+2003-07-13 Heikki Junes <hjunes@cc.hut.fi>
+
+ * Documentation/user/ {many}: Add periods and remove spaces.
+
2003-07-11 Heikki Junes <hjunes@cc.hut.fi>
* lilypond-indent.el (LilyPond-paren-set-mode): From XEmacs' paren.el:
@appendix Reference manual details
@menu
-* American Chords ::
+* American Chords::
* Jazz chords::
* MIDI instruments::
* The Feta font::
Once you are experienced, you can simply use the manual as reference:
there is an extensive index@footnote{If you are looking for something,
and you cannot find it by using the index, that is considered a bug.
-In that case, please file a bug report}, but the document is also
+In that case, please file a bug report.}, but the document is also
available in
@ifnothtml
a big HTML page,
starting with @file{filename-1.tex}. Several files can be specified;
they will each be processed independently. @footnote{The status of
GUILE is not reset across invocations, so be careful not to change any
- default settings from within Scheme .}
+ default settings from within Scheme.}
@section Command line options
@end ignore
@item -v,--version
-Show version information
+Show version information.
@item -V,--verbose
Be verbose: show full paths of all files read, and give timing
information.
@code{pagenumber}, @code{linewidth}, @code{orientation},
@code{textheight}.
@item -v,--version
-Show version information .
+Show version information.
@item -V,--verbose
Be verbose.
@item --debug
* Introduction:: What, Why, How.
* Tutorial:: A tutorial introduction.
* Notation manual:: All notation supported, and how to
- produce it
+ produce it.
* Literature:: Books about notation and engraving.
* Technical manual:: How it all works.
* Invoking LilyPond:: Operation.
@table @cite
@item Banter 1987
-Harald Banter, Akkord Lexikon. Schott's S@"{o}hne
-1987. Mainz, Germany ISBN 3-7957-2095-8
+Harald Banter, Akkord Lexikon. Schott's S@"{o}hne
+1987. Mainz, Germany ISBN 3-7957-2095-8.
-Comprehensive overview of commonly used chords. Suggests (and uses) a
+Comprehensive overview of commonly used chords. Suggests (and uses) a
unification for all different kinds of chord names.
@item Ignatzek 1995
-Klaus Ignatzek, Die Jazzmethode f@"{u}r Klavier. Schott's S@"{o}hne
-1995. Mainz, Germany ISBN 3-7957-5140-3
+Klaus Ignatzek, Die Jazzmethode f@"{u}r Klavier. Schott's S@"{o}hne
+1995. Mainz, Germany ISBN 3-7957-5140-3.
A tutorial introduction to playing Jazz on the piano. One of the first
-chapters contains an overview of chords in common use for Jazz music.
+chapters contains an overview of chords in common use for Jazz music.
@item Gerou 1996
Tom Gerou and Linda Lusk, Essential Dictionary of Music
-Notation. Alfred Publishing, Van Nuys CA ISBN 0-88284-768-6
+Notation. Alfred Publishing, Van Nuys CA ISBN 0-88284-768-6.
A concise, alphabetically ordered list of typesetting and music
-(notation) issues which covers most of the normal cases.
+(notation) issues which covers most of the normal cases.
-@item Hader 1948,
+@item Hader 1948
Karl Hader, Aus der Werkstatt eines Notenstechers. Waldheim--Eberle
Verlag, Vienna 1948.
Hader was the chief-engraver of the Waldheim-Eberle music publishers.
This beautiful booklet was intended as an introduction for laymen on the
-art of engraving. It contains a step by step, in-depth explanation of
-how to cut and stamp music into zinc plates. It also contains a few
+art of engraving. It contains a step by step, in-depth explanation of
+how to cut and stamp music into zinc plates. It also contains a few
compactly formulated rules on musical orthography. This book is out of
print.
@item Read 1968
-Gardner Read, Music Notation: a Manual of Modern Practice.
+Gardner Read, Music Notation: a Manual of Modern Practice.
Taplinger Publishing, New York (2nd edition).
-A standard work on music notation.
+A standard work on music notation.
-@item Ross 1987,
+@item Ross 1987
Ted Ross, Teach yourself the art of music engraving and processing.
-Hansen House, Miami, Florida 1987
+Hansen House, Miami, Florida 1987.
-This book is about music engraving, i.e. professional typesetting.
+This book is about music engraving, i.e. professional typesetting.
It contains directions on stamping, use of pens and notational
-conventions. The sections on reproduction technicalities and history
+conventions. The sections on reproduction technicalities and history
are also interesting.
@item Schirmer 2001
starts out with a thorough overview of existing traditional notation
practices.
-@item Wanske 1988,
+@item Wanske 1988
Helene Wanske, Musiknotation --- Von der Syntax des Notenstichs zum
-EDV-gesteuerten Notensatz. Schott-Verlag, Mainz 1988. ISBN
-3-7957-2886-x
+EDV-gesteuerten Notensatz. Schott-Verlag, Mainz 1988. ISBN
+3-7957-2886-x.
A book in two parts: 1. A very thorough overview of engraving
practices of various craftsmen. It includes detailed specs of
Special thanks for version 1.8 go out to Juergen Reuter for lots of
work on the ancient notation engine, and to Amy Zapf for pushing us to
-rewrite the chord name support
+rewrite the chord name support.
@c TODO [wie meer?]
Han-Wen and Jan,
-Utrecht/Eindhoven, April/May 2003
+Utrecht/Eindhoven, April/May 2003.
@node Preface to version 1.6
@unnumberedsec Preface to version 1.6
* Relative octaves::
* Bar check::
* Skipping corrected music::
-* Automatic note splitting ::
+* Automatic note splitting::
@end menu
@section Expressive marks
@menu
-* Slurs ::
+* Slurs::
* Phrasing slurs::
* Breath marks::
* Metronome marks::
@cindex fermata on multi-measure rest
Texts can be added to multi-measure rests by using the
-@var{note}-@code{markup} syntax (see @ref{Text markup}) . In this case, the number is
+@var{note}-@code{markup} syntax (see @ref{Text markup}). In this case, the number is
replaced. If you need both texts and the number, you must add the
number by hand. A variable (@code{\fermataMarkup}) is provided for
adding fermatas.
>
@end lilypond
-The part combiner is slated to be rewritten [TODO: explain why] .
+The part combiner is slated to be rewritten [TODO: explain why].
@cindex @code{Thread_devnull_engraver}
@cindex @code{Voice_engraver}
object, and set a object property in that object.
@menu
-* Tuning objects ::
+* Tuning objects::
* Constructing a tweak::
* Applyoutput::
* Outputproperty::
@end html
@menu
-* First steps:: Music language of LilyPond
-* Running LilyPond:: Printing music
+* First steps:: Music language of LilyPond.
+* Running LilyPond:: Printing music.
* More basics::
* Printing lyrics::
* A lead sheet::
* Listening to output::
-* Titling ::
-* Single staff polyphony ::
+* Titling::
+* Single staff polyphony::
* Piano staffs::
* Setting variables::
* Fine tuning layout::
* Organizing larger pieces::
* An orchestral part::
-* Integrating text and music:: Integrating text and music
+* Integrating text and music:: Integrating text and music.
@end menu
Printing music with LilyPond is a two step process. First, the music
a @rglos{double sharp} or @rglos{double flat} is made by adding
@samp{isis} or @samp{eses}:@footnote{This syntax derived from note
naming conventions in Nordic and Germanic languages, like German and
-Dutch}
+Dutch.}
@example
cis1 ees fisis aeses
projects / lilypond.git / commitdiff