@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{positioning-multi--measure-rests.ly}
-@c TODO -- convert to snippet
+@c TODO -- convert to snippet -- submitted to Neil
Markups attached to a multi-measure rest will be centered above or
below it. Long markups attached to multi-measure rests do not cause
the measure to expand. To expand a multi-measure rest to fit the markup,
use a spacer rest with an attached markup before the multi-measure rest:
-@c -- music is somewhat compressed vertically. I thought it
-@c was good because the emphasis is not on the content
-@c of the markup, but on the place the markup was attached -cs
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\compressFullBarRests
\textLengthOn
@cindex grace notes, in anacruses
-This command does not take into account grace notes at the start
-of the music. If the pick-up starts with one or more grace
-notes, then the @code{\partial} should follow the grace note(s):
-
-@lilypond[verbatim,quote,ragged-right,relative,fragment]
-\grace f16
-\partial 4
-g4
-a2 g2
-@end lilypond
-
The @code{\partial} command is intended to be used only at the
beginning of a piece. If you use it after the beginning, some
odd warnings may occur.
Polymetric notation is supported, either explicitly or through
clever use of markup features.
-@c Each of these examples uses \set or \override, and therefore
-@c by policy should be converted to a snippet.
-@c Do we want to have a section with a very brief (two-line
-@c introduction, and have most of the content be in snippets?
-
-@strong{Alternating time signatures}
-
-Regularly alternating double time signatures are not supported
-explicitly, but they can be faked. In the next example, the
-double time signature is created with markup text, while the
-real time signature is set in the usual way with @code{\time}.
-
-@lilypond[verbatim,ragged-right]
-% Create 9/8 split into 2/4 + 5/8
-tsMarkup = \markup {
- \override #'(baseline-skip . 2) \number {
- \column { "2" "4" }
- \vcenter "+"
- \bracket \column { "5" "8" }
- }
-}
-
-{
- \override Staff.TimeSignature #'stencil =
- #ly:text-interface::print
- \override Staff.TimeSignature #'text = #tsMarkup
- \time 9/8
- c'2 \bar ":" c'4 c'4.
- c'2 \bar ":" c'4 c'4.
-}
-@end lilypond
-
@strong{Staves with different time signatures, equal measure lengths}
This notation can be created by setting a common time signature
>> }
@end lilypond
-@c I guess this example doesn't use \set or \override, and so
-@c could stay in the manual.
-
@strong{Staves with different time signatures, unequal bar lengths}
Each staff can be given its own independent time signature by
>>
@end lilypond
+@snippets
+
+@c TODO -- Convert to snippet. -- Sent to Neil 8/14/08
+
+@strong{Alternating time signatures}
+
+Regularly alternating double time signatures are not supported
+explicitly, but they can be faked. In the next example, the
+double time signature is created with markup text, while the
+real time signature is set in the usual way with @code{\time}.
+
+@lilypond[verbatim,ragged-right]
+% Create 9/8 split into 2/4 + 5/8
+tsMarkup = \markup {
+ \override #'(baseline-skip . 2) \number {
+ \column { "2" "4" }
+ \vcenter "+"
+ \bracket \column { "5" "8" }
+ }
+}
+
+{
+ \override Staff.TimeSignature #'stencil =
+ #ly:text-interface::print
+ \override Staff.TimeSignature #'text = #tsMarkup
+ \time 9/8
+ c'2 \bar ":" c'4 c'4.
+ c'2 \bar ":" c'4 c'4.
+}
+@end lilypond
+
@seealso
measures are not entirely filled, then the ties show exactly how
much each measure is off.
-To allow line breaking on the bar lines where the
-@code{Completion_heads_engraver} has inserted a split note, remove
-the @code{Forbid_line_break_engraver} too.
-
-TODO -- find example that shows the above paragraph. I can't make
-the Forbid_line_break_engraver have any effect in my examples (cs).
-Does the Forbid_line_break_engraver still have the claimed effect?
@seealso
Music Glossary: @rglos{tie}
can be done with the rhythmic staff. All pitches of notes on such a
staff are squashed, and the staff itself has a single line
-@c TODO Devise a more realistic example, perhaps with lyrics -td
@lilypond[quote,ragged-right,fragment,relative=1,verbatim]
-\new RhythmicStaff {
- \time 4/4
- c4 e8 f g2 | r4 g r2 | g1 | r1 |
-}
+<<
+ \new RhythmicStaff {
+ \new Voice = "myRhythm" {
+ \time 4/4
+ c4 e8 f g2
+ r4 g g f
+ g1
+ }
+ }
+ \new Lyrics {
+ \lyricsto "myRhythm" {
+ This is my song
+ I like to sing
+ }
+ }
+>>
@end lilypond
-TODO -- put example in with multiple lines as well (used for strumming
-rhythms in guitar)
+Guitar chord charts often show the strumming rhythms. This can
+be done with the @code{Pitch_squash_engraver} and
+@code{\improvisationOn}.
+
+
+@lilypond[quote,verbatim]
+<<
+ \new ChordNames {
+ \chordmode {
+ c1 f g c
+ }
+ }
+
+ \new Voice \with {
+ \consists Pitch_squash_engraver
+ } \relative c'' {
+ \improvisationOn
+ c4 c8 c c4 c8 c
+ f4 f8 f f4 f8 f
+ g4 g8 g g4 g8 g
+ c4 c8 c c4 c8 c
+ }
+>>
+@end lilypond
+
+@predefined
+@code{\improvisationOn},
+@code{\improvisationOff}.
+
+@snippets
+@c TODO -- Convert to snippet;
+@c tag for both Rhythms and Guitar? Move to @seealso?
+
+For guitar music, it is possible to show strum rhythms, along
+with melody notes, chord names, and fret diagrams.
+
+
+@lilypond[quote,verbatim]
+\include "predefined-guitar-fretboards.ly"
+<<
+ \new ChordNames {
+ \chordmode {
+ c1 f g c
+ }
+ }
+
+ \new FretBoards {
+ \chordmode {
+ c1 f g c
+ }
+ }
+
+
+ \new Voice \with {
+ \consists Pitch_squash_engraver
+ } \relative c'' {
+ \improvisationOn
+ c4 c8 c c4 c8 c
+ f4 f8 f f4 f8 f
+ g4 g8 g g4 g8 g
+ c4 c8 c c4 c8 c
+ }
+
+
+ \new Voice = "melody" {
+ \relative c'' {
+ \improvisationOff
+ c2 e4 e4
+ f2. r4
+ g2. a4
+ e4 c2.
+ }
+ }
+
+ \new Lyrics {
+ \lyricsto "melody" {
+ This is my song.
+ I like to sing.
+ }
+ }
+>>
+@end lilypond
+
+@seealso
+
+Snippets:
+@rlsr{Rhythms}.
+
+Internals Reference:
+@rinternals{RhythmicStaff},
+@rinternals{Pitch_squash_engraver}.
@node Beams
@subsection Beams
c16 c8
@end lilypond
+@predefined
+@code{\autoBeamOff},
+@code{\autoBeamOn}.
@snippets
@seealso
-Notation Reference: @ref{Manual beams}, @ref{Setting automatic beam behavior}.
+Notation Reference:
+@ref{Manual beams},
+@ref{Setting automatic beam behavior}.
+
+Installed Files:
+@file{scm/auto-beam.scm}.
Snippets:
@rlsr{Rhythms}.
projects / lilypond.git / commitdiff