* input/test/g*: added texidoc index.
+ * input/test/[a-g]*: added raggedright==#t when it
+ seemed appropiate.
+
2003-06-16 Han-Wen Nienhuys <hanwen@cs.uu.nl>
* input/test/spanner-after-break-tweak.ly (texidoc): new file.
a b \apply #add-staccato { c c }
a b \apply #add-staccato { c c }
}
+ \paper{ raggedright = ##t }
}
%% new-chords-done %%
\score {
\apply #(lambda (x) (add-text-script x "6") (display x) x ) \notes { c4-3 }
+ \paper{ raggedright = ##t }
}
%% new-chords-done %%
ceses ceses! ceses? |
}
- \paper { }
}
%% new-chords-done %%
\lowerStaff
>
\paper {
+% do we want to keep these settings? -gp
linewidth = 17.25\cm
textheight = 26.0\cm
+
stafflinethickness = \staffspace / 5.0
indent = 0.0
\translator {
\property Staff.TimeSignature \override #'style = #'neo_mensural
s1
}
+ \paper {raggedright = ##t}
}
%% new-chords-done %%
\property Score.barAlways = ##t
\property Score.defaultBarType = ":|:"
c4 c4 c4 c4 }
+ \paper{raggedright = ##t}
}
%% new-chords-done %%
\paper {
+ raggedright = ##t
\translator {
\LyricsVoiceContext
\consists Bar_engraver
\bar ".|." c
\bar "|" c
}
+\paper{raggedright = ##t}
}
%% new-chords-done %%
\bar "|."
}
>
+\paper{raggedright = ##t}
}
\break
c c c
}
+ \paper{ raggedright = ##t }
}
%% new-chords-done %%
c8 c c c16 c
}
+\paper{raggedright = ##t}
}
%% new-chords-done %%
autoBeamSettings \override #'(end * * * *) = #(ly:make-moment 1 2)
}
}
+\paper{raggedright = ##t}
}
%% new-chords-done %%
\property Voice.Beam \revert #'positions
c-[ e] e-[ c]
}
+\paper{raggedright = ##t}
}
%% new-chords-done %%
\score {
\notes\relative c \fragment
- \paper { }
+ \paper { raggedright = ##t}
}
%% new-chords-done %%
% this example doesn't look very useful. Perhaps remove it in
% the future, although it _does_ demonstrate a neat feature of
% lilypond. Maybe regression? Or a "neat features" page
-% (one of the intro pages, maybe?)
+% (one of the intro pages, maybe?) -gp
% OTOH, this is probably a basic lesson for engraving music,
-% so it might not be worth advertising it. :)
+% so it might not be worth advertising it. :) -gp
texidoc = "@cindex Beam Damp
Beams are less steep than the notes they encompass.
" }
\property Voice.Beam \set #'dir-function = #beam-dir-median
[c c g]
}
+\paper{raggedright = ##t}
}
%% Local variables:
\score {
\notes\relative c \fragment
- \paper { }
+ \paper {raggedright = ##t }
}
%% new-chords-done %%
\notes { c4 d4
\blanknotes e4 f4 \unblanknotes
g4 a
- }}
+ }
+\paper{raggedright = ##t}
+}
%% new-chords-done %%
\property Voice.Stem \revert #'molecule-callback
c4. c4 \mark "F" c1
- }}
+ }
+\paper{raggedright = ##t}
+}
%% new-chords-done %%
<<dis c>>1 cis?2 d?
}
+\paper{raggedright = ##t}
}
%% new-chords-done %%
\column << "1" { \bold "2" "3" } >> }
}
>
+\paper{raggedright = ##t}
}
%% new-chords-done %%
\consists Bar_engraver
\consists "Volta_engraver"
}
+ raggedright = ##t
}
}
five1
}
>
+\paper{raggedright = ##t}
}
}
\paper{ indent = 0.0\mm
linewidth = 10.0\mm
+ raggedright = ##t
}
}
%% new-chords-done %%
a\< \!a
}
\paper{
+raggedright = ##t
}
\midi{
\tempo 1 = 60
r8^"Bsn." c'8 f'8-[ f'8]
% FIXME: check to see if clef should be cancelled from the cue. IIRC
-% it should be, but I could be wrong.
+% it should be, but I could be wrong. -gp
% \property Staff.fontSize\unset
% \property Staff . Clef = \turnOff
\clef treble
\score {
\notes\relative c \fragment
- \paper { }
+ \paper { raggedright = ##t}
}
%% new-chords-done %%
a8(a-)-~a
}
>
- \paper { linewidth = 40*\staffspace }
+ \paper { linewidth = 40*\staffspace
+ raggedright = ##t }
}
%% new-chords-done %%
a b8 c16 d a2 r
}
>
+\paper{raggedright = ##t}
}
%% new-chords-done %%
a\fff
a\sf
}
-\paper{
-}
+\paper{ raggedright = ##t }
\midi{
\tempo 1 = 60
}
c2\< \! c2
}
+\paper{raggedright = ##t}
}
%% new-chords-done %%
s2
a'1
}
- \paper { linewidth = 70 * \staffspace }
+ \paper { linewidth = 70 * \staffspace
+ raggedright = ##t }
}
%% new-chords-done %%
#(begin (newline)(display "hello world")(newline))\score{
\notes\relative c'{ c }
+\paper{raggedright = ##t}
}
%% new-chords-done %%
\score {
\notes\relative c \fragment
- \paper { }
+ \paper { raggedright = ##t }
}
%% new-chords-done %%
\pitch #(ly:make-pitch 1 1 1) \duration #(ly:make-duration 2 0)
}
+\paper{raggedright = ##t}
}
%% new-chords-done %%
+++ /dev/null
-\version "1.7.18"
-% possible rename to grace-fake.ly -gp
-\header{ texidoc="@cindex Grace Fake
-If desired, you can fake a grace note. by changing the timing and fontsize
-instead of using \grace. " }
-% although I don't know why you'd want to.
-
-\score {
- \context Voice \notes\relative c {
- % to see the magic: uncomment size stuff in init/paper20.ly
-
- c'4 c4
-
- \property Voice.fontSize= #-2
- b16*1/2 (
- \property Voice.fontSize= #0
-
- ) g4 *31/32
-
- a a g2
-
- }
- \paper { }
- \midi { }
-}
-%% new-chords-done %%
+++ /dev/null
-\version "1.7.18"
-\header {
-texidoc = "@cindex Figured Bass
-%Test figured bass.
-
-Figured bass is created by the FiguredBass context which eats
-note-requests and rest-requests. You can enter these either using
-standard @code{<< >>} notation, or using the special @code{\figures @{ @}}
-mode, which allows you to type numbers, like @code{<<4 6+>>}. " }
-
-\score { \notes <
-\context FiguredBass \transpose c c' {
- <<e! g >>
- <<f ais >>8
- \figures {
- r8
- <1 3 5>4 <3- 5+ 6!> <5>
- }
- }
- \context Voice {
- c
- g8 g
- f4
- d
- c
- }
-
->
- }
-%% new-chords-done %%
\version "1.7.18"
%possible rename to paper-fill-a4.ly -gp
-% candidate for regression -gp
-
+% candidate for reg -gp
+% Han says no, but keeping this comment temporarily so that I don't
+% forget and nominate it for reg again. :) -gp
% test file to get a4 paper really filled,
% without having to resort to the ever-ugly oversizing hack:
\context Staff=two { \clef bass \skip 1*2 }
>
\paper{
+ raggedright = ##t
linewidth = 70.\mm
\translator {
\ScoreContext
\score {
\notes\relative c \fragment
- \paper { }
+ \paper { raggedright = ##t }
}
%% new-chords-done %%
projects / lilypond.git / commitdiff