source = "Edition Breitkopf 2563"
footer = "Mutopia-2002/05/21-25"
- tagline = \markup { \smaller
- \column {
- \fill-line { \footer "" }
- \fill-line { { "This music is part of the Mutopia project,"
- \typewriter { "http://mutopiaproject.org/" }
- } }
- \fill-line { #(ly:export (string-append "It has been typeset and placed in the public "
- "domain by " maintainer ".")) }
- \fill-line { #(ly:export (string-append "Unrestricted modification and redistribution"
- " is permitted and encouraged---copy this music"
- " and share it!")) }
- }
- }
+ tagline = \markup {
+ \smaller \column {
+ \fill-line { \footer "" }
+ \fill-line {
+ \line { "This music is part of the Mutopia project,"
+ \url { \typewriter { "http://mutopiaproject.org/" } }
+ }
+ }
+ \fill-line {
+ #(ly:export (string-append "It has been typeset and placed in the public "
+ "domain by " maintainer "."))
+ }
+ \fill-line {
+ \line {
+ "Unrestricted modification and redistribution"
+ "is permitted and encouraged - copy this music"
+ "and share it!"
+ }
+ }
+ }
+ }
texidoc="
This is the Mozart 3 for horn. It's from an Edition Breitkopf EB
\include "mozart-hrn3-rondo.ily"
\paper {
- obsolete-between-system-space = 20 \mm
- system-system-spacing #'basic-distance = #(/ obsolete-between-system-space staff-space)
- score-system-spacing #'basic-distance = #(/ obsolete-between-system-space staff-space)
+ system-system-spacing #'basic-distance = 10
+ score-system-spacing #'basic-distance = 20
}
-
\book {
- \score {
- { \transpose c' bes \allegro }
- \layout { }
- \header { piece = "Allegro" opus = "" }
+ \score {
+ { \transpose c' bes \allegro }
+ \layout { }
+ \header {
+ piece = "Allegro"
+ opus = ""
+ }
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 90 4)
+ \midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 90 4)
}
}
+ }
-
+ \score {
+ { \transpose c' bes \romanze }
+ \header {
+ piece = "Romanze"
+ opus = ""
}
- \score {
- { \transpose c' bes \romanze }
- \header { piece = "Romanze" opus = "" }
-
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 70 4)
+ \midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 70 4)
}
}
+ \layout { }
+ }
- \layout {}
+ \score
+ {
+ { \transpose c' bes \rondo }
+ \header {
+ piece = "Rondo"
+ opus = ""
}
- \score
- {
- { \transpose c' bes \rondo }
- \header { piece = "Rondo" opus = "" }
-
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 100 4)
+ \midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
-
- \layout { }
- }
+ \layout { }
+ }
}
%% Local Variables:
-\version "2.11.61"
-\include "mozart-hrn3-defs.ily"
+\version "2.14.0"
+\include "mozart-hrn3-defs.ily"
-allegro =
-
- \relative c'
-{
- \time 4/4
- \key c \major
- \partial 4
- r4
- |
- R1*4
- c'2^"Tutti" g
- c, r
- R1*1
- r8 g' g g g g e c
- g'4 g, r2
- R1*18
- r2 r4^"Solo" g'4 |
- \mark "A"
- e'4. ( c8) f[ (d c b) ]
- b[( c)] g4 r8 g[ c e]
- g2. g16[( f e f)]
- dis4 ( e4) r8 c8[-. c-. c-.]
- c4.( d16[ e] f4 e)
- a,( d g, c)
- d-. d-. \grace {
- \override Stem #'stroke-style = #"grace"
- e16(
- \revert Stem #'stroke-style }
- d8.[) c16 d8. e16]
- c4 r r2
- R1*3
- c,2 ~ c8[ e g c]
- c[ b ] b4 r2
- c,8[ ( e) g c] e[( g) e c]
- c[( b)] b4 r2
- c4.( g8 e'4. c8)
- g'[( d) ] d4 r4 d
- d8[ ( c)] c4.( d16[ e] d8[ c)]
- c8[(\trill b)] b4 r2 |
- d2( ~ d8[ e16 d] c8[ b)] |
- b[( a)] a4 r8 a[ a a]
- a4( cis e g)
- \grace {
- \override Stem #'stroke-style = #"grace"
- \longgrace g16( \endlonggrace
- \revert Stem #'stroke-style }
+allegro = \relative c' {
+ \time 4/4
+ \key c \major
+ \partial 4
+ r4 \p
+ |
+ R1*4
+ c'2^"Tutti" g
+ c, r
+ R1*1
+ r8 g' g g g g e c
+ g'4 g, r2
+ R1*18
+ r2 r4^"Solo" g'4 |
+ \mark "A"
+ e'4. ( c8) f[ (d c b) ]
+ b[( c)] g4 r8 g[ c e]
+ g2. g16[( f e f)]
+ dis4 ( e4) r8 c8[-. c-. c-.]
+ c4.( d16[ e] f4 e)
+ a,( d g, c)
+ d-. d-. \acciaccatura e16
+ d8.[ c16 d8. e16]
+ c4 r r2
+ R1*3
+ c,2 ~ c8[ e g c]
+ c[ b ] b4 r2
+ c,8[ ( e) g c] e[( g) e c]
+ c[( b)] b4 r2
+ c4.( g8 e'4. c8)
+ g'[( d) ] d4 r4 d
+ d8[ ( c)] c4.( d16[ e] d8[ c)]
+ c8[(\trill b)] b4 r2 |
+ d2( ~ d8[ e16 d] c8[ b)] |
+ b[( a)] a4 r8 a[ a a]
+ a4( cis e g)
+ \appoggiatura g16
+ fis8[( e16 d)] d4-. r2 |
+ \mark "B"
+ R1*3
+ r2 r4 d8[(_\markup { \italic \bold "con espressione" } b) ]
+ a[( g) d'( b)] a[( g) e'( c) ]
+ b8[( a)] a4 r4 a8[ a]
+ a[( \< b c cis\!\> ] d4 c\!)
+ ais8[( b)] r8 b\cresc b[( c)] r c
+ cis[ ( d)] r4 r2
+ g,1\!\f ~ g2 ~ g8[ a16 b] c[( d) e c]
+ %% 64
+ f4-. d-. b-. g-.
+ R1
+ c,2\p e4 g c e\cresc g4. e8 |
+ d4.\!\f e16[ fis] g[ ( fis) e d] c[( b) a g]
+ \afterGrace a1(\trill { g16[ a] }
+ \mark "C"
+ g4) r r2
+ R1*15
+ \mark "D"
+ bes2\mf d4 f
+ g,2~ g8[ g' es c]|
+ bes4( a4.) c8[( d es)]
+ cis4( d) r8 bes[ (c d)]
+ es2 ( d4) r
+ es2 ( d4) r
+ c8[( g' es c)] bes4( c)
+ c4.( cis8 d4) r
+ R1*2
+ es1~es1|
+ e!
+ d
+ c
+ c,
+ e'
+ e,
+ c'2 b8[( a gis a)]
+ gis8[ e gis b ] e4 r |
+ r8 e,[ a c] dis4 r
+ r8 e,[ gis b ] e4 r
+ r8 e,[ a c] dis4 r
+ r8 e,[ g b] e4 r
+ r8 fis,[ b dis] fis4 r
+ r8 gis,[ b d] f4 r
+ r8 g,[ b d_\ritenuto ] f4 r
+ \mark "E"
+ R1*8
+ r2 r8 g,[ g g]
+ e'4.( c8) f[( d c b)]
+ b[( c)] g4 r8 g[ c e] |
+ g2. g16[( f e f)]
+ dis4( e) r8 c[-. c-. c-.]
+ c4.( d16[ e] f4 e)
+ a, ( d g, c)
+ d d
+ \acciaccatura e8
+ d8.[ c16 d8. e16]
+ c4 r r2
+ \mark "F"
+ R1*3
+ c,2~ c8[ e g c]
+ c8[( b)] b4 r2
+ c,8[ e g c ] e[ ( g) e c]
+ c[( b)] b4 r2
+ c2 (bes a) a8[(b c cis)]
+ d2( ~ d8[ e16 d] \appoggiatura d16
+ c8[ b16 c)]
+ \appoggiatura c16
+ b8[( a16 g)] g4 r2 |
+ R1*3
+ r2 r4 g'8[( e)]
+ \mark "G"
+ d[( c) g'( e)] d[( c) a'( f)]
+ e[( d)] d4 r d8[ d]
+ d4(~ d16[ e d e)] g8[( f) e d] |
+ c4 r r2
+ R1
+ c1 ~
+ c |
+ c8[-. c-.] r c-. cis[( d)] r d-.\cresc |
+ dis[( e)] r e-. e[( f)] r f-. |
+ g4-.\f e-. c-. bes-. |
+ g-.\ff e-. c-. r |
+ a'2 ~ a8[_""_\markup { \bold \italic "sempre " \dynamic "f" } b16 c] d[( e d e)]
- fis8[)( e16 d)] d4-. r2 |
- \mark "B"
- R1*3
- r2 r4 d8[(_\markup { \italic \bold "con espressione" } b) ]
- a[( g) d'( b)] a[( g) e'( c) ]
- b8[( a)] a4 r4 a8[ a]
- a[( \< b c cis\!\> ] d4 c\!)
- ais8[( b)] r8 b\cresc b[( c)] r c
- cis[ ( d)] r4 r2
- g,1\!\f ~ g2 ~ g8[ a16 b] c[( d) e c]
- %% 64
- f4-. d-. b-. g-.
- R1
+ f4. ( d8) f8[ ( d) f d]
+ c[ (e] g2) \appoggiatura f16
+ e8[( d16 c)]
+ \afterGrace d1_(\trill { c16[ d] }
+ c4) r r2
+ R1 |
+ \mark "H"
+ \times 2/3 { c8[ b a ] }
+ \times 2/3 { g[ a b] }
+ \times 2/3 { c[ d e] }
+ \times 2/3 { f[ e d] } |
+ \times 2/3 { c[ b a ] }
+ \times 2/3 { g[ a b] }
+ \times 2/3 { c[ d e] }
+ \times 2/3 { f[ e d] }|
+ c4 \times 2/3 { r8 g'[( e)]} c4
+ \times 2/3 { r8 e[ ( c)]} |
+ g4 \times 2/3 { r8 c8[( g)] }
+ \times 2/3 { e[ ( g) e-. ] }
+ \times 2/3 { c[ ( e) c-.] }|
+ g4 r8 g'\f a[ b c d]|
+ \afterGrace d1_(\trill { c16[ d] }
+ c4) r r2
+ R1*3
+ c4.^\fermata_"Cadenza ad lib." ( d8) d4.\trill^\fermata ( c16[ d)]
+ c4 r r2
+ R1*8
+ r4 c8.[^"tutti"\f c16] c4 c
+ c c,8.[ c16] c4 c|
+ c2 r2 \bar "|."
- c,2\p e4 g c e\cresc g4. e8 |
- d4.\!\f e16[ fis] g[ ( fis) e d] c[( b) a g]
-
- << a1(\trill
- { s2 \grace {
- \override Stem #'stroke-style = #"grace"
- g16[ a]
- \revert Stem #'stroke-style }
- } >>
- \mark "C"
- g4) r r2
- R1*15
- \mark "D"
- bes2\mf d4 f
- g,2~ g8[ g' es c]|
- bes4( a4.) c8[( d es)]
- cis4( d) r8 bes[ (c d)]
- es2 ( d4) r
- es2 ( d4) r
- c8[( g' es c)] bes4( c)
- c4.( cis8 d4) r
- R1*2
- es1~es1|
- e!
- d
- c
- c,
- e'
- e,
- c'2 b8[( a gis a)]
- gis8[ e gis b ] e4 r |
- r8 e,[ a c] dis4 r
- r8 e,[ gis b ] e4 r
- r8 e,[ a c] dis4 r
- r8 e,[ g b] e4 r
- r8 fis,[ b dis] fis4 r
- r8 gis,[ b d] f4 r
- r8 g,[ b d_\ritenuto ] f4 r
- \mark "E"
- R1*8
- r2 r8 g,[ g g]
- e'4.( c8) f[( d c b)]
- b[( c)] g4 r8 g[ c e] |
- g2. g16[( f e f)]
- dis4( e) r8 c[-. c-. c-.]
- c4.( d16[ e] f4 e)
- a, ( d g, c)
- d d
- \grace {
- \override Stem #'stroke-style = #"grace"
- e8(
- \revert Stem #'stroke-style }
-
- d8.[) c16 d8. e16]
- c4 r r2
- \mark "F"
- R1*3
- c,2~ c8[ e g c]
- c8[( b)] b4 r2
- c,8[ e g c ] e[ ( g) e c]
- c[( b)] b4 r2
- c2 (bes a) a8[(b c cis)]
- d2( ~ d8[ e16 d] \grace {
- \override Stem #'stroke-style = #"grace"
- \longgrace d16( \endlonggrace
- \revert Stem #'stroke-style }
-
-%% todo: should insert grace slur here.
- c8[ b16 c)]
- \grace {
- \override Stem #'stroke-style = #"grace"
- \longgrace c16 \endlonggrace
- \revert Stem #'stroke-style }
- b8[( a16 g)] g4 r2 |
- R1*3
- r2 r4 g'8[( e)]
- \mark "G"
- d[( c) g'( e)] d[( c) a'( f)]
- e[( d)] d4 r d8[ d]
- d4(~ d16[ e d e)] g8[( f) e d] |
- c4 r r2
- R1
- c1 ~
- c |
- c8[-. c-.] r c-. cis[( d)] r d-.\cresc |
- dis[( e)] r e-. e[( f)] r f-. |
- g4-.\!\f e-. c-. bes-. |
- g-.\ff e-. c-. r |
- a'2 ~ a8[_""_\markup { \bold \italic "sempre " \dynamic "f" } b16 c] d[( e d e)]
-
-
- f4. ( d8) f8[ ( d) f d]
- c[ (e] g2) \grace {
- \override Stem #'stroke-style = #"grace"
- \longgrace f16( \endlonggrace
- \revert Stem #'stroke-style }
- e8[)( d16 c)]
-
- << d1\trill _(
- { s2 \grace {
- \override Stem #'stroke-style = #"grace"
- c16[ d]
- \revert Stem #'stroke-style }
- } >>
-
- c4) r r2
- R1 |
- \mark "H"
- \times 2/3 { c8[ b a ] } \times 2/3 { g[ a b] }
- \times 2/3 { c[ d e] } \times 2/3 { f[ e d] } |
- \times 2/3 { c[ b a ] } \times 2/3 { g[ a b] }
- \times 2/3 { c[ d e] } \times 2/3 { f[ e d] }|
- c4 \times 2/3 { r8 g'[( e)]} c4 \times 2/3 { r8 e[ ( c)]} |
- g4 \times 2/3 { r8 c8[( g)] } \times 2/3 { e[ ( g) e-. ] } \times 2/3 { c[ ( e) c-.] }|
- g4 r8 g'\f a[ b c d]|
-
- << d1_(\trill
- { s2 \grace {
- \override Stem #'stroke-style = #"grace"
- c16[ d]
- \revert Stem #'stroke-style }
- } >>
- c4) r r2
- R1*3
-
- c4.^\fermata_"Cadenza ad lib." ( d8) d4.\trill^\fermata ( c16[ d)]
- c4 r r2
- R1*8
- r4 c8.[^"tutti"\f c16] c4 c
- c c,8.[ c16] c4 c|
- c2 r2 \bar "|."
-
}
endlonggrace = \revert Stem #'stroke-style
ritenuto = \markup { \italic "rit." }
-\version "2.11.61"
-
-\layout {
- \context {
- \Score
- skipBars = ##t
- midiInstrument = #"french horn"
- %% try to mimic Breitkopf
- \override RehearsalMark #'padding = #1
- \override MultiMeasureRest #'padding = #0.5
- restNumberThreshold = #1
-
- \override RehearsalMark #'font-series = #'bold
- \override RehearsalMark #'font-size = #4.5
+\version "2.14.0"
- \override Beam #'thickness = #0.6
- \override Beam #'space-function = #(lambda (beam mult) 0.8)
- }
- \context {
- \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-2.5 . 3.5)
- }
+\layout {
+ \context {
+ \Score
+ skipBars = ##t
+ midiInstrument = #"french horn"
+ %% try to mimic Breitkopf
+ \override RehearsalMark #'padding = #1
+ restNumberThreshold = #1
+
+ \override RehearsalMark #'font-series = #'bold
+ \override RehearsalMark #'font-size = #4.5
+ }
}
\paper{
-
- % #(define fonts my-sheet)
-
- % stress page breaking on a6 paper:
- % line-width = 80 \mm
- % paper-width = 105 \mm
- % paper-height = 149 \mm
-
- indent = 10. \mm
- line-width = 189. \mm
- ragged-last-bottom = ##f
-
+ indent = 10\mm
+ line-width = 189\mm
+ ragged-last-bottom = ##f
}
-\version "2.11.61"
+\version "2.14.0"
\include "mozart-hrn3-defs.ily"
romanze = \relative c' {
- \key f \major
- \time 2/2
- \set Score.skipBars = ##t
+ \key f \major
+ \time 2/2
- c'4.( _\markup { \dynamic "p" \italic { "" con molto espressione } }
- f8) a,4 a
- bes8[( c d bes] g4) r8 g
- a r bes r c r d[( bes)]
- a2( g8[) a( bes b)]
- c4. ( f8) a,4 a |
- % 6
- bes8[ (c d bes)] g4 r8 c,
- c8[( e g bes)] a[( c f d)]
- c r e r f r r4
- \mark "A"
- R1*8
- g4.\mf f8 e[ d c bes]
- % 18
- bes[( a d c)] c4 r
- R1*2
- g'4. f8 e[ d c bes]
- bes[ (a d c)] c4 r
- R1
- % 25
- c16[ ( d c d)] e[ ( f e f)] g[( e) c-. c-.] f[( d) b-. b-.]
- c16[\p ( d c d)] e[ ( f e f)] g[( e) c-. c-.] f[( d) b-. b-.]
- c8[ \< c, c c] c[ c c c\!]
- \mark "B"
- c1\f
- R1*9
- f'4.(\p d8) b4 r8 g
- g'4.( e8) c4 r8 cis |
- % 39
- d4(~ d16[ e d e)] f8[ ( d) f( d)]
- c2( b4) r
- R1*4
- e4. ( g8) c,4 ( cis)
- d8[( e f d)] b4 r8 g
- c[ ( e) g g] g[( f e d)]
- c4(
- \grace {
- \override Stem #'stroke-style = #"grace"
- \longgrace e16 \endlonggrace
- \revert Stem #'stroke-style }
-
- d8.[ c16) \< ] c8[ c-.( c-. c)-.]\!
- \mark "C"
-
- %% this is a trick to get the sfp-s to align.
- \override Hairpin #'transparent = ##t
- des1\sfp \>
- g,1\sfp\! \>
- c\sfp \! \>
- c,\sfp\!
- \revert Hairpin #'transparent
- R1*3
- r8 c[\p c c] c2~
- c8[ c' c c] c2~
- c8[ \< e( g f] e[ d\!\> c bes]
- \mark "D"
- a4\!) r r2
- R1*3
- c4.\p ( f8) a,4 a |
- bes8[ (c d bes)] g4 r8 c,
- c8[( e g bes)] a[( c f d)]
- c r e r f4 r4
- R1*3
- r2 r4 r8 c,8
- c8[( e g bes)] a[( c f d)]
- c r e r f4 r4
- g,1
- c,2 c4. c8
- c8[( e g bes)] a[( c f d)]
- c r e r f4 r4 % -. ?
-
- R1
- c8-. r e-. r f4 r4
-
- % Finish with F if played separately
- c8-.( r c,-. r c4) r4|
- \bar "|."
+ c'4.( _\markup { \dynamic "p" \italic { "" con molto espressione } }
+ f8) a,4 a
+ bes8[( c d bes] g4) r8 g
+ a r bes r c r d[( bes)]
+ a2( g8[) a( bes b)]
+ c4. ( f8) a,4 a |
+ % 6
+ bes8[ (c d bes)] g4 r8 c,
+ c8[( e g bes)] a[( c f d)]
+ c r e r f r r4
+ \mark "A"
+ R1*8
+ g4.\mf f8 e[ d c bes]
+ % 18
+ bes[( a d c)] c4 r
+ R1*2
+ g'4. f8 e[ d c bes]
+ bes[ (a d c)] c4 r
+ R1
+ % 25
+ c16[ ( d c d)] e[ ( f e f)] g[( e) c-. c-.] f[( d) b-. b-.]
+ c16[\p ( d c d)] e[ ( f e f)] g[( e) c-. c-.] f[( d) b-. b-.]
+ c8[ \< c, c c] c[ c c c\!]
+ \mark "B"
+ c1\f
+ R1*9
+ f'4.(\p d8) b4 r8 g
+ g'4.( e8) c4 r8 cis |
+ % 39
+ d4(~ d16[ e d e)] f8[ ( d) f( d)]
+ c2( b4) r
+ R1*4
+ e4. ( g8) c,4 ( cis)
+ d8[( e f d)] b4 r8 g
+ c[ ( e) g g] g[( f e d)]
+ c4(
+ \grace e16
+ d8.[ c16) \< ] c8[ c-.( c-. c)-.]\!
+ \mark "C"
+ \override DynamicLineSpanner #'staff-padding = #2.5
+ des1\sfp
+ g,1\sfp
+ c\sfp
+ c,\sfp
+ \revert DynamicLineSpanner #'staff-padding
+ R1*3
+ r8 c[\p c c] c2~
+ c8[ c' c c] c2~
+ c8[ \< e( g f] e[ d\!\> c bes]
+ \mark "D"
+ a4\!) r r2
+ R1*3
+ c4.\p ( f8) a,4 a |
+ bes8[ (c d bes)] g4 r8 c,
+ c8[( e g bes)] a[( c f d)]
+ c r e r f4 r4
+ R1*3
+ r2 r4 r8 c,8
+ c8[( e g bes)] a[( c f d)]
+ c r e r f4 r4
+ g,1
+ c,2 c4. c8
+ c8[( e g bes)] a[( c f d)]
+ c r e r f4 r4
+ R1
+ c8-. r e-. r f4 r4
+ % Finish with F if played separately
+ c8-.( r c,-. r c4) r4|
+ \bar "|."
}
-\version "2.11.61"
+\version "2.14.0"
-% \include "mozart-hrn3-defs.ily"
+\include "mozart-hrn3-defs.ily"
-rondotheme = \relative c' {
- c'8[ c c] c[ c c]
- c4( cis8 d) r g,
- d'8[ d d] d[ d d]
- d4( dis8 e) r c |
- c[( d) e] f[ g a]
- g[ ( e) c] c4 d8
- e4( d8) e4( f8)
- e4.( d8) r r |
+rondotheme = \relative c' {
+ c'8[ c c] c[ c c]
+ c4( cis8 d) r g,
+ d'8[ d d] d[ d d]
+ d4( dis8 e) r c |
+ c[( d) e] f[ g a]
+ g[ ( e) c] c4 d8
+ e4( d8) e4( f8)
+ e4.( d8) r r |
}
-lipbreaker = \relative c'
-{
- r8 g'[-. g-.] c[( e) g,-.]
- c[( e) g,-.] c[( e) g,-.]
- c[ c, c] c[ c c]
- c[ c c] c[ c c]
+lipbreaker = \relative c' {
+ r8 g'[-. g-.] c[( e) g,-.]
+ c[( e) g,-.] c[( e) g,-.]
+ c[ c, c] c[ c c]
+ c[ c c] c[ c c]
}
-rightsixteenth = { \set stemLeftBeamCount = 1
- \set stemRightBeamCount = 2 }
-leftsixteenth = { \set stemLeftBeamCount = 2
- \set stemRightBeamCount = 1 }
-bothsixteenth = { \set stemLeftBeamCount = 2
- \set stemRightBeamCount = 2 }
+rondo = \relative c' {
+ \partial 8
+ \time 6/8
+ \key c \major
-rondo = \relative c'
-{
- \partial 8
- \time 6/8
- \key c \major
-
- g'8\p |
-
- \rondotheme
-
- R2.*13 |
- r8 r^\fermata d' d[ e f]
- g[ ( e) c-.] d[( e) d-.]
- c4 c8 d[ e f]
- g[( e) c-.] d[( e) d-.]
- c4 r8 r4 r8 |
- R2.*7
- \mark "A"
- c4.\p \grace {
- \override Stem #'stroke-style = #"grace"
- e16(
- \revert Stem #'stroke-style }
- d8[) c d]
- c4 r8 r4 r8
- e4. \grace {
- \override Stem #'stroke-style = #"grace"
- g16(
- \revert Stem #'stroke-style }
- f8[) e f]
- e4 r8 r4 r8
- g4. e4 c8
- g2.~
- g8[ a b] c[ d e ]
- e4.( d8) r r
- R2.*4
- e2.~ |
- e8[ d c] c[ b a]
- d2.~
- d8[ c b] b[ a g]
- g'4( e8) b4( cis8)
- \mark "B"
- d4 r8 r4 r8
- R2.*3 |
- r8 d[-. d-.] d[( g) d-.]
- d[( g) d-.] d[ d d]
- d[( g)] r r4 r8
- R2.*1
- \lipbreaker
- c,,4 r8 c'[ d e]
- d4( g8) c,[ d e]
- d4 r8 r4 r8
- R2. |
- r4 r8 c[-. d-. e-.]
- d4( g8) c,[ d e]
- d[( g) fis] e[ d c]
- b[ ( e) d] c[ b a]
- \mark "C"
- g4 r8 r4 r8
- R2. |
- %
- r8 g[\f g] g[( b) b-.]
- b[( d) d-.] d[( g) g-.]
- g2.~
- g8[ \> a g] f[ e d]
- << \rondotheme
- { s8\!\p } >>
-
- R2.*12
- r4 r8 r4 c8
- \mark "D"
- c4 f8 c4 a8
- a4.~a4 a8
- bes4 c8 d4 bes8
- g4. ~ g8 r r
- R2.*3
- r4 r8 r4 c8
- a4. c
- f ~ f8.[ \rightsixteenth e16( \bothsixteenth d c)]
- bes4 g8 e4 g8
- c,4. ~ c8 r r
- R2.*3|
- r4 r8 r4 c'8
- b4( c8) b4( c8)
- bes4. ~ bes4 g8
- a4 ( c8) f4 ( b,8)
- d4. ( c8) r r
- R2.*3|
- r4 r8 r4 c8
- b4( c8) b4( c8)
- bes4. ~ bes4 g8
- a4 c8 f[ ( d) b!]
- d4. ( c8) r r
- \mark "E"
- R2.*9 |
- \lipbreaker
- c,8[ c' c] c4.~
- c8[ c d] e[ e fis]
- g4 r8 r4 r8
- R2.
- r8 g,[ g] g[ g g] |
- es'4. ~ es8[ d c]
- b4 r8 r4 r8
- R2. |
- r8 g[ g] g[ g g]
- es'4. ~ es8[ d c]
- b4.\cresc c4. d4. e4.
- \mark "F"
-
- f2.\!\f ~ |
- f4 r8 r4 r8
- r8 g,[\> g] g[ g g]
-
- % Edition breitkopf says a-flat (silly!)
- fis[ g gis]
- a[ bes b]\!
+ g'8\p |
- %% EB does the slur in the Rondo differently from the 1st adn 2nd time.
- %% why. Should check with MS.
- << \rondotheme
- { s8\p } >>
- R2.*7
- \mark "G"
- R2.*4
- c,4.\mf c4 c8
- c4. e4 c8
- g'4. g4 g8
- g4. g,4 g8
- c4 r8 r4 r8
- r4 r8 r4 g'8
- c[ ( e) g,-.] c[ ( e) g,-.]
- c[ ( e) g,-.] c[ ( e) g,-.]
- \mark "H"
- g'2.\cresc bes,2.
- a4. b16[ c d e f g]
- a4. f4 d8
- c8[\!\f g' e] c[ g e]
- c[ e' c] g[ e c]
- g4 r8 g''8[ e c]
+ \rondotheme
-
- << d2._(\trill
- { s2 \grace {
- \override Stem #'stroke-style = #"grace"
- c16[ d]
- \revert Stem #'stroke-style }
- } >>
-
-
- c4) r8 r4 r8
- R2.*5
- r8 r8^\fermata d8\p d[ e f]
- g[ ( e) c] d[( e) d]
- c[\cresc c c] d[ e f]
- g[( e) c] d[( e) d]
- c4\!\f r8 r4 r8
- R2.*5
- c8[\f c, c] c[ c c]
- c4 r8 c4 r8
+ R2.*13 |
+ r8 r^\fermata d' d[ e f]
+ g[ ( e) c-.] d[( e) d-.]
+ c4 c8 d[ e f]
+ g[( e) c-.] d[( e) d-.]
+ c4 r8 r4 r8 |
+ R2.*7
+ \mark "A"
+ c4.\p \acciaccatura e16
+ d8[ c d]
+ c4 r8 r4 r8
+ e4. \acciaccatura g16
+ f8[ e f]
+ e4 r8 r4 r8
+ g4. e4 c8
+ g2.~
+ g8[ a b] c[ d e ]
+ e4.( d8) r r
+ R2.*4
+ e2.~ |
+ e8[ d c] c[ b a]
+ d2.~
+ d8[ c b] b[ a g]
+ g'4( e8) b4( cis8)
+ \mark "B"
+ d4 r8 r4 r8
+ R2.*3 |
+ r8 d[-. d-.] d[( g) d-.]
+ d[( g) d-.] d[ d d]
+ d[( g)] r r4 r8
+ R2.*1
+ \lipbreaker
+ c,,4 r8 c'[ d e]
+ d4( g8) c,[ d e]
+ d4 r8 r4 r8
+ R2. |
+ r4 r8 c[-. d-. e-.]
+ d4( g8) c,[ d e]
+ d[( g) fis] e[ d c]
+ b[ ( e) d] c[ b a]
+ \mark "C"
+ g4 r8 r4 r8
+ R2. |
+ r8 g[\f g] g[( b) b-.]
+ b[( d) d-.] d[( g) g-.]
+ g2.~
+ g8[ \> a g] f[ e d]
- % This is technically incorrect, since we started with an 8th
- % note pickup, but both eulenburg and EB do this as well.
- c4 r8 r4 r8 \bar "|."
+ <<
+ \rondotheme
+ { s8\p }
+ >>
+
+ R2.*12
+ r4 r8 r4 c8
+ \mark "D"
+ c4 f8 c4 a8
+ a4.~a4 a8
+ bes4 c8 d4 bes8
+ g4. ~ g8 r r
+ R2.*3
+ r4 r8 r4 c8
+ a4. c
+ f ~ f8.[ e16( d c)]
+ bes4 g8 e4 g8
+ c,4. ~ c8 r r
+ R2.*3|
+ r4 r8 r4 c'8
+ b4( c8) b4( c8)
+ bes4. ~ bes4 g8
+ a4 ( c8) f4 ( b,8)
+ d4. ( c8) r r
+ R2.*3|
+ r4 r8 r4 c8
+ b4( c8) b4( c8)
+ bes4. ~ bes4 g8
+ a4 c8 f[ ( d) b!]
+ d4. ( c8) r r
+ \mark "E"
+ R2.*9 |
+ \lipbreaker
+ c,8[ c' c] c4.~
+ c8[ c d] e[ e fis]
+ g4 r8 r4 r8
+ R2.
+ r8 g,[ g] g[ g g] |
+ es'4. ~ es8[ d c]
+ b4 r8 r4 r8
+ R2. |
+ r8 g[ g] g[ g g]
+ es'4. ~ es8[ d c]
+ b4.\cresc c4. d4. e4.
+ \mark "F"
+ f2.\f ~ |
+ f4 r8 r4 r8
+ r8 g,[\> g] g[ g g]
+
+ % Edition breitkopf says a-flat (silly!)
+ fis[ g gis]
+ a[ bes b]\!
+
+ %% EB does the slur in the Rondo differently from the 1st adn 2nd time.
+ %% why. Should check with MS.
+ <<
+ \rondotheme
+ { s8\p }
+ >>
+
+ R2.*7
+ \mark "G"
+ R2.*4
+ c,4.\mf c4 c8
+ c4. e4 c8
+ g'4. g4 g8
+ g4. g,4 g8
+ c4 r8 r4 r8
+ r4 r8 r4 g'8
+ c[ ( e) g,-.] c[ ( e) g,-.]
+ c[ ( e) g,-.] c[ ( e) g,-.]
+ \mark "H"
+ g'2.\cresc bes,2.
+ a4. b16[ c d e f g]
+ a4. f4 d8
+ c8[\f g' e] c[ g e]
+ c[ e' c] g[ e c]
+ g4 r8 g''8[ e c]
+ \afterGrace d2._(\trill { c16[ d] }
+ c4) r8 r4 r8
+ R2.*5
+ r8 r8^\fermata d8\p d[ e f]
+ g[ ( e) c] d[( e) d]
+ c[\cresc c c] d[ e f]
+ g[( e) c] d[( e) d]
+ c4\f r8 r4 r8
+ R2.*5
+ c8[\f c, c] c[ c c]
+ c4 r8 c4 r8
+
+ % This is technically incorrect, since we started with an 8th
+ % note pickup, but both eulenburg and EB do this as well.
+ c4 r8 r4 r8 \bar "|."
}
projects / lilypond.git / commitdiff