Headword for fretted strings.

diff --git a/Documentation/user/fretted-strings.itely b/Documentation/user/fretted-strings.itely
index 1c3330168f7e56d2720b9c3e8e7910dbcf6c2e75..1aea258d0c27bd39f24dd309743dcaa933041fb6 100644 (file)
--- a/Documentation/user/fretted-strings.itely
+++ b/Documentation/user/fretted-strings.itely
@@ -11,6 +11,8 @@
 @node Fretted string instruments
 @section Fretted string instruments
 
+@lilypondfile[quote]{fretted-headword.ly}
+
 This section discusses several aspects of music notation that are unique
 to fretted string instruments.
 

diff --git a/input/manual/fretted-headword.ly b/input/manual/fretted-headword.ly
new file mode 100644 (file)
index 0000000..fe740fd
--- /dev/null
+++ b/input/manual/fretted-headword.ly
@@ -0,0 +1,154 @@
+% INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
+% Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17"   %
+% on melodies from Bellini's "Norma"                              %
+%*****************************************************************%
+
+\version "2.11.51"
+
+#(set-global-staff-size 15)
+\paper{
+ ragged-end=##t
+ line-width=17\cm
+ indent=0\cm
+}
+
+\layout {
+ \context { \Score
+   \remove "Bar_number_engraver"
+   \override PaperColumn #'keep-inside-line = ##t
+   \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+%%%% shortcuts
+%  fingering orientations
+       sfol = \set fingeringOrientations = #'(left)
+       sfor = \set fingeringOrientations = #'(right)
+       sfod = \set fingeringOrientations = #'(down)
+       sfou = \set fingeringOrientations = #'(up)
+
+%  string number orientations
+       ssnol =  \set stringNumberOrientations = #'(left)  %(down right up)
+       ssnou =  \set stringNumberOrientations = #'(up)
+       ssnod =  \set stringNumberOrientations = #'(down)
+       ssnor =  \set stringNumberOrientations = #'(right)
+
+% define fingering offset
+FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
+  #{
+    \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY )
+  #})
+
+%  markups
+       rit = \markup \center-align { \bold { \italic { " rit." } } }
+       dim = \markup \center-align { \italic { " dim." }}
+       andantino = \markup \left-align { \italic { \bold { \fontsize #+2.5 { "Andantino"  }}}}
+       benmarcato = \markup { \italic { \bold { "il canto ben marcato" }}}
+
+%%% THE MUSIC %%%
+
+melody =  \relative c {
+  \clef "treble_8"
+  \key d \major
+  \time 4/4
+%  \override Staff.TimeSignature #'transparent = ##t
+  \voiceOne
+  \override Fingering #'staff-padding = #'()
+  \sfol
+    e,32 a' c e 
+    e, a c e 
+    e,, a' c e 
+    e, a c e 
+    f4\rest <e'-4>4-> | % m. 1
+
+    e,,,32 gis' b e 
+    e, gis b e 
+    e,, gis' b e 
+    e, gis b e 
+    f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
+
+    d4\rest <b e>-> d4\rest^\rit <b e>4->  | % m. 3
+    <gis b e>1  | % m. 4
+
+  \bar "||"
+  \key a \minor
+  \override TupletNumber #'stencil = ##f
+  \override TupletBracket #'bracket-visibility = ##f
+    R1         % m. 5
+
+    e'4^\benmarcato e8. d16-4 
+    d4-4 \times 2/3{\sfou \FO #'-0.3 #'0.6 <c-2>4 b8} | % end of m. 6
+
+  \FO #'-0.3 #'0.3 
+    <a-3>4 \times 2/3{c4 b8} a4 e'8. e16  | % m. 7
+
+  \FO #'-0.3 #'0.3 
+    <g-4>4 \times 2/3{\sfol \FO #'0.3 #'0.0 <f-1>4 e8} e4   % beg of m. 8
+      \times 2/3{\sfou <d-4>4 c8}                        | % end of m. 8
+
+    b4 \times 2/3{d4-4 c8} \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
+
+    e4 e8. d16-4 d4 \times 2/3{c4 b8}                    | % m. 10
+
+    \times 2/3{a4 a8 b4 c8}                                % beg of m. 11
+  \sfou \FO #'-0.3 #'0.3                                   
+    <d-4>4^\< \times 2/3{e4 <d f>8\!}                    | % end of m. 11
+}
+
+bass =  \relative c {
+  \key d \major
+  \time 4/4
+  \voiceTwo
+  \override Fingering #'staff-padding = #'()
+    
+    e,8\fp[ e'] e,[ e'] e,[ \sfol <c''-1> <a'-2> c,]  | % m. 1
+
+    e,,8\fp[ e'] e,[ e'] e,[ \sfod \FO #'0.2 #'-0.2 <b''-1>  % beg m. 2
+       \sfol \FO #'0.3 #'0.0 <e-2> b]  | % end m. 2
+
+    e,,8 e' gis e e, e' gis_\dim e     | % m. 3
+
+    e,1                                | % m. 4
+
+%% new section starts here in A minor
+  \override TupletNumber #'stencil = ##f
+  \override TupletBracket #'bracket-visibility = ##f
+  \set tupletSpannerDuration = #(ly:make-moment 1 4)
+  \once \override TextScript #'staff-padding = #1.7
+    \times 2/3{a8\p[^\andantino e' a c a e ] a,[ e' a c a e ]} | % m. 5   
+
+  \once \override DynamicText #'extra-offset = #'( -2.1 . 0.0 ) % beg m. 6
+  \once \override TextScript #'staff-padding = #'()
+  \once \override TextScript #'extra-offset = #'( 0.0 . 2.0 )
+    \times 2/3{a,8[\p_\markup {\italic { "dol." } } e' a c a e]}  
+    \times 2/3{e,8[ \sfou <e'-3> <gis-1> c gis e]}     | % end m. 6
+
+    \times 2/3{a,8[ <e'-2> a c e, b'] a,[ e' a c a e]}  | % m. 7
+
+    \times 2/3{f,8[ f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f] fis,[ d' a' d a d,]}  | % m. 8
+
+    \times 2/3{<g,-3>8[ d' g d' g, d]                                    % beg m. 9
+       \sfod \FO #'0.0 #'-2.0 <gis,-4>[ \sfou <e'-2> <gis-1> b gis e]} | % end m. 9
+
+    \times 2/3{a,8[ e' a c a e] e,[ e' gis c gis e]}                   | % m. 10
+
+    \times 2/3{a,8[ e' a b a e] f,[ f' a d a f]}                       | % m. 11
+}
+
+
+\score {
+    \context Staff = "guitar" << 
+        \context Voice = "upper" { \melody }
+        \context Voice = "lower"   { \bass }
+    >>
+    \layout { }
+    
+  \midi {
+    \context {
+      \Score
+    }
+  }
+}
+
+
+