
+pX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "p" #:hspace 0)))
+mpX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "mp" #:hspace 0)))
+fX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "f" #:hspace 0)))
+ffX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "ff" #:hspace 0)))
+sfp = #(make-dynamic-script "sfp")
+sfpp = #(make-dynamic-script "sfpp")
+sffp = #(make-dynamic-script "sffp")
+sffpp = #(make-dynamic-script "sffpp")
+
+beam = #(define-music-function (parser location left right) (number? number?)
+ (cond ((and (= left 0) (> right 0))
+ #{
+ \set stemRightBeamCount = #$right
+ #})
+
+ ((and (> left 0) (= right 0))
+ #{
+ \set stemLeftBeamCount = #$left
+ #})
+
+ (else
+ #{
+ \set stemLeftBeamCount = #$left
+ \set stemRightBeamCount = #$right
+ #})
+ )
+)
+
+fraction = #(define-music-function (parser location music) (ly:music?)
+ #{ \tweak #'text #tuplet-number::calc-fraction-text $music #})
+
+triangle = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(do do do do do do do) $music #})
+
+semicircle = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(re re re re re re re) $music #})
+
+blackdiamond = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(mi mi mi mi mi mi mi) $music #})
+
+tiltedtriangle = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(fa fa fa fa fa fa fa) $music #})
+
+square = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(la la la la la la la) $music #})
+
+wedge = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(ti ti ti ti ti ti ti) $music #})
+
+harmonic = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(harmonic harmonic harmonic harmonic harmonic harmonic harmonic) $music #})
+
+cross = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(cross cross cross cross cross cross cross) $music #})
+
+white = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \override NoteHead #'duration-log = #1 $music #})
--- /dev/null
+\version "2.15.10"
+% the example header file caused the head to be chopped off
+%\include "example-header.ily"
+
+
+\header {
+ dedication = "Carin Levine"
+ instrument = "bass flute"
+ title = "ČÁRY"
+ year = "2004--2006"
+
+ subtitle = \markup { \italic Sorcery (extract) }
+ % Measures 6 - 10;
+
+ composer = "Trevor Bača"
+ copyright = "Copyright 2006 Trevor Bača, licensed under the FDL 1.1 or higher"
+
+}
+
+% Verbatim from composer's score.
+%
+% Upper staff gives fingerings;
+% Lower staff gives special types of breath.
+%
+% Copyright 2006 Trevor Baca, but this exerpt is licensed under
+% the FDL 1.1 or higher.
+
+\include "english.ly"
+\include "cary-layout.ily"
+
+\score {
+ <<
+
+ \new StaffGroup <<
+
+ \new Staff \with {
+ \override Stem #'direction = #down
+ \override Beam #'positions = #'(-7 . -7)
+ \override TupletBracket #'direction = #down
+ \override TupletBracket #'staff-padding = #5
+ \override TupletBracket #'padding = #2.25
+ } <<
+
+ \new Voice {
+
+ \override Score.MetronomeMark #'extra-offset = #'(0 . 6)
+ \override Score.MetronomeMark #'font-size = #3
+ \tempo 8=42
+ \time 5/16 s4 ~ s16 \noBreak % measure 6
+ \time 4/8 s2 \noBreak % measure 7
+ \time 4/8 s2 \noBreak % measure 8
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \times 4/5 {
+ a'64 [ % 36
+ cs''64 % 37
+ f''64 % 38
+ cs''64 % 39
+ ef'''64 ] % 40
+ }
+ \times 4/5 {
+ g''64 [ % 41
+ c''64 % 42
+ e''64 % 43
+ g''64 % 44
+ ef'''64 ] % 45
+ }
+ bf''16 % 46
+ }
+
+ % measure 7
+ r8 % 47
+ \times 4/5 {
+ d''32 [ % 48
+ af''32 % 49
+ e'32 % 50
+ b'32 % 51
+ b'32 ] % 52
+ }
+ ef'''4 % 53
+
+ % measure 8
+ b''8 [ % 54
+ g''8 ] % 55
+ d''4 % 56
+
+ }
+ >>
+
+ \new Staff \with {
+ \override Clef #'transparent = ##t
+ \override StaffSymbol #'line-positions = #'(-4 -2 2 4)
+ \override Stem #'direction = #down
+ \override TupletBracket #'staff-padding = #5
+ \override TupletBracket #'padding = #2.25
+ } <<
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'direction = #up
+ \override Flag #'stroke-style = #"grace"
+ \override Stem #'font-size = #-3
+ \override Rest #'transparent = ##t
+ \override NoteHead #'no-ledgers = ##t
+ \override Dots #'transparent = ##t
+ \override TupletBracket #'transparent = ##t
+ \override TupletNumber #'transparent = ##t
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \square f''16 * 1/8 % 40
+ \square f''16 * 1/8 % 41
+ \square f''16 * 1/8 % 42
+ \square f''16 * 1/8 % 43
+ \square f''16 * 1/8 % 44
+ \square f''16 * 1/8 % 45
+ \square f''16 * 1/8 % 46
+ \square f''16 * 1/8 % 47
+ \times 2/3 {
+ \square f''16 % 48
+ \square f''16 * 1/2 % 49
+ }
+ \times 2/3 {
+ \square f''16 * 1/4 % 50
+ \square f''16 * 1/4 % 51
+ \square f''16 * 1/4 % 52
+ \square f''16 * 1/4 % 53
+ \square f''16 * 1/4 % 54
+ \square f''16 * 1/4 % 55
+ }
+ }
+
+ % measure 7
+ s8 % 56
+ \square g''16 * 2/1 % 57
+ \square g''16 % 58
+ \square g''16 % 59
+ \times 8/9 {
+ s16 % 60
+ f''16 * 1/4 % 61
+ f''16 * 1/4 % 62
+ f''16 * 1/4 % 63
+ f''16 * 1/4 % 64
+ f''16 * 1/4 % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ s4 % 66
+ \triangle a''16 % 67
+ \triangle a''16 % 68
+ \triangle a''16 % 69
+ }
+ s8 % 70
+ \triangle a''16 * 1/2 % 71
+ \triangle a''16 * 1/2 % 72
+ \triangle a''16 * 1/2 % 73
+ \triangle a''16 * 1/2 % 74
+ \triangle a''16 * 1/2 % 75
+ \triangle g''16 * 1/2 % 76
+ \triangle g''16 * 1/2 % 77
+ \triangle g''16 * 1/2 % 78
+ }
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'transparent = ##t
+ \override Flag #'transparent = ##t
+ \override Rest #'transparent = ##t
+ \override Rest #'staff-position = #-0.5
+ \override Dots #'transparent = ##t
+ \override Beam #'transparent = ##t
+ \override TupletBracket #'transparent = ##t
+ \override TupletNumber #'transparent = ##t
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \blackdiamond f'128 [ % 40
+ \blackdiamond f'128 % 41
+ \blackdiamond f'128 % 42
+ \blackdiamond f'128 % 43
+ \blackdiamond f'128 % 44
+ \blackdiamond f'128 % 45
+ \blackdiamond f'128 % 46
+ \blackdiamond f'128 ] % 47
+ \times 2/3 {
+ \blackdiamond f'16 % 48
+ \blackdiamond f'32 % 49
+ }
+ \times 2/3 {
+ \blackdiamond f'64 % 50
+ \blackdiamond f'64 % 51
+ \blackdiamond f'64 % 52
+ \blackdiamond f'64 % 53
+ \blackdiamond f'64 % 54
+ \blackdiamond f'64 % 55
+ }
+ }
+
+ % measure 7
+ s8 % 56
+ \harmonic a'8 \glissando % 57
+ \harmonic a'16 \glissando % 58
+ \blackdiamond a'16 % 59
+ \times 8/9 {
+ s16 % 60
+ \harmonic g'64 \glissando % 61
+ \harmonic g'64 \glissando % 62
+ \harmonic g'64 \glissando % 63
+ \harmonic g'64 \glissando % 64
+ \blackdiamond g'64 % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ s4 % 66
+ \blackdiamond f'16 % 67
+ \blackdiamond f'16 % 68
+ \blackdiamond f'16 % 69
+ }
+ s8 % 70
+ \blackdiamond f'32 % 71
+ \blackdiamond f'32 % 72
+ \blackdiamond f'32 % 73
+ \blackdiamond f'32 % 74
+ \blackdiamond f'32 % 75
+ \harmonic e'32 \glissando % 76
+ \harmonic e'32 \glissando % 77
+ \blackdiamond e'32 % 78
+ }
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'direction = #down
+ \override Stem #'font-size = #-3
+ \override Flag #'stroke-style = #"grace"
+ \override Rest #'transparent = ##t
+ \override NoteHead #'no-ledgers = ##t
+ \override Dots #'transparent = ##t
+ \override TupletBracket #'transparent = ##t
+ \override TupletNumber #'transparent = ##t
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ s128 % 40
+ s128 % 41
+ s128 % 42
+ s128 % 43
+ s128 % 44
+ s128 % 45
+ s128 % 46
+ s128 % 47
+ \times 2/3 {
+ \semicircle a16 % 48
+ \semicircle a16 * 1/2 % 49
+ }
+ \times 2/3 {
+ \semicircle a16 * 1/4 % 50
+ \semicircle a16 * 1/4 % 51
+ \semicircle a16 * 1/4 % 52
+ \semicircle a16 * 1/4 % 53
+ \semicircle a16 * 1/4 % 54
+ \semicircle a16 * 1/4 % 55
+ }
+ }
+
+ % measure 7
+ s8 % 56
+ s8 % 57
+ s16 % 58
+ \triangle a16 % 59
+ \times 8/9 {
+ s16 % 60
+ s64 % 61
+ s64 % 62
+ s64 % 63
+ s64 % 64
+ \triangle a16 * 1/4 % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ s4 % 66
+ \semicircle a16 % 67
+ \semicircle a16 % 68
+ \semicircle a16 % 69
+ }
+ s8 % 70
+ \semicircle a16 * 1/2 % 71
+ \semicircle a16 * 1/2 % 72
+ \semicircle a16 * 1/2 % 73
+ \semicircle a16 * 1/2 % 74
+ \semicircle a16 * 1/2 % 75
+ s32 % 76
+ s32 % 77
+ \semicircle a16 * 1/2 % 78
+ }
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'direction = #down
+ \override NoteHead #'transparent = ##t
+ \override NoteHead #'no-ledgers = ##t
+ \override Rest #'staff-position = #-18
+ \override Stem #'length = #10
+ \override Beam #'positions = #'(-13 . -13)
+ \override DynamicLineSpanner #'staff-padding = #18
+ \override TextSpanner #'(bound-details left text) = #(markup (#:italic "covered"))
+ \override TextSpanner #'dash-period = #1
+ \override TextSpanner #'dash-fraction = #0.2
+ \override TextSpanner #'(bound-details left padding) = #0.5
+ \override TextSpanner #'(bound-details right padding) = #0.5
+ \override TextSpanner #'staff-padding = #4
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \beam #0 #5 g,128 \sffp \< [ % 40
+ \beam #5 #5 g,128 % 41
+ \beam #5 #5 g,128 % 42
+ \beam #5 #5 g,128 % 43
+ \beam #5 #5 g,128 % 44
+ \beam #5 #5 g,128 % 45
+ \beam #5 #5 g,128 % 46
+ \beam #5 #1 g,128 % 47
+ \times 2/3 {
+ \beam #1 #2 g,16 % 48
+ \beam #3 #1 g,32 \fX % 49
+ }
+ \times 2/3 {
+ \beam #1 #4 g,64 \sffp \< % 50
+ \beam #4 #4 g,64 % 51
+ \beam #4 #4 g,64 % 52
+ \beam #4 #4 g,64 % 53
+ \beam #4 #4 g,64 % 54
+ \beam #4 #0 g,64 \fX ] % 55
+ }
+ }
+
+ % measure 7
+ r8 % 56
+ g,8 \sf \< [ % 57
+ g,16 % 58
+ \beam #2 #0 g,16 \ffX ] % 59
+ \times 8/9 {
+ r16 % 60
+ \beam #4 #4 g,64 \sfp \< [ % 61
+ \beam #4 #4 g,64 % 62
+ \beam #4 #4 g,64 % 63
+ \beam #4 #4 g,64 % 64
+ \beam #4 #0 g,64 \fX ] % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ r4 % 66
+ \beam #2 #2 g,16 \fX [ % 67
+ \beam #2 #2 g,16 \f % 68
+ \beam #2 #0 g,16 \fX ] % 69
+ }
+ r8 % 70
+ \beam #3 #3 g,32 \fX [ % 71
+ \beam #3 #3 g,32 \fX % 72
+ \beam #3 #3 g,32 \fX % 73
+ \beam #3 #3 g,32 \fX % 74
+ \beam #3 #3 g,32 \fX % 75
+ \beam #3 #3 g,32 \sf \< % 76
+ \beam #3 #3 g,32 % 77
+ \beam #3 #0 g,32 \ffX ] % 78
+ }
+
+ }
+ >>
+ >>
+ >>
+}
--- /dev/null
+\version "2.14.0"
+\include "example-header.ily"
+
+\include "predefined-guitar-fretboards.ly"
+
+#(set-global-staff-size 17)
+
+global = {
+ \time 4/4
+ \key g \major
+ \partial 4
+ \numericTimeSignature
+}
+
+melody = \relative c' {
+ \global
+ d4
+ g4 b8( a) g4 fis
+ e e e e
+ a c8( b) a4 g
+ fis a d
+}
+
+harmonies = \chordmode {
+ \global
+ s4 g1 | c | a:m | d % 1-3
+}
+
+text = \lyricmode {
+ My eyes are dim, I can -- not see,
+ I have not brought my specs with me!
+}
+
+\score {
+ <<
+ \new ChordNames { \harmonies }
+ \new FretBoards { \harmonies }
+ \new Staff {
+ \context Voice = "vocal" { \melody }
+ }
+ \new Lyrics \lyricsto "vocal" \text
+ >>
+}
--- /dev/null
+\version "2.11.33"
+\paper{
+ indent=0\mm
+ ragged-last=##f
+ ragged-right=##f
+ line-width=158\mm % produces 624 pixels
+ oddFooterMarkup=##f
+ oddHeaderMarkup=##f
+ bookTitleMarkup = ##f
+ scoreTitleMarkup = ##f
+}
--- /dev/null
+\version "2.14.0"
+\include "example-header.ily"
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% This is a brief passage from Enrique Granados %
+% Goyescas, "Coloquio en la Reja." %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+#(set-global-staff-size 17)
+
+\paper {
+ ragged-right = ##f
+ #(set-paper-size "letter" 'landscape)
+ system-count = 1
+}
+
+
+csh = \change Staff = "high"
+csm = \change Staff = "middle"
+csl = \change Staff = "low"
+
+crmolto = \markup { \italic \large "cresc. molto" }
+appassmolto = \markup { \italic \large "appassionato molto" }
+
+#(ly:set-option 'point-and-click #f)
+
+global = {
+ \time 3/4
+ \set fontSize = #1
+ \override Beam #'thickness = #0.5
+ \override NoteColumn #'ignore-collision = ##t
+}
+
+upperVoiceOne = \relative c'' {
+ \voiceOne
+ \override TupletBracket #'transparent = ##t
+ <aes f'>8\([ \times 4/5{g'32( aes g f g]) }
+ <es aes>8[ \times 4/5{<d bes'>32( c' bes aes bes]) }
+ <es, aes es'>8 <d fis b d>\) | % end m. 1
+ %--------------------------------------------------%
+ <c g' c>4\( \voiceTwo <bes es bes'\arpeggio>\)
+ \slurUp <aes aes'>16( <bes bes'> <g g'>8) % end m. 2
+ %--------------------------------------------------%
+ \noBreak
+ \voiceOne
+ <f aes d f>8\([ \times 4/5{<g g'>32( aes' g f g]) }
+ \set subdivideBeams = ##t
+ \set baseMoment = #(ly:make-moment 1 8)
+ \set beatStructure = #'(2 2 2)
+ <aes, aes'>16 <c f> \times 4/5{ bes'32( c bes aes bes]) }
+ \set subdivideBeams = ##f
+ \ottava #1 <es es'>16 <f f'> <d d'> \appoggiatura f8 <es es'>16\)
+}
+
+upperVoiceTwo = \relative c'' {
+ \voiceTwo
+ s8 c8\< <bes, f'>[ <bes aes'> c' <bes, d fis>\!]
+ s32 s32_\appassmolto s8. \voiceOne r8 <bes'' es bes'>-> s4
+ \override Stem #'cross-staff = ##t
+ \override Stem #'length = #28
+ \override Flag #'style = #'no-flag
+ s8 \voiceTwo g,8 aes4 s4
+}
+
+middleVoiceOne = \relative c' {
+ \override Stem #'cross-staff = ##t
+ \override Stem #'length = #32
+ \override Flag #'style = #'no-flag
+ d!8\noBeam s8 s8 s8_\crmolto s4 % 1
+ s4 <g bes\arpeggio>8[ <es' g>] \voiceOne e,8( dis16 e) | % 2
+ \revert Stem #'length
+ \revert Stem #'cross-staff
+ \showStaffSwitch
+ \csh \stemUp f4 s2
+ %s2. % beginning m. 3
+}
+
+middleVoiceTwo = \relative c' {
+ s2. | % 1
+ \override Stem #'cross-staff = ##t
+ \override Stem #'length = #24
+ \override Flag #'style = #'no-flag
+ s2 \voiceTwo e!4 | % 2
+ s4 \voiceTwo <bes c es f>8 <f' aes es'>16 d' <bes, f' aes c>8 <bes' fis'> | % 3
+}
+
+lowerVoiceOne = \relative c, {
+ \override Staff.NoteCollision #'merge-differently-headed = ##t
+ \override Staff.NoteCollision #'merge-differently-dotted = ##t
+ bes8 \csm \stemDown <bes'' c es>8 s2
+ \csl \stemUp
+ \set subdivideBeams = ##t
+ \set baseMoment = #(ly:make-moment 1 16)
+ \set beatStructure = #'(4 4 4)
+ s8 \hideNotes \slurUp \stemDown
+ es,,64( bes'' s64 \unHideNotes \stemUp g64[ bes c d c]) s2
+ \set subdivideBeams = ##f
+ bes,,8 \csm \stemDown <bes'' c es>8 s2
+}
+
+lowerVoiceTwo = \relative c, {
+ \voiceTwo
+ bes2.
+ \csh
+ \once \override Beam #'damping = #+inf.0
+ <bes'' es g>8 \csl \slurUp
+ %\once\override Slur #'extra-offset = #'(0 . 4)
+ es,,64 bes' es g s32.
+ c64
+ s4 <bes des>
+ bes,,2.
+}
+
+
+\score {
+ \new PianoStaff <<
+ \set PianoStaff.connectArpeggios = ##t
+% \override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
+ \new Staff = "high" <<
+ \global
+ \context Voice = "upperVoiceOne" { \upperVoiceOne }
+ \context Voice = "upperVoiceTwo" { \upperVoiceTwo }
+ >>
+ \new Staff = "middle" <<
+ \global
+ \context Voice = "middleVoiceOne" { \middleVoiceOne }
+ \context Voice = "middleVoiceTwo" { \middleVoiceTwo }
+ >>
+ \new Staff = "low" <<
+ \clef bass
+ \global
+ \context Voice = "lowerVoiceOne" { \lowerVoiceOne }
+ \context Voice = "lowerVoiceTwo" { \lowerVoiceTwo }
+ >>
+ >>
+ \layout {
+ \context {
+ \Score
+ \override TimeSignature #'stencil = ##f
+ \remove "Bar_number_engraver"
+ }
+ }
+ %{\midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }%}
+}
--- /dev/null
+\version "2.14.0"
+
+\header {
+ tagline = ##f
+ title = "Violent Dance For Orchestra"
+ composer = "Hu Haipeng"
+% arranger = "July 5, 2009"
+
+% poet = " I'm writing this piece because I'm terribly frustrated, facing a task which will seriously stain my aesthetics and conviction to the true art. It consists of all kinds of devils, dancing and whirling violently, turning the world into an abyss of darkness. Although the main melodies are derived from folk music, these are only a beautiful skin, and the essence of this piece is violent and evil, full of my 10 years' pain and rage. It's a large volcano of my long repressed heart!"
+}
+
+\paper{
+ line-width = 158\mm
+}
+
+%% markups
+#(define-markup-list-command (paragraph layout props args) (markup-list?)
+ (let ((indent (chain-assoc-get 'par-indent props 2)))
+ (interpret-markup-list layout props
+ (make-justified-lines-markup-list (cons (make-hspace-markup indent)
+ args)))))
+
+#(define-markup-command (vspace layout props amount) (number?)
+ "This produces a invisible object taking vertical space."
+ (let ((amount (* amount 3.0)))
+ (if (> amount 0)
+ (ly:make-stencil "" (cons -1 1) (cons 0 amount))
+ (ly:make-stencil "" (cons -1 1) (cons amount amount)))))
+
+%% text defs
+presto = \markup { \bold \italic "Presto" }
+div = \markup { \bold "Div." }
+nondiv = \markup { \bold "Non div." }
+unis = \markup { \bold "Unis." }
+piz = \markup { \bold "Pizz." }
+arc = \markup { \bold "Arco" }
+pizz = \set Staff.midiInstrument = "pizzicato strings"
+arco = \set Staff.midiInstrument = "string ensemble 1"
+pont = \markup { \bold \italic "Sul ponticello" }
+naturale = \markup { \bold \italic "Naturale" }
+moltocr = {
+ \set crescendoText = \markup { \italic "Molto cresc." }
+ \set crescendoSpanner = #'text
+ \override DynamicTextSpanner #'style = #'dotted-line
+}
+offCr = {
+ \unset crescendoText
+ \unset crescendoSpanner
+ \revert DynamicTextSpanner #'style
+}
+
+%% Layout for piano dynamics
+\layout {
+ \context {
+ \Voice
+ \override Glissando #'breakable = ##t
+ \override TextSpanner #'breakable = ##t
+ \override DynamicLineSpanner #'breakable = ##t
+ \override DynamicTextSpanner #'breakable = ##t
+ \override TrillSpanner #'breakable = ##t
+ }
+}
+
+%% layout to create orchestra staff group
+%% with non-spanned barlines between two instrument groups
+\layout {
+ \context {
+ \StaffGroup
+ \name Orchestra
+ \remove "Span_bar_engraver"
+ }
+ \context {
+ \Score
+ \accepts Orchestra
+ }
+}
+
+%% Layout to produce SquareStaff context
+%% to group similar instruments in a staff group with thin square bracket
+\layout {
+ \context {
+ \StaffGroup
+ \name SquareStaff
+ systemStartDelimiter = #'SystemStartSquare
+ }
+ \context {
+ \Orchestra
+ \accepts SquareStaff
+ }
+ \context {
+ \StaffGroup
+ \accepts SquareStaff
+ }
+}
+
+%% Layout to produce MarkLine context
+%% to place rehearsal marks and texts above full score
+\layout {
+ \context {
+ \type "Engraver_group"
+ \name "MarkLine"
+ \consists "Output_property_engraver"
+ \consists "Axis_group_engraver"
+ \consists "Mark_engraver"
+ \consists "Metronome_mark_engraver"
+ \consists "Script_engraver"
+ \consists "Text_engraver"
+ \consists "Text_spanner_engraver"
+ \consists "Font_size_engraver"
+ \override VerticalAxisGroup #'staff-affinity = #DOWN
+ \override VerticalAxisGroup #'nonstaff-relatedstaff-spacing #'padding = #2
+ \override VerticalAxisGroup #'nonstaff-unrelatedstaff-spacing #'padding = #5
+ \override TextSpanner #'breakable = ##t
+ }
+ \context {
+ \Score
+ \accepts "MarkLine"
+ }
+ \context {
+ \Orchestra
+ \accepts "MarkLine"
+ }
+ \context {
+ \StaffGroup
+ \accepts "MarkLine"
+ }
+}
+
+%% layout to produce a smaller markline
+%% put before 1st violin part
+\layout {
+ \context {
+ \MarkLine
+ \name "SmallMarkLine"
+ \override MetronomeMark #'outside-staff-priority = #800
+ \override RehearsalMark #'outside-staff-priority = #1200
+ }
+ \context {
+ \Score
+ \accepts SmallMarkLine
+ }
+ \context {
+ \Orchestra
+ \accepts SmallMarkLine
+ }
+ \context {
+ \StaffGroup
+ \accepts SmallMarkLine
+ }
+}
+
+modern =
+#`(Staff ,(make-accidental-rule 'same-octave 0)
+ ,(make-accidental-rule 'any-octave 0)
+ ,(make-accidental-rule 'same-octave 1))
+
+\layout {
+ \context {
+ \Score
+ autoAccidentals = #modern
+ autoCautionaries = #modern
+ }
+}
+
+ marks = \relative c' {
+ \set markFormatter = #format-mark-box-numbers
+ \tempo \presto 4.=112
+\set Score.currentBarNumber = #11
+ s2.*4 |
+ s1*9/8 |
+ }
+
+ piccolo = \relative c'''' {
+ \clef treble \key ees \minor \time 6/8
+ \transposition c''
+ R2.
+ ges,16(\mf\< ees c ees ges bes) c( bes ges bes c ees) |
+ ges8-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ flutes = \relative c'''' {
+ \clef treble \key ees \minor \time 6/8
+ R2.
+ <ges, c,>16(\mf\< <ees bes> <c ges> <ees bes> <ges c,> <bes ees,>) <c ges>( <bes ees,> <ges c,> <bes ees,> <c ges> <ees bes>) |
+ <ges c,>8-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ oboes = \relative c''' {
+ \clef treble \key ees \minor \time 6/8
+ R2. |
+ <ges, c,>4(\mf\< <bes ees,>8 <c ges>4 <ees bes>8) |
+ <ges c,>-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ clarinets = \relative c' {
+ \clef treble \key f \minor \time 6/8
+ \transposition bes
+ <aes' d,>4(\p\< <c f,>8) <d aes>4( <f c>8) |
+ <aes d,>4( <c f,>8) <d aes>4( <f c>8) |
+ <aes d,>-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ bassoons = \relative c, {
+ \clef bass \key ees \minor \time 6/8
+ <ees bes'>4.\pp\< c'^"a2" |
+ bes8-. bes-. bes-. ges-. ges-. ges-. |
+ ees-.->\!\ff \offCr <ees bes'>4\pp ~ <ees bes'>4. ~ | <ees bes'>2. |
+ \time 9/8
+ ges4\p^"I" aes8 aes ees ges ges4 aes16( ges) |
+ }
+
+ hornI = \relative c'' {
+ \clef treble \key bes \minor \time 6/8
+ \transposition f
+ r4 r8 <f bes,>4.\p\< ~ |
+ <f bes,>8-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. |
+ <f bes,>-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ r4 r8 <b, g>2.\pp |
+ }
+
+ hornII = \relative c'' {
+ \clef treble \key bes \minor \time 6/8
+ \transposition f
+ \moltocr <des g,>2.\pp\< ~ |
+ <des g,>8-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. |
+ <f bes,>-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ <f, des>2.\pp <f des>4. ~ |
+ }
+
+ trumpetI = \relative c''' {
+ \clef treble \key f \minor \time 6/8
+ \transposition bes
+R2. |
+ r4 r8 <aes f>-.\f\< <aes f>-. <aes f>-. |
+ <c aes>-.->\!\ff r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ trumpetII = \relative c'' {
+ \clef treble \key f \minor \time 6/8
+ \transposition bes
+R2. |
+ r8 d-.\mf\< d-. d-. d-. d-. |
+ d-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ trombones = \relative c' {
+ \clef tenor \key ees \minor \time 6/8
+ r4 r8 <ges c>4.\mp\< ~ |
+ <ges c>8-. <ges c>-. <ges c>-. <ges c>-. <ges c>-. <ges c>-. |
+ <ges c>-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ tuba = \relative c,, {
+ \clef bass \key ees \minor \time 6/8
+ <ees' ees'>4.(\pp\< <c c'> |
+ <bes bes'>8-.) <bes bes'>-. <bes bes'>-. <ges ges'>-. <ges ges'>-. <ges ges'>-. |
+ <ees ees'>-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ timpani = \relative c {
+ \clef bass \key ees \minor \time 6/8
+ ees8\< ees ees ees ees ees |
+ bes bes bes bes bes bes |
+ ees,->\!\f \offCr ees'\pp ees ees ees ees |
+ ees ees ees ees ees ees |
+ \time 9/8
+ ees r r r4 r8 r4 r8 |
+ }
+
+ trian = \relative c' {
+ \clef percussion \time 6/8
+ R2.*4 |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ cym = \relative c' {
+ \clef percussion \time 6/8
+ R2.*4 |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ tamt = \relative c' {
+ \clef percussion \time 6/8
+R2. |
+ r4 r8 r c4\mf\<^"*" ~ |
+ c8\!\ff r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ tamb = \relative c' {
+ \clef percussion \time 6/8
+ R2.*4 |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ snare = \relative c' {
+ \clef percussion \time 6/8
+ R2.*4 |
+ \time 9/8
+ c8\pp c c c c c c c c |
+ }
+
+ bsdrum = \relative c' {
+ \clef percussion \time 6/8
+ c2.:32\pp\< ~ | c: ~ |
+ c8\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ c2.:32\pp ~ c4.: |
+ }
+
+ harprh = \relative c'' {
+ \clef treble \key ees \minor \time 6/8
+ \showStaffSwitch
+ R2.*4_\markup { \harp-pedal #"--^|^^^^" } |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ harplh = \relative c {
+ \clef bass \key ees \minor
+ \showStaffSwitch
+ R2.*4 |
+ R1*9/8 |
+ }
+
+ dynamics = {
+ s2.*4 |
+ s1*9/8 |
+ }
+
+
+ violinI = \relative c'''' {
+ \clef treble \key ees \minor \time 6/8
+ ges,,16(\pp\< ees c ees ges bes) c( bes ges bes c ees) |
+ ges( ees c ees ges bes) c( bes ges bes c ees) |
+ ges8-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ R1*9/8 |
+ }
+
+ violinII = \relative c''' {
+ \clef treble \key ees \minor \time 6/8
+ c,,16(\pp\< bes ges bes c ees) ges( ees c ees ges bes) |
+ c( bes ges bes c ees) ges( ees c ees ges bes) |
+ c8-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ r4 r8 \repeat tremolo 6 { c,,32->\pp^\pont e } r4 r8 |
+ }
+
+ viola = \relative c {
+ \clef alto \key ees \minor \time 6/8
+ <ees bes'>8-.\pp\< <ees bes'>-. <ees bes'>-. <ges c>-. <ges c>-. <ges c>-. |
+ <bes ees>-. <bes ees>-. <bes ees>-. <c ges'>-. <c ges'>-. <c ges'>-. |
+ <ees bes'>-.->\!\ff \offCr r r r4 r8 | R2. |
+ \time 9/8
+ \repeat tremolo 12 { ges,32->^\pont bes } \repeat tremolo 6 {ges->( bes) } |
+ }
+
+ cello = \relative c {
+ \clef bass \key ees \minor \time 6/8
+ <c ges'>8-.\pp\< <c ges'>-. <c ges'>-. <bes ees>-. <bes ees>-. <bes ees>-. |
+ <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. |
+ <bes ges'>8-.->\!\ff \offCr <c ges'>-.\pp <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. |
+ <c ges'>-. r r r4 r8 |
+ \time 9/8
+ \repeat tremolo 12 <c ges'>32(^\pont \repeat tremolo 12 <cis g'> \repeat tremolo 12 <c ges'>) |
+ }
+
+ contrabass = \relative c {
+ \clef bass \key ees \minor \time 6/8
+ \transposition c
+ <ees bes'>8-.\pp\< ees-. ees-. c-. c-. c-. |
+ bes-. bes-. ges-. ges-. ges-. ges-. |
+ ees-.->\!\ff \offCr <ees' bes'>-.\pp <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. |
+ <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. |
+ \time 9/8
+ <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. |
+ }
+
+ #(set-global-staff-size 10)
+
+ \score {
+ \new Orchestra = "orchestra" <<
+ \set Score.skipBars = ##f
+ \new MarkLine { \marks }
+ \new StaffGroup = "woodwind" <<
+ \new SquareStaff = "picc fl" <<
+ \new Staff = "piccolo" {
+ \set Staff.instrumentName = "Piccolo"
+ \set Staff.shortInstrumentName = "Picc."
+ \piccolo
+ }
+ \new Staff = "flutes" {
+ \set Staff.instrumentName = "Flutes I & II"
+ \set Staff.shortInstrumentName = "Fl."
+ \flutes
+ }
+ >>
+ \new Staff = "oboes" {
+ \set Staff.instrumentName = "Oboes I & II"
+ \set Staff.shortInstrumentName = "Ob."
+ \oboes
+ }
+ \new Staff = "clarinets" {
+ \set Staff.instrumentName = \markup {
+ \column { \line { "Clarinets I & II" }
+ \line { "in B" \smaller \flat } } }
+ \set Staff.shortInstrumentName = "Cl."
+ \clarinets
+ }
+ \new Staff = "bassoons" {
+ \set Staff.instrumentName = "Bassoons I & II"
+ \set Staff.shortInstrumentName = "Bn."
+ \bassoons
+ }
+ >>
+ \new StaffGroup = "brass" <<
+ \new SquareStaff = "horns" <<
+ \new Staff = "hornsI" {
+ \set Staff.instrumentName = \markup {
+ \column { \line { "Horns I & II" }
+ \line { "in F" } } }
+ \set Staff.shortInstrumentName = "Hn. I & II"
+ \hornI
+ }
+ \new Staff = "hornsII" {
+ \set Staff.instrumentName = \markup {
+ \column { \line { "Horns III & IV" }
+ \line { "in F" } } }
+ \set Staff.shortInstrumentName = "Hn. III & IV"
+ \hornII
+ }
+ >>
+ \new SquareStaff = "trumpets" <<
+ \new Staff = "trumpetI" {
+ \set Staff.instrumentName = \markup {
+ \column { \line { "Trumpets I & II" }
+ \line { "in B" \smaller \flat } } }
+ \set Staff.shortInstrumentName = "Tp. I & II"
+ \trumpetI
+ }
+ \new Staff = "trumpetII" {
+ \set Staff.instrumentName = \markup {
+ \column { \line { "Trumpet III" }
+ \line { "in B" \smaller \flat } } }
+ \set Staff.shortInstrumentName = "Tp. III"
+ \trumpetII
+ }
+ >>
+ \new SquareStaff = "trombones" <<
+ \new Staff = "trombones 1 & 2" {
+ \set Staff.instrumentName = "Trombones I & II"
+ \set Staff.shortInstrumentName = "Tb. I & II"
+ \trombones
+ }
+ \new Staff = "tuba" {
+ \set Staff.instrumentName = "Bass trombone & Tuba"
+ \set Staff.shortInstrumentName = "Btb. & Tu."
+ \tuba
+ }
+ >>
+ >>
+ \new Staff = "timpani" {
+ \set Staff.instrumentName = "Timpani in A, D & E"
+ \set Staff.shortInstrumentName = "Tim."
+ \timpani
+ }
+ \new GrandStaff = "drums" <<
+ \new RhythmicStaff = "triangle" {
+ \set RhythmicStaff.instrumentName = "Triangle"
+ \set RhythmicStaff.shortInstrumentName = "Tri."
+ \trian
+ }
+ \new RhythmicStaff = "cymbals" {
+ \set RhythmicStaff.instrumentName = "Suspended cymbal"
+ \set RhythmicStaff.shortInstrumentName = "Susp. cym."
+ \cym
+ }
+ \new RhythmicStaff = "tamtam" {
+ \set RhythmicStaff.instrumentName = "Tamtam"
+ \set RhythmicStaff.shortInstrumentName = "Tamt."
+ \tamt
+ }
+ \new RhythmicStaff = "tambourine" {
+ \set RhythmicStaff.instrumentName = "Tambourine"
+ \set RhythmicStaff.shortInstrumentName = "Tamb."
+ \tamb
+ }
+ \new RhythmicStaff = "snare" {
+ \set RhythmicStaff.instrumentName = "Snare drum"
+ \set RhythmicStaff.shortInstrumentName = "Sn."
+ \snare
+ }
+ \new RhythmicStaff = "bass drum" {
+ \set RhythmicStaff.instrumentName = "Bass drum"
+ \set RhythmicStaff.shortInstrumentName = "Bd."
+ \bsdrum
+ }
+ >>
+ \new PianoStaff = "harp" <<
+ \set PianoStaff.instrumentName = "Harp"
+ \set PianoStaff.shortInstrumentName = "Hrp."
+ \set PianoStaff.connectArpeggios = ##t
+ \new Staff = "rh" { \harprh }
+ \new Dynamics { \dynamics }
+ \new Staff = "lh" { \harplh }
+ >>
+ \new SmallMarkLine { \marks }
+ \new StaffGroup = "strings" <<
+ \new SquareStaff = "violins" <<
+ \new Staff = "violin I" {
+ \set Staff.instrumentName = "Violin I"
+ \set Staff.shortInstrumentName = "Vn. I"
+ \violinI
+ }
+ \new Staff = "violin II" {
+ \set Staff.instrumentName = "Violin II"
+ \set Staff.shortInstrumentName = "Vn. II"
+ \violinII
+ }
+ >>
+ \new Staff = "viola" {
+ \set Staff.instrumentName = "Viola"
+ \set Staff.shortInstrumentName = "Vl."
+ \viola
+ }
+ \new SquareStaff = "Cello and Bass" <<
+ \new Staff = "violoncello" {
+ \set Staff.instrumentName = "Violoncello"
+ \set Staff.shortInstrumentName = "Vc."
+ \cello
+ }
+ \new Staff = "contrabass" {
+ \set Staff.instrumentName = "Contrabass"
+ \set Staff.shortInstrumentName = "Cb."
+ \contrabass
+ }
+ >>
+ >>
+ >>
+ \layout {
+ \context {
+ \Score
+ \remove "Mark_engraver"
+ \remove "Metronome_mark_engraver"
+ }
+ \context {
+ \Staff \RemoveEmptyStaves
+ }
+ }
+ }
--- /dev/null
+%%% G.F Haendel, Giulio Cesare in Egitto
+%%% Act I, scene IV
+%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
+%%%
+%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
+
+\version "2.14.0"
+\include "sesto.ily"
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Lead sheet
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\book {
+ \paper {
+ #(layout-set-staff-size 14)
+ }
+ \score {
+ \new StaffGroupNoBar <<
+ \new StaffGroupNoBracket <<
+ \new Staff <<
+ \set Staff.instrumentName = "Violino I."
+ \global \clef treble \keepWithTag #'violin \violinoI
+ >>
+ \new Staff <<
+ \set Staff.instrumentName = "Violino II."
+ \global \clef treble \keepWithTag #'violin \violinoII
+ >>
+ >>
+ \new Staff <<
+ \new Voice = "sesto" \with { autoBeaming = ##f } <<
+ \set Staff.instrumentName = \markup \smallCaps Sesto.
+ \global \clef treble \sesto
+ >>
+ \lyricsto "sesto" \new Lyrics \sestoLyrics
+ >>
+ \new Staff <<
+ \set Staff.instrumentName = "Bassi."
+ \global \clef bass \bassi
+ >>
+ >>
+ \layout {
+ indent = 20\mm
+ \context {
+ \Score
+ \accepts "StaffGroupNoBar"
+ skipBars = ##t
+ }
+ \context {
+ \StaffGroup
+ \name StaffGroupNoBar
+ \description "Like StaffGroup, but without spanbar"
+ \remove "Span_bar_engraver"
+ \accepts "StaffGroupNoBracket"
+ }
+ \context {
+ \StaffGroup
+ \name StaffGroupNoBracket
+ \description "Like StaffGroup, but without brackets"
+ \remove "System_start_delimiter_engraver"
+ }
+ }
+% \midi { }
+ }
+}
--- /dev/null
+%%% G.F Haendel, Giulio Cesare in Egitto
+%%% Act I, scene IV
+%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
+%%%
+%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
+
+\version "2.14.0"
+\include "sesto.ily"
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Reduction
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\book {
+ \header { instrument = "Vocal part and keyboard reduction" }
+ \paper {
+ #(layout-set-staff-size 16)
+ }
+ \score {
+ <<
+ \new Staff <<
+ \new Voice = "sesto" \with { autoBeaming = ##f } <<
+ \set Staff.instrumentName = \markup \smallCaps Sesto.
+ \global \clef treble \sesto
+ >>
+ \lyricsto "sesto" \new Lyrics \sestoLyrics
+ >>
+ \new PianoStaff <<
+ \new Staff <<
+ \global \clef treble
+ \partcombine \keepWithTag #'reduction \violinoI \keepWithTag #'reduction \violinoII
+ >>
+ \new Staff <<
+ \global \clef bass \bassi
+ >>
+ >>
+ >>
+ \layout {
+ indent = 20\mm
+ \context { \Voice printPartCombineTexts = ##f }
+ }
+ }
+}
--- /dev/null
+%%% G.F Haendel, Giulio Cesare in Egitto
+%%% Act I, scene IV
+%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
+%%%
+%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
+
+\version "2.14.0"
+\include "sesto.ily"
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Violino I
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\book {
+ \header { instrument = "Violino I" }
+ \paper {
+ #(layout-set-staff-size 18)
+ }
+ \score {
+ \new Staff <<
+ \global \clef treble \keepWithTag #'violin \violinoI
+ >>
+ \layout { indent = 5\mm }
+ }
+}
--- /dev/null
+%%% G.F Haendel, Giulio Cesare in Egitto
+%%% Act I, scene IV
+%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
+%%%
+%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
+
+\version "2.12.2"
+\header {
+ title = "Giulio Cesare in Egitto"
+ subtitle = "Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)"
+ composer = "G.F Handel"
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Notes and lyrics
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+sesto = {
+ R1*6 |
+ r4 r8 g' c'' ees''16[ d''] c''8 c'' |
+ c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c'' b'16[ c''] d''8 g' |
+
+%{
+ %%10
+ f'4 r8 d'' ees'' d''16[ c''] b'4 |
+ c'' r8 c'' c''8. c'16 c'4 |
+ r r8 c'' aes' c''16[ bes'] aes'8 g' |
+ f' f' r4 bes'8 bes'16 aes' g'8 f' |
+ ees' ees' r ees'' ees'' d''16[ ees''] f''8 bes' |
+ %%15
+ aes'4. bes'8 g' ees'' f'4 |
+ ees' r8 ees'' ees''8. ees'16 ees'4 |
+ r r8 c'' c''8. c'16 c'4 |
+ r r8 c'' c'' d''16[ ees''] f''8 ees'' |
+ d'' bes' r4 bes'8 c''16 d'' ees''8 d'' |
+ %%20
+ c'' c'' r c'' f' f''16[ ees''] d''8 c'' |
+ b'16[ a'] g'8 r4 ees''8 ees''16 d'' c''8 bes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4 r8 d'' ees'' d''16[ c''] b'4 |
+ %%25
+ c'' r8 g' c'' g' ees' g' |
+ c'4 r8 g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4 r8 g'' ees'' d''16[ c''] b'4 |
+ c''2 r |
+ %%30
+ R1*5 |
+%}
+}
+
+sestoLyrics = \lyricmode {
+ Sve -- glia -- te -- vi nel co -- re,
+ fu -- rie "d'un" al -- "ma of" -- fe -- sa,
+%{
+ a far "d'un" tra -- di -- tor a -- spra ven -- det -- ta!
+ sve -- glia -- te -- vi,
+ sve -- glia te -- vi nel co -- re,
+ fu -- rie d'un al -- "ma of" -- fe -- sa,
+ a far "d'un" tra -- di -- tor as -- pra ven -- det -- ta,
+ sve -- glia -- te -- vi,
+ sve -- glia -- te -- vi,
+ sve -- glia -- te -- vi nel co -- re,
+ fu -- rie d'un al -- "ma of" -- fe -- sa,
+ sve -- glia -- te -- vi nel co -- re,
+ fu -- rie d'un al -- "ma of" -- fe -- sa,
+ a far d'un tra -- di -- tor, __
+ d'un tra -- di -- tor as -- spra ven -- det -- ta,
+ a far d'un tra -- di -- tor,
+ a far d'un tra -- di -- tor, __
+ d'un tra -- di -- tor as -- pra ven -- det -- ta!
+%}
+}
+
+violinoI = {
+ r4 r8 g' c'' ees''16 d'' c''8 c'' |
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
+ f'4. d''8 ees'' d''16 c'' b'4 |
+ %%5
+ c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ c'' g'' f'' g'' ees'' g'' f'' g'' aes''8 g''16 f'' f''4^\trill |
+ ees'' r8 g'_\p c'' ees''16 d'' c''8 c'' |
+ c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c'' b'16 c'' d''8 g' |
+%{
+ %%10
+ f'4 r8 d'' ees'' d''16 c'' b'4 |
+ c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ ees'' g'' f'' g'' ees'' g'' f'' g'' aes''8 aes' r4 |
+ d''16 f'' ees'' f'' d'' f'' ees'' f'' g''8 g' r4 |
+ ees'16 g' f' g' ees'8 ees'' ees'' d''16 ees'' f''8 bes' |
+ %%15
+ aes'4. bes'8 g' ees'' d''4 |
+ ees''16 bes'' aes'' bes'' g'' bes'' aes'' bes'' g'' bes'' aes'' bes'' g'' bes'' aes'' bes'' |
+ g'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ ees'' g'' f'' g'' ees'' g'' f'' g'' aes'' c'' c'' bes' aes' c'' bes' c'' |
+ d'' f'' ees'' f'' d'' f'' ees'' f'' g'' bes' bes' aes' g' bes' aes' bes' |
+ %%20
+ c'' ees'' ees'' f'' g'' ees'' f'' g'' aes'' f'' g'' ees'' f'' d'' ees'' c'' |
+ \tag #'violin { g'' g' g'' g'' } \tag #'reduction { g'' d'' g'' g'' } g'' b' g'' g'' g'' f'' ees'' d'' c''8 bes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
+ %%25
+ c'''16 ees''' d''' ees''' c''' ees''' d''' ees''' g'' c''' b'' c''' g'' c''' b'' c''' |
+ ees'' g'' f'' g'' ees'' g'' f'' g'' \tag #'violin { aes'8 f' } \tag #'reduction { c''8 aes' } d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4^\fermata r r2 |
+ r4 r8 c'_\f c'' ees''16 d'' c''8 c'' |
+ %%30
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ c''16 g'' f'' g'' ees'' g'' f'' g'' c'' g'' f'' g'' ees'' g'' f'' g'' |
+ b'8 c''16 d'' ees''8 d'' c''4^\fermata r
+%}
+}
+
+violinoII = {
+ r4 r8 g' c'' ees''16 d'' c''8 c'' |
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
+ f'4. d''8 ees'' d''16 c'' b'4 |
+ %%5
+ c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ c'' ees'' d'' ees'' c'' ees'' d'' ees'' d''8[ ees''] ees'' d'' |
+ ees''4 r8 g' c'' ees''16 d'' c''8 c'' |
+ c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c'' b'16 c'' d''8 g' |
+%{
+ %%10
+ f'4 r8 d'' ees'' d''16 c'' b'4 |
+ c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ c'' ees'' d'' ees'' c'' ees'' d'' ees'' f''8 f' r4 |
+ bes'16 d'' c'' d'' bes' d'' c'' d'' ees''8 ees' r4 |
+ c'16 ees' d' ees' c'8 ees'' ees'' d''16 ees'' f''8 bes' |
+ %%15
+ aes'4. bes'8 g' ees'' d''4 |
+ ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ ees'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ c'' ees'' d'' ees'' c'' ees'' d'' ees'' f'' aes' aes' g' f' aes' g' aes' |
+ bes' d'' c'' d'' bes' d'' c'' d'' ees'' g' g' f' ees' g' f' g' |
+ %%20
+ aes' c'' c'' d'' ees'' c'' d'' ees'' f'' d'' ees'' c'' d'' b' c'' a' |
+ \tag #'violin { b' d' d' b' } \tag #'reduction { b' g' d'' b' } b' g' b' d'' g'' f'' ees'' d'' c''8 bes' |
+ d' ees' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
+ %%25
+ ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ g' ees'' d'' ees'' c'' ees'' d'' ees'' \tag #'violin { c''8 aes' } \tag #'reduction { aes'8 f' } f' d' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4^\fermata r r2 |
+ r4 r8 c' c'' ees''16 d'' c''8 c'' |
+ %%30
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ d'8 ees'16 f' g'8 b' c''4^\fermata r
+%}
+}
+
+bassi = {
+ c4 r8 g c' ees'16 d' c'8 c' |
+ c' c r g aes f bes bes, |
+ ees ees, r c ees c g ees |
+ aes f d' b c' f g g, |
+ %%5
+ c4 r c'8 c bes bes, |
+ aes aes, g g, f ees bes bes, |
+ ees4 r r r8 c_\p |
+ c' ees'16 d' c'8 bes aes f bes bes, |
+ ees ees, r c ees c g ees |
+%{
+ %%10
+ aes f d' b c' f g g, |
+ c4 r r r8 c' |
+ c'8. c16 c4 r8 f d ees |
+ bes bes, r bes g aes bes g |
+ c' c c' bes16 aes g8 ees bes g |
+ %%15
+ c' c d bes, ees g bes bes, |
+ ees4 r r r8 ees' |
+ ees'8. ees16 ees4 r r8 c' |
+ c'8. c16 c8 c' aes f r f |
+ bes bes, bes, bes g ees r ees |
+ %%20
+ aes aes, g g, f f, r f |
+ g g, r4 c'8 g aes g |
+ f ees r4 r r8 g, |
+ aes, f, d b, aes f d' b |
+ c'4 r8 b c' f g g, |
+ %%25
+ c' g c g, c,4 r |
+ c'8 g c c' f4 r8 g, |
+ aes, f, d b, aes f d' b |
+ c'4 r8 b c' f g g, |
+ c4 r8 c_\f c' ees'16 d' c'8 c' |
+ %%30
+ c' c r g aes f bes bes, |
+ ees g ees c f,4 r8 g, |
+ aes, f, d b, aes f d' b |
+ c' c bes bes, aes aes, g g, |
+ f c g g, c4^\fermata r
+%}
+}
+
+global = {
+ \key c \minor
+ \set Score . tempoWholesPerMinute = #(ly:make-moment (/ 80 4) 1 0 1)
+ \time 4/4
+%s1*34 \bar "|."
+}
--- /dev/null
+\version "2.15.10"
+
+#(set-global-staff-size 22.45)
+
+#(define (glissando::calc-extra-dy grob)
+ (let* ((original (ly:grob-original grob))
+ (left-bound (ly:spanner-bound original LEFT))
+ (right-bound (ly:spanner-bound original RIGHT))
+ (left-pitch (ly:event-property (event-cause left-bound) 'pitch))
+ (right-pitch (ly:event-property (event-cause right-bound) 'pitch)))
+
+ (if (and (= (ly:pitch-octave left-pitch) (ly:pitch-octave right-pitch))
+ (= (ly:pitch-notename left-pitch) (ly:pitch-notename right-pitch)))
+ (- (ly:pitch-alteration right-pitch) (ly:pitch-alteration left-pitch))
+ 0 )))
+
+% Hide fret number: useful to draw slide into/from a casual point of
+% the fretboard.
+hideFretNumber = {
+ \once \override TabNoteHead #'transparent = ##t
+ \once \override TabNoteHead #'whiteout = ##f
+ \once \override NoteHead #'transparent = ##t
+ \once \override Stem #'transparent = ##t
+ \once \override Flag #'transparent = ##t
+ \once \override NoteHead #'no-ledgers = ##t
+}
+
+\paper {
+ indent= #0
+ line-width= #180
+}
+
+upper= \relative c' {
+ \time 4/4
+ \key e \major
+ \set Staff.midiInstrument = #"acoustic guitar (steel)"
+ \set fingeringOrientations = #'(left)
+
+ \partial 4. \acciaccatura c16 \glissando cis8 e4
+ < cis-1 g'-3 >2 s8 \grace a16 ( \glissando < b-2 >8\3 ) < d-1 > ( b )
+ < e-3 >\2 ( <d-1> b ) \grace < ais-2 >16 ( \glissando a8 g ) s4.
+ s4. < d'\3 g\2 >8 < gis,\4 d'\3 fis\2 >2\arpeggio ~
+ < gis\4 d'\3 fis\2 >2 < b'\2\harmonic e\harmonic >2\fermata
+}
+
+lower= \relative c {
+ \set fingeringOrientations = #'(left)
+
+ \partial 4. s4.
+ s4 e,4 s2
+ s2 s8 < e'-3 >4. ~
+ e4 \hideFretNumber \grace { b8 \glissando s4 } < e-2 >4\5 e,2 ~
+ e2 < e'\6\harmonic >
+}
+
+\score {
+ \new StaffGroup <<
+ \new Staff = "guitar" <<
+ \context Voice = "upper guitar" {
+ \clef "G_8" \voiceOne
+ \override Glissando #'gap = #0.5
+ \override Glissando #'extra-offset = #'(-0.5 . 0)
+ \override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
+ \override Glissando #'minimum-length = #4
+ \override Glissando #'extra-dy = #glissando::calc-extra-dy
+ \upper
+ }
+ \context Voice = "lower guitar" {
+ \clef "G_8" \voiceTwo
+ \override Glissando #'bound-details #'right #'padding = #1
+ \override Glissando #'bound-details #'left #'padding = #0.2
+ \lower
+ }
+ >>
+ \new TabStaff = "tab" <<
+ \context TabVoice = "upper tab" { \clef "moderntab" \voiceOne \upper }
+ \context TabVoice = "lower tab" { \clef "moderntab" \voiceTwo \lower }
+ >>
+ >>
+
+ \layout {
+ \context {
+ \Staff
+ \override StringNumber #'transparent = ##t
+ }
+ \context {
+ \TabStaff
+ \revert Arpeggio #'stencil
+ }
+ }
+}
--- /dev/null
+\version "2.14.0"
+\include "example-header.ily"
+
+#(ly:set-option 'point-and-click #f)
+
+global = {
+ \time 4/4
+ \numericTimeSignature
+ \key c \major
+ #(set-global-staff-size 24)
+}
+
+cf = \relative c {
+ \clef bass
+ \global
+ c4 c' b a |
+ g a f d |
+ e f g g, |
+ c1
+}
+
+upper = \relative c'' {
+ \global
+ r4 s4 s2 |
+ s1*2 |
+ s2 s4 s
+ \bar "||"
+}
+
+bassFigures = \figuremode {
+ s1*2 | s4 <6> <6 4> <7> | s1
+}
+
+\markup { "Exercise 3: Write 8th notes against the given bass line." }
+
+\score {
+ \new PianoStaff <<
+ \new Staff {
+ \context Voice = "added voice" \with {
+ \consists "Balloon_engraver"
+ }
+ \upper
+ }
+
+ \new Staff = lower {
+ <<
+% \context Voice = "cantus firmus" \with {
+% \consists "Balloon_engraver"
+% }
+ \context Staff = lower \cf
+ \new FiguredBass \bassFigures
+ >>
+ }
+ >>
+ \layout {}
+ %{\midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }%}
+}
LOCALSTEPMAKE_TEMPLATES = ly
-SUBDIRS = ly-examples server
+SUBDIRS = server
include $(depth)/make/stepmake.make
#OUT_BIB_FILES = $(addprefix $(outdir)/, $(BIB_FILES))
+++ /dev/null
-depth=../../..
-LOCALSTEPMAKE_TEMPLATES=lilypond ly
-include $(depth)/make/stepmake.make
-
-LILYPOND_PREVIEW = $(LILYPOND_BINARY) -dpreview -dresolution=150
-
-OUT_PNG_FILES = $(LY_FILES:%.ly=$(outdir)/%.png)
-OUT_PNG_PAGES = $(PNG_PAGES:%=$(outdir)/%.png)
-
-OUT_SMALL_PNG_FILES = $(OUT_PNG_FILES:%.png=%-small.png)
-
-ifeq ($(out),www)
-all: $(OUT_PNG_FILES) $(OUT_SMALL_PNG_FILES)
-endif
-
-$(outdir)/%.png: %.ly
- $(LILYPOND_PREVIEW) -o $(outdir) $<
- mv $(outdir)/$*.preview.png $@
-
-$(outdir)/%-small.png: $(outdir)/%.png
- pngtopnm $< | pnmscale -w=600 | pnmtopng > $@
-
+++ /dev/null
-\version "2.14.0"
-\include "example-header.ily"
-
-#(set-global-staff-size 15)
-
-\include "gregorian.ly"
-
-\score {
- <<
- \new VaticanaVoice = "cantus" {
- \clef "vaticana-do3"
- % Verse 1 — Salve, Regína
- a\melisma \[ a \flexa g \pes a\melismaEnd \] d
- \divisioMinima
- \[ a\melisma \flexa g\melismaEnd \]
- \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
- \[ e\melisma \flexa d\melismaEnd \]
- \divisioMaior
- c d \[d\melisma \flexa c\melismaEnd \] d
- \[ e\melisma \pes f\melismaEnd\] g
- \[d\melisma \pes e \flexa c\melismaEnd \] d
- \finalis
- % Verse 2 — Vita, dulcédo
- % a\melisma \[ a \flexa g \pes a\melismaEnd \] d
- % \divisioMinima
- % \[ a\melisma \flexa g\melismaEnd \]
- % \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
- % \[ e\melisma \flexa d\melismaEnd \]
- % \divisioMaior
- % c d \[e\melisma \pes f\melismaEnd \] g
- % \[d\melisma \pes e \flexa c\melismaEnd \] d
- % \finalis
- % Verse 3 — Ad te clamámus
- \[ d\melisma \pes f\melismaEnd\] a g
- \[ g\melisma \flexa f \pes a\melismaEnd\] e
- \divisioMaior
- g f \[ e\melisma \flexa d \pes g\melismaEnd \]
- \divisioMinima
- c d \[ e\melisma \flexa d \pes g\melismaEnd \]
- \[ f\melisma \flexa e\melismaEnd \] d
- \finalis
- % Verse 4 — Ad te suspirámus
- \[ d\melisma \pes f\melismaEnd \] a c' g
- \[ g\melisma \flexa f \pes g\melismaEnd \] a
- \divisioMaior
- d \[ f\melisma \pes \deminutum g\melismaEnd \] g d
- \[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \]
- c \divisioMaior
- d \[ d\melisma \flexa c \pes f\melismaEnd \]
- \[ g\melisma \pes a\melismaEnd \]
- g \[ f\melisma \flexa e\melismaEnd \] g
- \[ f\melisma \flexa \deminutum e\melismaEnd \]
- \[ d\melisma \flexa c \pes d\melismaEnd \]
- \finalis
- % Verse 5 — Eia ergo, Advocáta nostra
- f\melisma \[ f \pes g\melismaEnd \] f
- \[ g\melisma \pes \deminutum a\melismaEnd \] a
- \divisioMinima
- c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a
- \divisioMaior
- d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a
- \divisioMinima
- d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g
- \[ d\melisma \pes e\melismaEnd \] f
- \[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \]
- \divisioMaior
- \[ c\melisma \pes d\melismaEnd \]
- f \[ g\melisma \flexa \deminutum f\melismaEnd \]
- \[ d\melisma \flexa c \pes d\melismaEnd \] d
- \finalis
- % Verse 6 — Et Jesum
- d a, \[ c\melisma \pes d\melismaEnd \]
- \divisioMinima
- d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \]
- c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g
- \[ f\melisma \flexa e\melismaEnd \]
- \[ d\melisma \flexa c \pes d\melismaEnd \]
- \[ d\melisma \pes a \] \virga bes\melismaEnd a
- \divisioMinima
- \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f
- \[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \]
- \divisioMinima
- \[ e\melisma \pes f \flexa e\melismaEnd \] d d
- \finalis
- % Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María
- a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \]
- \[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a
- \finalis
- \[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \]
- \[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \]
- \finalis
- \[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \]
- \divisioMinima
- \[ d \pes e f \pes g\melismaEnd \]
- \[ g\melisma \flexa \deminutum f\melismaEnd \]
- \[ g\melisma \pes a\melismaEnd \]
- d c d \[ d\melisma \pes g \flexa f f\melismaEnd \]
- \[ e\melisma \flexa d\melismaEnd \]
- \finalis
- }
- \new Lyrics \lyricsto "cantus" {
- Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae:
- % Vi- ta, dul- cé- do, et spes no- stra, sal- ve.
- Ad te cla- má- mus, éx- su- les, fi- li- i He- vae.
- Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum
- val- le.
- E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des
- ó- cu- los ad nos con- vér- te.
- Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc
- ex- sí- li- um os- tén- de.
- O cle- mens:
- O pi- a:
- O dul- cis Vir- go Ma- rí- a.
- }
- >>
-}
-
-\layout {
- \context {
- \Staff
- \consists Custos_engraver
- }
-}
-
+++ /dev/null
-\version "2.14.0"
-\include "example-header.ily"
-
-\paper {
-% line-width=158\mm % produces 624 pixels
- line-width = 143\mm % reserve 15mm for incipit
-}
-
-% Aucun ont trouvé, from Montpellier Codex
-%
-% Put brackets in where the original has ligatures, using
-% "Analysis Brackets," and adjust the "bracket-flare" property
-% to make the ends vertical instead of slanted.
-
-#(set-global-staff-size 15)
-
-%%%%%%%%%%% INCIPIT DEFS %%%%%%%%%%
-
-incipitGlobal = {
- \override NoteHead #'style = #'mensural
- \override Accidental #'style = #'mensural
- \override KeySignature #'style = #'mensural
- \override Rest #'style = #'mensural
-% \override Staff.TimeSignature #'style = #'mensural
- \cadenzaOn
- \override Score.Clef #'extra-offset = #'(-0.0 . 0.5)
- \override Score.Clef #'font-size = #3
- \clef "vaticana-do1"
-}
-
-incipitTriplum = \markup{
- \score{
- {
- \set Staff.instrumentName="Triplum "
- \incipitGlobal
- s1.
- }
- \layout {
- %indent = 1\cm
- \context {\Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- \context {\Staff
- \remove "Time_signature_engraver"
- }
- line-width=5\mm
- }
- }
-}
-
-incipitMotetus = \markup{
- \score{
- {
- \set Staff.instrumentName="Motetus"
- \incipitGlobal
- s1.
- }
- \layout {
- % indent = 1\cm
- \context {\Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- \context {\Staff
- \remove "Time_signature_engraver"
- }
- line-width=5\mm
- }
- }
-}
-
-incipitTenor = \markup{
- \score{
- {
- \set Staff.instrumentName = "Tenor "
- \incipitGlobal
- s1.*2
- }
- \layout {
- %indent = 1\cm
- \context {\Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- \context {\Staff
- \remove "Time_signature_engraver"
- }
- line-width=5\mm
-}
-}
-}
-
-incipitBassus = \markup{
- \score{ {
- \set Staff.instrumentName = "Bassus "
- \override NoteHead #'style = #'neomensural
- \override Accidental #'style = #'neomensural
- \override Rest #'style = #'neomensural
- \override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
- \clef "petrucci-f3"
- \key f \major
- \time 3/2
- \relative c' {
- s1. % R1.*2
- }
- }
- \layout {
- \context { \Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- line-width=5\mm
- }
- }
-}
-
-%%%%%%%%%%% END INCIPIT DEFS %%%%%%%%%%%
-
-#(ly:set-option 'point-and-click #f)
-
-global = {
- \override Staff.TimeSignature #'stencil = #(lambda (grob)
- (bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1))
- \time 3/4
- \override Staff.BarLine #'transparent = ##t
- \override HorizontalBracket #'direction = #UP
- \override HorizontalBracket #'bracket-flare = #'(0 . 0)
-}
-
-%%%%%%%%% MACRO FOR MAKING SLASHES THROUGH STEMS %%%%%%%%%%
-MakeSlash = #(define-music-function (parser location angle len-left len-right
-thick y-factor offset)
- (number? number? number? number? number?
-pair?)
-#{
-\once \override Voice.Stem #'text = \markup {
- \postscript #(let ((x-off (car $offset))
- (y-off (cdr $offset)))
- (string-append
- (ly:number->string (car $offset)) " " (ly:number->string (cdr $offset)) "
-translate "
- (ly:number->string $angle) " rotate "
- (ly:number->string (- x-off)) " "
- (ly:number->string (- y-off)) " translate 0 setlinewidth "
- (ly:number->string (- x-off $len-left)) " " (ly:number->string (+ y-off
-$thick)) " moveto "
- (ly:number->string (- x-off $len-left)) " " (ly:number->string y-off)
- " " (ly:number->string $thick) "
-90 270 arc "
- (ly:number->string (+ x-off $len-right)) " " (ly:number->string y-off)
- " " (ly:number->string $thick) "
-270 90 arc "
- " gsave fill grestore stroke")) }
-
-\once \override Voice.Stem #'stencil = #(lambda (grob)
- (let* ((sten1 (ly:stem::print grob))
- (sten2 (ly:text-interface::print grob))
- (extent1 (ly:stencil-extent sten1 Y))
- (extent2 (ly:stencil-extent sten2 Y)))
- (ly:stencil-add
- sten1
- (ly:stencil-translate sten2
- (cons 0 (+ (* $y-factor (cdr extent1))
- (* (- 1 $y-factor) (car extent1))))))))
-#})
-
-
-slash = { \MakeSlash #20 #1.0 #1.1 #0.05 #0.75 #'(0 . -.5) }
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-triplumWords = \lyricmode {
- Au -- cun ont trou -- ve chant par u -- sa -- ge,
- mes a moi en doune o -- choi -- son __
- a -- mours, qui res -- bou -- dist mon cou -- ra -- ge
- si que m'ès -- tuet fai -- re _ chan -- _ _ çon
-}
-
-triplumNotes = \relative c' {
- \clef "treble_8"
- %\set Staff.midiInstrument = "flute"
-% \global
- \override StemTremolo #'beam-thickness = #.125
- \override StemTremolo #'slope = #1.0
- f8 f4 e8 d c f f f | % 1
- % the \scaleDurations command below makes 5 notes last the
- % duration of a dotted quarter
- e8 c4 \scaleDurations #'(3 . 2) { \times 4/5{e16[ d e d e]} } e8 f4 | % 2
- g2. ~ g4. | % 3
- f8 d4 f4. \scaleDurations #'(3 . 2) { \times 4/6{ g16[ f e f e f]}} % 4
- g8 g4 g4. e4. | % 5
- fis8 d4 e8\startGroup g4\stopGroup f8[ e d] | % 6
- c2. r4. | % 7
-}
-
-motetusWords = \lyricmode {
- lonc tans _ _ me fiu -- te -- nu de chan -- _ _ ter __
- mes or ai _ _
-}
-
-motetusNotes = \relative c' {
- \clef "treble_8"
- c2. c8\startGroup b8 \slash c\stopGroup | % 1
- a2. c4. | d2. e4. | % 2-3
- f2. f8 e d | % 4
- c2. ~ c4. | r2. r4. | % 5-6
- g'4. g g8 f e | % 7
-}
-
-
-tenorNotes = \relative c {
- \clef "treble_8"
- f2. | a2. | g2. | r2. | % 1-4
- c2. | b2. | c2. | % 5-7
-}
-
-\score {
- \new StaffGroup <<
- \new Staff = "triplum" <<
- %\set Staff.instrumentName = "Triplum"
- \set Staff.instrumentName = \incipitTriplum
- \set Staff.shortInstrumentName = "Tr."
- \set Staff.timeSignatureFraction = #'(9 . 8)
- \scaleDurations #'(2 . 3)
- \context Voice = "triplum" { \global \triplumNotes }
-% \scaleDurations #'(2 . 3)
-% \context Voice = "slashes" { \triplumSkips }
- \new Lyrics { \lyricsto "triplum" { \triplumWords }}
- >>
- \new Staff = "motetus" <<
- %\set Staff.instrumentName = "Motetus"
- \set Staff.instrumentName = \incipitMotetus
- \set Staff.shortInstrumentName = "M."
- \set Staff.timeSignatureFraction = #'(9 . 8)
- \scaleDurations #'(2 . 3)
- \context Voice = "motetus" { \global \motetusNotes }
- \new Lyrics { \lyricsto "motetus" { \motetusWords }}
- >>
- \new Staff = "tenor" {
- %\set Staff.instrumentName = "Tenor"
- \set Staff.instrumentName = \incipitTenor
- \set Staff.shortInstrumentName = "T."
- \global \tenorNotes
- }
- >>
- %\midi {}
- \layout {
- %\context {
- % \Staff \consists "Horizontal_bracket_engraver"
- %}
- \context {
- \Voice \consists "Horizontal_bracket_engraver"
- }
- }
-}
+++ /dev/null
-\version "2.14.0"
-%\include "example-header.ily"
-
-
-\header {
- mutopiatitle = "Jesu, meine Freude"
- mutopiacomposer = "BachJS"
- poet = "BWV 610"
- %mutopiaopus = "BWV 610"
- mutopiainstrument = "Organ"
- date = ""
- source = "Bach-Album, Ernst H. Wolfram (editor), 6787, C. F. Peters, Leipzig"
- style = "Baroque"
- copyright = "Public Domain"
- maintainer = "Urs Metzger"
- maintainerEmail = "urs@ursmetzger.de"
- lastupdated = "2006/Mar/15"
-
- title = "Jesu, meine Freude"
- composer = "Johann Sebastian Bach"
- %opus="BWV 610"
-
- footer = "Mutopia-2006/03/27-706"
- tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
-
-}
-
-\include "deutsch.ly"
-
-global = {
- \key c \minor
- \time 4/4
- #(set-accidental-style 'default)
-}
-
-halsup = {
- \stemUp
- \tieUp
-}
-
-halsdown = {
- \stemDown
- \tieDown
-}
-
-staffup = {
- \change Staff = "right" \halsdown
-}
-
-staffdown = {
- \change Staff = "left" \halsup
-}
-
-sopran = {
- \new Voice \relative g' {
- \global
- \halsup
- \repeat volta 2 {
- g4^\markup { \hspace #-4 \large "Largo" } g f es
- d2 c\fermata
- g'4 g a h
- c2 h\fermata
- %% Takt 5 ==============================================
- c8. d16 es4 d4. d8
- c1\fermata
- }
- g4 g as g
- f4. f8 es2\fermata
- g4 g a h
- %% Takt 10 =============================================
- c4 b! a2
- g1\fermata
- g4 g f es
- d2 c2\fermata \bar "|."
- }
-}
-
-alt = {
- \new Voice \relative es' {
- \global
- \halsdown
- \repeat volta 2 {
- es16 d es8~ es16 f es d c8 d~ d c
- c8 c4 h8 c8. \staffdown g16 \staffup c h c d
- es16 d es8~ es16 f es d c8 d16 es f as g f~
- f16 e f8~ f16 g f es d es d8~ d16 es f d
- %% Takt 5 ==============================================
- g8 f es16 g as es f es f d g as g f
- e8 f16 g as g as e f g f8~ f16 f es d
- }
- es16 d es8~ es16 f es des c8 \staffdown b~ b16 b c g
- as16 g as f b c b as g f g8~ g16 b \staffup c d
- es16 d es8~ es16 f es d c8 d16 es f as g f
- %% Takt 10 =============================================
- es16 d es8 d g~g g4 fis8
- g16 d es c \staffdown d h c a h a h c d h g h
- c16 h c \staffup d es d es8~ es d4 c8~
- c16 h c8~ c h c16 \staffdown g as8 g4\fermata
- }
-}
-
-tenor = {
- \new Voice \relative c' {
- \global
- \repeat volta 2 {
- c16 h c8~ c16 h c g a8 g~ g16 g as es
- f16 es f d g as g f es d \tieDown es8~ es16 \tieNeutral f es d
- c16 h c g' c h c c, f8. g16 as!4~
- as16 g as b c h c8 d8. c16 h c d h
- %% Takt 5 ==============================================
- es16 d es d~ d8 c~c c4 h8
- c4~ c8. b16 as b as8 g16 as g f
- }
- \halsdown es16 f g as b des c b as g f8~ f es
- es8 es4 d8 es8. b16 es d es f
- es16 f g8 c16 d c b a g f8~ f4
- %% Takt 10 =============================================
- g16 fis g a b a b g c b c a d es d c
- h8 c16 a h g a fis g8 d16 es f es f8~
- f16 d es h c h c8 r16 f g d es g as fis
- g16 d f! es f as g f e8. f16~ f d e8\fermata
- }
-}
-
-right = {
- \clef treble
- <<
- \alt
- \sopran
- >>
-}
-
-left = {
- \clef bass
- <<
- \tenor
- >>
-}
-
-pedal = {
- \global
- \clef "bass"
- \relative c {
- \repeat volta 2 {
- r8 c16 d es d es8~ es16 a, h g c h c8
- r16 g as f g f g8 c,2
- r8 c'16 d es d es8~ es16 c f es d c d8
- c8 f16 g as g as8~ as16 d, fis d g fis g8
- %% Takt 5 ==============================================
- r8 a16 h c h c8
- r16 g as f g f g8
- r16 g as e f e f8 r16 e f h, c h c8
- }
- r8 es16 f g f g8~ g16 c, d! b es d es8
- r16 b c as b as b8 es,2
- r8 c'16 d es d es8~ es16 c f es d c d8
- %% Takt 10 =============================================
- c8 es16 f! g fis g8 r16 d es c d c d8
- g,1
- c4 c,8 c'16 b! a8 h c16 h c8
- r16 g as fis g fis g8 c,2_\fermata
- }
-}
-
-\score {
- \new PianoStaff
- { \set PianoStaff.instrumentName = \markup { \large \center-column {
- "a" "" "2 Clav." "" "e" "" "Pedale." } \hspace #0.5 }
- <<
- \context Staff = right
- {
- \context Voice = right \right
- }
- \context Staff = left {
- \context Voice = left \left
- }
- \context Staff = pedal {
- \context Voice = pedal \pedal
- }
- >>
- }
- \layout{}
-}
+++ /dev/null
-% -*-coding: utf-8 -*-
-
-\header{
- composer = "J.S. Bach"
- title = "Wenn wir in höchsten Nöten sein"
- subtitle = "Analysis from Gene Biringer's Schenker Text, Ex. 5-27"
-% "BWV641"
- enteredby = "Kris Shaffer"
-}
-
-% See http://kris.shaffermusic.com/tech.html. for more information
-
-% 'Add color...' sections are not the original author's, but added
-% afterwards specifically for illustration in LilyPond's Documentation.
-
-I = \once \override NoteColumn #'ignore-collision = ##t
-
-\version "2.15.10"
-
-staffPiano = \new PianoStaff {
- \set Score.timing = ##f
- \set PianoStaff.followVoice = ##t
- <<
- \new Staff = "RH" { % Right hand
- \clef treble
- \key g \major
- \relative c'' {
- \override Staff.NoteCollision
- #'merge-differently-headed = ##t
- <<
- {
- \override Beam #'positions = #'(8 . 8)
- \override NoteHead #'transparent = ##t
- \override NoteHead #'duration-log = #1
- s1 b8[^\markup {
- \override #'(baseline-skip . 0.5)
- % Add color to markup in top staff
- \column { \with-color #red \small { ^ 3 } }
- }
- s4. s1 a8^\markup {
- \override #'(baseline-skip . 0.5)
- % Add color to markup in top staff
- \column { \with-color #red \small { ^ 2 } }
- }
- s4. s2 g8]^\markup {
- % Add color to markup in top staff
- \override #'(baseline-skip . 0.5)
- \column { \with-color #red \small { ^ 1 } }
- }
- s4.
- \revert Beam #'positions
- \revert NoteHead #'transparent
- \revert NoteHead #'duration-log
- }
- \\
- {
- % Add color to both Dashed Slurs in top staff
- \override Slur #'color = #(x11-color "purple")
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- s1
- \once \override Slur #'height-limit = #6
- \once \override Slur #'extra-offset = #'(1.25 . 0)
- \slurDashed
- \I b2_( s2
- \once \override NoteHead #'transparent = ##t
- b4) s
- \once \override Slur #'height-limit = #3.25
- \once \override Slur #'extra-offset = #'(.75 . 0)
- a2_( s4
- \once \override NoteHead #'transparent = ##t
- a4) g2
- \revert Stem #'transparent
- \revert Flag #'transparent
- }
- \\
- \override Staff.NoteCollision
- #'merge-differently-headed = ##t
- {
- \override Beam #'positions = #'(4 . -3.25)
- \stemUp
- g8[ s s4 s2
- \stemDown
- \once \override NoteHead #'transparent = ##t
- \I b8] s8
- \override Beam #'positions = #'(3 . -2.25)
- \stemUp
- a8[ s s4
- \stemDown
- c8] s s2 s s
- }
- \\
- {
- % Add color to all remaining Slurs in top staff
- \override Slur #'color = #(x11-color "violet")
- \override PhrasingSlur #'color = #(x11-color "violet")
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override Stem #'length = #0
- % Add color to text markups in top staff
- g4_\( fis^(_\markup { \with-color #blue \tiny N } g)\)
- a^(^\markup { \with-color #blue \tiny P } b2)
- b4^(^\markup { \with-color #blue \tiny P }
- \stemUp
- \revert Stem #'transparent
- \revert Flag #'transparent
- \override Stem #'length = #10
- c8)^( s
- \override Stem #'length = #14
- b4) s s
- \override Stem #'length = #0
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \once \override Slur #'extra-offset = #'(0 . 0.35)
- % Add color to remaining text markup in top staff
- c4^\( b_(_\markup { \with-color #blue \tiny P } a)\) s2
- \revert Stem #'length
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- s1 s4 e4 s
- \change Staff = "LH"
- fis,4 s2
- \revert Stem #'transparent
- \revert Flag #'transparent
- \revert NoteHead #'transparent
- \revert Stem #'length
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- s1 s s2
- fis'4 s
- \change Staff = "LH"
- g,4 s s2
- \revert Stem #'transparent
- \revert Flag #'transparent
- \revert NoteHead #'transparent
- \revert Stem #'length
- }
- >>
- \bar "|."
- }
- }
-
- \new Staff = "LH" { % Left hand
- \clef bass
- \key g \major
- \relative c' {
- \override Staff.NoteCollision
- #'merge-differently-headed = ##t
- <<
- {
- \override Beam #'positions = #'(-8 . -8)
- \override NoteHead #'transparent = ##t
- \stemDown
- % Add color to long beam text markups in bottom staff
- \I g8[_\markup { \with-color #(x11-color 'LawnGreen) \bold I }
- s4. s1 s s2
- \I d8_\markup { \with-color #(x11-color 'LawnGreen) \bold V }
- s4.
- \I g,8]_\markup { \with-color #(x11-color 'LawnGreen) \bold I }
- s4.
- \revert Beam #'positions
- \revert NoteHead #'transparent
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \stemDown
- \override TextScript #'extra-offset = #'(-11.75 . -12.25)
- \I g'2 s1 s s2 \I d2 g,2
- \revert Stem #'transparent
- \revert Flag #'transparent
- }
- \\
- {
- % Add color to all single-note Slurs in bottom staff
- \override Slur #'color = #(x11-color "violet")
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \once \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- g'4
- \once \override TextScript #'padding = #0.25
- % Add color to text markups in bottom staff
- a4_(^\markup { \with-color #blue \tiny P } b)
- fis4^(^\markup { \with-color #blue \tiny P } e)
- \once \override NoteHead #'transparent = ##t
- \once \override Slur #'height-limit = #1.5
- % Add color to remaining text markup in bottom staff
- c4^( d)^\markup { \with-color #blue \tiny N }
- \once \override NoteHead #'transparent = ##t
- \once \override Slur #'extra-offset = #'(0 . 0.5)
- \I fis,4_(
- \revert Stem #'transparent
- \revert Flag #'transparent
- \override Stem #'length = #10
- \stemDown
- g4) s
- \once \override Slur #'extra-offset = #'(0 . 0.25)
- \I c8_( s
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \revert Stem #'length
- a4)
- \once \override NoteHead #'transparent = ##t
- \I d4^( d,4) s2
- }
- \\
- {
- % Add color to all two-note Slurs in bottom staff
- \override Slur #'color = #(x11-color "violet")
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \I g'4^( s b) s2
- \revert Stem #'transparent
- \revert Flag #'transparent
- \revert NoteHead #'transparent
- \override Beam #'positions = #'(-4 . 1)
- \stemDown
- c,8[ s s4
- \stemUp
- fis,8] s
- \override Beam #'positions = #'(1 . -4)
- g8[ s
- \stemDown
- b8] s
- \revert Beam #'positions
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override NoteHead #'transparent = ##t
- c4^( s d4) s s2
- }
- \\
- {
- % Add color to four-note Slur in bottom staff
- \override Slur #'color = #(x11-color "violet")
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- \stemDown
- \once \override Slur #'height-limit = #3
- \once \override Slur #'extra-offset = #'(0 . 0.25)
- \I g4_( s2. e4) s2. s2 s1 s2
- \revert Stem #'transparent
- \revert Flag #'transparent
- \revert NoteHead #'transparent
- }
- \\
- {
- % Add color to dashed Slur in bottom staff
- \override Slur #'color = #(x11-color "purple")
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \slurDashed
- \once \override Slur #'height-limit = #6.0
- \once \override Slur #'extra-offset = #'(0.5 . -0.25)
- \override Stem #'length = #0
- g4_( s2. s1 g,4) s s1 s2
- \revert Stem #'transparent
- \revert Flag #'transparent
- \revert NoteHead #'transparent
- }
- >>
- \bar "|."
- }
- }
- >>
-}
-
-\score {
- <<
- \staffPiano
- >>
- \layout {
- indent = 0.0
- ragged-right = ##f
- \context { \Staff \remove "Time_signature_engraver" }
- }
-}
+++ /dev/null
-
-\version "2.13.39"
-
-\layout {
- indent = #0
- ragged-right = ##t
- \context {
- \Score
-
- proportionalNotationDuration = #(ly:make-moment 1 64)
- \override Beam #'breakable = ##t
- autoBeaming = ##f
- tupletFullLength = ##t
- \override BarNumber #'transparent = ##t
- \override BarLine #'transparent = ##t
- \override SpanBar #'transparent = ##t
- \override Beam #'break-overshoot = #'(-0.5 . 1.0)
- \override TextScript #'staff-padding = #6
- \override Glissando #'thickness = #3
- \override SpacingSpanner #'strict-grace-spacing = ##t
- \override TupletBracket #'bracket-visibility = ##t
- \override NoteColumn #'ignore-collision = ##t
- }
-}
-
-\paper {
- oddHeaderMarkup = \markup \fill-line { " " }
- evenHeaderMarkup = \markup \fill-line { " " }
- oddFooterMarkup = \markup {
- \fill-line {
- \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
- evenFooterMarkup = \markup {
- \fill-line {
- \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
- printfirst-page-number = ##t
- print-page-number = ##t
- ragged-last-bottom = ##t
- markup-system-spacing #'minimum-distance = #25
-}
-
-#(set-global-staff-size 14)
-
-
-%% definitions.
-
-
-ppX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "pp" #:hspace 0)))
-pX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "p" #:hspace 0)))
-mpX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "mp" #:hspace 0)))
-fX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "f" #:hspace 0)))
-ffX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "ff" #:hspace 0)))
-sfp = #(make-dynamic-script "sfp")
-sfpp = #(make-dynamic-script "sfpp")
-sffp = #(make-dynamic-script "sffp")
-sffpp = #(make-dynamic-script "sffpp")
-
-beam = #(define-music-function (parser location left right) (number? number?)
- (cond ((and (= left 0) (> right 0))
- #{
- \set stemRightBeamCount = #$right
- #})
-
- ((and (> left 0) (= right 0))
- #{
- \set stemLeftBeamCount = #$left
- #})
-
- (else
- #{
- \set stemLeftBeamCount = #$left
- \set stemRightBeamCount = #$right
- #})
- )
-)
-
-fraction = #(define-music-function (parser location music) (ly:music?)
- #{ \tweak #'text #tuplet-number::calc-fraction-text $music #})
-
-triangle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(do do do do do do do) $music #})
-
-semicircle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(re re re re re re re) $music #})
-
-blackdiamond = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(mi mi mi mi mi mi mi) $music #})
-
-tiltedtriangle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(fa fa fa fa fa fa fa) $music #})
-
-square = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(la la la la la la la) $music #})
-
-wedge = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(ti ti ti ti ti ti ti) $music #})
-
-harmonic = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(harmonic harmonic harmonic harmonic harmonic harmonic harmonic) $music #})
-
-cross = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(cross cross cross cross cross cross cross) $music #})
-
-white = #(define-music-function (parser location music) (ly:music?)
- #{ \once \override NoteHead #'duration-log = #1 $music #})
-
+++ /dev/null
-\version "2.15.10"
-% the example header file caused the head to be chopped off
-%\include "example-header.ily"
-
-
-\header {
- dedication = "Carin Levine"
- instrument = "bass flute"
- title = "ČÁRY"
- year = "2004--2006"
-
- subtitle = \markup { \italic Sorcery (extract) }
- % Measures 6 - 10;
-
- composer = "Trevor Bača"
- copyright = "Copyright 2006 Trevor Bača, licensed under the FDL 1.1 or higher"
-
-}
-
-% Verbatim from composer's score.
-%
-% Upper staff gives fingerings;
-% Lower staff gives special types of breath.
-%
-% Copyright 2006 Trevor Baca, but this exerpt is licensed under
-% the FDL 1.1 or higher.
-
-\include "english.ly"
-\include "cary-layout.ily"
-
-\score {
- <<
-
- \new StaffGroup <<
-
- \new Staff \with {
- \override Stem #'direction = #down
- \override Beam #'positions = #'(-7 . -7)
- \override TupletBracket #'direction = #down
- \override TupletBracket #'staff-padding = #5
- \override TupletBracket #'padding = #2.25
- } <<
-
- \new Voice {
-
- \override Score.MetronomeMark #'extra-offset = #'(0 . 6)
- \override Score.MetronomeMark #'font-size = #3
- \tempo 8=42
- \time 5/16 s4 ~ s16 \noBreak % measure 6
- \time 4/8 s2 \noBreak % measure 7
- \time 4/8 s2 \noBreak % measure 8
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \times 4/5 {
- a'64 [ % 36
- cs''64 % 37
- f''64 % 38
- cs''64 % 39
- ef'''64 ] % 40
- }
- \times 4/5 {
- g''64 [ % 41
- c''64 % 42
- e''64 % 43
- g''64 % 44
- ef'''64 ] % 45
- }
- bf''16 % 46
- }
-
- % measure 7
- r8 % 47
- \times 4/5 {
- d''32 [ % 48
- af''32 % 49
- e'32 % 50
- b'32 % 51
- b'32 ] % 52
- }
- ef'''4 % 53
-
- % measure 8
- b''8 [ % 54
- g''8 ] % 55
- d''4 % 56
-
- }
- >>
-
- \new Staff \with {
- \override Clef #'transparent = ##t
- \override StaffSymbol #'line-positions = #'(-4 -2 2 4)
- \override Stem #'direction = #down
- \override TupletBracket #'staff-padding = #5
- \override TupletBracket #'padding = #2.25
- } <<
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'direction = #up
- \override Flag #'stroke-style = #"grace"
- \override Stem #'font-size = #-3
- \override Rest #'transparent = ##t
- \override NoteHead #'no-ledgers = ##t
- \override Dots #'transparent = ##t
- \override TupletBracket #'transparent = ##t
- \override TupletNumber #'transparent = ##t
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \square f''16 * 1/8 % 40
- \square f''16 * 1/8 % 41
- \square f''16 * 1/8 % 42
- \square f''16 * 1/8 % 43
- \square f''16 * 1/8 % 44
- \square f''16 * 1/8 % 45
- \square f''16 * 1/8 % 46
- \square f''16 * 1/8 % 47
- \times 2/3 {
- \square f''16 % 48
- \square f''16 * 1/2 % 49
- }
- \times 2/3 {
- \square f''16 * 1/4 % 50
- \square f''16 * 1/4 % 51
- \square f''16 * 1/4 % 52
- \square f''16 * 1/4 % 53
- \square f''16 * 1/4 % 54
- \square f''16 * 1/4 % 55
- }
- }
-
- % measure 7
- s8 % 56
- \square g''16 * 2/1 % 57
- \square g''16 % 58
- \square g''16 % 59
- \times 8/9 {
- s16 % 60
- f''16 * 1/4 % 61
- f''16 * 1/4 % 62
- f''16 * 1/4 % 63
- f''16 * 1/4 % 64
- f''16 * 1/4 % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- s4 % 66
- \triangle a''16 % 67
- \triangle a''16 % 68
- \triangle a''16 % 69
- }
- s8 % 70
- \triangle a''16 * 1/2 % 71
- \triangle a''16 * 1/2 % 72
- \triangle a''16 * 1/2 % 73
- \triangle a''16 * 1/2 % 74
- \triangle a''16 * 1/2 % 75
- \triangle g''16 * 1/2 % 76
- \triangle g''16 * 1/2 % 77
- \triangle g''16 * 1/2 % 78
- }
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override Rest #'transparent = ##t
- \override Rest #'staff-position = #-0.5
- \override Dots #'transparent = ##t
- \override Beam #'transparent = ##t
- \override TupletBracket #'transparent = ##t
- \override TupletNumber #'transparent = ##t
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \blackdiamond f'128 [ % 40
- \blackdiamond f'128 % 41
- \blackdiamond f'128 % 42
- \blackdiamond f'128 % 43
- \blackdiamond f'128 % 44
- \blackdiamond f'128 % 45
- \blackdiamond f'128 % 46
- \blackdiamond f'128 ] % 47
- \times 2/3 {
- \blackdiamond f'16 % 48
- \blackdiamond f'32 % 49
- }
- \times 2/3 {
- \blackdiamond f'64 % 50
- \blackdiamond f'64 % 51
- \blackdiamond f'64 % 52
- \blackdiamond f'64 % 53
- \blackdiamond f'64 % 54
- \blackdiamond f'64 % 55
- }
- }
-
- % measure 7
- s8 % 56
- \harmonic a'8 \glissando % 57
- \harmonic a'16 \glissando % 58
- \blackdiamond a'16 % 59
- \times 8/9 {
- s16 % 60
- \harmonic g'64 \glissando % 61
- \harmonic g'64 \glissando % 62
- \harmonic g'64 \glissando % 63
- \harmonic g'64 \glissando % 64
- \blackdiamond g'64 % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- s4 % 66
- \blackdiamond f'16 % 67
- \blackdiamond f'16 % 68
- \blackdiamond f'16 % 69
- }
- s8 % 70
- \blackdiamond f'32 % 71
- \blackdiamond f'32 % 72
- \blackdiamond f'32 % 73
- \blackdiamond f'32 % 74
- \blackdiamond f'32 % 75
- \harmonic e'32 \glissando % 76
- \harmonic e'32 \glissando % 77
- \blackdiamond e'32 % 78
- }
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'direction = #down
- \override Stem #'font-size = #-3
- \override Flag #'stroke-style = #"grace"
- \override Rest #'transparent = ##t
- \override NoteHead #'no-ledgers = ##t
- \override Dots #'transparent = ##t
- \override TupletBracket #'transparent = ##t
- \override TupletNumber #'transparent = ##t
- } {
-
- % measure 6
- \fraction \times 5/3 {
- s128 % 40
- s128 % 41
- s128 % 42
- s128 % 43
- s128 % 44
- s128 % 45
- s128 % 46
- s128 % 47
- \times 2/3 {
- \semicircle a16 % 48
- \semicircle a16 * 1/2 % 49
- }
- \times 2/3 {
- \semicircle a16 * 1/4 % 50
- \semicircle a16 * 1/4 % 51
- \semicircle a16 * 1/4 % 52
- \semicircle a16 * 1/4 % 53
- \semicircle a16 * 1/4 % 54
- \semicircle a16 * 1/4 % 55
- }
- }
-
- % measure 7
- s8 % 56
- s8 % 57
- s16 % 58
- \triangle a16 % 59
- \times 8/9 {
- s16 % 60
- s64 % 61
- s64 % 62
- s64 % 63
- s64 % 64
- \triangle a16 * 1/4 % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- s4 % 66
- \semicircle a16 % 67
- \semicircle a16 % 68
- \semicircle a16 % 69
- }
- s8 % 70
- \semicircle a16 * 1/2 % 71
- \semicircle a16 * 1/2 % 72
- \semicircle a16 * 1/2 % 73
- \semicircle a16 * 1/2 % 74
- \semicircle a16 * 1/2 % 75
- s32 % 76
- s32 % 77
- \semicircle a16 * 1/2 % 78
- }
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'direction = #down
- \override NoteHead #'transparent = ##t
- \override NoteHead #'no-ledgers = ##t
- \override Rest #'staff-position = #-18
- \override Stem #'length = #10
- \override Beam #'positions = #'(-13 . -13)
- \override DynamicLineSpanner #'staff-padding = #18
- \override TextSpanner #'(bound-details left text) = #(markup (#:italic "covered"))
- \override TextSpanner #'dash-period = #1
- \override TextSpanner #'dash-fraction = #0.2
- \override TextSpanner #'(bound-details left padding) = #0.5
- \override TextSpanner #'(bound-details right padding) = #0.5
- \override TextSpanner #'staff-padding = #4
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \beam #0 #5 g,128 \sffp \< [ % 40
- \beam #5 #5 g,128 % 41
- \beam #5 #5 g,128 % 42
- \beam #5 #5 g,128 % 43
- \beam #5 #5 g,128 % 44
- \beam #5 #5 g,128 % 45
- \beam #5 #5 g,128 % 46
- \beam #5 #1 g,128 % 47
- \times 2/3 {
- \beam #1 #2 g,16 % 48
- \beam #3 #1 g,32 \fX % 49
- }
- \times 2/3 {
- \beam #1 #4 g,64 \sffp \< % 50
- \beam #4 #4 g,64 % 51
- \beam #4 #4 g,64 % 52
- \beam #4 #4 g,64 % 53
- \beam #4 #4 g,64 % 54
- \beam #4 #0 g,64 \fX ] % 55
- }
- }
-
- % measure 7
- r8 % 56
- g,8 \sf \< [ % 57
- g,16 % 58
- \beam #2 #0 g,16 \ffX ] % 59
- \times 8/9 {
- r16 % 60
- \beam #4 #4 g,64 \sfp \< [ % 61
- \beam #4 #4 g,64 % 62
- \beam #4 #4 g,64 % 63
- \beam #4 #4 g,64 % 64
- \beam #4 #0 g,64 \fX ] % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- r4 % 66
- \beam #2 #2 g,16 \fX [ % 67
- \beam #2 #2 g,16 \f % 68
- \beam #2 #0 g,16 \fX ] % 69
- }
- r8 % 70
- \beam #3 #3 g,32 \fX [ % 71
- \beam #3 #3 g,32 \fX % 72
- \beam #3 #3 g,32 \fX % 73
- \beam #3 #3 g,32 \fX % 74
- \beam #3 #3 g,32 \fX % 75
- \beam #3 #3 g,32 \sf \< % 76
- \beam #3 #3 g,32 % 77
- \beam #3 #0 g,32 \ffX ] % 78
- }
-
- }
- >>
- >>
- >>
-}
+++ /dev/null
-\version "2.14.0"
-\include "example-header.ily"
-
-\include "predefined-guitar-fretboards.ly"
-
-#(set-global-staff-size 17)
-
-global = {
- \time 4/4
- \key g \major
- \partial 4
- \numericTimeSignature
-}
-
-melody = \relative c' {
- \global
- d4
- g4 b8( a) g4 fis
- e e e e
- a c8( b) a4 g
- fis a d
-}
-
-harmonies = \chordmode {
- \global
- s4 g1 | c | a:m | d % 1-3
-}
-
-text = \lyricmode {
- My eyes are dim, I can -- not see,
- I have not brought my specs with me!
-}
-
-\score {
- <<
- \new ChordNames { \harmonies }
- \new FretBoards { \harmonies }
- \new Staff {
- \context Voice = "vocal" { \melody }
- }
- \new Lyrics \lyricsto "vocal" \text
- >>
-}
-
+++ /dev/null
-\version "2.11.33"
-\paper{
- indent=0\mm
- ragged-last=##f
- ragged-right=##f
- line-width=158\mm % produces 624 pixels
- oddFooterMarkup=##f
- oddHeaderMarkup=##f
- bookTitleMarkup = ##f
- scoreTitleMarkup = ##f
-}
-
+++ /dev/null
-\version "2.14.0"
-\include "example-header.ily"
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% This is a brief passage from Enrique Granados %
-% Goyescas, "Coloquio en la Reja." %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-#(set-global-staff-size 17)
-
-\paper {
- ragged-right = ##f
- #(set-paper-size "letter" 'landscape)
- system-count = 1
-}
-
-
-csh = \change Staff = "high"
-csm = \change Staff = "middle"
-csl = \change Staff = "low"
-
-crmolto = \markup { \italic \large "cresc. molto" }
-appassmolto = \markup { \italic \large "appassionato molto" }
-
-#(ly:set-option 'point-and-click #f)
-
-global = {
- \time 3/4
- \set fontSize = #1
- \override Beam #'thickness = #0.5
- \override NoteColumn #'ignore-collision = ##t
-}
-
-upperVoiceOne = \relative c'' {
- \voiceOne
- \override TupletBracket #'transparent = ##t
- <aes f'>8\([ \times 4/5{g'32( aes g f g]) }
- <es aes>8[ \times 4/5{<d bes'>32( c' bes aes bes]) }
- <es, aes es'>8 <d fis b d>\) | % end m. 1
- %--------------------------------------------------%
- <c g' c>4\( \voiceTwo <bes es bes'\arpeggio>\)
- \slurUp <aes aes'>16( <bes bes'> <g g'>8) % end m. 2
- %--------------------------------------------------%
- \noBreak
- \voiceOne
- <f aes d f>8\([ \times 4/5{<g g'>32( aes' g f g]) }
- \set subdivideBeams = ##t
- \set baseMoment = #(ly:make-moment 1 8)
- \set beatStructure = #'(2 2 2)
- <aes, aes'>16 <c f> \times 4/5{ bes'32( c bes aes bes]) }
- \set subdivideBeams = ##f
- \ottava #1 <es es'>16 <f f'> <d d'> \appoggiatura f8 <es es'>16\)
-}
-
-upperVoiceTwo = \relative c'' {
- \voiceTwo
- s8 c8\< <bes, f'>[ <bes aes'> c' <bes, d fis>\!]
- s32 s32_\appassmolto s8. \voiceOne r8 <bes'' es bes'>-> s4
- \override Stem #'cross-staff = ##t
- \override Stem #'length = #28
- \override Flag #'style = #'no-flag
- s8 \voiceTwo g,8 aes4 s4
-}
-
-middleVoiceOne = \relative c' {
- \override Stem #'cross-staff = ##t
- \override Stem #'length = #32
- \override Flag #'style = #'no-flag
- d!8\noBeam s8 s8 s8_\crmolto s4 % 1
- s4 <g bes\arpeggio>8[ <es' g>] \voiceOne e,8( dis16 e) | % 2
- \revert Stem #'length
- \revert Stem #'cross-staff
- \showStaffSwitch
- \csh \stemUp f4 s2
- %s2. % beginning m. 3
-}
-
-middleVoiceTwo = \relative c' {
- s2. | % 1
- \override Stem #'cross-staff = ##t
- \override Stem #'length = #24
- \override Flag #'style = #'no-flag
- s2 \voiceTwo e!4 | % 2
- s4 \voiceTwo <bes c es f>8 <f' aes es'>16 d' <bes, f' aes c>8 <bes' fis'> | % 3
-}
-
-lowerVoiceOne = \relative c, {
- \override Staff.NoteCollision #'merge-differently-headed = ##t
- \override Staff.NoteCollision #'merge-differently-dotted = ##t
- bes8 \csm \stemDown <bes'' c es>8 s2
- \csl \stemUp
- \set subdivideBeams = ##t
- \set baseMoment = #(ly:make-moment 1 16)
- \set beatStructure = #'(4 4 4)
- s8 \hideNotes \slurUp \stemDown
- es,,64( bes'' s64 \unHideNotes \stemUp g64[ bes c d c]) s2
- \set subdivideBeams = ##f
- bes,,8 \csm \stemDown <bes'' c es>8 s2
-}
-
-lowerVoiceTwo = \relative c, {
- \voiceTwo
- bes2.
- \csh
- \once \override Beam #'damping = #+inf.0
- <bes'' es g>8 \csl \slurUp
- %\once\override Slur #'extra-offset = #'(0 . 4)
- es,,64 bes' es g s32.
- c64
- s4 <bes des>
- bes,,2.
-}
-
-
-\score {
- \new PianoStaff <<
- \set PianoStaff.connectArpeggios = ##t
-% \override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
- \new Staff = "high" <<
- \global
- \context Voice = "upperVoiceOne" { \upperVoiceOne }
- \context Voice = "upperVoiceTwo" { \upperVoiceTwo }
- >>
- \new Staff = "middle" <<
- \global
- \context Voice = "middleVoiceOne" { \middleVoiceOne }
- \context Voice = "middleVoiceTwo" { \middleVoiceTwo }
- >>
- \new Staff = "low" <<
- \clef bass
- \global
- \context Voice = "lowerVoiceOne" { \lowerVoiceOne }
- \context Voice = "lowerVoiceTwo" { \lowerVoiceTwo }
- >>
- >>
- \layout {
- \context {
- \Score
- \override TimeSignature #'stencil = ##f
- \remove "Bar_number_engraver"
- }
- }
- %{\midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 120 4)
- }
- }%}
-}
+++ /dev/null
-\version "2.14.0"
-
-\header {
- tagline = ##f
- title = "Violent Dance For Orchestra"
- composer = "Hu Haipeng"
-% arranger = "July 5, 2009"
-
-% poet = " I'm writing this piece because I'm terribly frustrated, facing a task which will seriously stain my aesthetics and conviction to the true art. It consists of all kinds of devils, dancing and whirling violently, turning the world into an abyss of darkness. Although the main melodies are derived from folk music, these are only a beautiful skin, and the essence of this piece is violent and evil, full of my 10 years' pain and rage. It's a large volcano of my long repressed heart!"
-}
-
-\paper{
- line-width = 158\mm
-}
-
-%% markups
-#(define-markup-list-command (paragraph layout props args) (markup-list?)
- (let ((indent (chain-assoc-get 'par-indent props 2)))
- (interpret-markup-list layout props
- (make-justified-lines-markup-list (cons (make-hspace-markup indent)
- args)))))
-
-#(define-markup-command (vspace layout props amount) (number?)
- "This produces a invisible object taking vertical space."
- (let ((amount (* amount 3.0)))
- (if (> amount 0)
- (ly:make-stencil "" (cons -1 1) (cons 0 amount))
- (ly:make-stencil "" (cons -1 1) (cons amount amount)))))
-
-%% text defs
-presto = \markup { \bold \italic "Presto" }
-div = \markup { \bold "Div." }
-nondiv = \markup { \bold "Non div." }
-unis = \markup { \bold "Unis." }
-piz = \markup { \bold "Pizz." }
-arc = \markup { \bold "Arco" }
-pizz = \set Staff.midiInstrument = "pizzicato strings"
-arco = \set Staff.midiInstrument = "string ensemble 1"
-pont = \markup { \bold \italic "Sul ponticello" }
-naturale = \markup { \bold \italic "Naturale" }
-moltocr = {
- \set crescendoText = \markup { \italic "Molto cresc." }
- \set crescendoSpanner = #'text
- \override DynamicTextSpanner #'style = #'dotted-line
-}
-offCr = {
- \unset crescendoText
- \unset crescendoSpanner
- \revert DynamicTextSpanner #'style
-}
-
-%% Layout for piano dynamics
-\layout {
- \context {
- \Voice
- \override Glissando #'breakable = ##t
- \override TextSpanner #'breakable = ##t
- \override DynamicLineSpanner #'breakable = ##t
- \override DynamicTextSpanner #'breakable = ##t
- \override TrillSpanner #'breakable = ##t
- }
-}
-
-%% layout to create orchestra staff group
-%% with non-spanned barlines between two instrument groups
-\layout {
- \context {
- \StaffGroup
- \name Orchestra
- \remove "Span_bar_engraver"
- }
- \context {
- \Score
- \accepts Orchestra
- }
-}
-
-%% Layout to produce SquareStaff context
-%% to group similar instruments in a staff group with thin square bracket
-\layout {
- \context {
- \StaffGroup
- \name SquareStaff
- systemStartDelimiter = #'SystemStartSquare
- }
- \context {
- \Orchestra
- \accepts SquareStaff
- }
- \context {
- \StaffGroup
- \accepts SquareStaff
- }
-}
-
-%% Layout to produce MarkLine context
-%% to place rehearsal marks and texts above full score
-\layout {
- \context {
- \type "Engraver_group"
- \name "MarkLine"
- \consists "Output_property_engraver"
- \consists "Axis_group_engraver"
- \consists "Mark_engraver"
- \consists "Metronome_mark_engraver"
- \consists "Script_engraver"
- \consists "Text_engraver"
- \consists "Text_spanner_engraver"
- \consists "Font_size_engraver"
- \override VerticalAxisGroup #'staff-affinity = #DOWN
- \override VerticalAxisGroup #'nonstaff-relatedstaff-spacing #'padding = #2
- \override VerticalAxisGroup #'nonstaff-unrelatedstaff-spacing #'padding = #5
- \override TextSpanner #'breakable = ##t
- }
- \context {
- \Score
- \accepts "MarkLine"
- }
- \context {
- \Orchestra
- \accepts "MarkLine"
- }
- \context {
- \StaffGroup
- \accepts "MarkLine"
- }
-}
-
-%% layout to produce a smaller markline
-%% put before 1st violin part
-\layout {
- \context {
- \MarkLine
- \name "SmallMarkLine"
- \override MetronomeMark #'outside-staff-priority = #800
- \override RehearsalMark #'outside-staff-priority = #1200
- }
- \context {
- \Score
- \accepts SmallMarkLine
- }
- \context {
- \Orchestra
- \accepts SmallMarkLine
- }
- \context {
- \StaffGroup
- \accepts SmallMarkLine
- }
-}
-
-modern =
-#`(Staff ,(make-accidental-rule 'same-octave 0)
- ,(make-accidental-rule 'any-octave 0)
- ,(make-accidental-rule 'same-octave 1))
-
-\layout {
- \context {
- \Score
- autoAccidentals = #modern
- autoCautionaries = #modern
- }
-}
-
- marks = \relative c' {
- \set markFormatter = #format-mark-box-numbers
- \tempo \presto 4.=112
-\set Score.currentBarNumber = #11
- s2.*4 |
- s1*9/8 |
- }
-
- piccolo = \relative c'''' {
- \clef treble \key ees \minor \time 6/8
- \transposition c''
- R2.
- ges,16(\mf\< ees c ees ges bes) c( bes ges bes c ees) |
- ges8-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- flutes = \relative c'''' {
- \clef treble \key ees \minor \time 6/8
- R2.
- <ges, c,>16(\mf\< <ees bes> <c ges> <ees bes> <ges c,> <bes ees,>) <c ges>( <bes ees,> <ges c,> <bes ees,> <c ges> <ees bes>) |
- <ges c,>8-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- oboes = \relative c''' {
- \clef treble \key ees \minor \time 6/8
- R2. |
- <ges, c,>4(\mf\< <bes ees,>8 <c ges>4 <ees bes>8) |
- <ges c,>-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- clarinets = \relative c' {
- \clef treble \key f \minor \time 6/8
- \transposition bes
- <aes' d,>4(\p\< <c f,>8) <d aes>4( <f c>8) |
- <aes d,>4( <c f,>8) <d aes>4( <f c>8) |
- <aes d,>-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- bassoons = \relative c, {
- \clef bass \key ees \minor \time 6/8
- <ees bes'>4.\pp\< c'^"a2" |
- bes8-. bes-. bes-. ges-. ges-. ges-. |
- ees-.->\!\ff \offCr <ees bes'>4\pp ~ <ees bes'>4. ~ | <ees bes'>2. |
- \time 9/8
- ges4\p^"I" aes8 aes ees ges ges4 aes16( ges) |
- }
-
- hornI = \relative c'' {
- \clef treble \key bes \minor \time 6/8
- \transposition f
- r4 r8 <f bes,>4.\p\< ~ |
- <f bes,>8-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. |
- <f bes,>-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- r4 r8 <b, g>2.\pp |
- }
-
- hornII = \relative c'' {
- \clef treble \key bes \minor \time 6/8
- \transposition f
- \moltocr <des g,>2.\pp\< ~ |
- <des g,>8-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. <f bes,>-. |
- <f bes,>-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- <f, des>2.\pp <f des>4. ~ |
- }
-
- trumpetI = \relative c''' {
- \clef treble \key f \minor \time 6/8
- \transposition bes
-R2. |
- r4 r8 <aes f>-.\f\< <aes f>-. <aes f>-. |
- <c aes>-.->\!\ff r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- trumpetII = \relative c'' {
- \clef treble \key f \minor \time 6/8
- \transposition bes
-R2. |
- r8 d-.\mf\< d-. d-. d-. d-. |
- d-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- trombones = \relative c' {
- \clef tenor \key ees \minor \time 6/8
- r4 r8 <ges c>4.\mp\< ~ |
- <ges c>8-. <ges c>-. <ges c>-. <ges c>-. <ges c>-. <ges c>-. |
- <ges c>-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- tuba = \relative c,, {
- \clef bass \key ees \minor \time 6/8
- <ees' ees'>4.(\pp\< <c c'> |
- <bes bes'>8-.) <bes bes'>-. <bes bes'>-. <ges ges'>-. <ges ges'>-. <ges ges'>-. |
- <ees ees'>-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- timpani = \relative c {
- \clef bass \key ees \minor \time 6/8
- ees8\< ees ees ees ees ees |
- bes bes bes bes bes bes |
- ees,->\!\f \offCr ees'\pp ees ees ees ees |
- ees ees ees ees ees ees |
- \time 9/8
- ees r r r4 r8 r4 r8 |
- }
-
- trian = \relative c' {
- \clef percussion \time 6/8
- R2.*4 |
- \time 9/8
- R1*9/8 |
- }
-
- cym = \relative c' {
- \clef percussion \time 6/8
- R2.*4 |
- \time 9/8
- R1*9/8 |
- }
-
- tamt = \relative c' {
- \clef percussion \time 6/8
-R2. |
- r4 r8 r c4\mf\<^"*" ~ |
- c8\!\ff r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- tamb = \relative c' {
- \clef percussion \time 6/8
- R2.*4 |
- \time 9/8
- R1*9/8 |
- }
-
- snare = \relative c' {
- \clef percussion \time 6/8
- R2.*4 |
- \time 9/8
- c8\pp c c c c c c c c |
- }
-
- bsdrum = \relative c' {
- \clef percussion \time 6/8
- c2.:32\pp\< ~ | c: ~ |
- c8\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- c2.:32\pp ~ c4.: |
- }
-
- harprh = \relative c'' {
- \clef treble \key ees \minor \time 6/8
- \showStaffSwitch
- R2.*4_\markup { \harp-pedal #"--^|^^^^" } |
- \time 9/8
- R1*9/8 |
- }
-
- harplh = \relative c {
- \clef bass \key ees \minor
- \showStaffSwitch
- R2.*4 |
- R1*9/8 |
- }
-
- dynamics = {
- s2.*4 |
- s1*9/8 |
- }
-
-
- violinI = \relative c'''' {
- \clef treble \key ees \minor \time 6/8
- ges,,16(\pp\< ees c ees ges bes) c( bes ges bes c ees) |
- ges( ees c ees ges bes) c( bes ges bes c ees) |
- ges8-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- R1*9/8 |
- }
-
- violinII = \relative c''' {
- \clef treble \key ees \minor \time 6/8
- c,,16(\pp\< bes ges bes c ees) ges( ees c ees ges bes) |
- c( bes ges bes c ees) ges( ees c ees ges bes) |
- c8-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- r4 r8 \repeat tremolo 6 { c,,32->\pp^\pont e } r4 r8 |
- }
-
- viola = \relative c {
- \clef alto \key ees \minor \time 6/8
- <ees bes'>8-.\pp\< <ees bes'>-. <ees bes'>-. <ges c>-. <ges c>-. <ges c>-. |
- <bes ees>-. <bes ees>-. <bes ees>-. <c ges'>-. <c ges'>-. <c ges'>-. |
- <ees bes'>-.->\!\ff \offCr r r r4 r8 | R2. |
- \time 9/8
- \repeat tremolo 12 { ges,32->^\pont bes } \repeat tremolo 6 {ges->( bes) } |
- }
-
- cello = \relative c {
- \clef bass \key ees \minor \time 6/8
- <c ges'>8-.\pp\< <c ges'>-. <c ges'>-. <bes ees>-. <bes ees>-. <bes ees>-. |
- <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. |
- <bes ges'>8-.->\!\ff \offCr <c ges'>-.\pp <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. |
- <c ges'>-. r r r4 r8 |
- \time 9/8
- \repeat tremolo 12 <c ges'>32(^\pont \repeat tremolo 12 <cis g'> \repeat tremolo 12 <c ges'>) |
- }
-
- contrabass = \relative c {
- \clef bass \key ees \minor \time 6/8
- \transposition c
- <ees bes'>8-.\pp\< ees-. ees-. c-. c-. c-. |
- bes-. bes-. ges-. ges-. ges-. ges-. |
- ees-.->\!\ff \offCr <ees' bes'>-.\pp <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. |
- <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. |
- \time 9/8
- <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. <ees bes'>-. |
- }
-
- #(set-global-staff-size 10)
-
- \score {
- \new Orchestra = "orchestra" <<
- \set Score.skipBars = ##f
- \new MarkLine { \marks }
- \new StaffGroup = "woodwind" <<
- \new SquareStaff = "picc fl" <<
- \new Staff = "piccolo" {
- \set Staff.instrumentName = "Piccolo"
- \set Staff.shortInstrumentName = "Picc."
- \piccolo
- }
- \new Staff = "flutes" {
- \set Staff.instrumentName = "Flutes I & II"
- \set Staff.shortInstrumentName = "Fl."
- \flutes
- }
- >>
- \new Staff = "oboes" {
- \set Staff.instrumentName = "Oboes I & II"
- \set Staff.shortInstrumentName = "Ob."
- \oboes
- }
- \new Staff = "clarinets" {
- \set Staff.instrumentName = \markup {
- \column { \line { "Clarinets I & II" }
- \line { "in B" \smaller \flat } } }
- \set Staff.shortInstrumentName = "Cl."
- \clarinets
- }
- \new Staff = "bassoons" {
- \set Staff.instrumentName = "Bassoons I & II"
- \set Staff.shortInstrumentName = "Bn."
- \bassoons
- }
- >>
- \new StaffGroup = "brass" <<
- \new SquareStaff = "horns" <<
- \new Staff = "hornsI" {
- \set Staff.instrumentName = \markup {
- \column { \line { "Horns I & II" }
- \line { "in F" } } }
- \set Staff.shortInstrumentName = "Hn. I & II"
- \hornI
- }
- \new Staff = "hornsII" {
- \set Staff.instrumentName = \markup {
- \column { \line { "Horns III & IV" }
- \line { "in F" } } }
- \set Staff.shortInstrumentName = "Hn. III & IV"
- \hornII
- }
- >>
- \new SquareStaff = "trumpets" <<
- \new Staff = "trumpetI" {
- \set Staff.instrumentName = \markup {
- \column { \line { "Trumpets I & II" }
- \line { "in B" \smaller \flat } } }
- \set Staff.shortInstrumentName = "Tp. I & II"
- \trumpetI
- }
- \new Staff = "trumpetII" {
- \set Staff.instrumentName = \markup {
- \column { \line { "Trumpet III" }
- \line { "in B" \smaller \flat } } }
- \set Staff.shortInstrumentName = "Tp. III"
- \trumpetII
- }
- >>
- \new SquareStaff = "trombones" <<
- \new Staff = "trombones 1 & 2" {
- \set Staff.instrumentName = "Trombones I & II"
- \set Staff.shortInstrumentName = "Tb. I & II"
- \trombones
- }
- \new Staff = "tuba" {
- \set Staff.instrumentName = "Bass trombone & Tuba"
- \set Staff.shortInstrumentName = "Btb. & Tu."
- \tuba
- }
- >>
- >>
- \new Staff = "timpani" {
- \set Staff.instrumentName = "Timpani in A, D & E"
- \set Staff.shortInstrumentName = "Tim."
- \timpani
- }
- \new GrandStaff = "drums" <<
- \new RhythmicStaff = "triangle" {
- \set RhythmicStaff.instrumentName = "Triangle"
- \set RhythmicStaff.shortInstrumentName = "Tri."
- \trian
- }
- \new RhythmicStaff = "cymbals" {
- \set RhythmicStaff.instrumentName = "Suspended cymbal"
- \set RhythmicStaff.shortInstrumentName = "Susp. cym."
- \cym
- }
- \new RhythmicStaff = "tamtam" {
- \set RhythmicStaff.instrumentName = "Tamtam"
- \set RhythmicStaff.shortInstrumentName = "Tamt."
- \tamt
- }
- \new RhythmicStaff = "tambourine" {
- \set RhythmicStaff.instrumentName = "Tambourine"
- \set RhythmicStaff.shortInstrumentName = "Tamb."
- \tamb
- }
- \new RhythmicStaff = "snare" {
- \set RhythmicStaff.instrumentName = "Snare drum"
- \set RhythmicStaff.shortInstrumentName = "Sn."
- \snare
- }
- \new RhythmicStaff = "bass drum" {
- \set RhythmicStaff.instrumentName = "Bass drum"
- \set RhythmicStaff.shortInstrumentName = "Bd."
- \bsdrum
- }
- >>
- \new PianoStaff = "harp" <<
- \set PianoStaff.instrumentName = "Harp"
- \set PianoStaff.shortInstrumentName = "Hrp."
- \set PianoStaff.connectArpeggios = ##t
- \new Staff = "rh" { \harprh }
- \new Dynamics { \dynamics }
- \new Staff = "lh" { \harplh }
- >>
- \new SmallMarkLine { \marks }
- \new StaffGroup = "strings" <<
- \new SquareStaff = "violins" <<
- \new Staff = "violin I" {
- \set Staff.instrumentName = "Violin I"
- \set Staff.shortInstrumentName = "Vn. I"
- \violinI
- }
- \new Staff = "violin II" {
- \set Staff.instrumentName = "Violin II"
- \set Staff.shortInstrumentName = "Vn. II"
- \violinII
- }
- >>
- \new Staff = "viola" {
- \set Staff.instrumentName = "Viola"
- \set Staff.shortInstrumentName = "Vl."
- \viola
- }
- \new SquareStaff = "Cello and Bass" <<
- \new Staff = "violoncello" {
- \set Staff.instrumentName = "Violoncello"
- \set Staff.shortInstrumentName = "Vc."
- \cello
- }
- \new Staff = "contrabass" {
- \set Staff.instrumentName = "Contrabass"
- \set Staff.shortInstrumentName = "Cb."
- \contrabass
- }
- >>
- >>
- >>
- \layout {
- \context {
- \Score
- \remove "Mark_engraver"
- \remove "Metronome_mark_engraver"
- }
- \context {
- \Staff \RemoveEmptyStaves
- }
- }
- }
-
+++ /dev/null
-%%% G.F Haendel, Giulio Cesare in Egitto
-%%% Act I, scene IV
-%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
-%%%
-%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
-
-\version "2.14.0"
-\include "sesto.ily"
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%
-%%% Lead sheet
-%%%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\book {
- \paper {
- #(layout-set-staff-size 14)
- }
- \score {
- \new StaffGroupNoBar <<
- \new StaffGroupNoBracket <<
- \new Staff <<
- \set Staff.instrumentName = "Violino I."
- \global \clef treble \keepWithTag #'violin \violinoI
- >>
- \new Staff <<
- \set Staff.instrumentName = "Violino II."
- \global \clef treble \keepWithTag #'violin \violinoII
- >>
- >>
- \new Staff <<
- \new Voice = "sesto" \with { autoBeaming = ##f } <<
- \set Staff.instrumentName = \markup \smallCaps Sesto.
- \global \clef treble \sesto
- >>
- \lyricsto "sesto" \new Lyrics \sestoLyrics
- >>
- \new Staff <<
- \set Staff.instrumentName = "Bassi."
- \global \clef bass \bassi
- >>
- >>
- \layout {
- indent = 20\mm
- \context {
- \Score
- \accepts "StaffGroupNoBar"
- skipBars = ##t
- }
- \context {
- \StaffGroup
- \name StaffGroupNoBar
- \description "Like StaffGroup, but without spanbar"
- \remove "Span_bar_engraver"
- \accepts "StaffGroupNoBracket"
- }
- \context {
- \StaffGroup
- \name StaffGroupNoBracket
- \description "Like StaffGroup, but without brackets"
- \remove "System_start_delimiter_engraver"
- }
- }
-% \midi { }
- }
-}
-
-
+++ /dev/null
-%%% G.F Haendel, Giulio Cesare in Egitto
-%%% Act I, scene IV
-%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
-%%%
-%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
-
-\version "2.14.0"
-\include "sesto.ily"
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%
-%%% Reduction
-%%%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\book {
- \header { instrument = "Vocal part and keyboard reduction" }
- \paper {
- #(layout-set-staff-size 16)
- }
- \score {
- <<
- \new Staff <<
- \new Voice = "sesto" \with { autoBeaming = ##f } <<
- \set Staff.instrumentName = \markup \smallCaps Sesto.
- \global \clef treble \sesto
- >>
- \lyricsto "sesto" \new Lyrics \sestoLyrics
- >>
- \new PianoStaff <<
- \new Staff <<
- \global \clef treble
- \partcombine \keepWithTag #'reduction \violinoI \keepWithTag #'reduction \violinoII
- >>
- \new Staff <<
- \global \clef bass \bassi
- >>
- >>
- >>
- \layout {
- indent = 20\mm
- \context { \Voice printPartCombineTexts = ##f }
- }
- }
-}
-
+++ /dev/null
-%%% G.F Haendel, Giulio Cesare in Egitto
-%%% Act I, scene IV
-%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
-%%%
-%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
-
-\version "2.14.0"
-\include "sesto.ily"
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%
-%%% Violino I
-%%%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\book {
- \header { instrument = "Violino I" }
- \paper {
- #(layout-set-staff-size 18)
- }
- \score {
- \new Staff <<
- \global \clef treble \keepWithTag #'violin \violinoI
- >>
- \layout { indent = 5\mm }
- }
-}
+++ /dev/null
-%%% G.F Haendel, Giulio Cesare in Egitto
-%%% Act I, scene IV
-%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
-%%%
-%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
-
-\version "2.12.2"
-\header {
- title = "Giulio Cesare in Egitto"
- subtitle = "Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)"
- composer = "G.F Handel"
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%
-%%% Notes and lyrics
-%%%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-sesto = {
- R1*6 |
- r4 r8 g' c'' ees''16[ d''] c''8 c'' |
- c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
- aes' g' r c'' c'' b'16[ c''] d''8 g' |
-
-%{
- %%10
- f'4 r8 d'' ees'' d''16[ c''] b'4 |
- c'' r8 c'' c''8. c'16 c'4 |
- r r8 c'' aes' c''16[ bes'] aes'8 g' |
- f' f' r4 bes'8 bes'16 aes' g'8 f' |
- ees' ees' r ees'' ees'' d''16[ ees''] f''8 bes' |
- %%15
- aes'4. bes'8 g' ees'' f'4 |
- ees' r8 ees'' ees''8. ees'16 ees'4 |
- r r8 c'' c''8. c'16 c'4 |
- r r8 c'' c'' d''16[ ees''] f''8 ees'' |
- d'' bes' r4 bes'8 c''16 d'' ees''8 d'' |
- %%20
- c'' c'' r c'' f' f''16[ ees''] d''8 c'' |
- b'16[ a'] g'8 r4 ees''8 ees''16 d'' c''8 bes' |
- aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
- ees'4 r8 d'' ees'' d''16[ c''] b'4 |
- %%25
- c'' r8 g' c'' g' ees' g' |
- c'4 r8 g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
- ees'4 r8 g'' ees'' d''16[ c''] b'4 |
- c''2 r |
- %%30
- R1*5 |
-%}
-}
-
-sestoLyrics = \lyricmode {
- Sve -- glia -- te -- vi nel co -- re,
- fu -- rie "d'un" al -- "ma of" -- fe -- sa,
-%{
- a far "d'un" tra -- di -- tor a -- spra ven -- det -- ta!
- sve -- glia -- te -- vi,
- sve -- glia te -- vi nel co -- re,
- fu -- rie d'un al -- "ma of" -- fe -- sa,
- a far "d'un" tra -- di -- tor as -- pra ven -- det -- ta,
- sve -- glia -- te -- vi,
- sve -- glia -- te -- vi,
- sve -- glia -- te -- vi nel co -- re,
- fu -- rie d'un al -- "ma of" -- fe -- sa,
- sve -- glia -- te -- vi nel co -- re,
- fu -- rie d'un al -- "ma of" -- fe -- sa,
- a far d'un tra -- di -- tor, __
- d'un tra -- di -- tor as -- spra ven -- det -- ta,
- a far d'un tra -- di -- tor,
- a far d'un tra -- di -- tor, __
- d'un tra -- di -- tor as -- pra ven -- det -- ta!
-%}
-}
-
-violinoI = {
- r4 r8 g' c'' ees''16 d'' c''8 c'' |
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
- aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
- f'4. d''8 ees'' d''16 c'' b'4 |
- %%5
- c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
- c'' g'' f'' g'' ees'' g'' f'' g'' aes''8 g''16 f'' f''4^\trill |
- ees'' r8 g'_\p c'' ees''16 d'' c''8 c'' |
- c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
- aes' g' r c'' c'' b'16 c'' d''8 g' |
-%{
- %%10
- f'4 r8 d'' ees'' d''16 c'' b'4 |
- c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
- ees'' g'' f'' g'' ees'' g'' f'' g'' aes''8 aes' r4 |
- d''16 f'' ees'' f'' d'' f'' ees'' f'' g''8 g' r4 |
- ees'16 g' f' g' ees'8 ees'' ees'' d''16 ees'' f''8 bes' |
- %%15
- aes'4. bes'8 g' ees'' d''4 |
- ees''16 bes'' aes'' bes'' g'' bes'' aes'' bes'' g'' bes'' aes'' bes'' g'' bes'' aes'' bes'' |
- g'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
- ees'' g'' f'' g'' ees'' g'' f'' g'' aes'' c'' c'' bes' aes' c'' bes' c'' |
- d'' f'' ees'' f'' d'' f'' ees'' f'' g'' bes' bes' aes' g' bes' aes' bes' |
- %%20
- c'' ees'' ees'' f'' g'' ees'' f'' g'' aes'' f'' g'' ees'' f'' d'' ees'' c'' |
- \tag #'violin { g'' g' g'' g'' } \tag #'reduction { g'' d'' g'' g'' } g'' b' g'' g'' g'' f'' ees'' d'' c''8 bes' |
- aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
- ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
- %%25
- c'''16 ees''' d''' ees''' c''' ees''' d''' ees''' g'' c''' b'' c''' g'' c''' b'' c''' |
- ees'' g'' f'' g'' ees'' g'' f'' g'' \tag #'violin { aes'8 f' } \tag #'reduction { c''8 aes' } d'' b' |
- f''2 ~ f''8 d'' b' g' |
- ees'4^\fermata r r2 |
- r4 r8 c'_\f c'' ees''16 d'' c''8 c'' |
- %%30
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
- aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
- c''16 g'' f'' g'' ees'' g'' f'' g'' c'' g'' f'' g'' ees'' g'' f'' g'' |
- b'8 c''16 d'' ees''8 d'' c''4^\fermata r
-%}
-}
-
-violinoII = {
- r4 r8 g' c'' ees''16 d'' c''8 c'' |
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
- aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
- f'4. d''8 ees'' d''16 c'' b'4 |
- %%5
- c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
- c'' ees'' d'' ees'' c'' ees'' d'' ees'' d''8[ ees''] ees'' d'' |
- ees''4 r8 g' c'' ees''16 d'' c''8 c'' |
- c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
- aes' g' r c'' c'' b'16 c'' d''8 g' |
-%{
- %%10
- f'4 r8 d'' ees'' d''16 c'' b'4 |
- c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
- c'' ees'' d'' ees'' c'' ees'' d'' ees'' f''8 f' r4 |
- bes'16 d'' c'' d'' bes' d'' c'' d'' ees''8 ees' r4 |
- c'16 ees' d' ees' c'8 ees'' ees'' d''16 ees'' f''8 bes' |
- %%15
- aes'4. bes'8 g' ees'' d''4 |
- ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
- ees'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
- c'' ees'' d'' ees'' c'' ees'' d'' ees'' f'' aes' aes' g' f' aes' g' aes' |
- bes' d'' c'' d'' bes' d'' c'' d'' ees'' g' g' f' ees' g' f' g' |
- %%20
- aes' c'' c'' d'' ees'' c'' d'' ees'' f'' d'' ees'' c'' d'' b' c'' a' |
- \tag #'violin { b' d' d' b' } \tag #'reduction { b' g' d'' b' } b' g' b' d'' g'' f'' ees'' d'' c''8 bes' |
- d' ees' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
- ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
- %%25
- ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' ees'' d'' ees'' c'' ees'' d'' ees'' |
- g' ees'' d'' ees'' c'' ees'' d'' ees'' \tag #'violin { c''8 aes' } \tag #'reduction { aes'8 f' } f' d' |
- f''2 ~ f''8 d'' b' g' |
- ees'4^\fermata r r2 |
- r4 r8 c' c'' ees''16 d'' c''8 c'' |
- %%30
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
- aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
- c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
- d'8 ees'16 f' g'8 b' c''4^\fermata r
-%}
-}
-
-bassi = {
- c4 r8 g c' ees'16 d' c'8 c' |
- c' c r g aes f bes bes, |
- ees ees, r c ees c g ees |
- aes f d' b c' f g g, |
- %%5
- c4 r c'8 c bes bes, |
- aes aes, g g, f ees bes bes, |
- ees4 r r r8 c_\p |
- c' ees'16 d' c'8 bes aes f bes bes, |
- ees ees, r c ees c g ees |
-%{
- %%10
- aes f d' b c' f g g, |
- c4 r r r8 c' |
- c'8. c16 c4 r8 f d ees |
- bes bes, r bes g aes bes g |
- c' c c' bes16 aes g8 ees bes g |
- %%15
- c' c d bes, ees g bes bes, |
- ees4 r r r8 ees' |
- ees'8. ees16 ees4 r r8 c' |
- c'8. c16 c8 c' aes f r f |
- bes bes, bes, bes g ees r ees |
- %%20
- aes aes, g g, f f, r f |
- g g, r4 c'8 g aes g |
- f ees r4 r r8 g, |
- aes, f, d b, aes f d' b |
- c'4 r8 b c' f g g, |
- %%25
- c' g c g, c,4 r |
- c'8 g c c' f4 r8 g, |
- aes, f, d b, aes f d' b |
- c'4 r8 b c' f g g, |
- c4 r8 c_\f c' ees'16 d' c'8 c' |
- %%30
- c' c r g aes f bes bes, |
- ees g ees c f,4 r8 g, |
- aes, f, d b, aes f d' b |
- c' c bes bes, aes aes, g g, |
- f c g g, c4^\fermata r
-%}
-}
-
-global = {
- \key c \minor
- \set Score . tempoWholesPerMinute = #(ly:make-moment (/ 80 4) 1 0 1)
- \time 4/4
-%s1*34 \bar "|."
-}
-
+++ /dev/null
-\version "2.15.10"
-
-#(set-global-staff-size 22.45)
-
-#(define (glissando::calc-extra-dy grob)
- (let* ((original (ly:grob-original grob))
- (left-bound (ly:spanner-bound original LEFT))
- (right-bound (ly:spanner-bound original RIGHT))
- (left-pitch (ly:event-property (event-cause left-bound) 'pitch))
- (right-pitch (ly:event-property (event-cause right-bound) 'pitch)))
-
- (if (and (= (ly:pitch-octave left-pitch) (ly:pitch-octave right-pitch))
- (= (ly:pitch-notename left-pitch) (ly:pitch-notename right-pitch)))
- (- (ly:pitch-alteration right-pitch) (ly:pitch-alteration left-pitch))
- 0 )))
-
-% Hide fret number: useful to draw slide into/from a casual point of
-% the fretboard.
-hideFretNumber = {
- \once \override TabNoteHead #'transparent = ##t
- \once \override TabNoteHead #'whiteout = ##f
- \once \override NoteHead #'transparent = ##t
- \once \override Stem #'transparent = ##t
- \once \override Flag #'transparent = ##t
- \once \override NoteHead #'no-ledgers = ##t
-}
-
-\paper {
- indent= #0
- line-width= #180
-}
-
-upper= \relative c' {
- \time 4/4
- \key e \major
- \set Staff.midiInstrument = #"acoustic guitar (steel)"
- \set fingeringOrientations = #'(left)
-
- \partial 4. \acciaccatura c16 \glissando cis8 e4
- < cis-1 g'-3 >2 s8 \grace a16 ( \glissando < b-2 >8\3 ) < d-1 > ( b )
- < e-3 >\2 ( <d-1> b ) \grace < ais-2 >16 ( \glissando a8 g ) s4.
- s4. < d'\3 g\2 >8 < gis,\4 d'\3 fis\2 >2\arpeggio ~
- < gis\4 d'\3 fis\2 >2 < b'\2\harmonic e\harmonic >2\fermata
-}
-
-lower= \relative c {
- \set fingeringOrientations = #'(left)
-
- \partial 4. s4.
- s4 e,4 s2
- s2 s8 < e'-3 >4. ~
- e4 \hideFretNumber \grace { b8 \glissando s4 } < e-2 >4\5 e,2 ~
- e2 < e'\6\harmonic >
-}
-
-\score {
- \new StaffGroup <<
- \new Staff = "guitar" <<
- \context Voice = "upper guitar" {
- \clef "G_8" \voiceOne
- \override Glissando #'gap = #0.5
- \override Glissando #'extra-offset = #'(-0.5 . 0)
- \override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
- \override Glissando #'minimum-length = #4
- \override Glissando #'extra-dy = #glissando::calc-extra-dy
- \upper
- }
- \context Voice = "lower guitar" {
- \clef "G_8" \voiceTwo
- \override Glissando #'bound-details #'right #'padding = #1
- \override Glissando #'bound-details #'left #'padding = #0.2
- \lower
- }
- >>
- \new TabStaff = "tab" <<
- \context TabVoice = "upper tab" { \clef "moderntab" \voiceOne \upper }
- \context TabVoice = "lower tab" { \clef "moderntab" \voiceTwo \lower }
- >>
- >>
-
- \layout {
- \context {
- \Staff
- \override StringNumber #'transparent = ##t
- }
- \context {
- \TabStaff
- \revert Arpeggio #'stencil
- }
- }
-}
+++ /dev/null
-\version "2.14.0"
-\include "example-header.ily"
-
-#(ly:set-option 'point-and-click #f)
-
-global = {
- \time 4/4
- \numericTimeSignature
- \key c \major
- #(set-global-staff-size 24)
-}
-
-cf = \relative c {
- \clef bass
- \global
- c4 c' b a |
- g a f d |
- e f g g, |
- c1
-}
-
-upper = \relative c'' {
- \global
- r4 s4 s2 |
- s1*2 |
- s2 s4 s
- \bar "||"
-}
-
-bassFigures = \figuremode {
- s1*2 | s4 <6> <6 4> <7> | s1
-}
-
-\markup { "Exercise 3: Write 8th notes against the given bass line." }
-
-\score {
- \new PianoStaff <<
- \new Staff {
- \context Voice = "added voice" \with {
- \consists "Balloon_engraver"
- }
- \upper
- }
-
- \new Staff = lower {
- <<
-% \context Voice = "cantus firmus" \with {
-% \consists "Balloon_engraver"
-% }
- \context Staff = lower \cf
- \new FiguredBass \bassFigures
- >>
- }
- >>
- \layout {}
- %{\midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 120 4)
- }
- }%}
-}
-
# More hardcoding, yay!
split_docs_re = re.compile('(Documentation/out-www/(automated-engraving|essay|notation|changes|extending|music-glossary|usage|web|learning|snippets|contributor))/')
+lily_examples_re = re.compile ('(href|src)="(ly-examples/.*?)"')
lily_snippets_re = re.compile ('(href|src)="([0-9a-f]{2}/lily-.*?)"')
pictures_re = re.compile ('src="(pictures/.*?)"')
depth = (prefix.count ('/') - 1) * '../'
# fix css links
s = css_re.sub ('<link \\1href="%(rel)sDocumentation/css/\\2"\\3>' % {'rel': depth}, s)
+ # fix image links
if split_docs_re.match (prefix):
+ s = lily_examples_re.sub ('\\1="../\\2"', s)
s = lily_snippets_re.sub ('\\1="../\\2"', s)
s = pictures_re.sub ('src="../\\1"', s)
projects / lilypond.git / commitdiff